You know a story is good when it makes it to the fifth installment. A story needs to be captivating, with intriguing characters and compelling action. Readers will find all of that and more in Joseph D’Antoni’s Captive Threat. This book is an addition to his ever-popular Wade Hanna series. It’s easy to see why these books have been able to sustain themselves for so long. The life that Wade leads is not typical at all. This includes his romances. Here we find a story steeped in action with heart-pounding risks and careful planning. Those who enjoy a great action-packed crime/military intelligence novel will definitely be entertained by what occurs within these pages. Where will Wade end up this time? Will he finally get to move forward in his relationship with Megan? Or will this task finally end up being too much for him?
While this is an installment in a series, it is not wholly necessary to read the previous four books. Yes, they will provide important backstory, but D’Antoni writes in such a way that a reader will not be lost. Even the complicated aspects of Wade and Megan’s relationship is not lost in this book. It is difficult to write in such a way that you can captivate newcomers without leaving them confused. A master of his craft, it is clear that D’Antoni knows what he’s doing. At first, the book doesn’t even feel like it’s about Wade at all, but about Megan. About what she is going through after her return to American soil. She has suffered an ordeal and D’Antoni takes the required time to have her move through these complicated feelings and post-traumatic experiences. This is how you capture readers.
The character development is very well planned and carefully laid out. When you have existing characters that have been carrying on for books upon books it’s easy to swap out romantic partners or close friends in favour of an exciting new character. It is clear that our author has spent the time energy required to foster and develop the relationships from existing installments. This is something not many serial authors can accomplish. Coupled with character development are the action scenes as Wade and company foray into their battlefields. Nothing feels out of place or too over the top. There is a pleasant balance between story development and a good old-fashioned fight.
If you are looking for a book that is exciting to read while giving you those complicated portrayals of human emotion then you have found what you are looking for in Captive Threat. It’s an excellent example of a crime/military novel married to dramatic elements done right. For the series to have gone on for as many installments as it has, it is clear that something is being done right here. There is even the potential for another installment into the Wade Hanna series based solely off how our adventure ends. Your heart will race for more than one reason as you devour the words in this tale. But still we are left wondering, where will Wade end up now?
Pages: 389 | ASIN: B01M3OAV36
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A Guardian Falls by Rebecca Tran is a fantasy novel and the second book in the Chronicles of the Coranydas series. In the first novel, we are introduced to our main character Mara, who is seeking revenge after watching her father’s murder. She gives up her privileged lifestyles in order to seek justice. The second starts soon after the events of the first novel, with Mara’s betrothed recovering from his injuries after she has rescued him from her father’s killer, and her self-doubt in her abilities to finish what she has started.
The novel starts well, with a good re-introduction of characters and an update in the current situation. Tran’s writing is easy to follow, and you’re given a sense of the characters as soon as you meet them. Mara is also a likeable main character, and one of the reasons for this is that she is not a perfect or even confident lead. She doubts herself and her destiny throughout the novel, but all this makes for a more realistic and endearing character. It is much easier to empathize with a character who is self-critical and questions themselves, and this makes for an enjoyable read. Mara’s relationships also makes her more likeable. Her relationship with Kess is sweet and you find yourself invested in it – the novel starts with them having been in an argument, but their quick reconciliation is a subtle way to show you the strength of their relationship.
One thing the author does well is her ability to write both long scenes of in-depth dialogue between two characters and epic battle sequences. Both of these will hold your attention, and flow easily. The dialogue is good, and anything the characters say is believable and feels like a true conversation. Similarly, any action is written well, and is not too over the top.
The only problem I found with this novel is the amount of characters there are. It can sometimes be hard to follow so many characters in one book, and occasionally things can become muddled and you start to feel you’re in information overload. However, this does not affect the enjoyability of the novel to a high degree, but it is something you need to concentrate more on as you read.
Overall, this is a well balance book, with a good degree of both action and dialogue that is paced well. You will enjoy both the action sequences and the calmer, more character driven moments. The characters are strong, and our main character is likeable and relatable. The plot is interesting pushed along by some thrilling twists. If you are looking for a good fantasy read then you can’t go wrong with this one.
