Caught follows a mermaid who is captured by a vengeful pirate and finds that she may not want to escape his embrace. What was the inspiration for the setup to this thrilling novel?
I got my inspiration from the Pirates of the Caribbean On Stranger Tides. That’s where the idea of mermaids attacking a pirate ship came from also the Disney movie Sinbad where the water sirens’ were attacking the ship gave me the idea for establishing a difference between mermaids and sirens.
Lorelei is an intriguing and well developed character. What were some driving ideals behind her character development?
I wanted her to have a strong connection to her family the ones she loves. It’s what drives her actions.
I appreciated the careful development of the mythology of this world. What were some themes that were important for you to capture in your story?
I wanted to show how even through one’s intentions might be pure in the beginning, if you’re not careful power can easily corrupt.
What is the next book that you are working on and when will it be available?
Claimed, Storm’s book which is book two in the series is next. It is currently in the editing process, and will be followed by Captivated Book Three which is Jewel’s story.
Y’keta has been banished and is on his own only to learn that the new place he calls home could be lost forever. He knows that he could help them, and others know he’s hiding something. What should Y’keta do? Should he tell the truth and save the village, or destroy everything these villagers have ever believed in? The right choice is not easy and takes a brave soul to make it.
I am a fan of North American Legends, so this book kept my attention the whole way through, and I felt myself anticipating each new page. The book feels realistic, and for much of the book, I felt like I knew the characters and that we were connected. If you like North American legends, I feel like this book would be a good one for people to read as it is a great journey to take. It also touched me to see the characters reacted to one another and their sense of duty in a genuine way.
I enjoyed the characters and the fact that Siann wants to forge her path. There were qualities in both her and Y’keta that I admired so much, though I was not Siann’s biggest fan, although I did like her character as a whole. I feel like there aren’t enough good female characters in novels today, and I liked that Siann didn’t fit into the stereotypical role. She was inspiring. However, more than the characters, I loved the author’s skills at details and creating such an exciting world. One of my favorite things about diving into a new book is the author’s ability to make such a fascinating world and such an intricate plot. The attention to detail was amazing.
When you read a book, you want to be hooked; this book certainly does that. Although I enjoyed the book, it took me a while to get into the story and feel invested on a deeper level. But after I did get invested I found this book to be riveting and emotional. I also enjoyed the intertwined stories that made me feel like I was connecting with all of the characters. I felt a personal kinship with Y’keta and his struggles and it’s for this reason that I will be looking into the author’s other books.
Pages: 287 | ASIN: B01N9V4M8C
Phantasia by Efthalia is the second installment in Efthalia’s Phi Athanatoi series. This novel follows Carissa, an ex-cop and demigod granddaughter of Zeus, as she embarks on the greatest mission of her life thus far – saving a few morally astray Greek gods from causing ruin and chaos to not only their ethereal realm in Mount Olympus, but also to the susceptible and unknowing mortal world below. Efthalia’s entertaining way of storytelling and character building, combined with a unique plot that blends romance, adventure, Greek culture, and Greek mythology, are all key aspects that make this a thrilling paranormal romance.
Even though this is the second book in her Phi Athanatoi series, Efthalia does a great job at building each character so that even if a reader picks up the book out of sequence, they have enough context about important details to still be able to follow the story line. Carissa and Xen’s romance is hot, steamy, and palpable in all the right ways, while still making apparent the couple’s devotion to one another. Even auxiliary characters, such as Carissa’s mortal family members, are given the chance to shine, reminding readers how embedded loyalty and familial ties are to Greek culture. All the characters are likable, realistic and have their own sense of morality that adds to the depth of the overall novel. Each scene is portrayed in a way that allows the reader to easily envision happenings as they unfold.
Efthalia is a brilliant writer who also uses her work as an opportunity to highlight Greek culture. Her numerous and regular Greek vocabulary and cultural references add significant depth to the reader’s experience. The Greek glossary at the end of the book, which provides definitions of all Greek vocabulary used throughout the text, is a further welcome touch. Her vivid depictions of each of the Greek gods in the story, from Zeus to Ares to Hades, reflect the well-researched nature of her storytelling.
