Evan is a normal twenty-first century man who works as an architect. However, to interrupt his daily routine, none other than Zeus himself, has decided to transport Evan to the sixth century BCE. Evan now travels across ancient Greece with his companions, including Atlanteans, a high priestess, and his friend, Dexion, who has the power to see into the future. All of this is for a mighty cause, Evan has been chosen by Zeus to unite two powerful relics in order to save the Gods from extinction.
Stuck in the sixth century BCE Evan longs to return home. Given his precarious position between times, the juxtaposition of his wants against his reality serves to highlight the stark differences between the comfort of home that Evan is used to and what he is currently facing. For instance, walking across a sandy plain in sandals verses the want for a motorbike to make short work of the distance. His modern life’s influence over his worldview often leaves him homesick, but he must complete his mission. On the other hand, his life back home gives him ways to solve the problems he faces in the sixth century BCE, taking ideas from the pop-culture of his own time and bringing them into the past to aid his quest. This fusion of time periods makes for some brilliant innovations and cross-overs between what we as the reader understand to be ancient Greece, and the modern day.
The Labyrinthine Journey is book two in Luciana Cavallaro’s Servant of the Gods series and it follows on fluently with the events of the previous book with references here and there to book one. Something striking about the series is the relationship between mortals and Gods. With whole chapters dedicated to the musings of God’s and their society it gives the reader an insight into their intentions. Furthermore, the book proposes an alternative viewpoint on the beginnings of Christendom. The Greek Gods fear that they will lose their dominance in light of a God-sent child being born that will potentially lead to the widespread belief in a single God instead of the current pantheon.
This retelling of the birth of Christ from the God’s perspective explains why Zeus wants the relics united – to maintain his and the other Gods’ significance. However, there are some Gods trying to interfere with the mission and stop Evan’s and his companions’ journey. Evan searches ancient Greece, already in possession of the first relic, for the second to unite the two. The perilous journey over a treacherous landscape naturally reminds one of the epics of Homer.
The Labyrinthine Journey was a thoroughly enjoyable read. I give it five out of five for its sophisticated and inventive retelling of the well-known and widespread story of Christ and its ability to connect it to the overarching quest narrative seamlessly. Luciana Cavallaro’s prose fits the story perfectly, making the journey truly epic. Furthermore, the fusion of God’s, monsters, ancient philosophers, magical ancient relics and even time travel, leads to unexpected twists and turns throughout the novel.
Pages: 311 | ASIN: B075QGZQP9
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Seven Ghostly Spins is a collection of paranormal stories written by you and Kelsey E. Gerard. What were some decisions that went into picking the stories for this collection?
Three of the stories; Carolina Blue, 205 ½ 25th Street and Alison, date back to the years I spent in Northern Utah. They were originally published in 2012-2014 as part of the Tales from Beyond anthologies, compiled by D. Hattingh. Ever since that project was completed, I began thinking of a collection of my own—to be based not only on true legends, but paranormal experiences as well.
At around the middle of 2017 the title for the new collection came to me; Seven Ghostly Spins, prompting me to remaster the original three and identify the other four.
In keeping with the “Haunted Ogden” theme, Kelsey E. Gerard submitted She Caught a Ride, fulfilling the based-on-true-legends requirement. That left me with the paranormal experience requirement, and for those I turned to my own memories and wrote By the Iron Gate and A Curse Lifted. Abiku is the novella among the short stories—the base idea for this thriller came from an ancient Yoruba belief and it includes supernatural and paranormal elements that I thought would make a proper central piece for this collection.
My favorite stories from the collection is ‘Alison’ and Gerard’s ‘She Caught a Ride’. What was your favorite story from this book?
Thank you! I am so pleased to hear you enjoyed these tales. I love each story equally though for different reasons. If I must pick a favorite, I would say Carolina Blue is my special, tragic friend.
Each story was intriguing and well developed. Where do you turn for inspiration for writing?
Two of the stories are rooted on personal experiences, while the others came to me through reading, and research. I found inspiration in a vivid nightmare and a real walk in the moonlight. In my godmother’s parting gift, and in assignments to explore Ogden’s haunted, colorful history. In the case of Abiku, all it took was an image—an illustration caught my eye and the short lines describing it spawned all the characters and circumstances in the novella.
