Blog Archives
Dance Masters: Interviews with New York’s Dance Teachers
Dance Masters is a collection of interviews with legendary dance teachers from New York, spanning ballet, jazz, tap, and modern. Each chapter highlights the voices of masters like Jerry Ames, Mary Anthony, Phil Black, Brenda Bufalino, and Eugene “Luigi” Faccuito, among many others. The format is straightforward. We hear directly from the teachers as they share their histories, philosophies, frustrations, triumphs, and above all, their passion for dance. The book also weaves in the author’s own reflections, especially her personal journey through illness and recovery, and how dance became her lifeline back to wholeness. It feels both like an oral history and a love letter to the art form.
I found myself moved by the intimacy of the interviews. The voices come across as raw and real. Some passages carry the weight of nostalgia. Others pulse with the intensity of people who gave their entire lives to movement. I appreciated how unvarnished it all felt. Teachers didn’t just talk about success; they spoke about financial struggles, physical limitations, and disappointments. That honesty gave the book heart. Some interviews circle the same themes: discipline, passion, and sacrifice. Still, the personalities shine bright enough to keep things engaging.
What struck me most was the mix of grit and joy. Many of these teachers had been through personal and professional battles, yet they never lost the fire for dance. Their words made me think about resilience, about what it means to create even when the body fails or the industry changes. The anecdotes about Broadway’s ups and downs, the tap renaissance, or how students transform under guidance, all of it gave me a sense of history that felt alive. At moments, I caught myself smiling; other times, I felt a lump in my throat.
I’d recommend Dance Masters to dancers of any level, but also to anyone fascinated by the process of teaching and creating. It’s not a manual. It’s a record of lived experience, the kind that might inspire a young dancer to push through or remind a seasoned teacher why they started. If you care about the human side of art, the sweat, the doubt, the spark, this book will speak to you.
Pages: 410 | ASIN : B0D9TM6L17
DANCING ON COALS: A Memoir of an Overperformer
Cynthia Moore’s Dancing on Coals is a raw and riveting memoir chronicling her lifelong chase for approval, identity, and peace. From an uprooted childhood in the Bahamas and Swiss boarding schools to a theater-obsessed young adulthood filled with grueling performances, cult-like communes, and painful love affairs, Moore’s journey is one of constant striving. She captures the endless loop of seeking love through overachievement, shedding layers of artifice as she gropes her way toward authenticity. The book moves through decades of experiences from adolescence drenched in loneliness to womanhood edged with rage and revelation, painting a vivid portrait of a woman who’s learned to stop dancing for others and instead listen to herself.
What hit me hardest in Moore’s writing was how deeply personal it felt without veering into self-pity. Her voice is funny, whip-smart, and fierce even when recounting gutting experiences. Being shipped off to a “finishing zoo” in Switzerland, her mother’s clinical detachment, or performing theater under a sadistic Belgian director. The prose sparkles and burns, often in the same paragraph. She doesn’t pull punches, not with herself and not with the people who failed her. Still, there’s a strange grace in how she carries the pain, folding it into her voice without letting it define her. I found myself laughing in places I didn’t expect to, and aching with her in the next sentence. It’s a rare memoir that feels both deeply literary and emotionally honest.
This book left me stirred up, disoriented, and even a little angry. And that’s what makes it good. Moore doesn’t feed the reader polished wisdom; she invites you into the mess. Her reflections on womanhood, ambition, and the illusion of being “enough” hit close to the bone. She captures what it’s like to exhaust yourself trying to be wanted. And she names, in bright flashing letters, the insidious toll that takes.
If you’ve ever tried too hard, loved too much, or felt like you had to earn your spot in the room, Dancing on Coals will find you. This book is for readers who aren’t afraid to feel deeply, laugh through the tears, and question what we’ve been taught about success and self-worth. It’s especially meaningful for artists, perfectionists, and women raised to please. But really, it’s for anyone ready to quit performing and start living.
Pages: 198 | ASIN : B0D8RFNHJL
So You Want to Be an Extremist: A Motley Manifesto for the Motivated Maniac
After reading So You Want To Be an Extremist: A Motley Manifesto for the Motivated Maniac by C.T. Jackson, I can say it’s a hilariously scathing, over-the-top satirical guide that lampoons modern conspiracy culture, online extremism, and the absurdities of “truth-seeking” subcultures. Structured like a how-to guide for the aspiring extremist, the book blends biting wit with dark humor as it traces the evolution of conspiracy theories and their players, from ancient Rome to the far-right fringes of social media. It walks readers through stages of “extremist enlightenment,” skewering everything from sovereign citizens and crystal-chugging wellness influencers to red-pilled incels and flat-earthers.
Reading this was like sitting through a savage stand-up special filtered through a graduate seminar in sociology. Jackson doesn’t just go for laughs—though there are plenty—he goes for the throat. The humor is raw, unrelenting, and often walks a tightrope between outrageous and uncomfortable. Personally, I found the style refreshing. It’s not sanitized or delicate. It’s brash and fearless. The jabs at figures like Joe Rogan and Marjorie Taylor Greene, or at cultural absurdities like chemtrails, 5G vampires, and moon-landing denialism, had me laughing and cringing at the same time. Jackson has a knack for mimicking the language and tone of the people he’s satirizing, which makes the parody hit even harder.