Pages: 394 | ASIN: B072LJV5Z5
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End of Knighthood Part II: The King’s Move keeps the action blazing forward! The second installment, by Joshua Landeros, follows rebel cyborg super soldiers and continues the story of William Marconi, who seeks vengeance from Chancellor Venloran. After finding out what latest weapon the Chancellor holds, rebel fighters Captain Halsey and Gabby, were lured into a trap and are at his mercy. This sets the stage for what the rebellion needs to do. Will, who started this rebellion, may get his chance to achieve his vengeance and end it, but the cost may be even too great for him to bear.
The King’s Move wastes no time in getting back into the thick of the action and picking up where we left off in the first. The action does not break and the events become more heinous as we reach the book’s climax and the tragic conclusion. Landeros continues to borrow the best from classic military sci-fi authors with short, clipped sentences and telling “only the facts” when denoting action and danger. His world building is subtle and should please any reader who pays attention to the craft of writing. With this second part in his series Landeros has escalated the conflict and moved the stakes to an even higher plane.
The characters remain, along with the action, some of the best parts of the novel. His rather wide cast of rebels and villains are all a thrill to read and fun to follow as they attempt to achieve their various goals. The book remains a blend of sci-fi/thriller that would keep any fan of those two genres satisfied. The dialogue shoots back and forth between the characters as fast as the bullets, keeping the pace quick and the readier on the edge of their seat. These are a welcome distraction from the brutal carnage that sometimes occurs.
The lack of description hurts this work at times, which it makes up for since with prose that has improved since the last installment. He continues to borrow heavily from screenwriting techniques, with consistent dialogue on almost every page, while providing only deep description of the action scenes. His fast pace style will suit casual readers as well as those used to thrillers and military sci-fi.
The King’s Move is an exciting bridge that keeps the reader entertained and swept away on the plight of these rebel cyborgs. Anyone who enjoys a military science fiction thriller will find their palates pleased with Landeros’ work and hungry for the third installment.
Pages: 156 | ASIN: B073WHFL24
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In Apollo’s Raven we follow a Celtic princess Catrin and her star-crossed Roman lover Marcellus on opposing sides of a fierce battle. What was your inspiration for the setup to this exciting series?
Since childhood, I’ve been an avid reader of mythology and legends that portrayed females as goddesses, warriors, and cunning sorceresses. I’ve always been drawn to bigger than life epic heroes and heroines who steered the destiny of their people. In my travels to London, I was struck by the statue of Boudica and her daughters riding in a chariot near the Thames River. I discovered that she was a celebrated warrior queen who united the Britons in a revolt against the Romans, almost throwing them out of Britannia in 61 AD. As I did more research, I became intrigued that Celtic women were considered as equals in this war-like society. The Roman historian Dio Cassius describes Boudica as having the mystical powers of a Druid. Other Roman historians wrote of Celtic women’s ferocity as they fought alongside their husbands.
The heroine Catrin is based on historical and legendary accounts of Celtic warrior queens such as Boudica in Britannia where women were held in higher esteem and could serve as warriors and rulers. The storyline of star-crossed lovers in Apollo’s Raven series is inspired by the legacy of Cleopatra and Mark Antony but with a Celtic twist. Archaeological evidence and sparse historical accounts suggest that Rome heavily influenced the politics of southeast Britannia prior to Claudius’s invasion in 43 AD—a political situation similar to Cleopatra’s Egyptian kingdom. I was also drawn to the tragedy of Mark Antony and his son, Iullus Antonius, whose downfalls were associated with powerful women. Their infamy cast a shadow on Marcellus, the great-grandson of Mark Antony, which will be further explored in the Apollo’s Raven series.
Your story is able to portray ancient Roman life in a believable yet entertaining way. What kind of research did you do to make sure you got everything right?
