Layers of Deception is a thrilling crime novel that delves into cyber-security, the dark web and criminal gangs in the Far East. What served as your inspiration while writing this novel?
Basically I wanted to write the type of book (and movie) that I enjoy myself. As for where the actual story came from, I started writing about situations I experienced over the years and the plot emerged as I built it out. I found that when I’m in the zone and typing away the story just unfolded quite naturally.
I wanted a main character that readers would really empathise with, so while he’s a very successful businessman on one level, I think there’s also a real vulnerability to him, mentally at least. I think it’s this side of him that makes him stand out and draws the reader into his life and problems.
I began writing during my recovery from a serious fall into a storm drain whilst on business in Singapore. Stuck in hospital I found it cathartic to write. It helped with my recovery, both mentally and physically. That was the start. Once back to work, and traveling internationally, I would write everywhere: on planes, trains, staying at hotels, at any given opportunity.
What is your professional experience and how has that helped you write this novel?
I worked for over 25 years in the technology sector – mainly internet security and international fraud detection. I wanted to bring my experiences of business deals and Internet security in the heart of banking systems, where you’d never expect everything to go very wrong very quickly, combining this as a thriller where modern-day mafia and the dark net combine to corrupt the heart of the international banking system.
I think it would really appeal to people who understand the techie stuff, but my aim was to make it perfectly accessible for non technical people too.
Whilst my time in the IT industry, international travel and experiences, equipped me with many stories over the years, my subsequent work as a therapist has enabled me to study all aspects of human behavior. I specialize in treating people with issues around anxiety, phobias and trauma. We are all fallible human beings. One of the main things that therapy gives me is empathy – helping me to understand and get into the mind of the characters in my writing
Kuala Lumpur is a detailed and fascinating backdrop to your story. Why did you choose this location for the setting to you novel?
The thriller draws on my many years experience of doing business in Kuala Lumpur as an IT business entrepreneur in the computer security sector trying to land contracts in Kuala Lumpur.
Despite its challenges, Kuala Lumpur is easily my favorite city in Asia. The city is always on the move, spurred by high technology, a strong knowledge-base and capital-intensive industries. The difference between rich and poor is very stark and there are issues with crime. Traffic is a nightmare as well. All of that aside, the food is fantastic and there are very few cities that are so inherently culturally diverse.
What is the next book that you are writing and when will it be available?
I’m working on my second novel, a thriller set in Kuala Lumpur. It’s about a Malaysian family who illegally buy a Vietnamese child – a boy – the result of a turbulent relationship between a UK businessman and a Vietnamese woman living in Kuala Lumpur. The boy thrived in his new loving family unit, but his life and all those around him were about to be devastated when his real mother, who had since married a rich American businessman – wants him back.
In addition I have completed two more plots. A sequel to Layers of Deception where a child is kidnapped by Malaysian triads as a means to extort funds from a UK business based in Kuala Lumpur. The other novel is a thriller based on my fall in Singapore.
With international backers, big business deals and Internet security in the heart of banking systems, you’d never expect everything to go very wrong very quickly. And when things go wrong, they go very wrong! Layers of Deception is an international crime thriller where modern-day mafia and dark net combine to corrupt the heart of the international banking system.
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It is 1939 when the bullet-riddled body of an accounting clerk from a gambling ship washes up under the Santa Monica pier. As city homicide detectives tenaciously chase down their only clue—a fast, expensive, and very exclusive Bugatti—their investigation leads them into a tangle of competing gangsters all looking to muscle their way to a bigger share of illegal gambling.
Meanwhile, Los Angeles County deputy district attorney Cliff Thoms is leading a special squad searching for a pair of serial killers who have already killed four young women and are on the hunt for more. Thoms, with the help of a self-proclaimed psychic he doesn’t quite trust, risks lives and careers in a desperate gamble to catch his elusive quarry. As the two investigations collide and rush to a deadly conclusion, dirty cops, DAs on the take, mobsters, grieving families, and reformer politicians must attempt to distinguish lies from the truth. Unfortunately, they are all about to discover that even the truth won’t help them now.
In this fast-paced tale of murder and gangland intrigue, a gritty district attorney and a band of detectives set out on a quest to solve two separate crimes amid a corrupted 1939 Los Angeles.
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YEGman by Konn Lavery is a dark thrilling romp through the back allies and underworld of Edmonton, Canada. Michael Bradford, our hero, is a vigilante, who struggles with violence. His issues aren’t going to get better as he investigates the most notorious gang in Edmonton, the Crystal moths. His methods are caught on film and uploaded online to become viral sensations and are labeled with the hashtag, YEGman. The videos fascinate a rebellious journalist, who wishes to cover the story of this mysterious hero.