At the same time, there’s a deep undercurrent of anger here. Anger at how misinformation, grift, and willful ignorance have festered into real-world harm. That comes through in the relentless mocking of right-wing populism, internet cults, and self-declared gurus. It’s not subtle, and it’s definitely not neutral. That’s part of what I liked about it: it’s not trying to both-sides its way into approval. The parody is clever, but sometimes a little exhausting, like a meme thread that’s gone on too long. Still, when it lands, it’s fantastic.
If you have a dark sense of humor, a healthy skepticism of internet personalities, and a strong stomach for satire that cuts deep and doesn’t pull punches, this book is a fun ride. I’d recommend it to readers who enjoyed books like Thank You for Smoking or The Onion’s political commentary. It’s perfect for anyone who has ever doomscrolled Reddit or Twitter and thought, “How did we get here?”
Pages: 239 | ASIN : B0DF62LYTR
Reviews: Essays on Cinema
Reviews: Essays on Cinema, by Robert K. Beshara, is a compelling collection of essays that delve deeply into films and the movie industry. Beshara provides a nuanced exploration of the audience’s experience at the 2010 Toronto International Film Festival and examines the ethical implications of the Motion Picture Association of America’s (MPAA) voluntary rating system, implemented in 1968. The book scrutinizes works ranging from Henrik Ibsen’s An Enemy of the People to Quentin Tarantino’s Reservoir Dogs, which Empire magazine hails as “the greatest independent movie ever made.” Whether analyzing plays or documentaries, Beshara’s essays penetrate the rich layers of film production, touching on psychological and philosophical themes.
Beshara’s book not only rekindled memories of some of my favorite films but also introduced me to remarkable works by various talented creators. His in-depth discussions reveal hidden messages, filmmakers’ intentions, and other elements that offer readers a deeper understanding of several iconic movies. For instance, Beshara’s analysis of Tarantino’s Kill Bill presents a fresh perspective, highlighting how the film empowers young girls, a viewpoint I hadn’t considered before.
Beyond its examination of films and the movie industry, Reviews offers an intellectually stimulating experience. The book intertwines themes of psychology, surrealism, psychodynamics, quantum mechanics, spirituality, discrimination, and philosophy. Beshara adeptly balances audience reception with the intricacies of film, leading to profound insights into human nature and reality. His observations, such as “It is hard to write about reality without thinking about truth,” invite readers to reflect deeply.
Reviews is a treasure for movie lovers, creators, critics, and actors alike. It features captivating characters and creative minds, inspiring both aspiring filmmakers and seasoned professionals. From beginning to end, Beshara’s academic and passionate exploration of films provides a thoroughly educational and entertaining experience. As a lifelong movie enthusiast, I recommend this book.
Pages: 175 | ASIN : B0D61FVCLX
That Guy
That Guy by Larry Hankin offers a vibrant dive into the life of its author, a stand-up comedian turned actor whose journey through the pulsating heart of show business is nothing short of a rollercoaster ride. From precarious beginnings in Greenwich Village to navigating the highs and lows of Hollywood, Hankin intersperses his tale with encounters with iconic figures like John Huston, Lenny Bruce, and Bob Dylan. This autobiography is as much about the grit and glamour of the entertainment world as it is about personal resilience and transformation.
This book is a delightful read, brimming with juicy backstage stories and heartfelt moments that make you feel like you’re catching up with an old friend over coffee. Hankin’s knack for storytelling shines as he draws us into his world, packed with eclectic characters and pivotal moments that shaped his career and personality. The book excels in depicting a wide array of individuals—from mentors and icons to rivals and friends—who influenced Hankin’s career and life. The narrative can sometimes feel disjointed, especially when transitioning from one era to another, which might leave readers wanting a smoother storytelling experience. While the insider anecdotes are fascinating, they occasionally overshadow broader thematic developments, making some sections feel more like a collection of vignettes rather than a cohesive story. The book’s engaging style and rich detail effectively portray the entertainment industry’s challenging yet rewarding nature. Themes of perseverance, identity, and transformation resonate throughout the text, making it a worthwhile read for anyone fascinated by the complexities of celebrity life or seeking inspiration in overcoming their hurdles.
Larry Hankin’s witty and reflective style, along with his ability to draw vivid characters and settings, makes That Guy a notable addition to the autobiography genre. For fans of showbiz tales and personal journeys alike, That Guy offers a unique glimpse into a life well-lived and hard-won victories in the face of adversity.
Pages: | ASIN : B0CW18F4D3
The Great Boomsky
Margaret B. Steele’s The Great Boomsky offers a compelling historical account of the life and career of Isaac Willis, known on stage as ‘The Great Boomsky.’ Through meticulous research and an engaging narrative, Steele captures the fascinating journey of Willis from the cotton fields of Georgia to the grand stages of magic shows against the backdrop of America’s transformative period of racial and social change. This book does not merely chronicle the rise of a Black magician but also paints a vivid picture of the era’s cultural and racial dynamics.