What is the next book that you are working on and when will it be available?
My next project is a philosophical fiction/comedy entitled Daughters of the Bride, slated for publication on Mother’s Day 2020.
To recover from the unexpected death of their father, the ‘weird sisters’ cling to one another and to their widowed mother; the ‘head witch.’ However, no traditional mourning rituals await them.
Blindsided by the love their mother claims to have found, mere months after the death of her husband of 50+ years, the three women flex their powers and embark on a distressing journey of reflection; to know themselves and the mother they thought they knew.
Amid the hilarity of the head witch’s disconcerting return to a youthful attitude, difficult questions must be asked. Genetic memories must be acknowledged and banished. Painful feelings must be expressed, and life-altering decisions will be made because, at the end of their journey, their new reality must be embraced by all.
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Daisy, Bold & Beautiful follows young Daisy as she struggles to fit in at school and finds help from an unlikely friend. What was your inspiration for this story?
Well, Persephone is my favorite Greek goddess, so I knew I wanted a story featuring her. And, to me, Persephone’s story is all about standing up for yourself. I wanted the moral of my story to match the moral of Persephone’s story, so I came up with D.J. I didn’t want it to be mistaken for a book about bullying, though, so I wanted to put D.J. in a situation where she needed to stand up for herself, but not because she was going up against a “bad guy”.
There is a unique infusion of Greek mythology in this book. Why did you want to use that theme throughout the book?
Like I said, I knew I wanted to write books about the Greek gods, because…come on…they’re AWESOME! I didn’t want my books to feel like historical stories, though, so I came up with a way to bring up the stories of the Greek gods while actually writing about kids living today.
I liked Daisy’s character, and I felt she was relatable. Did you plan her character before writing or did she develop organically while writing?
So, the first thing I did was come up with a god to write about: Persephone. Then I wrote an outline to the story. THEN I wrote up character descriptions for all the characters. A lot of my characters share names with people I know in my real life. Some of the character personalities match those of the people they’re named after and some are different than the real people. D.J. wasn’t named after anybody I know; she’s just made up. I would say all the characters developed a little more as I wrote the story, but they all started off with pretty detailed character descriptions. That was actually the hardest part of writing the book – coming up with the back story and personalities for everyone. I tried to include at least one fact about each character that the readers never find out – just to try to make them really real, know what I mean?
What is the next book that you are working on and when will it be available?
Funny that you should ask that! The second book in the series is Mylee In The Mirror, and it’s available AS OF TODAY! This book is about Aphrodite. I’m really excited about this book because it has TWO main characters, Mylee and one of her best friends and teammates, Ty (Tyson). I was nervous about writing about older kids (the main characters are in the ninth grade, and I’ve obviously never been in the ninth grade before – it was easier with Daisy, Bold & Beautiful, because I was the same age as D.J. when I wrote it). I was also nervous about writing from the perspective of a guy, but writing about Ty was super fun and I might even make my next main character a guy!
D.J. and her dad moved far from the small town and only home she ever knew. Now she’s starting middle school in the city with kids she’s never met. She tries to make friends, but they all appear to be slaves to screen time. D.J. just likes to garden, nurturing plants, watching them grow and thrive. It seems she’ll never find a way to fit in, but then she awakens in a gorgeous garden where she meets Persephone, Goddess of Spring. She must be dreaming; her new friend can’t possibly be real—and what could she know about getting along with gamers? D.J. really needs some ideas, or she might never find her own place in a complicated world.
Daisy, Bold & Beautiful is the debut novel of middle-schooler Ellie Collins, daughter of award-winning author Stephanie Collins. Boys and girls alike will appreciate Ellie’s keen eye for the challenges of growing up that she and her friends must face. Discover the wonderful writing of Ellie now, then follow her to learn about her writing and more books to come.
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Encore superbly intertwines themes of history, myth, psychology, romance and many more. Was this a conscious effort when you started writing or did this happen organically while writing?
