In Susan-Alia Terry’s novel Coming Darkness myths and legends become real. Known as the Other-kin, angels, demons, werewolves, vampires, and other fabled creatures live among one another. When Archangel Michael appears to seek Lucifer’s help, Lucifer’s comfortable life starts to unravel. The Father and the rest of Heaven are missing, there’s a mysterious black ooze that burns the skin of angels, and an unknown race reveals itself seeking to destroy. As Lucifer struggles with this conflict, his lover Kai sets out to prove himself worthy of respect. But with Lucifer gone, Kai realizes how dependent on the fallen archangel he has become.
I love the world Terry has built in Coming Darkness. She wove together characters from myths and folklore, as well as creatures from different religious sects, to create a seamless and fascinating story. Her characters have distinct personalities, which make the reader want to know more about them and who they are. Terry provides glimpses into interesting backstories – glimpses that explain why Lucifer was exiled from heaven and the relationship he holds with Michael.
There was a lot going on in this novel. Terry uses various sub plots to help us get to know the characters and to move the story along. This is a great technique to use – it adds interest and excitement. It also keeps the reader from becoming complacent since so many things are happening at once.
However, there are so many things going on that I sometimes felt lost, every time I felt I had a direction, the story would change or add a different sub plot. Ultimately, I felt there was too much happening.
The world and characters the author has created are fantastic. Angles on Earth have been written about so many times, but Terry is able to imbue her characters with original personalities that sets this apart from most books in this same genre. The ideas presented were interesting, and I couldn’t wait to read more. There are some steamy sex scenes in Coming Darkness as well. Although I felt that they could have been handled more subtly, they do add another emotional layer to this already thrilling story. Terry’s skills as a storyteller are superb which is why I wish that one or two ideas were really fleshed out so that I could immerse myself in this fascinating story.
If you enjoy reading about werewolves or vampires, or find Lucifer and his fallen angels intriguing, this book would be a good fit for you. Honestly, everything about this book pulls me in and makes me want to like it. As I do with any author with great writing talent, I beg for more focus, detail and character development. Coming Darkness showcases Susan-Alia Terry’s talent and I cant’t wait to read more of her work.
Pages: 258 | ASIN: B01D7MM5IM
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One of the joys of childhood is sitting with someone and reading a favorite story over and over again. The kind of story that sticks with you, and works it’s way into your heart. The Grumpface is that kind of story. It is about a grumpy old man that is cursed and lives in the forest of Ho. He captures unsuspecting travelers that get lost in the forest and they must complete a challenge to earn their freedom. If they cannot complete any of the three challenges they are trapped in the forest forever. In this story an inventor named Daffy Dan is looking for a rose to win the love of a girl named Bella. Bella sells flowers in the village but longs for a rose that she cannot grow. Dan thinks that if he can bring Bella a rose, he will have the courage to finally speak to her and win her heart. As he searches the forest of Ho, he gets caught by Grumpface and must find a way to escape or he will never have the chance to see Bella and tell her how he feels.
The first thing that grabbed me about this book, was the amazing illustrations. Grumpface at his worst is still funny enough to not frighten my four-year-old daughter. She fell in love with this book the first time she saw me reading it and saw the bright pink bird in the first challenge. The images throughout are all done with detail and colors that draw you into the story more. They complement the text in an artistic way as well as helping convey the emotions. The rhythm of the rhyming makes the story entertaining and flow smoothly. It is perfect for young readers, but not too silly that it will make parents want to hide the book after a week. One of the great morals of the story is to find the humor in life even when things don’t go your way. Daffy Dan is clumsy and riddled with bad luck it seems, it makes him relatable to young readers that are often clumsy themselves. Dan’s creative inventions all sound like great ideas and spark the imagination of readers as well. Grumpface is like the teacher or parent that just stares in disbelief at the crazy things Dan does. Together the pair make a memorable story that will leave you laughing.
B.C.R. Fegan and D. Frongia have created a beautiful and enchanting tale with The Grumpface. They manage to convey the fear and concern of Dan throughout the story, the disappointment he feels as things don’t go his way, and the joy he feels as he thinks he finally got it. The story touches the hearts of adults and keeps children entertained. It the teaches morals of persistence, compassion, and friendship. This is a book you will want to keep on hand to read for years to come.
Pages: 34 | ASIN: B06XFFK7VZ
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Erinland follows 21st century characters as they are catapulted into a 9th Century Viking war. Some fantastic battles and world building ensues. What was your inspiration for the setup to this fascinating novel?