There are definite aspects that are reminiscent of popular thrillers, such as Dan Brown’s The Da Vinci Code and Stieg Larsson’s The Girl with the Dragon Tattoo. Since there are sexual scenes, depictions of alcohol use, and some images of violence, this novel is best enjoyed by an adult audience. I would recommend Phantasia and the rest of the Phi Athanatoi series to anyone with an interest in the adventure romance genre, as well as any aficionados of Greek mythology.
Pages: 289 | ASIN: B083TBWNPH
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Cycles of Norse Mythology does a fantastic job of reinvigorating old mythology and breathing new life into their stories. What was the inspiration that made you want to write this book?
I grew up knowing of Odin, Loki, and Thor long before reading comic books. But when I decided to learn more about the Norse gods and goddesses, I became dissatisfied. All the summary sources (e.g. Bullfinches’ Mythology) were about a handful of male gods; they provided little if any information about the goddesses and the animals that populated the world of Norse Mythology. Talking with other people, I found the same limited information.
So, I began researching the topic, more for my own understanding than anything else. Sharing what I knew with others inevitably resulted in requests for more background and tales from earlier in the mythology. So, I had to do more research and to write more stories. Ultimately, this work expanded to encompass the entire breadth of Norse Mythology.
I thought the research was deep delivered easily. What kind of research did you undertake for this book?
Cycles of Norse Mythology is the culmination of 16 years intensive study of Norse myths that involved consuming research literature, multiple translations of works (from 900 – 1400 AD), and story compilations published since the late 1700’s to the present.
I hunted public and university libraries for references. I sought out period references, such as Tacitus’ The Agricola and the Germainia and Ibn Fadlan’s Journey to Russia. I searched new, used, and rare bookstores for any reference. I dug into cited references and searched for those. I still encounter new references (i.e. works from 875 to 1400s), and I hope there are translations.
Always seeking something cleaner, with less bias, I found the following website provided me with an international access to reference source materials: http://www.archive.org/index.php
The Internet Archive, a 501(c)(3) non-profit, is a digital library of Internet sites and other cultural artifacts in digital form. Like a paper library, they provide free access to researchers, historians, scholars, and the public.
Was there anything that surprised you during your research regarding Norse mythology?
I had several great surprises in store:
- There was more depth and more humanity in the traditional characters of the Norse Gods than the superficial figures found in many pieces of modern literature and in film. For example, a modern viewpoint has Thor’s hammer as a symbol of storm and war. Whereas, in the traditional myths his hammer was actually a symbol of consecration and protection.
- The foundation of our knowledge on Norse Myth is based on fragments of what once was a full oral tradition. And the accuracy of those fragments is subject to question.
- The primary source of our knowledge regarding Norse Myth are the Codex Regius (1270s) and the Codex Wormianus (mid-1400s), of which editions of the Poetic Edda (~985 -1000AD) and the Prose Edda (~1220 AD) are a part. These were written down in Iceland, which wholesale converted to Christianity in 900AD to avoid the bloody religious conversions that had wracked Norway and Sweden. Since the writings were filtered through the lens of several generations raised under Christianity, and it appears only those tales and the portions of those tales which did not conflict too much with Church doctrine were kept, they are likely subject to differences in tone, focus, character presentation, and bias that are different than the traditional unfiltered belief.
What is the next book that you are working on and when will it be available?
I’m currently finishing up a fiction novel that pays homage to three great Victorian characters of literary fiction: Sherlock Holmes, Dr. James Watson, and M_______―the time traveler of H.G. Wells’ The Time Machine. It is set firmly in the Victorian era, with all the social attitudes and prejudices of that time. I am hoping it will be out next spring.
A new work under development involves the Sigurd Myth, but it is too early to provide a timeframe.
These stories are old, old as the Behmer Wold and seldom in life has there been such a brewing…
Cycles of Norse Mythology captures the passion, cruelty, and heroism of an ancient world. Encompassing Odin’s relentless pursuit of wisdom across the nine worlds, Gullveig’s malicious death at the hands of the Æsir that sparks a brutal war with the Vanir, Thor’s battles against the giants of Jotunheim, the tragedy of Volund, the many devious machinations of Loki, and the inescapable events of Ragnarök, this lyrical re-imagining of the Norse myths presents the gripping adventures of the Norse gods and their foes in a style to delight modern readers of all ages.