I did extensive research on the Roman life by reading books, journal articles, and blog posts by historians and archaeologists. Of particular interest are the written accounts by Julius Caesar which he sent to the Roman Senate as propaganda to support his military expeditions in Gaul and Britannia. I’ve also explored several Roman archaeological sites in Britain and France where scenes from the Apollo’s Raven series take place. Locations include Dover, Bath, Fishbourne Roman Palace, Colchester and Hadrian’s Wall in England, and Lyon in France.
As I researched Roman historical events and culture, I also tried to understand their mindsight. In Rome, the male head, the paterfamilias, had complete control over his family—wife, children, and slaves. If they disobeyed him, he had the power of life and death over them. Women were held in higher esteem in Celtic societies which is in sharp contrast with the paternalistic, empire-building Romans.
Catrin is a princess, yet she is not fragile. She’s tough and trains to be as strong as her sister. What themes did you want to capture while creating Catrin’s character?
It is my hope that modern women can draw on the rich traditions of the ancient Celtic civilization where females owned property and could become rulers and Druids. These women fought, hunted, rode horses and used weapons, just like the men, to protect their homeland.
Deeper themes that will be explored in the Apollo’s Raven series as Catrin matures and faces new challenges on her journey of becoming a warrior queen are as follows:
- Coming of Age
- Power to change destiny
- Sacrifice and love
- Corruption of power
- Quest for redemption
What is the next book that you are working on and when will it be available?
I am in the process of finishing Book 2: Empire’s Anvil, which should be available by the summer of 2018. The epic tale continues when King Amren accuses Catrin of treason for abetting her Roman lover, Marcellus. She must prove her loyalty to her father and people by forsaking all men and defending her kingdom even to death. Forged as a fierce warrior, she begins a quest to redeem herself and to break the curse that foretells her father’s kingdom will be destroyed. Yet, when she is reunites with Marcellus, she must face her greatest challenger that could destroy her life, freedom, and humanity.
The world is in turmoil. Celtic kings hand-picked by Rome to rule are fighting each other for power. King Amren’s former queen, a powerful Druid, has cast a curse that foretells Blood Wolf and the Raven will rise and destroy him.
King Amren reveals to his daughter, Princess Catrin, the grim prophesy that his former queen pronounced at her execution for treason to him.
The gods demand the scales be balanced for the life you take. If you deny my soul’s journey to the Otherworld by beheading me, I curse you to do the same as mine. I prophesize your future queen will beget a daughter who will rise as a Raven and join your son, Blood Wolf, and a mighty empire to overtake your kingdom and to execute my curse.
Catrin is trained as a warrior and discovers she is the Raven and must find a way to block the curse of the evil former queen. Torn between her forbidden love for her father’s enemy–Marcellus, the great-grandson of Mark Antony–and her loyalty to her people, she must summon the magic of the Ancient Druids to alter the dark prophecy that awaits her.
Will Catrin overcome and eradicate the ancient curse? Will she be able to embrace her forbidden love with Marcellus? Will she cease the war between Blood Wolf and King Amren? Will she save Ancient Britannia?
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Across the Realm: Life Always Finds A Way begins six centuries in the future where the northern and southern hemisphere have been locked in a bitter feud for centuries. What was the inspiration for the setup to this thrilling science fiction novel?
The inspiration was my own country Canada and the United States, a country I also adore. Canada practices segregation of communities. The United States practices the melting pot philosophy. Basically, the North in Across the Realm is Canada and the South is the United States. I found it so fascinating that we are neighbors but have different living ideologies. For making the book scifi? I am a scifi junkie. My contribution to the world has to be more scifi!
The characters were very well developed, each one having their own personalities and quirks. How did you approach character development in this story?
I always say that my characters come to me. I imagine as if in a movie. All I am doing as a writer is sharing what I am experiencing with others. I live in my stories. And so, the characters introduce themselves to me. I get to know them and we become friends. They then tell their story. Weird I know. But it is what it is.
Naledi practically jumped in front of me. She had her name and background. I met a very strong young lady who knows her place in the world and her sense of purpose. Greg came right after her. I was stunned at his beauty and strength. He is the ultimate alpha. I fell in love. I am still in love.