Actually, my inspiration came from the Irish side of the conflict. When visiting Ireland some years ago we visited Trinity College in Dublin. Displayed in a glass case is the Book of Kells. It is a beautifully illuminated ancient manuscript with vivid colours and characters depicting stories from the four Gospels of the bible. The Book of Kells is believed to have been written around the year 800 in a monastery in Iona. After a Viking raid on the monastery, the surviving monks took refuge in a new monastery at Kells, taking their treasures with them. The meticulous attention to detail and its beauty resonated with me, so I did some digging into Irish history and the Viking presence in Ireland. This finally lead me to Amy and Richard and the writing of Erinland.
Erinland provides much in the way of Viking history. Did you do a lot of research to maintain accuracy of the subject?
Yes, I certainly did do a lot of research into both Irish and Viking (Norse) histories and mythologies. I learned a lot about their ways and beliefs and found it absolutely fascinating!
I understand this is a your debut novel. What a fantastic start! What made you start writing?
I’ve always dabbled a little with writing. I enjoy getting lost in the ‘writing space’ and hopefully creating something entertaining for the reader but for Erinland, the catalyst was seeing the Book of Kells first hand.
What is the next book that you are working on and when will it be available?
I am currently working on a sequel to Erinland. It should be available mid 2018.
Two troubled young adults find themselves key players in a deadly game that spans the 21st century and the Viking Age.
Amy, finding it difficult to ‘fit in’, becomes increasingly obsessed with the virtual reality game Erinland. The VR characters and the mist of Erin begin to invade Amy’s dreams and her waking moments. She finds herself drawn into Erinland in 9th century Ireland. Amy becomes part of this mystical world as she joins in the struggle to defeat the Viking raiders.
Richard has a complicated home life and feels he doesn’t belong anywhere. A series of events finds him desperate and living on the streets, where he finds himself dragged into 9th century Norway by a Viking warrior. Richard finds acceptance with the Vikings and joins them on a colonisation raid to Ireland.
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The Mystery of St. Arondight’s tells the story of six teenagers on a mysterious quest full of adventure and suspense. During a camping trip among an abbey’s ruins, Suze, Claire, Jerry, Melody, Simon, and Sarah witness phantom flames, living skeletons, and a haunted crypt. The supernatural phenomenons raise questions that lead the group on a mysterious quest across Europe. To make matters worse, they are pitted against a crazed doctor and his menacing lackeys searching for the same answers. As the young adventurers search for clues, they uncover secrets about the legends of King Arthur, his queen, and his loyal knights.
What a fantastic break-out novel for author S. M. Porter! The plot was littered with suspense, adventure, action, a little romance – everything you need to create a great story. I enjoyed trying to figure out clues the characters had to find and the puzzles they discover.
I love history, especially history of the Middle Ages, and I find the legends of King Arthur fascinating. Porter ties these interesting topics together by using an archaeological dig as the setting, which I believe serves as the perfect venue for a novel like this. Her experience working on dig sites allows her to explain ruins, decaying bodies, and crypts in amazing detail that pulls the reader into the story.
Due to her experience with fencing, Porter makes the fight scenes lifelike. She uses her experiences to provide another level of understanding within the novel. Suze and Simon both fence, and there is a scene where one of the characters must fight a knight. Porter’s understanding of weaponry allows her allows to describe swords and shields in detail, pulling you right into the action.
Overall, I think The Mystery of St. Arondight’s is a great story with a fantastic plot, but some parts were confusing. The characters were lovable, and Porter described teenage friendships and interactions in a humorous but true way. As relatable as the characters are, I do think they needed more character development. Each character did grow throughout the story, but I felt like there development was too obvious.. I also had a hard time with the constant point of view changes. The book is primarily in first person from Suze’s point of view, but as more characters and plot developments are introduced, the point of view switches from first person to third person. I think a novel with this many point of view changes should have been written completely in third person.
I loved the mix of history and paranormal in the story and was fond of the characters. I am impressed by Porter’s ability to draw experiences from her life and describe them in such a way that makes you feel as though everything in The Mystery of St. Arondight’s really happened. My biggest criticisms are the character development and the point of view changes, but those wouldn’t keep me from reading this novel again. I hope Porter continues to follow the adventures of Suze, Jerry, Claire, Simon, Melody, and Sarah. I can’t wait to see what happens to them in the future!
