LoveQuest by Pamela Jean Horter-Moore is the story of Psyche, a mortal girl blessed by the goddess Aphrodite with great beauty. She is so lovely, that she receives admirers wherever she goes. When Psyche offends Aphrodite, by seeking the approval of her envious sisters and taking her beauty for granted, Aphrodite decides to take revenge. Using her son, Eros, she attempts to punish Psyche to a loveless life. But things backfire because Eros falls in love with Psyche. Both are torn between their families and their love for one another. They must decide what is most important in life.
I am fascinated by Greek mythology with its heroes, monsters and gods, so I knew I was going to love this book before I had even started! This is an epic love story based on an original Greek myth that we know and love, but it is fleshed out with a unique narrative and a fresh take on the characters. Although it is primarily a story of romance, there are obviously fantasy aspects in there–the author excels at writing both genres and combines them expertly. Through a great feat of imagination, Horter-Moore has put a really creative and refreshing twist on what could have been a stale story.
Horter-Moore’s prose is a joy to read, it is straightforward whilst being eloquent and descriptive. It flows beautifully throughout with quite a dream-like tone which captures the milieu perfectly. The narrative is based more on internal thoughts and feelings rather than dialogue, which gives us great insight and understanding of the characters motives and desires. When there is dialogue, it is actually quite modern, for instance, “Why do we have to spend every vacation here?” whined Tanna.“That oracle never has anything interesting to say…”Although this could have felt inauthentic, I actually thought that it was a great way of making the tale more accessible and up to date. The author particularly excels at writing place, and the setting of ancient Greece is magically conjured; it is a world full of gods, superstition, soothsayers, seers and magic. The prose is extremely evocative of scenery and I felt transported to the slopes of Mount Olympus.
The characters really come alive on the page, and they are portrayed with such sensitivity- -the author isn’t afraid of illustrating their flaws and complexities. The relationship between the sisters Medea, Tanna and Psyche are particularly well portrayed, illustrating all of the complicated feelings of jealousy and yearning for approval. The love between Eros, who is the perfect mate, and Psyche, who is deeply imperfect, feels very genuine, and I felt completely invested in their relationship.
Although this is a story of Gods and mortals living in a time unlike our own, the narrative reminds us that ultimately any human heart can suffer and love in universal ways. This is a great read for any lover of myth, fantasy or romance, and I look forward to more from this author!
Pages: 186 | ASIN: B06XTX3TFH
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The Victory Perspective, by E. J. Kellett, reveals a new angle on the creation story complete with a dark and foreboding side. Five beings materialize, quite literally, in the first chapter and proceed to make their way through the world around them while one of them, Alpha, emerges as leader. Raphael, Michael, Lucifer, and Gabriel seek ways to understand Alpha’s powers as they develop, strengthen, and subdue the other four. Alpha’s abilities overwhelm the others as he levitates, forces the others into virtual servitude, and begins presenting them with stunning creations, including human beings. When Raphael disappears from their camp, Lucifer must begin a battle within himself as he searches for his friend.
I was immediately taken with the beautiful language penned by Kellett. The striking descriptions of the landscape and the amazing emergence of each of the five beings is breathtaking to behold. Kellett is a master with the written word and fashions fascinating depictions as they grow in their cognizance.
Kellett incorporates several episodes of violence in order to emphasize the differences between his characters and demonstrate Alpha’s dominance. Like the other four stunned onlookers, I struggled through the sight but find it a fitting method for establishing Alpha’s place in the world and helping the reader sympathize with Lucifer as the plotline progresses. Their horror at Alpha’s growing strength and their wonderment at the tools, weapons, and shelters he is able to fashion are highly relatable feelings.
I was, at times, taken aback at the rather familiar tone of the characters. To hear characters who I associate with angels speak in mundane terms, sometimes using slang, was a bit off-putting. The intensity of the creation story seems to call for a more formal tone, even though this is a far cry from the traditional story which most readers would readily recognize. I had a hard time resolving my discomfort with hearing Alpha, depicted as the creator, curse.
Some readers may find the description of evolution unsettling. As Alpha discovers his efforts to create humans go somewhat awry, readers will find that he is not in complete control of the process. The resulting beings are not pleasing to him. (This is only one of the ways Alpha is very much humanized throughout the reading.)
The closeness between Lucifer and Raphael is touching, and Lucifer’s insistence at finding Raphael at all costs keeps the reader involved in the plot. As the two discover more about themselves and more about Alpha’s intentions, their relationship mimics human exchanges. Again, this is not something most readers are used to seeing from depictions of divine beings. Making that transfer to a different mindset might be a struggle for some.