A detailed glossary provides a quick reference to the meaning behind names and terms used in the book.
A Source Reference is included for persons who want to delve deeper into the study of Norse mythology.
The Love of Gods is a genre-crossing novel with elements of romance, supernatural, and mystery as well. Did you start writing with this in mind, or did this happen organically as you were writing?
Actually, I initially was trying to write a mystery with a hint of a simmering romance which I hoped would span several books, but I discovered pretty early on that I am a romance writer and not a mystery writer. So, I tossed my first draft and started over.
Lugos and Keely are interesting and well defined characters. What were some ideas that were important for you to capture in their characters?
Lugos is based on two different Celtic gods which gave me a place to start. I immediately understood who he was, what would be important to him, and a good portion of his backstory from the very beginning. And so from that jumping off point, he became a vivid character in my mind. I wanted him to value his intellect over his brawn. I also him to value humanity over his own kin. As for Keely, her southern sass is based on a waitress I know, and the awful taste in men is a nod to a dear friend of mine. Because Lugos is an immortal, I wanted Keely to have a resilient and courageous nature so that Lugos’s god-ness didn’t overpower the relationship. Even though she’s a mortal, Keely had to be his equal in many ways otherwise the relationship wouldn’t work.
I loved the backstory and world building in this novel. What were some sources of inspiration for you while creating this story?
I spend a lot of my time researching various myths and much of the characters’ backstories are tied to my understanding of those myths. The various gods in The Love of Gods all have their own histories in Celtic mythology and I drew from these. The shifter and witch communities have rich literary traditions that gave me a direction, a roadmap, of how they might respond if the world of the Pale truly existed.
This is book one in The Legends of Pale series. Where will book two take readers and when will it be available?
I’m happy to say that I am hard at work on several books in this series. The Fate of Wolves is the next book and will be out near Christmas this year. I have already finished book three, The Dreams of Demons, and if all goes to plan I’ll release it in spring 2020. I’m currently writing the fourth book, The Souls of Witches and I’m absolutely in love with the main characters. But then, that’s how it is with each book I write.
Lugos had given his word when the world was still young, before he’d endured the wrenching pain of her soul being torn from his. Lifetime after lifetime she’d returned when he’d needed her most, when the apathy of his kind had eaten away at his resolve and his heartfelt vow seemed pointless. One would think he’d be able to protect a single mortal, after all, he was a god. But two long centuries had passed since he’d held her, since he’d been whole. Now, she was back and Lugos had a decision to make; claim the only woman he’d ever loved, or deny his soul’s deepest craving and grant Keely a chance at a peaceful life without the dangers that populated his world. For five years, Lugos had chosen the latter with the hope that the fates might overlook them this time. That was still his plan when the goddess Rhiannon called seeking his help. Lugos should have known better.
Posted in Interviews
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Harlot is mostly driven by curiosity and a desire to find interesting things. Like those blue flowers she loves so much. Harlot’s Encounters in the Land of Ick and Eck is a dark children’s story. Harlot walks through this mythical world and often finds ‘friends’ to walk the distance with her. Typical of all children, she makes friends quickly. Often voices her thoughts. She does not seem to understand the concept of fear even when she is encased in a dome with rising temperatures. It is interesting to look at life from such a perspective.
This is definitely a dark fantasy children’s story, but not too dark though. It would make for an interesting and wonderful Halloween pick. Micah Genest does a great job of painting vivid pictures. Even with actual painted pictures within the book. The book provides more than enough material for the reader with an active imagination to set the mental scenes. Very colorful and delightfully sinewy characters. Each with a quirk of their own. Perhaps the biggest take for an adult in all this is the way all the characters just move together despite being vastly different.