Pages: 393 | ASIN: B01L0CQT42
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Move over, Homer. These aren’t your gods and goddesses anymore. Angelina Kerner puts a whole new spin on the pantheon of Greek and Roman gods in her book Deity’s Soulmate. Our usual suspects are there: Athena, Zeus, Hera, Hermes, Hades and others. We’re introduced to a new structure of the world thanks to the first person perspective of a young goddess, Gardenia. At first, we’re not sure who she is as she leads us through the universes to the Milky Way Galaxy. She comes across humanity in their bloody splendor immediately. This shatters what she has been taught about humans. Not all is what she has been told. It’s time for Gardenia to learn the real way of the world. She has a place in her family’s pantheon, but will she be twisted around the thread of a Fate first? This entertaining story about gods, goddesses, dragons and the creation of worlds is the first installment in what is sure to be an amazing trilogy.
While most of us have perceptions about the gods and goddesses from ancient Greece and Rome, seeing Hera in a black suit with white stilettos is definitely an interesting image. Kerner builds her world in a fascinating way. Yes, there have been more ‘modern’ interpretations of such heavenly beings before, but the way Kerner does it makes the reader feel like this is how they have always been. Her description on the creation of galaxies and worlds, giving each god and goddess an entire mini universe to be responsible for is an interesting take on the creation myth. She does not deny the science of a world being born yet the way she peppers that in with the mystical ability of the gods and goddesses seems natural.
This book is more than just what the gods and goddesses get up to in their spare time. Gardenia is a very new, very young goddess. She is scorned by the majority of her family and she strives to show them she is not someone to be taunted. However in the beginning she is just that: young. Barely alive for eighteen years, which is less than a wink for immortal beings; she is taken advantage of and manipulated by the Fates. Even on the brink of death she does not give in. She is a strong, fiercely independent young lady. She realizes she’s been dealt a bad hand at life and is determined to make more out of it than anyone expects. To this end, she journeys. She travels across galaxies in her search for teachers older than her family: dragons. These mystical beings that hold the power of creation yet can’t be bothered with using it.
A coming of age story is wrapped up inside a mystical journey. Not only is Gardenia searching for herself, she is striving to rise above the path that has been laid out for her. The eternal question on whether or not someone can change their ‘fate’ is addressed in this delightful read. Deity’s Soulmate by Angelina Kerner sports beautiful illustrations and a fantastic story to match. Will Gardenia change her future? Or will she be a pawn of the Fates? Only time will tell.
Pages: 180 | ASIN: B06Y1GCCF5
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The Seventh Sentinel takes readers on an incredible modern day journey where the purpose of angels is still alive and well as they commune between man and God. What was the inspiration for the idea behind this entertaining story?
I’ve always been intensely fascinated by angels. According to the Bible and other ancient manuscripts angels are powerful, highly intelligent beings commanded by God to serve man. Being an avid reader, I grabbed up any books featuring angels but they were always portrayed as the bad guys and demons as the good guys, which rattled me. So I decided to write a novel where the opposite is true and based on as many historical facts as I could find about them. I wanted to show angels interacting with humans in a good way, in the age old fight between good and evil with epic fantastical battles, great tragedies and moments of joy.
Cristiano is raised in an orphanage and has no apparent past. I felt that his character was well developed. What was the ideals that drove character development in this story?
I felt that the world the characters live in is very intricate yet subtly built. What was your approach to world building in The Seventh Sentinel?
I researched how many levels of Heavens there are from a variety of sources. Some say there are nine, some say five and some seven. Who really knows? I settled on seven because it fit the title of my book. Seven archangels, seven sentinels, seven continents and seven Heavens. Most of the descriptions of the Heavens are inspired from the Bible and The Book of Enoch. Then I had to figure out a way for my hero to fight in the spirit realm, and every hero has to have a weakness or several weaknesses, right? That’s where transmutation came in, which left Cristiano’s body open for attack in the physical realm, and hence the need for paladins.
Everything and everyone has a history, known or unknown and I love stories that include orders like the Templars, St Johns, The Golden Fleece and many others. There are so many stories with the Templars, so I went instead with the once famous Order of Calatrava, in Spain, which turns out, had links with the Knights Templars, and threw in the ancient Celts for added mystery.
What is the next book that you are working on and when will it be available?