The writing in this book is fantastic what is your experience as a writer and how has this book developed your writing?
This is the first scifi book I have ever written. It is also the first scifi story I ever dared to write. I have been writing ever since I could hold a pen. My mom told me that the day I was born, my dad put a pen in my hand and said I would be a writer and so I became.
I am published under other genres besides scifi. Pen names are great! But scifi is where my heart is. Before I wrote ATR, I actually went back to university to do another Master’s degree in writing so that I could be confident enough. I didn’t think I could do it.
I was also greatly discouraged from doing it by the industry because of my race. So, this book helped me cross boundaries, mentally, psychologically and factually. It freed me in every way.
In this book I found my authentic self.
Set over 600 years in the future, this is the first book in the Across the Realm series! Enter an Earth physically torn between the Northern Hemisphere and the South. Two worlds divided by a boiling sea and on a collision course as ideologies fight for survival in the face of a fate neither side can tackle alone.
Sweeping elegantly between Northern and Southern perspectives, we meet
阿斯卡里 (Askari) Naledi Choto and Colonel Gregory Douglas two people on opposing sides of the war and with whom the bond is instant. Isobel Mitton, seamlessly weaves in filial love, brutality, betrayal, forbidden romance and loyalty in a tale that stands uniquely on it’s own.
This tale is an exciting and subtle exploration of a reality where segregation and communal living have both become necessities for humanity’s survival and hence have been made to work! It is a tale that shows the truth of the human spirit when faced with adversity.
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Typhoon by Fire by Ryan Grimbly is a fun read! We follow Ace Mcdagger, who teams up with Captain Loxwell of November squad, to rescue her teammates who are scattered in the forests of Malaysia. Three years after basic training in combat and the use of magic, while studying monsters that roam the world, Ace and his team will be put to the test. A rogue scientist was the quarry of Captain Loxwell and remains at large. The joint effort is faced by many obstacles including psychic anomalies, scientific experiments gone awry, and a storm that threatens to consume the region…the Typhoon of Fire.
Grimbly’s writing is one that ensures good pacing. He gives us a small introduction to Ace and Shimon, two of the main characters, showing their roots of where they came from. The prose reads well and quickly, which for a novel such as this is a plus. The blend of genres is a notable factor considering I feel this fits into a military thriller, paranormal, or even urban fantasy. The book could even count as young adult with the playful elements within, but some of the language may be too intense at times for teens. The fact that this blend seems rather seamless is a good reason for any reader that likes these genres to pick this book up.
The prose is strongest with the interplay of Grimbly’s characters. Ace, Shimon, Tiffany, and Loxwell all have brilliant dialogue with one another and they feel like living characters who come off page. It is one of the reasons why I felt this book was such a pleasure to read in the first place. This along with the action that bristles in the scenes that fill most of the book, makes sure to keep the reader turning the page. The blend of military training, magic, and psychic powers may be off putting for some readers, but I think Grimbly manages to balance all of these genres surprisingly well.
Despite all of this, the book is not without some flaws, which include some of the plot and description. I won’t spoil the plot here, so I can’t say much on that front. I will say that those remarks do not mar the good points of this book. Grimbly does skimp on the description and enough that I often became lost in some of his scenes. And as a reader there is nothing more disconcerting than realizing that you’ve lost the sense of “space” that a character or characters exist in.
With all of this in mind, the novel is a wild ride that does not let up until the end. The book is part of a series that I may check out in the future as well. I would encourage fans of urban fantasy, paranormal, and military fiction to take a dive into The Typhoon of Fire.
Pages: 474 | ASIN: B00UYRYZVE
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H.A.L.F by Natalie Wright tells the story of H.A.L.F 9, a Human-Alien Life Form that escapes from the military facility where he was created. During the course of his escape, H.A.L.F 9 meets teenagers, Erika, Jack and Ian, with whom he strikes up a friendship. Among other abilities, H.A.L.F 9 has extreme telekinetic and telepathic powers which make him a valuable asset to the government and one that they are not willing to lose. The government, claiming ownership of H.A.L.F 9’s life, sets out to retrieve him. Having no human technology that can match H.A.L.F 9’s power, they have to enlist a force stronger and more cunning than even H.A.L.F 9 is prepared to face.