Lucifer’s reappearance in the Garden of Eden places a new spin on the Tree of Knowledge of Good and Evil. In fact, one of the most iconic scenes we know from the Bible story is, here, given all the qualities of a drama. Lucifer, though always a major factor in Eve’s decline, is personified by Kellett and shown to be thoughtful and not without worries of his own. In addition, Adam and Eve’s conversations are basic in language and have a commonplace feel.
While beautifully written with remarkable imagery, I was not completely comfortable with the take on the creation story. However, there is much to be said for this reimagining of the immediately recognizable story of the origins of our world.
Pages: 314 | ASIN: B078Y9QJW1
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Phoenix tells the story of Sonam and her trials and tribulations as she builds her life as a woman in India. What was your inspiration for this heart-felt novel?
I have been inspired by experience and observation. My family background has been similar, and I have closely observed the lives of urban well-educated women in India. Despite a progressive education and multifaceted skills, they are expected to conform to obsolete family norms and not allowed to make life choices. This is especially true for the year 1983, when the protagonist Sonam wants to extricate herself from an abusive marriage. Indian society then was full of paradoxes: on one hand was the evolution of a knowledge society and unprecedented technological advancement and on the other deeply entrenched dogmatic beliefs in gender stereotypes. Instead of sympathising with a woman who was a victim of circumstances, her family and friends blamed her for her misfortunes and ostracised her.
I felt that this novel confronted gender stereotypes in a bold way. What themes did you want to capture while writing this book?
I have always felt strongly about the unequal playing field provided to women, even in the educated elite class, and the perception that they are appendages to male family members, whether father, brother or husband. Why should women be accorded respect only if they have empathetic men to battle for them? This discrimination is especially difficult to combat since one is pushing against one’s parents and closest family members whom one loves and respects. Through this novel, I wanted to highlight the need to cherish and support daughters as individuals regardless of the presence and status of their life partners.
I felt that Sonam was a multilayered character that was judged by her failings rather than her success. What were the driving ideals behind the characters development throughout the story?
While her parents despair of what will happen to Sonam after she leaves her husband and judge her by her failure in relationship, she demonstrates exceptional skills and shines in her workplace as an achiever. Her personality growth from 1983 to 2017 despite all odds illustrates the triumph of the spirit over ostracism, bigotry, negativity and injustice. She is rejuvenated from the ashes, just like the mythical bird, phoenix.
What is the next book that you are writing and when will it be available?
My next book, tentatively titled ‘A Journey Within’ has a very different story though it also deals with women’s issues. The lives of 16 Indian women of varying age groups intersect when they go on an all-women’s trip to Spain and Portugal. As events unfold during and after the trip, each of them reaches a realization that changes her life forever.
Caught in an abusive marriage, Sonam Aggarwal finds no family support when she struggles to break free. However, with unwavering grit, she makes a place for herself in the world and rises like a phoenix from the ashes of her dead marriage to discover true companionship and professional success.
The evolution of a knowledge society in India that places a premium on human knowledge and skills regardless of gender finally bequeaths her a coveted place in the sun. The novel focuses on the core strength of a woman that asserts her value despite external trappings and women characters who go through their individual struggle with the inevitable challenges that threaten their existence.
Phoenix, a novel, traces the life of Sonam and her upper class family in South Delhi from 1983 to 2017. It highlights the curious paradoxes in Indian society: its global leadership in digitalization contrasted with antiquated prejudices and gender stereotypes.
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When Alanthea, high-priestess of Atlantis, connects to a woman in her dreams, she becomes haunted by a mystery. Compelled to trace the other woman’s life she finds coded poems that hold clues to the predicament of her people. Now she has to venture ever farther into forbidden territory to link past and present, and understand the real danger threatening Atlantis.
Arakon always thought of himself as an orphan, a loner without any real belonging. But after a strange encounter his life changes, and he is drawn into events beyond his control.
They move parallel in their search for answers until their destinies converge, and the weave unravels. Yet what they finally uncover lies deep at the heart of collective evolution, and what has been set in motion cannot be undone.
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The Nightbreaker is a short but welcome sojourn into the world of the Gods and Men Cycle series by Kristopher Jerome. Following a paladin by the name of Daniel, we first are introduced into the conflict between the gods of darkness and gods of light and the conflict that is played out on the Mortal plane. Daniel is part of a mission that goes awry, but learns of a terrible new champion of darkness, Rexin the Blasted. As the story unfolds, Daniel bands together with other brave souls who seek out and stop this terrible menace, otherwise the mortal plane will be swallowed by darkness.