I’m working on the third book in the series (no title yet) and hope to have it out by the end of the year. Due to serious illness last year I’m way behind schedule and trying hard to catch up. I’ve just finished my short story, titled the Igigi Chronicles, which is going through a round of beta reading as we speak. This tale is a spin-off from False Gods, the second book in the Sentinel Series, featuring the Eljo and all manner of mythical beings set in ancient Sumer and modern times.
“Moments before the destruction of Jerusalem in 70 A.D., the seven Archangels remove powerful, ancient artefacts from the Jewish temple. These are given into the safekeeping of seven men. Throughout the ages, these men and their descendants become known as the Seven Sentinels.
In medieval times, the Seven Sentinels formed various military Orders as a cover for their activities. Today, of the Seven Sentinels, two are dead and two have turned rogue, which means only three remain to carry out their roles.
A war rages between Heaven and Earth. It is up to the newly empowered Seventh Sentinel to stop the rogues and Fallen Ones, from using these artefacts to gain control of the souls of mankind. Can the Seventh Sentinel endure?”
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The Sky Throne, by Chris Ledbetter, is a tale set in Ancient Greece. Zeus, a youthful prankster, finds himself entangled in a conflict that reaches the slopes of Mount Olympus itself. Living a life as an unknown, Zeus’s world changes entirely with the violent attack by an Elder deity, Hyperion. Zeus, seeking an answer for this attack, finds himself at Mount Olympus Preparatory Academia. He finds sanctuary and a temporary reprieve from the sorrow that haunts him, but trouble still follows him. Students and faculty begin to vanish from Olympus, which leaves Zeus and his peers to solve the mystery.
Ledbetter takes the best pieces of contemporary YA and gives them their own mythological flare. The academia of Harry Potter becomes the independent schools of the Mediterranean and Aegean. The survival of The Hunger Games is embodied by Zeus’s ingenuity throughout the story. Even tones of Red Rising can be felt in the opening pages of the very humble beginnings of a character we have known about for thousands of years. The breadth of the world is very thorough, and will please any Grecophile. Ledbetter covers everything from Crete to Tartarus, and all that lies in between.
These very familiar characters from mythology are made a new by being “made young” and formed into literal student roles. The twist on these old figures was one of the reasons why I kept turning the page. This, and the mystery of Zeus’s parentage, kept me enthralled with the character; especially since Zeus is a character that not only grows and changes throughout the book, but becomes endeared to the reader. For example, he consistently struggles with how to flirt with girls!
The actual pacing itself is done quite well. Within the first dozen pages, the reader feels the very real consequences of violence and aggression and the plot only gathers speed from there. It especially begins to escalate when the real threat against Olympus Prep arises and Zeus begins to show the true core of his character, to the delight of the reader.
If anything negative can be said against the plot and world building of the book itself, I would say that Ledbetter’s technical skill could use a bit of Olympus grace. While reading, I found some of the sentences awkward, while others were quite unnecessary based on context. This forced me out of the story. Beyond that, I found the dialogue to be inconsistent along the lines of pushing melodrama or self-deprecating humor. This is not to disregard the appreciation I had for his presentation of different cultures that actually did have their own way of speaking.
All of this taken into account, the reader of YA literature will not be disappointed. Following in the footsteps of Rick Riordan, yet also striking out on his own when his path diverges, is not a feat to be taken lightly. Ledbetter achieves this with brilliant originality and a story uniquely his own.
Pages: 324 | ASIN: B06W5LXJFN
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The Lifeblood of Ill-Fated Women revolves around the story of two Valkyries, sisters Astrid and Yrsa, in a world still ruled by Nordic Gods. What was the inspiration for this novel and the Norse mythology used throughout?
Spoiler alert in that question. Lol.
My inspiration was two fold.
One, I really had not read or seen much about Valkyries in years. They are very interesting mythological beings, but not really focused on in movies, cartoons, or TV. Seems like a wasted opportunity, so I took it. I wanted to write a story about a woman who was questioning her reality on several levels. Is she alive, is she dead, was she adducted by aliens, is she in hell? etc.
Two, I felt like Norse mythology is something people, readers, movie-goers, are willing to openly accept easier than some other myths or cultural beliefs. Maybe because of it being so fantastical. Sometimes we believe the things that are harder to believe and accept quicker than those things more based in reality.
For example…. So many people watch and follow ghost shows and believe all that we are shown, but then laugh at the hunters chasing Big Foot in the forest. Paranormal vs. A living being (although myth). Seems like it would be easier to believe in a missing link than spirits from another realm right? Well, maybe that’s just me.