Right from the start of the book the characters are likable and relatable. Even though the first couple of chapters were a bit confusing, each one was intriguing enough to make me want to keep reading. It isn’t immediately obvious how the characters in the first chapters are related to one another, but once you do discover the connection the direction of the story makes perfect sense. The writing is actually done very well for a Young Adult novel; which the book appears to be, as all the main characters are teenagers. I was very surprised at how each chapter really kept me on the edge of my seat; my interest in finishing the book never waned. Most books have at least a few chapters that are somewhat slow but I didn’t find this to be the case with H.A.L.F., it kept a great pace and remained interesting throughout. I think the struggle within H.A.L.F 9 between his alien and human personalities were done incredibly well. Having spent hardly any time at all actually interacting with humans on a personal level, he isn’t quite sure what to make of the new feelings that he experiences outside of the facility. For instance, there is a moment at which he finds himself wanting Jack to feel pain, even though he can acknowledge that Jack has never done anything to deserve his ill will. H.A.L.F 9 isn’t able to recognize that he feels this way toward Jack because of Jack’s romantic involvement with Erika, whom H.A.L.F 9 is also developing romantic feelings towards. I also appreciated how this aspect of the characters relationships is subtle and not the focus of any particular chapter in the story. Sometimes Young Adult fiction does not have a good balance of romance to substance but this book does not have that problem.
Natalie Wright does an excellent job with the element of surprise. I don’t want to give any spoilers so I will just say that in several places throughout the book the outcome that I was imagining is not at all what came to pass. I eagerly await the next installment of this series.
Pages: 293 | ASIN: B00R6U32CA
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Adam’s Stepsons follows Dr. Heimann as he designs the perfect soldiers for the United America’s in their war against the Martian colonies. What was your inspiration for the setup to this interesting science fiction story?
At the time I wrote the kernel of the story, I was working in a used bookstore and devouring all the short stories and novels by Phillip K Dick and Robert Heinlein that I could lay hands on. I was (and still am) fascinated by questions of “what is reality?” but I was (and still am) also intrigued by the question “who am I?” not only in terms of shared realities and perceptions but also ethnicities, religions, and personal relationships within the family. The sense of self is inextricably bound with community and history; my own family history, for example, is filled with generation after generation of soldier in nearly every major conflict since the 1680s. So I knew that I wanted the story of Dr. Heimann and his clones to take place during a military conflict of some sort. The US made it to the Moon first, so I figured any Moon Base would be set up by a future version of the US. But the rising powers of India and China would necessarily lead to competition and colonial expansion elsewhere in space. So I based the UAAF on the Moon, India on the ISS, and China (basically) on Mars. But something has gone wrong, as it usually does, and that sets off the conflict.
I should point out that, when I initially plotted the story and sketched out the characters, Dolly the Sheep hadn’t been announced, Battlestar Galactica was a late ’70s TV show starring Lorne Greene, and “The Clone Wars” still consisted of a single line spoken by Obi-Wan Kenobi. So as much as I’d love to say that I got the idea for soldier clones from the current zeitgeist, the underlying premise of Adam’s Stepsons actually predates the trend. My high school library had beat-up copies of Nancy Freedman’s Joshua, Son of None, and Ben Bova’s The Multiple Man, so it’s likely I internalized elements from those stories and subconsciously reproduced them in my own story.
Dr. Heimann and one of his cloned soldiers, Seth, have an intriguing relationship that becomes very deep. What were the driving ideals that drove the characters development throughout the story?