The pacing of Jerome’s novella is spot on, although sword & sorcery novels are often quicker paced. The first battle of the story takes place only a few pages in and I was immediately taken in by the action and everything that Daniel saw as he fought bravely through the demons. The setting is not overly elaborate, especially with the clashing of light and dark. The simplicity of the premise will leave fans of stories like Game of Thrones and others wanting more. But in it’s brevity lie its virtues, The Nightbreaker is a great read for an afternoon of leisure.
The descriptions that Jerome uses is rich and quite cinematic and I enjoyed the writing the most when details were delved into. The main character of Daniel is fun to read about, but begs to be developed further with some character-defining internal dialogue. The narrative is much more “show” rather than “tell” which I happen to enjoy. The story is often punctuated with a bit of action, which saves the stories pace and kept my interest.
With all of this considered, The Nightbreaker is a great introduction to the world of mortals and Gods that Jerome has created. The struggle between paladins, demons, and seraphs is a supernatural backdrop to classic fantasy tropes. This novella will please any reader of classic fantasy or the supernatural, who also enjoys action, redemption, and the struggle between good and evil. At 78 pages, it’s well worth your time.
Pages: 78 | ASIN: B071HPDQXN
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Sometimes stories challenge everything you thought you knew about something and this is one of those books. The Fall of Lilith by Vashti Quiroz-Vega is a dark fantasy of fantastical proportions. Centered around the anti-heroine, Lilith, we follow the creation of the angels and their life in Floraison or “Heaven.” Lilith chafes under the rule of God and rebels, enacting the traditional role of Lucifer, although the Light-bringer joins the ill-advised rebellion as well. These celestial rebels are cast out of Heaven, down on earth where their bodies are changed, and they must rise to the new challenge of surviving a new world.
In some ways, Quiroz-Vega’s novel follows familiar beats of other angelic tales and even the traditional Judeo-Christian scripture passages, but she goes further by using Lilith as her vehicle to rend Heaven apart and creates a whole new story to tell. The descriptions in the book are particularly rich, and clearly there was plenty of thought spent in developing what Heaven and even Earth would look like to the angels.
The book is long since it is two novels, but for the reader, it gives the story a full arc and even mythic cyclical structure. Lilith starts out as a typical heroine but slowly becomes more and more consumed with power and manipulation. Her development is done pretty well, even if somewhat expected. Then again, what else can happen in Heaven without a rebellion? The fact that it is Lilith who takes the reins rather than Lucifer is a modern take on the fallen angel story, but one that refreshes the form and takes inspiration from the Hebrew myths surrounding the figure of Lilith.
I found the second part to be a little more interesting on the basis that we exited Heaven and now life becomes hard on the rebellious angels who have to suffer from new forms and real pain. Lilith’s growth as a character continues, but by the end almost reaches a point of no return. And I found this disconcerting, since Lilith represents in a lot of ways, femininity taking over and dominating what has traditionally been Lucifer’s role in Judeo-Christian religion. Lilith’s stagnation as a character lessens the impact of the overall story for me, but the world building and fresh take on the story itself were enough to save the book.
All in all, this angelic fantasy is one that most readers will enjoy. The elements of world building and the cast of characters is more than enough to chew through and the meaty page number of these combined books will please anyone. Lilith may sit well with other readers, considering her dynamic characterization in the beginning. Overall, a wonderful read for anyone looking for a unique fantasy tale!
Pages: 504 | ASIN: B074CPKLHH
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Into the Night features an unlikely pairing of characters who set out on a journey to battle barbarians and vampires across the English countryside. I felt like the setting was very detailed in this story. Why did you choose this time and place for your book?
Historically, in the early 1300’s, England became the landing point of the Vikings when they decided to leave their northern towns. Vampire legends were also very well-known and taken seriously throughout almost every century.
Vampire belief peaked and declined and then rose again as time went on. Vampires are indeed everlasting; at first being a tale of horror and then becoming a fascination. It is no doubt that vampires evolved like no other monster in our literature. The lore is still alive today and fills us both with fear and desire.
I studied old maps of the English countryside and manipulated some letters of real older towns to create my locations. I also mentioned some landmarks that still exist today to give Into the Night a more historical background rather than that of pure fantasy. Somehow, barbarians, vampires, and England just seemed to fit perfectly.
