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The Ripple Effect
Posted by Literary-Titan

Born of Dirt & Dust is a collection of short fiction stories ranging from social horror to feral love and tales of survival in a broken world. What draws you to write speculative flash fiction?
Writing speculative flash fiction ignited for me when I sat inside a tattoo studio in Lahaina, along the west coast of Maui, in May 2023, a few months before the horrific wildfire scarred the land and the many, many families affected by the tragedy. At the time of having a beautiful sea turtle tatted on my arm, I learned about the artist working on me. A young woman, approximately in her late twenties, who came to Maui to escape years of marriage with an abusive husband. I could see in her shadowed eyes, her flinching body language, the deep bruised color of her dyed hair, and the violent tattoos inked on her body, the degradation she felt. I could see her need for a portal, an escape, to a very different existence—a world beyond the pain and suffering inflicted upon her. She found that temporary reprieve in the warmth, beauty, and embracing culture of Lahaina. Yet, after only a few months, Hell broke loose, and she lost herself again. This time, in the fire that raged upon her world. It was that moment, seeing the devastation broadcast on the news, feeling the heartache, thinking about her, that I knew I had to write about bending space and time, about churning our world differently in order to find a place where we belonged, where we could—and would—survive, no matter how broken we felt inside. No matter how threatening or violent our environment. In writing speculative fiction, I wanted to capture the worst of what we faced, illustrate the blood we shed, and explore the rising of our spirit to become more than the shrinking ways our world defines us. I wanted to prove that human kindness and resilience win in the end.
Were there any personal experiences or observations that influenced the themes in this collection, and how did they shape the characters or stories?
Two stories in the collection specifically focus on the young life of a boy. “Henry Didn’t Have A Chance,” and “Stuck At A Dead End.” The premise behind the stories came to me from articles I heard on PBS NewsHour while driving to work. The first is about a toddler boy who died at a very young age. Local authorities arrested his mother and her boyfriend on suspicion of murder. The other story aired as a documentary about children of parents who served in the military and returned home with PTSD—how the traumatic affliction affected their children. I knew at this point in writing the stories for Born of Dirt & Dust that I wanted to open a lens for readers to fully experience the character’s world, how trapped they felt, how they chose to move forward, and the ripple effect of those choices. As human beings, we are connected in so many ways. I truly believe that every action and every reaction triggers a ripple effect that touches each of us. Most often in a very minuscule, microcosmic way. Yet it breathes upon us. A tiny molecule. It hits us. No matter how quickly we forget.
Which character in the collection was the most challenging or rewarding to write, and why?
I’m one of those writers who thinks the last story or chapter I’ve written is the best yet. The one that counts. The most brilliant of all. Of course, it’s wishful thinking that comes to light when I re-read what I’ve written a week later and spot the obvious corrections needed. In the case of Born of Dirt & Dust, I favor the story, “Hands That Make A Man.” I have a weak spot for wanting to see the best circumstances for young children in which they grow up to feel loved, secure, and happy. Although my stories tend to lean towards horror, sci-fi, and fantasy, I want the best for my characters. A type of freedom they never thought they would experience. No matter the deepest cuts to their heart and soul. The young boy in “Hands That Make A Man” adores his father, and when Dad is no longer alive, the boy takes something—stitches it to his own young body—and knows full well his life without his father will turn out all right. No matter the loneliness he may feel or the environment where he resides. He gains confidence and feels that he will do right in life.
What is the next book that you are working on, and when will it be available?
There are three books in which I’ve completed first and second drafts—a middle grade book about a young girl who adores space travel and yearns to be a scientist when she grows up; a young adult book about an otherworldly character who hides and survives in the bodies of the recently dead; and an adult thriller about a teenager gaslit by her parents who continue to bury the truth about a family member’s suspicious death. All three books still need another round of editing. The goal (fingers-crossed) is to have them published in the coming year.
Author Links: GoodReads | Facebook | Website | Amazon
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Posted in Interviews
Tags: author, book, book recommendations, book review, book reviews, book shelf, bookblogger, books, books to read, Born of Dirt & Dust, collection, Contemporary Literature & Fiction, ebook, fiction, flash fiction, goodreads, horror, indie author, kindle, kobo, literary fiction, literature, love, nook, novel, read, reader, reading, Renee Coloman, short fiction, story, writer, writing
Born of Dirt & Dust
Posted by Literary Titan

Born of Dirt & Dust is a sharp-edged collection of speculative flash & short fiction that keeps changing masks from urban dread, grief-myth, social horror, bruised fairy tale, while staying faithful to one obsession: what people do to survive when the world won’t stop chewing. Across stories like “Smokin’ with Death,” “Pretending,” “The Last of Our Kind,” and the title piece, Renee Coloman drops me into intimate, first-person rooms where love is feral, hope is conditional, and the aftertaste is usually smoke.
What hit me first was the voice: immediate, unvarnished, and weirdly tender even when it’s being crude. In “Smokin’ with Death,” the narrator sizes up Katelyn, pink hair, tattoos like warnings, a body already half-ghosted by addiction, and the dialogue snaps like a lighter: transactional, defensive, heartbreakingly ordinary. The story doesn’t ask me to approve of anyone; it asks me to recognize them, which is harder and more bracing.
As I kept reading, the book’s recurring textures started to feel intentional rather than merely intense: cigarettes as countdowns, bodies as battlegrounds, love as a dare. “The Last of Our Kind” is a brutal little poem of devotion, an oxygen tank, a warning label, and a woman who can’t stop reaching for flame anyway, as if self-destruction is the last language she and her husband share. And in “Born of Dirt & Dust,” Coloman leans into mythic framing, Adam’s rib, inherited venom, a woman trying to outgrow the “dirt and dust” she’s been assigned, turning family damage into something almost ritualistic. Sometimes the prose repeats or swells on purpose, like a chant you can’t quite step out of; for me, that worked more often than it wobbled.
Coloman’s collection is for readers who want speculative fiction, flash fiction, horror, dark fantasy, magical realism, stories that move fast but leave residue, stories willing to be ugly in the service of truth. If you’ve loved the bite-sized dread and emotional torque of Carmen Maria Machado, you’ll recognize the same appetite for turning private pain into a blade with a shine on it. Born of Dirt & Dust is a small book of big hauntings, each story a matchstrike in the dark.
Pages: 215 | ASIN : B0FZLMZR77
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Posted in Book Reviews, Four Stars
Tags: author, book, book recommendations, book review, book reviews, book shelf, bookblogger, books, books to read, Born of Dirt & Dust, collection, Contemporary Literature & Fiction, ebook, fairy tale, fiction, flash fiction, goodreads, hope, horror, indie author, kindle, kobo, literary fiction, literature, love, myth, nook, novel, read, reader, reading, Renee Coloman, short fiction, story, writer, writing