Harlot is typical of any kid, really. She’s innocent and looks at the world into which she is cast with pure interest and curiosity. Never judging anything and anyone. She is very trusting with almost blind optimism. Most children who read this book will understand her desire to follow voices and strange creatures. This book reads a lot like a dream. With vivid pictures and whimsical occurrences.
Oh my, the songs and chants. Imagine how fun it would be to try this out at a Halloween sleep over. They are so interesting and fun to follow. They almost take the gloom out of this decidedly morbid tale. This could very well be my most liked parts of the book.
For a children’s book, the vocabulary is quite advanced and may prove challenging for children. However, this could be a good thing as it could be an exercise in building vocabulary. It could help develop an interest in learning and seeking out new words. It is doubtful that most children will read into the illustrations by John Bauer. See them as more than just pictures. You never know though, this could be another fun exercise for these malleable young minds.
This book may be aimed at children but adults will enjoy it too. It reads like a children’s book but the plot and writing itself are excellent. This book reminds me of the children’s book, In A Dark, Dark Room: and Other Scary Stories. Fascinating, morbid, curious, and I couldn’t stop thinking about it.
Pages: 208 | ASIN: B07MXPYLJ7
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Journey to Osm follows the story of Blue, a young unicorn with a big destiny. Blue is part of a tribe of unicorns going extinct under the harsh rule of an evil sorcerer. A prophecy foretells that Blue will save them but when he is born without metal in his horn, and thus without magic, all hope is lost. When Blue comes of age at 12, he is faced with destiny but how can a magicless unicorn have any hope of saving his tribe?
The book is a fun and unique YA fantasy novel. I really loved the unicorn-centric view of the story. Unicorns are often left out or less significant in fantasy stories, and I think this is a waste of a fun and interesting creature. Author Sybrina Durant furthers this by taking an intriguing twist and really exploring the magic of the unicorns as well as what unicorn civilization looks like. I really loved the world she created with the metal symbol of magic and the hierarchy that creates and the different powers that the magical unicorns possess. With an evil sorcerer, a prophecy, a fight against good and evil, this all adds up to an imaginative and exciting fantasy world.
The plot of the book is that of the underdog character finding strength against evil. Blue is a very sympathetic character through this journey as he is young, sweet, and very strong-willed. From the very beginning of the book you can see how hurt he is that he doesn’t think he can save his people, reciting his mantra ‘No Metal, No Magic.’ But even with this, he does not give up. He trains hard even when he thinks there is no chance. This self-determination in the café of certain failure really endeared Blue to me as a character. Silubhra was also a character that I grew very fond of as she was so compassionate and kind. There are a lot of characters in the story, but I think the author did a good job of making them unique and interesting and I liked how we get to see multiple perspectives.
This book is an exciting fantasy story. Filled with adventure, magic, love, loss, hope, action, and destiny. The story came together well and kept me engaged in the plot from beginning to end. The book is a great read, particularly for young adult readers who love fantasy stories.
Pages: 353 | ASIN: B07LDKX25N
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The Trojan War was the greatest catastrophe of the ancient world. We are told that it devastated Europe and Asia and plunged the known world into a Dark Age that lasted 500 years. This is the ‘Story of Troy’. The truth has never been established – until now!
30 years of painstaking investigative research has finally resolved this 3,000 year-old mystery. Author and Historian, Bernard Jones, uncovers the evidence piece by piece, separating fact from fiction, and unlocking for us the secrets of the past. Unbelievably, Bernard’s research showed that the Trojan War could not have taken place in the Aegean area, or even in the Mediterranean world. This evidence turns our accepted geography on its head and leads us on a fascinating journey of discovery back to the real world in which the Trojans lived. Here, we discover who the Greeks and the Trojans really were, and the parts they played in Homer’s Bronze Age world.
Secret knowledge concealed in the Iliad reveals Homer’s work to be a genuine historical record. Yet, only in the corrected Bronze Age environment can it be understood. Deciphering Homer’s coded information becomes the key to finding the location of the Trojan War and the Bronze Age city of Troy itself. Lost histories also tell the whole story of the migrations that took place following the Trojan War and the nations that arose out of the ashes of Troy. The records of these nations independently verify the author’s findings, and they overturn the theory of a ‘Dark Age’.
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