Tantra: Thank you very much. I wrote the original idea as a Psychological Suspense novelette intentionally claustrophobic in scope. A hypnotist programs a standby to believe she is his wife, the star of a show, and abducts her before the curtain following the encore removes the post-hypnotic suggestion. He takes her, while she still believes she is his wife, to live in an “empty” alchemist’s castle.
I began with the alchemist’s castle that Miriam is taken to because I know a lovely man who sometimes lives in his family castle and sells homeopathic alchemical monoatomic elixirs using gems, flowers, and such. That’s the extent of my kind friend’s similarity to anything in the novel, but it sparked my imagination to bring the Gothic convention of immortality elixirs up to date in a believable way.
When I saw its potential as a novel in the series, I opened it up, as I do at the end of each Nevermind book, to a widening, spooky awareness of the relationship between these individuals and the community. That glimpse of how the protagonists are being used to influence others for nefarious purposes creates a shudder, a sensation I find pleasurable and strive for in my books. I love finding out the truth, no matter how grim (or fictional – especially if it reflects real life.)
A Thriller sensation slowly creeps up in each book with the big dramatic clash of the two factions at the end, the societally controlling and the heroic exposing of that mass mind control. When studying for my hypnosis certification long ago, I learned about negative hallucinations, when someone standing in front of us disappears if the hypnotist so commands. The Agents of the Nevermind are always up to something, always getting their noses into hypnosis. Subtle hypnotic techniques used by intelligence agents/news anchors sway a country into believing the deceitful narrative. Thus, proxy wars and coups garner popular support.
The more the public’s wits are softened, the more easily they can be fooled, and thus the Agents’ Occult Revival throws off people’s natural propensity toward logic. I explore ways that mind control has been used by the government throughout history, such as with the myths of Atlantis, Shambhala, and Camelot. The idea for legend-wars came late in the book’s creation, arising from studying of mystical imperialism in England. The historical use of those legends that I describe in the book is factual and it eventually structured the narrative conflict. Intelligence agents poached those cultural legends internationally, to persuade countries to align with them militarily.
I wanted to please readers with a fulfilling, moral romantic story. So, I eventually integrated Miriam’s friend Colin into the plot, who has no idea where she has vanished to, at the end of the last show of the theater season. The romance is Gothic in that Miriam is torn between the “light” and “dark” men and becomes isolated and gaslighted by the latter. Dune is dangerous, forbidden, rumored to be an Agent, the object of her sexual obsession, and in control of her subconscious. I deliberately pushed further into the “friends to lovers” to thrill the fans of that trope. Colin is the handsome, playful friend, a conscientious publisher who reliably does good things for her. But once he goes feral – watch out!
I enjoyed the Gothic underpinnings of this book. What were some Gothic sources of inspiration for you?
Tantra: I studied Gothic history in depth to understand the history underlying the conventions, including thorough material like Tyler Tichelaar’s The Gothic Wanderer: From Transgression to Redemption, and Gothic Imperialism, the Gothic Imagination Podcast, Gothic Studies Journal, “The Imperial Gothic” by Suzanne Daly, “The Truth About the Winchester House,” and Invisible History Blog’s Mystical Imperialism.
In terms of modern imaginative works, I didn’t draw from the directly, but I love the Spanish TV show, El Internado, Bates Motel, Crimson Peak, Ghost Flower by Michele Jaffe, My Sweet Audrina, Gothic Romantic Suspense by Phyllis Whitney, Mary Stewart, Daphne du Maurier, and Awakening by S.J. Bolton.
Characters that seem as if they walked out of a novel inspired the book, like John Mulholland, who of the British Magical Society, an officer who wrote the spellbook for soldiers, and went to work for the CIA and wrote their manual on deception and misdirection. Gaslighting of individuals who are used to gaslight a large population is a major interest in the book and the series.
Encore ‘dramatizes mystical sensual energy manipulation techniques’. How did you come about this topic and why did you want to explore this in your book?
