Posted by Literary Titan
The Congress of Rough Writers is an anthology that showcases flash fiction from a diverse set of writers. What was your inspiration for putting this collection together?
Carrot Ranch started as a sandbox — an online place to invite other writers to play for the sheer joy of creating literary art. The weekly flash fiction challenges created a safe space for writers to explore and push into their craft 99 words at a time. Maybe it was Julia Cameron’s teaching that we can be creatively healthy as we gain experience. We created a literary community with diversity that blows my mind every week. It’s uncoached and has no expectations beyond meeting the constraint and boldly going where the prompt leads. The writers inspire me to work with their material in an artistic way, to show how individuals of different backgrounds, genres, and levels can collectively create a powerful vision.
I’m a little jealous because you got to work with so many talented writers on this project. What was the development process like in putting this work together?
Right? The Congress holds some amazing talent. That’s what made me think of calling them the Congress of Rough Writers in the first place because I felt like Wild Bill Cody gathering talented riders from around the world and getting to play with their feats. The development process included coordinating with Sarah Brentyn who developed the structure from my crazy ideas to pull together memorists and fictioneers and build from their original material. I’ve become enthralled by the challenge of putting together collections of 99-word stories, and it’s like a secondary artwork to me. Norah Colvin developed my ideas for building community and wrote a clear and compelling educational component. We had a great challenge throughout the process to uphold different styles of English from global writers. C. Jai Ferry line-edited the entire book and several other Rough Writers served as editorial advisors. It’s not easy melding world styles but we succeeded. It’s breath-taking to work with a large group of writers beyond submissions.
I enjoyed how this collection showcased stories that were only hundreds of words long but managed to inspire some thought-provoking ideas. What was your favorite story from the collection?
Just as any reader acknowledges, we often pick a favorite based on how it personally resonates. For me, that one story is Pete Fanning’s original 99-word “Normandy.” He manages to express what the combat veteran’s experience is like as he ages. The story gives me shivers every time I read that final line, “I was alone on that beach.” I’m a spouse of a combat veteran and we’ve had hard times. We are finally getting him VA care although it’s a fight every step of the way. As my spouse’s advocate, this is my battle. So, to read Pete’s story to a group of combat veterans and their spouses, there was not a dry eye in the room. This is the power of literary art in 99-words. Pete nailed it.
Do you plan to put another anthology together?
You bet! Right now, I’m working with 33 Rough Writers on seven new parts that will focus on what writers can do with serial material. We had several writers create returning characters or write follow-ups to interesting story developments in previous 99-word stories. I’ve invited these writers to craft complete three-act short stories up to three thousand words long. I’ve invited writers to write narrative essays to tell the real story behind a 99-word BOTS (based on a true story). Memoir expert, Irene Waters, will help me develop that section. Educator, Norah Colvin, returns to help craft a new educational component that encourages writers to use their material in clever ways beyond a single use. We are also playing with three acts by piecing together three 99-word serials. Instead of creating chapters from prompt-linked flash fiction, I’m arranging hundreds of 99-word stories into 10-minute reading collections and connecting the stories in surprising and compelling ways. And, because Carrot Ranch is about making literary art accessible, I’ve invited 26 more writers as Friends to respond to new prompts. Each writer will include a 99-word artist’s statement in the new collection. It will publish in November after a rigorous editing process. I’m so excited to be working with such talent and passion for literary art.
Witness great feats of literary art from daring writers around the world: stories crafted in 99 words.
Flash fiction is a literary prompt, form, and tool that unites writers in word play. This creative craft hones a writer’s skills to write tight stories and explore longer works. It’s literary art in thoughtful bites, and the collective stories in this anthology provide an entertaining read for busy modern readers.
Writers approach the prompts for their 99-word flash with creative diversity. Each of the twelve chapters in Part One features quick, thought-provoking flash fiction. Later sections include responses to a new flash fiction prompt, extended stories from the original 99-word format, and essays from memoir writers working in flash fiction. A final section includes tips on how to use flash fiction in classrooms, book clubs, and writers groups.
CarrotRanch.com is an online literary community where writers can practice craft the way musicians jam. Vol. 1 includes the earliest writings by these global literary artists at Carrot Ranch. Just as Buffalo Bill Cody once showcased the world’s most daring riding, this anthology highlights the best literary feats from The Congress of Rough Writers.
Posted in Interviews
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Posted by Literary Titan
The Congress of Rough Writers is an anthology; a collection of stories by different writers. Charli Mills is the the series editor and brings into light the work of a diverse range of polished literary gems, penned by both experienced and inexperienced writers alike.
The anthology is sectioned into 5 parts with each part having a distinctive touch from the others, but related in a rather unique way, with part 6 containing the acknowledgements.
Part 1: Best of show is twelve collections of ten 99-word stories. Each chapter has been titled according to the prompt given in the challenge – a topic on which the story is to be based. The stories have been arranged to make a greater statement, which highlights the magnitude of the task and accomplishment of the editors.
Part 2: A new flash fiction challenge contains a collection of ten 99 word stories written to fulfill a challenge to include 3 particular words in their story. The spirited effort springs to life fascinating characters and evocative ideas.
Part3. Expanded flash contains five of the original 99 words stories, expanded into longer versions, but still under 2000 words. This section shows how a flash fiction story can be the seed for a more developed and intriguing story.
Part 4: Essays from memoirists is yet another unconventional part of this project which makes the experience of the writers’ itself the subject. Each essay gives an account of the experience of the writers writing flash fiction while also noting differences and similarities. Anyone who is a writer, or enjoys a look behind the scenes (think movie extras) will appreciate this section as much as I did.
Part 5: Building community with flash fiction is where we get to know more about the project itself. Here we get to know what flash fiction is and how it can affect bigger changes to a writer’s perception towards writing in general. I felt the explanations were easy to follow and flowed easily from topic to topic.
Part 6: Acknowledgements introduces you to the key persons who have been involved in bringing this unconventional project to light, giving the chance to authors, writers and non-writers, that come from diverse backgrounds. I enjoyed the exposure and introduction to the writers especially when I found the ones that wrote my favorite pieces of flash fiction.
This anthology is meant to both encourage and inspire the next generation of writers and authors, so that the craft of storytelling is preserved and propagated. I felt like this book was geared more towards writers, or aspiring writers, but the average reader should not shy away. There is plenty to enjoy in this series. As with any piece of flash fiction, they are better consumed piecemeal and at your leisure. Don’t look for some overarching theme and take pleasure in the quick creation of thought-provoking ideas and compelling characters. If you like shows like The Twilight Zone, then you’ll like this collection. It was tough for me to review this book as it is a collection of stories that range in quality and appeal. Overall I really enjoyed it. And, I suppose, that is the benefit of an anthology, if you don’t like one story, then just move to the next. What a fun read!
Pages: 166 | ASIN: B078BWZ9MD
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