Blog Archives
Exoskeleton
Exoskeleton is a military techno-thriller with strong sci-fi elements, and it reads like a prequel that’s eager to light the fuse. The story follows Alec Byrnes, a former Air Force special operations lieutenant who’s now a bitter paraplegic drinking himself into a corner, pushed hard by his powerful senator father to “play the cards” he’s been dealt. When a secret program offers him a shot at walking again through an experimental exoskeleton suit, Alec throws himself into the work, joins a tight, high-risk unit, and ends up in a widening conspiracy tied to LEGION and a ruthless inner-circle betrayal that turns the mission personal.
The book opens in an emotional place, with Alec’s anger and humiliation sitting right on the surface, and the writing leans into that heat. There’s a lot of close-in sensory detail, the kind that makes you feel the stale breath of last night’s booze and the claustrophobia of being “trapped inside” your own life. It’s not subtle, but it is effective. The author makes a clear choice to keep Alec prickly, sarcastic, and sometimes simply hard to like early on, and I appreciated that commitment. You don’t get a polished hero. You get a guy who’s bleeding on the page and daring you to look away.
Once the story pivots into the program itself, the book becomes more about systems and stakes. There are big chunks where the author explains how the suit works and why it fails, and it’s surprisingly readable because it’s framed as problem-solving and ego, not a lecture. And when the action comes, it does so with zeal. The Alaska sequence, the hostage trap, the close-quarters fight with Amy, it’s nasty and fast and has that cold feel of a nightmare you cannot wake up from. I also liked the underlying idea that “power” is never just hardware. The suit can make a body move, sure, but it doesn’t automatically fix the damage inside the person wearing it. The book keeps exploring that truth even while it’s throwing punches.
By the end, I felt like I’d finished the first part of a bigger story, not a neat standalone novel. The closing pages push the threat outward and set up the next stage of the conflict in a way that’s pretty blunt about what’s coming. I’d recommend this book to readers who like high-energy military thrillers, special-ops team dynamics, and near-future tech that feels just plausible enough to be unsettling. If you enjoy the Tom Clancy energy but you also want exosuits, AI, and conspiracy creep, this will hit the spot. For everyone else, especially fans of action-forward sci-fi thrillers that don’t pretend trauma is tidy, it’s a compelling ride.
Pages: 329 | ASIN : B0GFXXZW3G
Article Five: A World War Three Novel
Article Five, by J.D. Duncan, is a geopolitical military thriller that kicks off with coordinated attacks and covert sabotage that shove NATO toward its most frightening promise: collective defense. We bounce between the pressure-cooker halls of London, field operations chasing a sleeper agent tied to bombings near St Paul’s tube station, and the widening war footprint stretching to places like Estonia and Moscow. The spine of the plot follows Prime Minister Powell as he tries to hold the line politically and morally while Tony Abbott and John Rafferty chase the human machinery behind the chaos, including Andrew Barker and an injured would-be defector, Gregov Maximov. It all drives toward a tense, exhausted ceasefire and a messy “angry peace,” not a clean victory.
What I liked most is how the book moves. Duncan uses tight point-of-view hops and quick location stamps to keep you aware of the board while still letting you feel the sweat in the room. Powell’s sections especially land for me because they aren’t written like a superhero fantasy. They feel like a person trying to sound steady while everything is shaking, including the uncomfortable reality that allies might hesitate when you need them most. The action scenes are crisp without turning into a tech brochure. There’s a memorable early sequence with a special forces team taking down a Russian helicopter to grab its electronics, and you can almost smell the burning fuel and wet forest in the aftermath. It’s the kind of detail that makes the genre work: specific enough to feel real, but still readable if you don’t speak “military” fluently.
I also appreciated the author’s willingness to sit in the moral grey. The spy stuff isn’t framed as glamorous. It’s transactional, paranoid, and sometimes petty in a relatable way. Rafferty, for example, is funny and sharp, but also tired, cynical, and constantly measuring people for leverage. That energy pairs well with the book’s bigger idea: wars are not only fought with tanks and missiles, but with narratives, timing, and information control. Maximov’s “evidence hidden in plain sight” angle, tucked into something as mundane as a fishing-rod website, is a perfect little metaphor for modern conflict. And Barker’s thread, from coerced bombing logistics to his end, left me cold in the right way. It’s not melodramatic. It’s bleak, brisk, and believable.