Dr. Heimann prides himself on his scientific bent of mind, but he struggles to cope to grips with the fact that he basically has no family left, and as Seth grows and begins to develop a real emotional attachment, the doctor desperately tries to push away the feelings he had for the person Seth is clone of. Meanwhile Seth has been trained (“brainwashed,” as the doctor puts it) to be an efficient killing machine, and his need for order compels him to seek out and eliminate anything unknown or unreasonable. Yet he, himself, can’t help feeling strong conflicting emotions, first toward the doctor and then toward his fellow clones. Both characters are driven to discover, deep down, who they really are as people, outside their rigid societal roles as scientist and soldier. Dr. Heimann knows that Seth is not his real son, but can’t help treating his stepson’s clone familiarly because it reminds him of what he has lost. Seth has been “programmed” not to think of anything other than army orders, but he can’t shake the sense that there is more to who he is as a person. Finding out he is a clone, and who his “brothers” are, is the trigger for the final confrontation.
Science fiction has always asked the ‘what if’ questions, but I feel that your novel went a step further. What were some ideals you used in building your story?
My original intention was to investigate not just the “what if” of human cloning (i.e., how would this be done? how would the clones grow physically and mentally?) but also the “what is self?” to a cloned human being. The scientists argue that personality is partly inherited and partly environmental; so if you were to make several different clones of one person and then controlled the information input, they would all become the same person. But personality also consists of emotional attachments made with other human beings on a deeper social level. Human beings are social animals; we need other humans to survive and thrive, and without others we have no clear sense of who we are and what our purpose is. So in order to examine this in a futuristic setting like a clone facility on the Moon, I needed to have a reason for making clones in the first place, plus other people who would provide the clones with that social environment. Once that was established, the real question became “Is what we’re doing morally ethical?” The military paying for the clones display classic cognitive dissonance, by using people they claim are not really people but know they actually are, in order to win what they call a morally righteous war but actually is destroying their entire society. Yet the General clearly also feels a sense of internal conflict, feeling obligated to protect every member under his command, including the clones, and also knowing through his friendship with Dr. Heimann who the clone really is and how this might affect his friend. Ultimately, I was interested in making sure none of the characters were typical “scifi” stereotypes, that they had ideals but were deeply flawed people, and ultimately would find themselves trying to make the best of what basically could turn out to be a lose-lose situation in the end.
What is the next book that you’re working on and when will it be available?
Right now I have a couple of projects I’m working on in various stages, but the one most closely related to Adam’s Stepsons is a metaphysical science fiction series set mostly on Mars. The first book is called Bringer of Light; a crew of ethnically diverse and somewhat misfit asteroid hunters recovers an extra solar object from beyond the solar system, experiences physical and spiritual changes, and ultimately becomes the new leaders of the united Mars colonies as they break away from the old political chaos of Earth and form a new society. The story combines hard science with various mystical systems of belief, ethnic and religious sense of self and identity, and international/interspacial political intrigue. I’m about a third the way through the initial draft; the aim is to finish writing by the end of summer 2017, and have an edited, polished manuscript done by spring 2018. The next two books (Defenders of Aeropagus and Return to Omphales) have already been outlined and plotted.
Dr. Johann Heimann designed the perfect soldiers: superhuman in strength and intelligence, immune to sickness and disease, programmed to lead the United Americas to a quick victory in the Mars Colony War. But Heimann didn’t anticipate the military’s unrealistic demands, or his own emotional responses to his creations. And now Number Six is calling him “Father”! What exactly is going on during the clones’ personality imprinting cycle? As Heimann starts his investigation, Number Six grows in confidence and self-awareness…and both discover the project hides a secret even Heimann, himself, doesn’t suspect…
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End of Knighthood Part I: The Chess Pieces by Joshua Landeros is a ripping tale of military science fiction. The novel follows the continued struggle of William Marconi a cyborg super soldier as he continues to figure out his place and duty as a soldier and knight in this futuristic warzone. Will ends up joining the resistance movement. Fighting the UNR, the new world government superstructure, or curbing its growth becomes the center of conflict. Chancellor Venloran is the locus of these plans and wishes to destroy his enemies completely. Can non-UNR countries survive the rising tide and hardened troops? The principal question is, what will Will do to make up for his past transgressions on behalf of his former role?