Tantra: I studied about energy from childhood, learning to detect it through formally studying remote viewing until I became extremely accurate at age 11. When I got older, I learned advanced Tantra Yoga and taught it. The aspects of Tantra that require belief don’t convince me, but the exercises are very effective. Tantric history includes dark elements such as sexual energy vampirism and the sacrificing of the dakinis, which need to be included in the public discourse, to balance out the pastel, diluted, sexualized version of the practice that so many people believe is Tantra. The actionable techniques are also worth teaching through the novel. I still do these myself. Blissful.
Gothic novels tend to include magick grimoires, exotic mysticism and forbidden, out-of-this world sexuality. And as this novel relates to the role of the occult myths in British imperialism, particularly in the East, I wanted to delve deeply into the Tibetan sensibility and its magickal adaptations. That gave me the chance to describe a kind of love that I enjoy: circulating awareness between myself and a partner. Then, each partner should bring awareness back inside when ready to move on with the day.
This is book 3 in the The Agents of the Nevermind series. Where will book 4 take readers next?
Tantra: It’s called Giant Jack, a prequel set against the background of rise of the Agency and President Planda, who has gigantism. Planda networks with the budding Agency to create the Occult Revival, which is how he wins the election. Gigantism is a factual hormonal imbalance that makes some people very tall, with big hands, foreheads and such. They don’t tend to live as long, unfortunately, as average. So, Planda had to figure out a way to make the condition look positive in the eyes of the public. He called on the Agents of the Nevermind to run news stories on the Theosophical ancient superior giants and co-opted entertainment, books, documentaries, and cults. They picked Giant Jack to be the cult giant celebrity. Jack achieved gigantism artificially by taking Human Growth Hormone throughout his adolescence. It became a trend, and that’s why there are giants in the series.
In this Seductive Psychological Suspense, a troupe in England braves threats by hecklers when performing the history of the rare gem, Moldavite. The meteoric stone, featured in legends of Shambhalla and Atlantis, is sought after for its supposed mystical properties. The charismatic hypnotist, Dune, made the troupe famous, especially his wife Susan, the star. Whenever actors become ill, Dune hypnotizes the standbys to believe they actually are the actors they replace on stage, to fool the discerning audience. When the curtain reaches the floor after the encore, the post-hypnotic suggestion always ends, and the standbys recall their identities.
Susan mysteriously disappears, so her standby, Miriam, takes her place. Miriam’s friend Colin clutches flowers in the audience, ready to congratulate her on the life-changing evening. He just that day kissed her for the first time. Will he become more than a friend that night?
He doesn’t get the chance. Before the curtain lands, with Miriam still believing she is his wife, Dune whisks her away to an alchemist’s castle: Dune has plans for an equinox ritual using the Moldavite elixir made there. Rumors say he is a secret agent, in a cult intertwined with the Nevermind and the Bennu troupe. In fact, Bennu is an ancient Egyptian flamingo deity, similar to the Phoenix, associated with initiation rituals that break down the identity and rebirth a person into a loyal member of a secret society.
This contemporary Gothic Romance dramatizes mystical sensual energy manipulation techniques that have been used for both good and bad. And it also explores the dangerous historical appropriation of cultural legends for the sake of forging military alliances.
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His Father’s Blood follows John and Ada as they navigate their relationship, their family, and their curse. What was the inspiration for the setup to this thrilling novel?
Moll Dyer is a real historic personage, but there is scant official record of her life due to a courthouse fire. There is a local road named after her, and a boulder on display at the county courthouse where it is said she died. There’s also one colonial period letter describing her countenance unfavorably. Despite this, there are as many oral traditions about her life (and death) as there are local families. With book one, I tried to give Moll some peace and a new angle to her story.
In Book 2- His Father’s Blood, I expounded on her tale. As many of the legends associated with Moll included a son, and none covered exactly what happened to him, his was also a tale that begged to be told. As the local native tribes began leaving the area at this same time, it was easy to imagine that John’s ancestor would have followed them…especially as his mother was more at home with them than her own people. I based some of their adventures on the style of tales from the mountains they fled to.
John and Ada are both intriguing characters that are even more interesting when they are with each other. What were some obstacles you felt were important to develop their characters?