I’d recommend Article Five to readers who like their thrillers political, modern, and a little unsettling, the kind that makes you put the book down for a second and think. If your happy place is the Tom Clancy and Brad Thor lane, but you want something with a more current-media pulse (there’s even a nod to BBC coverage and the churn of online commentary), you’ll probably have a good time here. It’s best for people who enjoy big-stakes geopolitics and the smaller, grimy human choices underneath it, and who don’t need a tidy ending to feel satisfied.
Pages: 341 | ASIN : B0FPCZ6V8B
Love, Hate, and Ego
The Long Farewell follows a young man with an Oedipus complex living in the rise of Nazi Germany who, after a series of tragic events, seeks to get revenge on his father. What was the inspiration for the setup of your story?
When I was in college, I was fascinated by Jorgen, a fellow student whom others in our student house labeled as a weirdo. He exhibited abrupt mood swings and had an aggressive aura, although he was skinny and short. When something irked Jorgen – and many things did – he stood trembling, his fists clenched, his eyes wide-open, in front of you and then burst into tears. After such an emotional eruption, he was withdrawn and silent. In our student house, we placed bets on how long he would last at university. I had been so stupid to tell the others I wanted to become a writer and that Jorgen could become a fascinating character in the novel I wanted to write. The rumor had apparently reached Jorgen: during an evening out at the well-known student pub The Red Scaffold, he confronted me about my statement. It turned out that, for once, he wasn’t aggressive. On the contrary, he seemed flattered. We found a quiet place on the terrace. Jorgen told me he wanted to become a poet and asked a string of questions. We drank a few beers, and he became nostalgic and tearful. He boasted he was diagnosed as borderline schizophrenic. He really seemed proud about it and became strangely souped-up and said with trembling lips and flared nostrils: “My mother turned me into a creep. I was only thirteen when she confessed that she wanted me to make love to her. I remember that a fiery arrow went along my spine, making me shudder.” He peered closely at my shocked face and almost whispered:” Nobody knows if we did it or not.”
What could I say? I was quiet.
Jorgen looked me straight in the eyes. I saw he was fighting back tears. “I hate my father,” he whined softly, exhaling with quivering lips. “It’s all his fault.”
That evening, in my bed, I vowed to write a book one day, circling a character with an Oedipus complex.
And to dodge Jorgen.
I didn’t have to do that long. Two weeks later, Jorgen didn’t check in on Monday at our student house.
And never came back.
The memory of this troubled young man stayed with me for several years.
And popped up stronger than ever when I began writing “The Long Farewell.”
The tragic boy Hermann was born.
What are some things that you find interesting about the human condition that you think make for great fiction?
The contradiction between our ‘good’ and ‘bad’ urges is breathtaking. The building of our personalities after birth is chaotic. Our instincts are relentlessly brutal. If babies had the strength to wield weapons, I believe that most of them would be murderers before their third year. We speak with disdain –and fear- about narcissists and don’t want to face up to the fact that our own ego is narcissistic on different levels. In “The Long Farewell,” we see Hermann’s mental suffering, fueled by his hate for his SS father, getting worse and culminating in a dangerous schizophrenia, leading to a truly apocalyptic ending in the German city of Dresden. Schizophrenia is a fascinating and eerie mental disease. When a baby grows up in a family where its mother and father imprint it with radically opposed worldviews, research has detected that the tension thus generated later on in life is the ideal breeding ground for mental anomalies. In past times, these anomalies were called demons. You may smile, but I assure you that we have to take them seriously.
What were some themes that were important for you to explore in this book?
You know, I often think that everything on this Earth eventually comes down to the endless configurations that love, hate, and ego can produce. Love and ego can join forces to form powerful hate and cruelty. I know that we want to see love as something pristine and holy, but reality shows us otherwise.
Of course, I propose my statement here, pure and well-defined. In everyday life, the borders between love and hate –and ego! – are fuzzy. In my oeuvre, I try to follow the intricate signs in our mind that forecast violent drama. Not an easy task, I can assure you. You may wonder why I am so frantically searching for the roots of our violence. I wonder about that too, because after 39 years of being a full-time author, I’m still searching. I’ve been a travel writer in conflict zones between 1990 and 2003, visiting Somalia, Liberia, Sudan, Lebanon, Burundi, Bosnia, Gaza, Iran, Iraq, Kosovo, Myanmar… to name but a few. Those travels have surely influenced my outlook on the world. In Belgium and the Netherlands, my Flemish/Dutch publisher published 45 books. Although set on several continents, they all focus on the mystery of our aggression, on the executioners and the executed.
What is the next book that you are working on, and when will it be available?