Landeros paints a picture worthy of the classic military science fiction writers in their hay day. Robert Heinlein’s Starship Troopers can be felt in every leap of Will from rooftop to rooftop. He masterfully borrows what made these novels great by their action and dialogue. One of the strong parts of the End of Knighthood is not just the fantastic action, but the dialogue between the soldiers is some of the best I have ever read. This is what keeps these soldiers human and what makes them instantly relatable to the reader. Sure, it is cool to read the amazing action scenes that Landeros crafts, but in the quiter moments we get to see how these individuals struggle with their in between status and their struggle in the midst of war.
As far as action goes, you can’t get too much wrong when you have cyborg on cyborg action, but Landeros takes painstakingly careful steps so that the reader does not become lost in the rain of bullets and blows. We are able see every body fall, but we are also able to see the glimpses of humanity from these soldiers as they reflect later their deeds. Will, the main protagonist, and one of the few carry overs from the previous book, is one such character that we get to see who continues to develop.
In our current times of political upheavals and nation states, one would think a book such as End of Knighthood would be hard to swallow. The UNR seems to be something that could occur in the not so distant future, but with the addition of these tech enhanced soldiers, Landeros has given the reader enough of an escape to enjoy oneself rather than wallow in more reality. Despite having a military science fiction bend, the novel could appeal to anyone looking for an action centered yarn along with some political thriller overtones. The genre blending on Landeros’ part is spot on and should please a wide variety of readers.
All in all, the reader may lose some sleep going through one battle scene and turning the page for another, but it is sleep happily given up. I look forward to the next installment of the Reverence series.
Pages: 233 | ASIN: B06ZZCDJ44
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Adam’s Stepsons by M. Thomas Apple is an interesting science fiction piece. We follow Dr. Heimann who designs the perfect super soldiers for the United America’s in their war against the Martian colonies. Heimann quickly discovers that he did not anticipate the brutal efficiency of the military, nor the attachment that arises from his creations. These clones are not only the peak of what the human form can do, they actually transcend humanity through intelligence and strength. They are the weapon that the United Americas will use to crush the rebellion on Mars. Dr. Heimann is shocked when one clone, Six, begins to call him “Father” and then the can of worms truly opens.
Apple’s novel is almost painfully short, only because I wanted to have more to read and dive into. He anticipates the future of inter-solar system colonization and the struggles that can arise, such as this between the United Americas and the Martian colonies. He does not neglect the complicated matter here or the scope considering the Terran governing force is losing the war and needs these clones to pan out.
The struggle between scientist and soldier is an old one, but one that takes on a new twist with the rise of cloned super soldiers. Apple goes along the lines of Robert Heinlein’s Starship Troopers, but does not seek to critique war itself. Instead, the author goes further and asks whether these soldiers are “truly” human or are they just “equipment” as the military officer Marquez calls them.
The conflict deepens even further when “Seth”, clone number six, as Dr. Heimann calls him when no one else is around, begins to call him “father”. The book bounces between the POV’s of the scientist and Six, which is interesting because as the book goes on Heimann becomes more and more unstable and uncertain of his mission of designing soldiers, who resemble the people that their genetic material comes from. Six, or rather, “Seth” becomes increasingly more confident in his abilities and his intelligence. All of this leads to a climax that may polarize readers, but one that will still make the reader ponder on far after they have finished the novel.
Overall, I enjoyed Apple’s prose. It reads crisp like that of Asimov or Heinlein, but I am still unsure if the short length of the work was appropriate. There is a lot of dialogue and not enough actual “action” going on throughout, so I was expecting more digging into the rich themes of personhood and philosophy of the soul. I realize that may be asking too much.
Adam’s Stepsons is a fun addition to the long canon of science fiction that dares to ask the “what if” of the future. It also seeks to ask the “should we, if we can” question that not enough science fiction is retrospective enough to ask. A good read for any science fiction lover, especially of the Heinlein or Asimov variety.
Pages: 92 | ASIN: B06XJRT8CS
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