Their loyalty had to be rock solid to allow the belief and trust in one another under extraordinary circumstances. Their devotion for one another needed to be absolute to overcome all that was thrown against them and all of the naysayers plotting against them. With such nobility of character, introducing human foibles was essential to make them well rounded and believable.
You continue to develop the Dyer family’s curse in this book. What was something new that you wanted to introduce in this book that was different from the first book in the series?
A theme in both is personal sacrifice and the concept that love conquers all. In book 1, Moll is kept ignorant of her powers and was only briefly exposed to the healing aspects of it. John was exposed to the darkness early in life and fought against it. Moll gave her life in sacrifice to save her son, but in my opinion, John’s price was greater. Moll never knew romantic love and I wanted to explore what might happen if a romantic interest was present. Ada certainly provided that. Moll’s love for her son drove the plot of Sister Witch, but John and Ada’s love was the driving force in His Father’s Blood.
This is book 2 in the Legend of Family Dyer series. When will book 3 be available and where will the story take readers?
I’ve completed the rough draft for Book 3 and hope to have it released early next year. It is set in contemporary times and of course follows Moll’s descendants. Although her name is forgotten by them, she hasn’t forgotten them.
Homesteading on Devil’s Peak, skin-walking shaman John Dyer must fight to save his bloodline. Can the Dyers stand against the horrific desires of a centuries old demon? Can their faith in each other overcome the evil pitted against them?
This historically accurate epic follows John- scion of the Dyer family, and the great-great grandson of the venerable Moll Dyer– in his quest for a new life, and a place to settle down and call home.
The fates conspire against the Dyers, and only their sorely tested faith in each other can overcome the evil set in place against them.
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River’s Child follows Mavin, an assistant working in a seed vault when things took a turn and he ends up in the far future. What was the initial idea behind this story and how did that transform as you were writing the novel?
Most of us have experienced scribbling down a dream before we’re too wide awake to remember. It’s interesting that dreams and seeds both spring to life from the dark. River’s Child is a kind of green seedling. I ran across an article about the Svalbard Global Seed Vault. The seed vault near the north pole is designed to last ten thousand years. I imagined a distant future when the seeds are rediscovered and their power to rejuvenate the world is unleashed. When Mavin awoke from his long dream, neither of us had any idea of the mysterious new world that awaited.
In the novel males are subservient and females are revered in the new world. I find this both refreshing and entertaining. Was this idea planned or did it develop organically?
The story is humorous but has a serious dimension. I feel as a species we’re still learning how to become human, the cake hasn’t finished baking. Humans transcend category, or I should say, we have the potential to transcend. If a new perspective means giving up our old comfortable view of the world, more often than not, we prefer to stick with the devil we know.
It’s fun to watch how difficult it is for Mavin to be flexible. If a woman found herself in a strange new world, the story wouldn’t work as well, she would simply adjust. It’s not uncommon for men to be wary of women sharing power. For my two cents: if we’re going to survive as a species, the Feminine Perspective needs to be in balance with the masculine viewpoint.
I enjoyed Mavin’s character as well as Simone. What were the driving ideals behind the characters development throughout the story?
Mavin and Simone are strangers to one another. As the author, before they say or do anything, I get to know my characters off-camera. I set up surveillance. I observe them in the supermarket line. Do they let the person behind them go ahead if they have only a couple of items? I know whether they use their turn signal or if they smoke while gassing up their SUV. Mavin and Simone are not angels, but more often than not they surprise me with their humanity.
I find a problem with well-written stories, in that I always want there to be another book to keep the story going. Is there a second book planned?
The best part about being an author is getting feedback from fans. Readers have been letting me know that they loved the story, but were upset that it ended too soon. I have a sequel sketched out, so I better get cracking.
Trapped underground in the Svalbard Seed Vault, Mavin Cedarstrom is rescued by a band of strange women dressed in furs. The Peregrine scout Simone Kita was sent to recover seeds from the top of the world and bring them south to the floating gardens of Kashphera. Conjuring myth and magic, this fun, action-packed novel is a delight. River’s Child is a wild ride into an ancient future. Fasten your seat belt as our spirited heroes ride icebergs from the frozen north, battle wild men, and fall in love while they race to prevent world war.