I suspect that I’m writing my last novel: I am seventy-two, and I feel my energy waning. Three years ago, I fell victim to a sepsis infection that nearly killed me. I still struggle with the damage the sepsis has wrecked. Moreover, I am afraid to lose my mental powers and glide into Alzheimer’s maw. The terrible disease destroyed my mother’s brain. I know that Alzheimer’s is hereditary, therefore I spy on myself as if my life depends on it. Which it does, of course.
But enough whining, my manuscript-in-progress carries the ominous working title “Black Water,” but I keep searching for a better one. Over here, in Belgium, readers know me as an author who writes crossovers between suspense and literary, but “Black Water” is more magical realism, with a story taking place on different continents, with a central character, a writer/father hiding many secrets from his teenage daughter until a car accident results in a deep coma. Moran, the daughter, tries to wake him up by reading excerpts of his diary. I could explain more, but an author must be cautious and not divulge too much about a work in progress—the novel centers on love, sorrow, and guilt.
And magical mystery?
Maybe.
When out?
I hope next year.
Author Links: Website | Email | Facebook | X | Instagram | LinkedIn | YouTube | BookBub | Amazon | GoodReads | TikTok | Substack
His father is in the SS, his mother is Belarusian, and his girlfriend is Jewish. After a brutal clash with his father, Hermann and his mother flee to Paris. Swept along by a maelstrom of events, Hermann ends up as a spy for the British in the Polish extermination camp Treblinka.
The trauma of what he sees in this realm of death intensifies his pessimistic outlook on humanity. In Switzerland, the famous psychiatrist Carl Gustav Jung tries to free Hermann of his frightening schizophrenia, but fails to unravel the power of the young man’s emotions, especially his intense hate for his father.
What follows is a tragic chain of events, leading to Hermann’s ultimate revenge on his father: the apocalyptic bombing of Dresden.
THE LONG FAREWELL is an unforgettable exploration of fascism’s lure and the roots of the Holocaust. More than ever, the novel is a mirror for our modern times.
The Long Farewell
The Long Farewell is a haunting and relatable story set in the grim rise of Nazi Germany. It follows Marina Nesdrova, a Belarusian refugee trapped in a loveless marriage to an ambitious German officer, and her son Hermann, a boy torn between the warmth of his mother and the cold ideology consuming his father. Through their eyes, the book reveals the slow poisoning of ordinary lives by fanaticism. Love, guilt, betrayal, and fear mix with the heavy shadow of history, turning the personal into something almost mythic. Author Bob Van Laerhoven writes with the precision of a historian and the soul of a poet, weaving the domestic and the political into a tapestry that feels both intimate and terrifying.
What I liked most was the raw, unfiltered emotion beneath the words. Every page hums with quiet menace. The author doesn’t let us look away, and I found myself torn between admiration and discomfort. Marina’s despair feels like a slow drowning. Hermann’s innocence is eaten away scene by scene until you realize there’s no escape for him. Laerhoven’s prose is elegant but never showy. He keeps the sentences sharp and grounded, and the translation by Vernon Pearce carries a dark rhythm that lingers. It’s not just a story about Nazis and victims, it’s about what happens when love rots in the shadow of power.
I won’t lie, reading it was emotionally difficult. I felt angry, then sad, then strangely numb. The violence is understated yet suffocating. It creeps in like a chill. I found myself wanting to shake the characters, to warn them, but they kept walking toward their fate, blind and hopeful in equal measure. What I loved most, though, was how the book refuses to moralize. It just presents life as it was, messy, cruel, and tragically beautiful. It’s that honesty that makes it unforgettable.
The Long Farewell is not a book you finish and set aside. It’s a book that keeps you thinking well after it’s ended. I’d recommend it to anyone who loves historical fiction that bites deep, who doesn’t mind feeling a little broken when they turn the last page. If you want to look straight into the heart of human weakness and still find traces of grace there, this book will stay with you for a long time.
Pages: 365 | ASIN : B0FPK7P459
Sua Sponte: The Minneapolis ADOZ
Mikael Carlson’s Sua Sponte: The Minneapolis ADOZ is a high-octane political-military thriller that blends the grit of combat realism with the chaos of civic unrest. Set in the aftermath of a brutal ambush in Syria, the story follows Staff Sergeant Emmit “Chicago” Haskins as he reintegrates into civilian life, only to find himself caught in the spiraling tensions of post-Floyd Minneapolis. The novel weaves together threads of political intrigue, media manipulation, grassroots activism, and the enduring loyalty of a brotherhood forged in war. It’s fast-paced, cinematic, and unapologetically opinionated.