The book got its title because one evening I was driving with the sun behind me and darker night skies ahead of me. I was literally driving into the night. It felt ominous and fit the vibe of my story well. Also at that time, was a popular song on the radio that shared the same name by Santana and Chad Kroeger.
The hero’s Samuel and Valencia are dynamic characters that battle vampire matriarchs Isabella and Cerbera who are also well developed. What was your inspiration for the characters relationship and how they contrast with the villains?
Samuel is a drifter with no clear path in life. Valencia is unable to forget a bad memory and is driven to seek revenge. In a way Valencia is too harsh and Sam too meek; together they take what the other has too much of and it makes them a perfect duo.
The vampire sisters mask their vile intentions and wicked deeds with beauty that beguiles those they encounter. Without Valencia, Samuel would not have been able to (or perhaps not want to) resist them. It stems from the duality of our minds – the fear of losing our humanity (Soul, goodness) and the desire to break free from physical obstacles and society’s restraints and give in to lust. Valencia keeps him grounded and stands as an icon of strength and courage; which eventually wins Sam’s admiration.
I felt like this novel did a great job utilizing vampire lore and creating some of its own. How did you set about creating the vampires in your story?
Into the Night was my first screenplay (and my second published book). At the time I was reading: Screenplay: The Foundations of Screenwriting by Syd Field. That’s when I decided to practice what I was reading. My first words of the story were Valencia’s speech to Sam, at their first encounter, about Cerbera stalking her prey. I remember putting the monologue on Facebook and getting replies like: “what happens next?” The truth is I didn’t know. I was just practicing a writing exercise I had assigned to myself, but I knew I had to make something out of it now.
It helped that I took a liking to everything vampire; watching movies from Nosferatu to Interview with a Vampire to Underworld, and collecting a library of vampire literature; from Camilla to Vlad to vampire encyclopedias.
Cerbera’s name is taken from a plant species found in India; known as the suicide tree due to its toxicity. The vampire sisters each have a unique trait. One paralyzes men with a touch, the other with a look. Together they symbolize heightened sexuality that dominates all men and is based on the biblical character, Lilith, who eventually formed the race of the succubus. The vampires in Into the Night are a compilation of everything I read and saw.
I would love to see more of the pairing of Samuel and Valencia. Do you have any plans to expand their story in the future?
I have thought about bringing Samuel and Valencia back together as a vampire fighting couple. With the barbarian threat culled and the vampire’s uncanny trait to keep coming back; I would be able to dedicate the story to just vampires.
In the middle of the story Sam and Valencia rescue a family that escapes to Ireland. That was intended to be the main plot for the continuation. The team rejoins to aid the family and fight a vampire threat in Ireland.
In the autumn of 1325 an army of barbarians invade the south-western region of England. A drifter named, Samuel and a strong-willed woman named, Valencia journey north to Ashborough to seek the aid of the steward’s army.
While on their mission they realize the barbarian army is close behind them along with two vampire matriarchs and their vampire horde. They find themselves in the midst of two wars as they fight northward on, what seems to be, a Sisyphean task.
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Redemption: The Advent is a fantastic sci-fi-thriller set during present day where a police investigator becomes host to an ethereal being from a parallel universe. What was the inspiration for the setup to this thrilling novel?
As a civil engineer with a master’s degree from a Canadian university, my career required me to travel and live in a number of countries among people with diverse cultural backgrounds. These differences often resulted in violent confrontations with grave injustices inflicted by opposing ideologies. At the same time our world is currently inflicted with two devastating plagues, the proliferation of drugs and religious radicalization.
The book tackles these topics by describing two contemporary adventures, interlaced with superhuman moral guidance. In so doing I wanted to demonstrate the vanity of materialism and the virtue of harmony and peace which can only be achieved through empathy and understanding.
The Valdorians have watched Earth and deemed humanity too far gone to achieve spiritual evolution. What were the morals you were trying to capture while creating the Valdorian race?
Although I adhere to no specific philosophy my deepest convictions indicate that there must me a superior intelligence underlying the whole of creation. The nature of this intelligence is unknowable. What is evident however is that harmony and understanding will bring peace to the world. This is the only credible behavior that will result in unity with each other and ultimately our creator.
James Baxter becomes host to a Valdor which leads to some very interesting conversations and confrontations. What was your approach to writing the interactions between characters?
In a world where science and technology are advancing at breakneck speeds and greed appears to be the main driving force in human affairs, the spiritual meaning of the old systems that govern us is becoming increasingly blurred.