This novel is an unexpectedly gritty trip through the Canadian crime scene that I don’t find too often in literature. Most of what comes to mind may be cozy mysteries, not ultra-violent vigilantes dealing with criminals. The novel takes a fun turn with the involvement of the student, Lola and how she gives a better and deeper inside look of the gang culture. In some ways, the trope is rather familiar with an attractive journalist in training along with the brooding vigilante in Bradford. It kind of brings to mind a mix of Batman, Spiderman, and Lois Lane. It’s an affirmation of Lavery’s skill to synthesize all of this together to make a novel that engages the reader and doesn’t let up until the end.
Lavery’s style leans on description, which helps to develop the world of this noir thriller, but I felt that the characters sometimes overly explain things. The prose is decent and kept me involved, but the pacing sometimes slows because of the over explanation which left me often wandering from the story. With an action packed story like this, putting the brakes on to go into detailed explanations lowers the tension on an otherwise exciting story.
This novel is plenty gritty, with a dark narrative and the definite feel that danger lurks within every shadow. With a consistently murky tone and treacherous atmosphere to the novel I was able to sink my teeth into the dark underworld set in an alternative Edmonton. For Canadian readers and noir thriller aficionados alike this novel would be a fun read, even people who enjoy a little bit of mystery and can tolerate the violence, this is recommended reading. Overall, an exciting addition to Lavery’s body of work.
Pages: 461 | ASIN: B07B3N5S92
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Man with the Sand Dollar Face, by Sharon CassanoLochman, is a detective-crime thriller novel. The story is centered on Harriet Crumford, who at times also goes by Hattie or Henrietta. She is a 62-year-old woman working as a secretary for a private detective in Crescent City — New Orleans. Shortly into the book an incident takes place, and the action picks up quickly. The book seems to be a mix of feminist and hardboiled noir, and though it struggles in a few places, it reaches a sound level of quality for both.
Harriet Crumford does not seem like a heroic character, at least not in the classical sense of the hero’s story. She is 62-years-old in the story, but little is given about her other than her being a widow. In classic heroic tales, the central character often pushes away from the table — unwilling to take up the heroic cause — due to more pressing, mundane tasks. Eventually, the hero comes to his (frequently it is a ‘his’) senses and begins the hero’s journey. In some ways, this novel is a subversion of the traditional heroic arc — Harriet was the dutiful, longsuffering, strong, silent wife. This provides a strong contrast against her boss, Wallace Woodard, who is philandering to the point that Harriet cannot keep straight who the girlfriend is and who the wife is. Harriet is so given over to subservience, and to old values, that she does not even have a valid driver’s license. Up to the point of this story, she had forsaken the hero’s call for all her life, and once she takes it up, she looks back on her past with pain and sorrow. She then finds within herself, with some assistance, the necessary energy to pursue a mystery to its conclusion. In this way, the text provides those feminist elements through Harriet’s newfound internal strengths.
CassanoLochman attempts to make the novel feel like an old, hardboiled detective novel so much that it strains credulity. The writing, at expertly evokes hard rain, melancholy, brooding, existential pain and anguish typical of hardboiled noir, but then makes a sharp right turn into the “iced coffee with whipped cream and pink sprinkles.” In terms of other characteristics of hardboiled stories, this one fits many of them, but they do sometimes feel forced. In either case, fans of crime fiction will be hard pressed to put the book down.
Overall, the book is certainly a strong read, and contains plenty of action and is recommended. Harriet is an excellent character, not obviously heroic, but willing to take risks. Man with the Sand Dollar Face seems intended for adult audiences, but it is not beyond the reach of younger adults who have an interest in this sort of literature. The book does contain some sexual content (nothing too graphic), definite alcohol and drug use, and more than a little violence.
Pages: 212 | ASIN: B077Y4T192
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This is the second horror novel in the Nick Swann series. This scary story finds Nick now living in an old stone farmhouse on the lonely and mysterious shores of Llyn Isaf, in Wales. He becomes intrigued by its mist-covered lake island, Ynys Y Niwl and its dark, ancient and long deserted mansion, Wyndwrayth.
Its moldering edifice holds many secrets and treasures, some of which draw Nick and his old friend Alan, into dangerous realms. Death stalks the island and as the dangerous spectral figures of The Millar of Souls, The Paladin and Gideon reveal themselves, it becomes increasingly difficult to discern between reality and dreams.