What struck me first was how Carlson plunges you into battle from page one. The prologue doesn’t ease you in; it throws you into a searing ambush near Al-Tanf, Syria. The action is visceral. The description of RPGs ripping through MRAPs and Emmit refusing to abandon his wounded Rangers was raw, heroic, and honestly had me holding my breath. Carlson writes combat like he’s lived it. The whole opening sequence could easily rival any war movie for sheer intensity. I loved that it wasn’t just about firepower. It was about values. Loyalty. Brotherhood. Carlson knows what makes soldiers tick.
The narrative then shifts sharply to Minneapolis, where the tone grows considerably more serious. The city’s social fabric is fraying, and Carlson addresses these tensions with striking candor. The character of Police Chief Vanessa Campbell is placed in a particularly precarious position, as she navigates the volatile intersections of political pressure, internal departmental conflict, and a mayor whose priorities appear driven more by public image than justice. In a particularly jarring scene, the mayor demands the immediate termination of an officer who deployed a taser on a knife-wielding suspect, well before any investigation is completed. His curt command, “Fire him. Today,” delivered while he examines his fingernails, underscores the indifference to due process. The moment is deeply unsettling. It illustrates a system more concerned with optics than with truth, and it’s difficult not to sympathize with Vanessa, who is forced to balance integrity with job security. The tension feels uncomfortably authentic.
The narrative also delves deeply into the interplay between media and activism, presenting a nuanced examination of their power and volatility. Kai, an independent journalist, emerges as one of the novel’s most compelling figures. Intelligent, jaded, and visibly fatigued by the ongoing culture wars, he nevertheless remains committed to uncovering the truth. His analysis of the gathering at Gold Medal Park deliberating whether it constitutes a peaceful protest or the beginning of something more volatile is astute. His observation, “This somehow feels…organized,” resonates strongly, and Carlson’s willingness to confront the ways in which grassroots movements can be manipulated is both bold and unsettling. Landon, the charismatic agitator, delivers speeches that are disturbingly persuasive. When he declares, “Let’s take this protest to the steps of City Hall…or burn it down,” the moment lands with alarming intensity. It captures the razor’s edge between civic expression and orchestrated unrest, and Carlson handles it with disturbing authenticity.
What kept me reading, though, was the emotional heart of the story. Emmit, trying to find a purpose post-military, is such a solid anchor. His conversations with his sister Kenyala were unexpectedly touching and even funny. She’s tough, witty, and won’t let him wallow. Their back-and-forth gave the book some much-needed softness. It’s easy for stories like this to get lost in the adrenaline and outrage, but Carlson brings it back to the human level just enough to keep you invested in more than the politics.
Sua Sponte: The Minneapolis ADOZ is well-suited for readers who appreciate political thrillers that are unapologetically direct and thematically provocative. The novel confronts its subject matter without hesitation, offering a narrative that some may view as politically charged, while others may interpret it as daring and uncompromising. The story delivers a gripping and unflinching exploration of the challenges veterans face both abroad and upon returning home. For those drawn to narratives where the battlefield extends into civilian life, this book is a compelling and thought-provoking read.
Pages: 444 | ASIN : B0F6RMBYG7
Master Version 1.1
The year is 2028. The setting: a war-scarred Ukraine. Decades of conflict have shaped the landscape, but nothing could have anticipated the arrival of its newest players. A wave of military streamers has descended upon the region, each driven by motives as varied as they are polarizing. Some come with humanitarian aspirations, while others chase fame, followers, and views. Among them is Master, a soldier outfitted with cutting-edge, experimental technology. Armed with a prosthetic arm, a computer-brain interface, and mind-controlled drones, Master embarks on a mission to locate missing fellow streamers. What he uncovers shocks both him and the global audience following his every move.
Antanas Marcelionis’s Master Version 1.1 is a gripping sci-fi action epic. Drawing comparisons to Tron and Ender’s Game, the novel thrusts readers into a hyper-connected, digitally charged battlefield. The premise feels simultaneously far-fetched and eerily plausible. Social media and platforms like Twitch have already transformed spectatorship into a global phenomenon, where millions tune in to watch others play video games while being urged to “smash that like button.” Marcelionis extrapolates this trend to its extreme, creating a world where combat itself becomes content.