By imagining a race of beings that are immortal, it necessitates a different viewpoint to morality and the reason for existence. By the interactions outlined in the book some of our religious myths are intermingled and questioned. The interaction provides food for thought that will resonate with anyone who has ever pondered on the mysteries of creation.
What is the next book that you are working on and when will it be available?
“Redemption the Journey” – Sequel to “Redemption the Advent” – It will elaborate on the trials and tribulations resulting from the Valdor intervention, as they attempt to create a Utopia on Earth.
I have already planned the basic outline of the novel but will only complete the narrative once the first novel proves popular.
Two beings. One Body. And a critical mission to save the world. The Valdors, ethereal beings from a parallel dimension, have guarded the development of consciousness since the beginning of time. Humanity’s greed and fanaticism have derailed progression towards spiritual evolution, and the Valdor Council has earmarked Sol III (Earth) for annihilation. In one final effort, Balthazar is sent to Earth to redeem Humanity. When Bal connects with the mind of James Baxter, a seasoned police investigator, he must convince him to assist with his mission. Bal and Baxter have to share the same body. Using human effort and Valdor mental power, they combat a drug lord who has hijacked a mind-controlling microchip, and an Islamic extremist who plans to rule the world. Embarking on an adventure of intrigue and ruthlessness, Bal and Baxter’s journey exposes the weaknesses and triumphs of the human character as they struggle for Humanity’s redemption.
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Sentinels of the Night is an action-packed novel that follows tracker Cat Morgan who uses forces beyond her understanding to find murder victims. What was the inspiration behind this story and how did you turn that into a novel?
I’ve always been intrigued with characters who have an extra edge, that ability to overcome adversity and danger. Add to that my infatuation with Native American myths and legends and Scottish and Irish folklore, and you have the backdrop for my characters.
In Sentinels of the Night, I created an elite FBI unit—Trackers. Each has a secret, that extra edge that defies reason and logic. Tracker Cat Morgan’s paranormal element was pulled from a Native American myth.
As for the plot, I have twenty-seven years of law enforcement experience. I served in patrol, undercover narcotics, advanced accident investigation and the SWAT team. I was a unit sniper. Several incidents in the book were based on those experiences. Early in my career, I crossed paths with a serial killer who was convicted on eleven counts of homicide. I have never forgotten the dead look in his eyes. That memory was the basis for the serial killer.
Cat Morgan is a mysterious and alluring character. What were some of the trials that you felt were important to highlight the character’s development?
The character had to deal with issues she couldn’t ignore. While her extraordinary gift added to her investigative ability, it made her different and there was the ever-present fear of rejection if her fellow agents found out.
I enjoyed the tension that builds between Cat and Kevin. Was their relationship something that was mapped out or did it grow organically?
It developed as I began to add depth to the characters. Kevin questioning his sanity as the plot progressed added another dimension of trust.
What is the next novel that you are working on and when will it be available?
I published the second of the Tracker novels, Going Gone! about two months ago, and a third is on the way. I hope to have it completed by the end of the year.
FBI Tracker Cat Morgan has an unusual talent, one she has successfully concealed, even from her fellow agents. That is–until she finds a body with a strange symbol carved on the forehead during a stop in Clinton, Mississippi and crosses paths with the town’s rugged police chief, Kevin Hunter.
Despite his instant attraction to the sexy agent, Kevin is suspicious of her presence at the crime scene and isn’t buying her dubious explanations. He wants her out of the investigation and out of his town.
The discovery of another mutilated body with the same symbol sends Cat back to Clinton, and this time she isn’t leaving. To stop the killer, Cat must find a way to overcome Kevin’s distrust and will face an impossible impasse–truth or lies.
But will either one matter, when the killer fixates on her for his next sacrifice?
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Imagine everything you know about reality. Now, throw it all out the window. That is the predicament Jack Griffin is in: trapped in a universe that isn’t his own, brought there against his will by some force of nature unheard of in his world and not understood in the world where he ended up. Here’s the good news: Jack discovers he has magical talent. Now he must use all the resources at his disposal – magic, wit, tenacity, and the little coin that he has – to find a way back to his beloved in his own world. But will he survive this new world? Gods exist, and so does magic. He is an outsider in a country that values nobility above all else. If you’re not from the right family and don’t have the right magical bloodline, you may as well be dirt on the boot heels of the nobles. It’s a different world, but some things just never change. Welcome to the new world.
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