Note: I believe in both actually. 🙂 And aliens.
Regardless, Norse myth is fabulous. And there are a few good fiction books you can find and read. I read one prior to writing this book. Good reference material to pick over. That and my old original Deities and Demigods D&D book. 🙂
What kind of research did you have to do to make sure you got the mythology correct?
As stated about, I bought and read one book. Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs by Lindow. I also used my old hardbound Deities and Demigods D&D book for inspiration.
I spent a LOT OF TIME online researching what “curse words” and foul language would have been used in the Viking Age. I could not deal with or accept the use of modern four letter words being said by my characters. I really lost sleep over it. I finally found some replacement words that were close to the time period or language. Not perfect, but I felt like the reader would understand what I was going for.
I never like watching movies set in ancient times with characters spewing modern day bad words….unless we are talking about STARZ’s SPARTACUS. That was awesome, and with all the over the top blood and guts it was fine. 🙂
As a writer who researches, I like to find the facts and then decide how best to use or alter them to fit into my works of fiction.
When Astrid falls in battle and wakes up with no memory the reader is brought into Astrid’s mind to be witness to her paranoia, fear, confusion and inner struggles. What were the obstacles you felt were important to highlight to connect readers with Astrid and develop her as a character?
Everyone struggles with these things on some level.
Astrid is a big, strong, proud Viking warrior. Who can relate to that? BUT they can relate to all her inner struggles. Who hasn’t questioned their reality? Who wasn’t felt afraid of something one moment, then loved it the next. Think of skydivers. Fear and then joy in a matter of seconds.
Astrid was originally designed as a near cave woman. She grunted and groaned. Took what she wanted. Feared nothing. But an early draft was read by my editor and she pointed it right out. Astrid was unrelateable. I did not want that.
My plan was to write a fantasy-horror story with a character who just cannot figure out if she is alive or dead. Her beliefs would pull her thoughts into both directions; a tug-of-war. While she struggled, the story played out. Things would be happening all around her and she would have to decided what to do, regardless of her inner struggles. That’s life. We all are faced with that.
I was really sick with the flu or something the other week. Two days of being the sickest I had been in 20 years. And guess what, I needed to go get my new drivers license photo. Time had ran out. I was faced with an obstacle on top of another obstacle. Life gets complicated.
In some books or movies, it seems like the hero only has one major concern. That’s unrealistic to me. Yeah, go save your kidnapped daughter Liam Neeson, don’t worry about needing to buy more ammo, or the authorities, or laws, or weather, or your own wounds, or….
This is a well written novel that leaves open the possibility for other stories to follow. Do you have another story in the works?
Book two is currently being written. It takes place several months after book one. I envision this series as 3-5 books long.
“Astrid the White isn’t an average princess. She has always stayed by the side of her father, King Kol, and learned warfare and weaponry from the best Vikings in the land. When she awakens in the city of Birka and hears the sounds of war, she rushes proudly into the fray. She is more than capable of taking down any enemy wishing to disturb the peace.
This enemy, however, isn’t what she expected. Before Astrid even gets outside the walls, a golden light knocks her out.
She comes to in the snow, in full battle armor. Astrid first suspects that this is a challenge from her father–or even the gods themselves. By acting correctly, she can gain the favor of Odin, the Allfather.
Astrid wants to complete the test, but it becomes more and more difficult as she explores this new part of the world and encounters both monsters and monstrous men. As creatures from the darkest legends reveal themselves, Astrid will discover that her journey isn’t about acting correctly or passing Odin’s test. It’s about pure survival. Before she can even think about finding Birka, she will have to defend herself against the demons of this new world.”
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The Chimaera Regiment follows Hector as he sets off on a world altering journey. What was the initial idea behind this story and how did that transform as you were writing the novel?
The first idea that I incorporated into this story, or what eventually became this story, was the question, “What if someone compelled a worldwide society, perhaps not far into our future, back to a level of technology and culture comparable to the very first tribal communities?” Of course, by the time I wrote the book, I had decided to aim for something closer to the late Bronze or early Iron Age than the Stone Age, and the whole question became part of the world-building rather than a story I tell during the book.
The character of Hector started to develop as I began to catalogue ideas and lay out a basic plan of the plot. Up to that point, I had never completed anything longer than a short story (in spite of my best efforts), so I wanted to make it as easy as possible for myself to get all the way through a novel. To that end, I took that advice so frequently bandied about, “Write what you know,” and decided to make the hero someone a little younger than I was at the time.