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Wyndwrayth by Keller Yeats proves to be both interesting and captivating as the reader follows the central figure, Nick Swann, as he bumbles through his semi-isolated real world life and slowly discovers the existence of a second, more deadly world, all around him. These two parallel worlds slowly converge as you turn the pages to reveal what is undoubtedly a cleverly researched horror novel yet still containing moments of strong humour and absurdity.
The first passage of the novel only offers the briefest glimpse of what is to come as it describes events of 1016 in a place named Flotta in the Orkney Islands of Scotland. Much later a more sinister story is revealed, as the full impact of ghosts and ghouls condemned to a life of perpetual purgatory wreaking havoc from their haunted house for a 1000 years follows.
After this brief immersion into Norse mythology the story abruptly introduces the daily life of Nick as a self-styled geek, working occasionally on business research for associates at Bangor University, from an inherited cottage on the island of Anglesey in Wales.
Despite apparent excesses of marijuana, brandy and coffee, Nick still manages to investigate further into the mysterious local occurrences, drownings and inexplicable disappearances which all combine with the mythical backdrop to reveal the cold stark reality of evil forces at work on his doorstep.
As the chapters proceed the two sides are drawn ever closer to their inevitable confrontation – for the outcome you will have to read for yourself, but I quite enjoyed this ethereal mesh of myth and contemporary life. As the two classically configured worlds of good and evil come closer together will Nick and Wendy survive or will they pass into the world of the undead? The only spoilers I will offer here are that if you are offended by strong language and an occasional blood-letting scenario then turn away, but you would be missing an riveting story that I could not put down.
Initially, I did find Nick’s apparent excessive talking to himself annoying; but ultimately I felt like this added to his slightly eccentric and bohemian character. Wyndwrayth by Keller Yeats offers an enthralling well-researched read. The author is able to methodically create an enthralling character, place him in a vivid world, and face him against an enthralling antagonist. If you enjoy stories about myths and legends then you will certainly enjoy this novel.
Pages: 739 | ASIN: B078ZM1R17
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The BEST-SELLING collection in Occult Parapsychology!!
“Forget the world that you know. You are about to enter a dimension of the bizarre, where the strange and unusual will guide you down the path of imagination. True stories where the ordinary will be replaced with the fantastic! Explore legend, myth, and folklore These cases are based on theory and conjecture. The reader is invited to make their own conclusions on all the available information.
Stranger Than Fiction: True Stories of the Paranormal.”
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The Adventures of Fawn is a children’s novel that follows a young deer as she seeks adventure and frienship and finds much more. What was your inspiration for this fun story?
I’ve been a department store Santa for 40 years. The many questions children have asked, and my creative responses were part of my reason for writing ‘The Adventures of Fawn’. I wanted to instill a feeling of wonder and enjoyment regarding things related to Santa’s mythology and the North Pole for readers of all ages. The descriptions of making candy canes and sugar plums, and the activities in the Toy Shop are, for me, a great way of ‘bringing the reader in’…regardless of his/her age. Christmas is still my favorite time of year. Writing these books has afforded me an opportunity to spread that love and perpetuate the magic, as well.
I felt that the novel was about friendship and overcoming adversity. What do you hope readers take away from your story?
Yes. Friendship and overcoming adversity are indeed a great part of the story. I think the relationship between a child and his/her parents is also a vital part of the tale, and plays out well between Fawn, Comet and Vixen.
Fawn is a loving character that is easy to relate to. What were some ideals you were trying to capture with her character?
I imagined Fawn as a youngster just approaching adolescence. She got ‘smarts’, but her adventurous spirit gets the better of her. Despite, or perhaps even in spite of her parents warnings, she throws caution to the wind and decides she can face life outside the Village on her own. Realizing her Mum and Dad were basically right all along is a big part of Fawn’s journey and self-discovery.
I also like to think Doctor Weather and Fawn are both on a journey of sorts. Both are discovering things they never knew, whether they be North Pole related…or things about themselves.
What is the next book that you are working on and when will it be available?