As the death toll rises, Nick finds himself, along with his new partner, Wendy and her Wolf, Mir embroiled in a struggle not just to maintain sanity but to stay alive.
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Songs from Richmond Avenue is a novel about characters that could be found in any town. The main character is a journalist that knows all the questionable characters that hang out on Richmond Avenue in Houston. Why was this an important book for you to write?
I felt like it was important that if I was going to write a book at some point in my life, I get on with it. Since the age of about 20 years old, back when I was a journalism student, I had always just assumed I’d get around to writing a book. I guess the older I got the more not writing a book bothered me.
Fortunately, a few years ago, I became unemployed for about eight months. I say fortunately because that’s when the book started taking shape. I was drawing unemployment after a publication I worked for went belly up. I looked for work online in the morning and when that got boring, which happened pretty quickly most days, I started writing a couple of short stories based loosely on some funny things I’d witnessed riding metro buses or walking through my neighborhood. One morning I stuck a couple of these short stories together and decided to have them come from the voice of a single, first-person narrator. Then I decided to have the narrator go to a bar. That is the essence of the book. While it didn’t take a long time to actually write, there was fairly long span of time between when I started and completed it, because I set it aside when I got another job. Maybe there’s a lesson in that, but I hope not.
What were the morals you were trying to capture while creating your characters?
That’s a tough one since I really didn’t approach Songs From Richmond Avenue with any thoughts of trying to espouse any particular point of view. This isn’t really a moralizing kind of book that takes sides among its characters or proclaims one vantage point in a conflict is right and the other one is wrong. I think the moral perspective might be not to be judgmental of others. There are no heroes or villains in the book, just people with strengths and weaknesses having good and bad moments. I think the book may share its basic moral underpinning with film noir. These characters live by their own loose moral codes and the protagonist, despite his many trials and close calls, doesn’t come away having learned much of anything from his ordeal.
How did you decide on the title of this novel?
Initially, I thought the book would be more a series of individual character vignettes, loosely held together by the fact that they all frequented a fictional dive bar called the Relix Club on Houston’s Richmond Avenue.
There was originally going to be more of a secondary plot involving a down-and-out musician who occasionally hung out at the bar. There were also bands and singers who appeared there, so I came up with Songs From Richmond Avenue, using “song” as a metaphor for each of the character’s lives. When I changed courses a bit, the book remained Songs From Richmond Avenue, primarily because I liked how it sounded and couldn’t come up with anything better.
What is the next story that you are writing and when will it be available?
It’s a book that, hopefully, will be available in about year. This will be largely dependent upon whether I write a little more frequently once baseball season is over. I’m about halfway through a story that bears some similarities to Songs From Richmond Avenue – hapless characters, drunken debauchery, bad company, worse decisions. The setting will be far less urban, but what isn’t less urban than Houston? There won’t be a first-person narration this time either. It’s had a couple of working titles, both of which are terrible, so I won’t mention them.
If the adage “nothing civilized ever resulted from the drinking of beer” requires further proof, one needs look no farther than down Houston’s pothole-infested Richmond Avenue. There, the blurry-eyed denizens of the Relix Club wile away the hours engaged in their two favorite activities – drinking and betting.
Until recently that was good enough for our storyteller, a journalist of questionable work ethic, who undergoes an epiphany following a bus stop meeting with pretty Michelle, a woman he declares has “skin so perfect I doubted she even had pores.”
Could she be his redemption? Maybe, but first he’d better contend with her baseball bat-wielding former beau, her nihilistic stripper roommate and the suspicious death of a friend, who fancies himself the father of Brute Generation poetry.
Mostly satire, often wildly unpredictable, the only real long shot in Songs From Richmond Avenue would be for its protagonist to put down his beer long enough to learn anything of true value.
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The Biggest Little Crime In The World is the third book in the popular Ham McCalister Series and follows the lives of two Las Vegas Homicide detectives turned private eyes. What was your inspiration for the setup of the story and how did that help you create the ending?
This one flowed naturally from the book before. Although each is written as a standalone so that they may be read in any order, the ending of each at least hints at the start of the next. In this case, the wedding between Drew and her beloved superstar was foreshadowed and thus the book began as such. And that led to the story arc, a rather natural extension of the characters and their responses to life, incidents both good and bad. The denouement arose from the investigation and, though the why and the who were a surprise to me, the ending was at least partially suggested by the plot outline developed before writing began. And it did tie nicely to the series, I am pleased to say.
