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Dark Humor and Dread
The Muck follows a ghostwriter hired to write the origin story of a crypto magnate that turns out to be a horror story about pollution and power. The Maw feels almost like a character in its own right. How did you build its atmosphere?
I researched what a chemical plant of that era would have looked like and the sorts of buildings and processes involved, as well as what goes into a data center or bitcoin mining operation of today. But really I was aiming for a ruined Gothic castle/cathedral vibe. The Gothic is one of my favorite genres, and so that was a natural fit.
The novel balances dark humor, dread, and social commentary. How did you maintain that balance?
Seems to me that any social commentary these days is bound to be laced with dark humor and dread. I think a lot of what we consider “dark humor” comes from realizing that this fantastical or horrible thing we’re reading or watching is actually on some levels intimately familiar.
If readers look beyond the horror elements, what human truth do you hope they find?
Glenn, the ghostwriter who is lured into the Gothic castle, is an ordinary man with failings and debts, financial and familial. The divorce that he didn’t want is just about final, and his relationship with his daughter is fraught. Brad, the CEO, tempts him with money and status, and he latches onto this as the solution to his problems, but at the risk of his life and his soul. In the end, it’s the women in his life–his daughter, his ex-wife, the Airbnb host he meets when he arrives–who keep him at least somewhat anchored to reality and morality.
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When tech CEO Brad Thorsen offers Glenn Hurst six figures to ghostwrite his “origin story,” Glenn jumps at the chance. Thorsen will be difficult. His ambition is bottomless. But Glenn’s a professional—he can handle one narcissistic tech-bro if it means salvaging his career.
Thorsen’s converted an abandoned chemical plant in the Blue Ridge Mountains of Virginia into a sprawling data center—thousands of servers now hum in halls that once produced persistent blistering agents. Plagued by accidents and toxic spills for more than a century, the factory was finally abandoned—but Thorsen sees only opportunity. When Glenn mutters “the pollution IS the product” the CEO’s eyes light up: “I think we have a title for our book.”
Glenn tells himself he’s documenting, not endorsing. But the longer he stays, the harder it becomes to know where Brad’s story ends and Glenn’s collaboration begins.
And there’s something wrong with Thorsen. With the people around him. Something Glenn can’t quite put his finger on.
Like an itch he just can’t scratch.
A neo-Gothic psychological horror-thriller about greed, complicity, and the people and other… creatures… that get under your skin.
The Muck: A Neo-Gothic Horror-Thriller
The Muck, by Andrew Hallman, follows Glenn Hurst, a cash-strapped ghostwriter who accepts a lucrative job writing the “origin story” of crypto magnate Brad Thorsen. The assignment brings him to the Mattison Alkaline Works, a decaying industrial complex in rural Virginia known locally as the Maw, where old chemical horrors, corporate ambition, exploited workers, invasive technology, and a maddening itch begin to converge. What starts as a vanity memoir project curdles into a neo-gothic horror-thriller about pollution, power, and the monstrous appetite to turn every human weakness into product.
I was pulled in first by Glenn, who is not heroic in the gleaming, uncomplicated sense. He is broke, defensive, lonely, vain in small ways, and painfully aware of his own failures. That makes him interesting company. His interior voice has a sour wit that never fully protects him from shame, and the book uses that tension well. The Maw itself is the real cathedral here: part factory, part castle, part tomb. Its rusted chambers, poisoned runoff, salt tunnels, and technological altars give the story a thick, tactile dread.
I really enjoyed how the horror keeps widening. The book isn’t content with one monster. It finds terror in chiggers, toxic sludge, AI content mills, billionaire self-mythology, immigration abuse, surveillance, and the old American habit of burying disaster until it leaks back into the water. There are many moving parts, and the momentum can feel almost feverish. But that excess also suits the material. This is a novel about systems that metastasize, and its best passages have the nasty propulsion of an allergic reaction you know you should not scratch.
This book is for readers who like neo-gothic horror-thriller, eco-horror, industrial horror, tech horror, and corporate satire sharpened into a blade. Fans of Stephen King’s character-driven dread and Michael Crichton’s techno-paranoia will find familiar pleasures here, though The Muck has a grimier, more caustic personality all its own. It’s smart, grotesque, and unnervingly contemporary. The Muck turns the American dream into a contaminated site, and dares you to keep digging.