Steele’s writing shines with clarity and richness, successfully bringing to life the late 19th and early 20th centuries. Her prose is accessible yet sophisticated, balancing well between academic rigor and narrative engagement. The structure of the book, with detailed chapters divided into acts, cleverly mirrors the theatrical world that Boomsky inhabited.
I enjoyed the book’s exploration of themes such as resilience, identity, and the struggle for recognition against the odds. Steele’s portrayal of Willis navigating the complex racial landscapes of his time offers insightful reflections on the intersections of race, entertainment, and history.
Steele’s rigorous research is evident throughout the book, showcasing an impressive command of historical detail and context. The inclusion of photographs, posters, and newspaper clippings not only enriches the historical authenticity but also provides a visual connection to the past.
The Great Boomsky, by Margaret B. Steele, illuminates a previously underrepresented figure in magic and entertainment. I recommend Steele’s book to readers interested in history, particularly those keen on the intersections of race, culture, and performance art. It’s also a valuable resource for enthusiasts of magic and performance history.
Pages: 494 | ASIN : B0D5DK1G4Y
The Actor’s Book of Quotes
Ever wanted an inside look at the heart of Hollywood? The Actor’s Book of Quotes by Mike Kimmel is an intricate tapestry of quotations, offering profound insights from luminaries both within and outside the acting realm. Designed as a beacon of support and inspiration for those in the performing arts, this anthology serves as a reservoir of knowledge, wit, and wisdom. With a spectrum of topics—from auditions and self-confidence to technique and visualization—it offers a rich and comprehensive guide for both the seasoned artist and the budding performer.
Kimmel’s compilation penetrates deep into the intricacies of the human psyche, addressing themes like ego, pride, humility, enthusiasm, and even the shadows of envy, competition, and excesses. By curating quotes from diverse personalities, this book paints a comprehensive picture of the actor’s journey—both its peaks and valleys. It’s not just a reflection of the artistry of acting but also a mirror of the personal and psychological trials actors often face.
Two pivotal sections warrant special mention. One sheds light on the treacherous terrains of envy and competition, urging actors to prioritize self-growth over futile comparisons and to foster camaraderie in an industry that often pits talents against each other. The second section delves deep into the dark corridors of addiction, a haunting specter that looms large over the entertainment world. Through poignant quotes, the gravity of substance and alcohol abuse is laid bare, emphasizing the imperativeness of seeking intervention and solidarity.
While primarily crafted for those immersed in theater and film, the range and depth of the quotes make it a treasure trove for anyone passionate about the performing arts. Whether you’re an actor, a student, a director, or an aficionado, this book promises insights that transcend the stage, touching upon universal truths of human experience.
Despite being an assortment of diverse thoughts, The Actor’s Book of Quotes emerges as a cohesive and captivating read. It’s filled with pearls of wisdom that resonate not just with actors but with anyone seeking illumination in life’s grand performance.
Pages: 273 | ASIN : B0CH34W5BZ
Monologues for Young Adults: 60 Original Monologues to Stand Out, Inspire, and Shine
Mike Kimmel’s collection, Monologues for Young Adults: 60 Original Monologues to Stand-Out, Inspire, and Shine, is a refreshing and engaging read that is approachable and insightful. Comprised of succinct and easily digestible monologues, this book shines as a valuable resource for the acting community.
The work kicks off with a thoughtful foreword by Valerie Marsch, lending an experienced perspective, followed by a 13-page introduction by Kimmel himself. More than a mere prelude, the introduction serves as a pragmatic guide with a sensible list of do’s and don’ts for budding actors.
What sets this collection apart is the short, conversational monologues, each infused with sage advice that is both practical and inspirational. Kimmel’s pieces stand out for their cleanliness and optimism. They are devoid of vulgarities, consistently forward-looking, and brightened by an uplifting spirit.
Each monologue contains at least one poignant line ripe for impactful delivery, such as “the only difference between a rut and a grave is the length” or “if you don’t heal from the things that hurt you, you’ll bleed all over people who didn’t cut you.” The themes vary widely, ranging from small mindset adjustments needed to push forward and overcome personal limitations and fears to the poignant reflection on unfulfilled dreams symbolized by the clever play on words ‘Someday Isle’ (Someday I’ll).
Kimmel’s collection is an excellent source of good, clean material for aspiring actors. Beyond merely being a collection of monologues, it also serves as an informative primer for those new to the acting industry. The author’s extensive experience is eloquently captured in the introduction and afterword.
Monologues for Young Adults admirably fulfills its stated intention and stands as a testament to Kimmel’s understanding of the needs and aspirations of actors. Engaging, encouraging, and earnest in its approach, this collection is a must-have for anyone seeking to navigate the challenging yet rewarding world of acting.
Pages: 137 | ASIN : B0BRT1BCCP
LITERARY TITAN 