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
I love this question because it’s the foundation that makes writing such an enjoyable endeavor. The answer is that in this book, as in each I’ve written, the players never cease to surprise me. They say and do as they please, and take the plot in directions I had not anticipated. That despite the rather extensive plot and character outlines. It’s so much fun to run the other way from that which was anticipated. In sum, the characters act it out and they and they alone dictate the plot development.
I love the dynamic relationship between Drew and Ham. What were the morals you were trying to capture while creating your characters?
Drew and Ham are complicated by their exposure to the underside of life. As homicide detectives for the Las Vegas police department, they saw and experienced more that most of the underbelly of society. Both are imperfect characters in that both are inherently honest and rigidly law and order, yet both are not above bending the rules when the circumstances, as they see them, warrant the dishonesty therein. And both struggle with that dilemma, the eternal battle between that which we see as ideal and that which we refuse to allow, no matter the moral cost. It is a constant struggle for both, as each seeks truth and justice, rewards for their efforts, conviction of the guilty and protection for the innocent—this while refusing to bend to niceties when evil rises before them. Erasing evil, to the both of them, takes precedence over a simple genuflect to the rules.
What is the next story that you’re writing and when will it be published?
The next book is The Curious Case Of Ham On Wry. It follows Ham and Drew as they try to exonerate their client, U.S. Representative Harold Wry from a charge of murdering his Washington intern. I expect the book to available sometime next summer.
Shots ring out and two find their mark, just under the arch that declares Reno “The Biggest Little City In The World.” A crime, an assassination that the press will dub “The Biggest Little Crime In The World.”
That very day Ham McCalister had walked his dearest friend and business partner, Drew Thornton, down the aisle to wed her rock superstar betrothed, Russ Porter, one of the frontmen of the legendary band Truckee River. In that happy moment, what neither he nor Drew could have foreseen was the sudden tragedy that would greet them on the streets of Reno, mere minutes after the wedding bells chimed. For there, under that iconic arch, Russ Porter falls victim to an assassin’s bullet, along with an unknown second casualty.
While Russ is tended to at Reno’s finest medical center, by the state’s finest physicians, Ham and Drew race to uncover the who and the why behind the unspeakable evil unleashed in the aftermath of the wedding of Drew’s dreams. And then exact a revenge that she will personally inflict.
What they find, what they don’t’ expect, what they finally uncover, is The Biggest Little Conspiracy In The World.
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LT: The Voynich Gambit follows Special Police Officer Blalock as he is put to the test when D.C.’s most infamous artifact dealers set their sights on a mysterious treasure. What was your inspiration for this novel and how did it develop as you wrote?
Quintin Peterson: The Folger Shakespeare Library was the inspiration for The Voynich Gambit, like its prequel, Guarding Shakespeare. I worked there as a special police officer with its Department of Safety and Security following my retirement from the Metropolitan Police Department of Washington, DC on April 23, 2010. (http://tinyurl.com/jppths4)
LT: The novel is set in modern day D.C., where you describe polished skyscrapers, historic landmarks, and endless traffic. Why did you choose this as the setting for you book?
Quintin Peterson: I wanted to write a noir mystery thriller using the Folger Shakespeare Library as the backdrop. The Folger Library is located in my hometown, Washington, DC. (http://www.folger.edu/)
LT: Lieutenant Norman Blalock works at the Folger Shakespeare Library as a security guard protecting its treasures for over two decades. What themes did you want to capture as you developed Norman’s character throughout the novel?
Quintin Peterson: I just wanted to write an entertaining and enlightening good old fashioned heist story. I had the same goal for the first in the Norman Blalock Mystery Series, Guarding Shakespeare, and I have the same goal for the third installment, The Shakespeare Redemption.
LT: What is the next book that you are working on and when will it be available?
Quintin Peterson: Right now I am working on the second installment of my Private Eye Luther Kane Series, The Last Goodbye. Afterward, I will working on The Shakespeare Redemption. Like all of my books, The Last Goodbye will be available at Amazon, Barnes & Noble, Books-A-Million, Indie Bound, et al.
Special Police Officer Lt. Norman Blalock, who has been guarding the treasures of the Folger Shakespeare Library for 25 years, has been coerced into a plot to heist from the Folger Museum “the most mysterious book in the world,” the Voynich Manuscript, on loan from Yale University. Under threat of suffering the consequences of their involvement in the botched plot to heist another priceless artifact from the Folger underground bank vault several months earlier, Blalock and his partner-in-crime Kavitha Netram are once again under the thumb of nefarious businessman Rupert Whyte, and have no choice but to play along.
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