Book 2 of The Adventures of Fawn, titled: The Ona Pendulum find Fawn, her friends and Doctor Weather trying to save the lives of the citizens of Santa’s Village. The Ona Pendulum, a magical device that enables Santa and company to live for centuries is apparently in grave danger of being destroyed. Book 3, entitled: Far And Yet So Near finds Fawn, her friends, and doctor Weather trailing the reindeer who have come under the control of a mysterious stranger bent on kidnapping the team. But Fawn winds up being the one kidnapped and spirited away to an estate in England. I have a fourth book nearly completed, but I’m not happy with it, and am trying to work on it and make it more entertaining.
This award-winning first entry in The Adventures of Fawn series is an exciting ‘coming of age’ tale! The year is 1849, and legendary reindeer Comet and Vixen have a young daughter, Fawn. In this first book, ‘Til the Last Snowflake Falls, the young reindeer spends far too many days alone in the stable at Santa’s Village, with no friends and nothing to do. While her parents caution her she’s much too young and inexperienced to go exploring outside the Village by herself, Fawn disagrees. Declaring, “I want some fun and excitement! I don’t care how dangerous it is!” she begins sneaking out each day in search of friends, excitement and adventure. She’ll find them all…but also find herself in dangerous situations she’s unprepared for! She’ll realize perhaps a bit too late that mom and dad were right all along! And, she’ll learn some valuable lessons about what’s really important in life. The Adventures of Fawn are filled with fun, laughs, excitement, and magical entertainment for readers all ages!
‘Til the Last Snowflake Falls was awarded the Bronze Medal in Dan Poynter’s 2017 Global E-book Awards, received an Honoree Medallion from indieB.R.A.G. Awards, a Reader’s Favorite Five Star Award, One Stop Fiction Books’ Five Star Award, and Literary Titan’s Silver Book Award.
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Don’t Ever Look Behind Door 32 takes young readers on a journey through the magical Hotel of Hoo where they’re introduced to many strange guests. What served as your inspiration for this imaginative hotel and its occupants?
The concept was really born from the title. I had wanted to write a counting book for a while but one that carried a stronger narrative than many others in this particular category. After I had the title, everything else just came together. I think that there is something about doors that sparks a natural curiosity, particularly in young children. I wanted to extend that curiosity by placing the story in a setting that would really compound the mystery. A magical castle, to me, holds a lot of intrigue and seemed like an excellent place to begin a curious journey.
There are a lot of interesting creatures behind each door. My favorite was the miniature giants. What was your favorite to write and animate?
I have so many! For most of the characters there is a fascinating juxtaposition between the general perception of their stereotype and a characteristic they embody in the story. Some of the other creatures are simply a play on popular culture. However a few of them are just plain cute. If I had to choose only one favourite, I think it would be from this last category – the big-headed monkeys.
While I was writing this character, I had in my mind something so adorable that it would make a great stuffed toy. What’s exciting about working with Lenny is that we both think similarly. She was able to take my thoughts for this idea and really bring it to life with brilliant expression. They may not be a typical mythical creature, but I think they nevertheless compliment the overall enjoyment of exploring this hotel by diffusing the expectation that each character needs to have some kind of creepy characteristic.
The story is told in rhyme and each door has a theme which, I think, makes this book great for the classroom. Was it challenging to write the story in this way or was it natural?
After I had the idea, the story itself flowed quite naturally. The fantastical nature of the castle meant that each door wasn’t restricted to a single concept or any established rules. I think this is (in part) what both pulls you along in the story and tempts you to linger – every door is a portal to its own unique and perhaps unexpected theme.
I don’t want it to send like I’m begging, but please tell me this story is going to be expanded on in future books?
Ooh, now that’s an interesting question. It was definitely a fun story to write so I wouldn’t rule out a sequel. I’ll let you know…
The magical Hotel of Hoo is a mysterious place with some very unusual occupants. As our guests explore the strange hotel, they are invited to experience everything it has to offer with just one warning… don’t ever look behind door 32.
This imaginative picture book aims to take children beyond the first ten cardinal numbers, and introduces them to the patterns of counting in a fun and accessible way. With rooms to explore and unique objects to count, children will enjoy lingering on each page as they make their way closer to the forbidden door.
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