Pages: 392 | ISBN : 978-1969599040
Mental Gymnastics
Dig Two Graves follows a man recently released from prison, armed only with a Bible, rage, and an unresolved history, as he attempts to reclaim his place in the world and regain his respect. What was the inspiration for the setup of your story?
Two primary inspirations, which I discuss in the Afterword: the Egyptian novelist (and 1988 Nobel Prize winner) Naguib Mahfouz’s short novel from 1961, The Thief and the Dogs, which is set in the aftermath of the 1952 Egyptian Revolution, and living in Southwest Florida, which has undergone its own climatic, cultural, and political upheavals in recent years.
When creating Von Martin, did you have a plan for development and character traits, or did it grow organically as you were writing the story?
Since I was following the plot of The Thief and the Dogs pretty closely, I knew WHAT Von was going to do at every turn. What grew organically, and what interested me enough to actually write the novel in the first place, was that it seemed I knew WHY he would be doing these things, the mental gymnastics he would go through to make each terrible decision seem like the correct one to him. Von’s internal narrative, his voice, carried me through to the end.
What were some themes that were important for you to explore in this book?
The idea of respect, as opposed to revenge, is huge, obviously. Is respect something you must earn from the people in your life? Or is genuine self-respect a prerequisite?
I’m also fascinated by how I, and many of us, take actions that we are 100% convinced are correct, or righteous, or just, or good, but then these actions have terrible consequences for those around us, and for ourselves. We are often our own worst enemies, and Von is an extreme example of that.
What is the next book that you’re working on, and when can your fans expect it out?
The next book is a dark fantasy titled This Accursèd Blade. It’s the story of a cursed sword, from the sword’s point of view, and is also centered around a strong revenge plot: Illyria is a young woman whose soul has been trapped in this sword, and she is determined to work her way back to the sorcerer who put her there to exact her vengeance. I’m presently editing the manuscript, and hope to have it out by the end of the year.
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Von Martin walks out of prison with nothing—no job, no home, no real plan. His ex-wife has moved on with his former best friend. His daughter doesn’t recognize him. His old boss pretends he doesn’t exist.
Everyone tells him to play it safe. Keep his head down. Stay clean. Rebuild.
But Von knows respect isn’t something you get by asking politely.
What starts as a quest to salvage his dignity quickly spirals into a blood-soaked reckoning through the sultry heat and septic underbelly of Southwest Florida. Brutally funny, cynically violent, blisteringly sunburnt, this is the story of a man fighting to reclaim his place in a world that has long since left him behind.
You probably shouldn’t root for Von Martin.
But you just might anyway.
Dig Two Graves: A Noir Thriller of Revenge
Dig Two Graves is a hard-hitting noir tale about a man just out of prison, stumbling back into the world with nothing but a Bible, some rage, and a whole lot of unresolved history. Von Martin is bitter, raw, and desperate. He wants to see his daughter, reclaim his place, and claw back respect in a world that seems determined to keep him down. What unfolds is a tense ride through betrayal, revenge, and the messy business of survival, with every page steeped in grit and sweat.
I felt torn while reading. On one hand, the writing is sharp and immersive. The author captures the voice of Von with uncanny precision. It feels like you’re right there with him, stuck in his head, tasting his anger, hearing his rationalizations, even when you know he’s full of it. That intimacy made me uneasy, but in the best way, because it’s rare to find a book that commits so fully to the flawed perspective of its main character. On the other hand, Von is not an easy guy to root for. He’s selfish, volatile, and often cruel, and I caught myself rolling my eyes at his self-pity while also sympathizing with his hunger for dignity. That push and pull kept me hooked.
The ideas in this book hit harder than I expected. It’s not just a revenge story. It’s about the weight of time wasted, the way choices narrow your life, and the slow decay of trust. There’s this constant tug between the possibility of redemption and the lure of destruction, and I felt that tension every step of the way.
By the time I turned the last page, I was impressed. Dig Two Graves is not for someone looking for a comforting read. It’s for readers who want to wade into murky waters, who can handle being close to a character that repels as much as he fascinates. If you like crime stories with grit, moral ambiguity, and a voice that sticks in your head, then this one is worth your time.
Pages: 214 | ASIN : B0FRD5R9L7