Master is a compelling protagonist, torn between genuine purpose and the intoxicating allure of online notoriety. While his psychological complexity adds depth, the true standout feature of the novel is Marcelionis’s meticulous attention to technical detail. The descriptions of experimental technologies are vivid and immersive, from the mechanics of mind-controlled drones to the nuances of augmented combat. Marcelionis’s worldbuilding is further enriched by diagrams and illustrations interspersed throughout the text, bringing his vision to life with startling clarity. This hybrid style—combining narrative with visual aids—sets the novel apart but may not appeal to all readers. The detailed, almost clinical prose might feel dense for some, yet it signals a bold evolution in science fiction. Younger readers, attuned to multimedia storytelling, may resonate most strongly with this approach.
Master Version 1.1 is a glimpse into a near-future shaped by technology, media, and the human need for connection. Marcelionis delivers a thought-provoking and visually striking science fiction novel that challenges conventions and invites readers to consider the fine line between entertainment and reality.
Pages: 287 | ASIN : B0DQQCZKZ2
Sweet Sorrow- Book 3 in The Jungle War series
Set during the final years of the Vietnam War, Sweet Sorrow: Book III in the Jungle War Series by Kregg PJ Jorgenson captures the complex emotions of American soldiers facing a bitter reality. As the conflict nears its end, with support at home dwindling, the men on the ground in Southeast Asia grapple with the prospect of leaving without victory. Some cling fiercely to the hope of a military win, while others grow disillusioned, their attitudes now reflecting the war-weary sentiment back home. It’s a raw, poignant portrayal of a war that left deep scars on those who fought it.
This book reminds me of films like Platoon and Apocalypse Now, but Jorgenson adds his own unique voice. The prologue sets the stage by explaining the significance of MAC-V, the nerve center for U.S. military operations in 1971. From there, we dive into the lives of the young soldiers of Company R, each dealing with the looming end of the war in their own way. Some are desperate to achieve a final victory to justify their sacrifices. Others, however, can no longer ignore the futility of the fight. These conflicting perspectives create much of the story’s tension alongside the brutal and unpredictable firefights. The clashes between soldiers, driven by their shifting beliefs, feel as gut-wrenching as the combat itself.
Jorgenson doesn’t hold back from showing the emotional toll of the war, as soldiers confront their enemies as well as each other and their own disillusionment. The realization that they’re fighting a losing battle slowly dawns on them, and I think it’s this internal conflict that adds depth to the action. The novel’s greatest strength lies in its exploration of these psychological battles, which often prove more devastating than any physical wound.
What was particularly striking to me was the youth of the characters. Many are barely more than teenagers. Jorgenson captures their transformation from wide-eyed boys eager to prove themselves into weary men, drained by the grind of war. Their lost innocence is heartbreaking, and the author’s vivid writing makes their anguish palpable. The novel doesn’t offer easy answers but instead shows the haunting aftermath of a war that offered none.
While the themes of war and loss have been explored before, Jorgenson’s portrayal feels fresh and powerful. The story’s emotional weight, combined with its gritty realism, makes Sweet Sorrow a must-read for anyone interested in military fiction.
Against All Enemies
Against All Enemies plunges its readers into a high-stakes military scenario led by the adept and seasoned Commander Bill Wilkins. The novel thrusts Wilkins and his crew into the heart of a conflict sparked by an audacious attack from the People’s Republic of China against the United States. Navigating these treacherous waters, the story unfolds in enemy territory, while political turmoil back home adds layers of complexity. Washington is in disarray, with a President depicted as out of touch and government officials pursuing personal agendas, leaving the nation’s unity and direction in jeopardy. Simultaneously, Russia seizes the opportunity to sow further discord among U.S. allies.
Drawing comparisons to the suspenseful narratives of Tom Clancy, the book presents Wilkins as a character reminiscent of the renowned Jack Ryan. Wilkins’ intellectual and strategic acumen are central to the plot as he endeavors to lead his crew to safety amid escalating tensions. The narrative does not shy away from the gritty realities of such a dire situation, portraying the challenges and the resilience of Wilkins and his crew in vivid detail. An underlying theme explores the concept of patriotism in a modern context. Wilkins’ love for his country is evident and unwavering, yet the portrayal of a fractured and self-serving American leadership raises poignant questions about the nature of this devotion. The novel invites readers to ponder what it means to fight for one’s country when the very essence of that country seems undermined by its leaders. It subtly hints at a disconnect between Wilkins’ clear sense of duty and the broader, more nuanced realities of national and international politics.
Against All Enemies offers more than just a military thriller; it is a reflective journey into the complexities of loyalty, leadership, and the often-blurred lines between ideals and reality. The narrative challenges readers to consider the true meaning of patriotism in a world where political motivations can be as convoluted as they are compelling.
Pages: 461 | ASIN : B0CHXLMFDD
