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He Wants To Possess Them
Blood of a St. Claire follows a grieving teenager who uncovers a terrifying family legacy involving murder, organized crime, possession, and a supernatural curse that threatens to determine who he and his sister become. Where did the idea behind this novel come from?
The idea for Blood of a St. Claire wasn’t exactly planned. It began when I rediscovered a rough draft of one of my older manuscripts. After reading it, I knew there was something in its message worth pursuing. I scrapped the original manuscript but kept its emotional foundation.
We all have—or have had—a Henry in our lives. By that, I mean someone so controlling that they can drive everyone around them nearly insane. When I was a child, I had a Henry in my life, and writing Blood of a St. Claire became a form of therapy for me. The supernatural elements made that controlling presence literal: Henry doesn’t merely want to influence his family; he wants to possess them.
What drew you to combining horror, organized crime, family drama, and dark humor?
Humor has always been part of how I process darker situations, so combining it with horror and family drama felt natural. The organized-crime element gave Henry’s control a larger reach, while the supernatural horror allowed the family curse to become something tangible. Dark humor keeps the story human because, even when people are frightened or grieving, they still use humor to cope.
A lot of people don’t know that Blood of a St. Claire wasn’t my first thriller. Shadow’s Game was. I grew up watching crime movies and often imagined how I might tell those kinds of stories differently. Blood of a St. Claire gave me the opportunity to blend that interest with supernatural horror, complicated family relationships, and my natural sense of humor.
Evan uses sarcasm to cope with an increasingly terrifying situation. How did you develop his voice?
Evan’s sarcasm developed as both a coping mechanism and a way of preserving his identity. As the situation becomes more terrifying, humor helps him resist becoming like the rest of the St. Claire family. I wanted him to remain a symbol of hope throughout the novel, so even when he is surrounded by murder and manipulation, his voice reminds the reader that Henry hasn’t completely taken control of him. His sarcasm lets him fight back without surrendering his humanity.
Which character would you most like to explore in a future story?
I would most like to explore Henry St. Claire further. There is still much more to uncover about his past, the origins of the family curse, and what made him into the person he became. I can also imagine using him in crossover stories because Henry is not the kind of character who respects the boundaries of his own book. Don’t be surprised if he appears again in the future.
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His father is lying. His sister Heather is hiding something. His therapist seems far too interested in what he remembers about his mother’s death. And when Evan begins hearing his dead mother’s voice, the people around him insist grief can make the mind play strange tricks.
But his mother isn’t a memory.
She’s trying to warn him.
Behind the St. Claire name lies a legacy built on violence, secrets, and a family curse that has survived for generations. As Evan begins pulling at the threads, people around him disappear, old deaths stop looking accidental, and the family he thought he knew becomes increasingly difficult to recognize.
Even Heather may be hiding more than Evan realizes.
Because in the St. Claire family, blood is more than something you inherit.
It’s something that follows you.
Blood of a St. Claire is a dark supernatural thriller about family secrets, murder, possession, and the terrifying question of whether a violent legacy can ever truly be escaped.
Obesseus: Operation Gravy Blockade
Obesseus: Operation Gravy Blockade, written by D.T. Tucker, is a wildly energetic children’s fantasy comedy set in Snackland, where food characters, workplace panic, gravy floods, ninja muffins, overtime signs, and anti-fun villains collide in one long burst of cartoon chaos. At the center is Obesseus, a loud, gravy-loving force of joy who pushes back against the characters who want to control, measure, or remove fun from Snackland Press. The book’s genre is children’s humorous fantasy, with a strong dose of absurd adventure.
The book is playful in a way that feels breathless. The author leans into repetition, big reactions, silly names, and escalating jokes. Allen Apple keeps fainting. Molly Mushroom keeps arriving late. Grant the Grapefruit bends reality through confusion. Obesseus turns gravy into a whole philosophy of life. It’s not subtle, but I don’t think it’s trying to be. The humor works best when the story fully commits to the ridiculous, like when corporate rules and spreadsheets are treated as the great enemies of childhood joy.
I liked the author’s choice to make “fun” feel like something worth defending. Gravy isn’t just gravy here. It becomes the warm, messy symbol of play, freedom, and appetite. On the other side, the no-fun characters want order, points, overtime, and control. That contrast gives the madness a simple shape that kids can understand. The action rarely slows down, and the cast grows quickly. There is a real charm in how confidently strange it all is. It reads like a playground game that kept adding new rules because everyone was laughing too hard to stop.
I would recommend Obesseus: Operation Gravy Blockade to young readers who enjoy loud, silly, high-energy stories with food jokes, bizarre battles, and characters who act like every small problem is the end of the world. It will especially appeal to kids who like cartoon-style humor and absurd fantasy adventures. Readers who want chaos, comedy, and gravy-powered rebellion will have a blast.
Pages: 237 | ASIN : B0GXGRBTL9