The first draft of the novel was quite a bit shorter than it is now, and it ended up collecting dust in a box for a few years. (I prefer to write first drafts by hand.) Around the time a movie was released with, by total coincidence, my working title, I decided to go back to it and see what I could make of it. By that point, I had gotten a college degree and learned enough to know that the first draft had a good core, but the implementation was all wrong. Over the next couple of years, I went through the entire book and rewrote it, this time trying to make sure all the pieces aligned. It was at this point that I incorporated mythology into the story and titled it The Chimaera Regiment.
That initial idea is still in there, and you can see the edges of it as the backstory develops through this book, but I’m going to explore that question more closely in future books.
I think the story has roots in mythology. Do you read books from that genre? What were some books that you think influenced The Chimaera Regiment?
It does, and I do. My bachelor’s degree is focused on the Classics, which some may have heard called Classical Studies or (my favorite) Classical Philology, so I learned Latin and ancient Greek and I read a lot of Greco-Roman mythology, both in English and in the original languages. (My knowledge of Norse mythology is pretty limited, I’ve barely touched Egyptian mythology, and I’m as clueless as the next guy when it comes to anything else.)
For The Chimaera Regiment in particular, I looked to a lot of different sources for inspiration. What I wanted, perhaps most of all, was to craft a story that people would enjoy regardless of their educational background, but I also wanted to include a lot of “Easter eggs” for people with the same knowledge-base I have. So on the surface you have Hector on his quest to save the world from the Chimaera Regiment, and underneath that, I’m incorporating themes and plotlines from the myth of Bellerophon. Bellerophon, of course, was the hero that killed the Chimaera in the Greek mythos. Most of that particular tale comes to us from the writings of Apollodorus and one section of Homer’s Iliad, but there are a lot of minor references in other works, too.
While the myth of Bellerophon and the Chimaera is interwoven with the main plot, I also included references to other myths, both significant and minor, throughout. The vast majority of those can be found in Homer (either the Iliad or the Odyssey), Vergil (the Aeneid), or Ovid (the Metamorphoses), but to be honest, I enjoyed the process of hiding those references so much that I’m not completely sure I could tell you all of them at this point!
I found the characters in this story to be complex and engaging. What were the driving ideals that drove the characters development throughout the story?
Especially when it came to Hector, whom we follow more closely than anyone else, I wanted something realistic. I find a lot of “coming of age” hero stories jump too quickly from “callow youth” to “great warrior” without much reason for it. I didn’t want my readers to ask, “Wait, why can he do that? How come he’s not daunted by this fight or fazed by this tragedy? When did he have time to learn strategy?” Incorporating that development was important to me.
When it came to the other characters, it was a matter of establishing ideals for each of them—how they saw the world, how they expected life to go—and then challenging those ideals with reality. Sometimes reality is better than they thought, but usually, it’s worse; either way, they have to adjust to deal with that. It’s a process not altogether different from the way we deal with change in our own lives.
I find a problem in a well written stories in that I always want there to be another book to keep the story going. Is there a second book planned?
There is a second book planned (and, very roughly, a third). The sequel is titled The Aegipan Revolution and picks up, not where the main story of The Chimaera Regiment leaves off, but rather where our epilogue leaves off, with the child learning this epic tale from his history.
I’m in the midst of writing The Aegipan Revolution, and I’ve passed the halfway point, but there is still a lot left to tell. After that, I’ll need to edit it thoroughly (though hopefully not as slowly as the first book!). On top of that, my day job has me incredibly busy these days. So I’d love to set a date for the next book’s release, but I can’t realistically estimate that right now.
It is late autumn in the 2040th year of the Sixth Era. For centuries, peace has reigned among the tribes of men, but as an early chill descends on the land, a new war looms from the south. Lord Derek, ruler of the Chimaera Regiment, seeks to reestablish the ancient Fylscem Empire under his banner, and he will stop at nothing to restore the dominion of his bloodline.
Before him lies the idyllic Valley of Kyros, home of the Alkimites, where the last direct heir of the old empire lives in ignorance. Guided by the ancient Guardian Lord Aneirin, Hector son of Abram must travel to the primeval capital of his heritage. There, in the Library of the Ancients, he must retrieve the three Blessed Blades of the Emperor, symbols of his authority. Agents of the Chimaera Regiment pursue him, and barbaric tribes stand in his way, but his path may unlock the secrets of the past, and it could bring light—or darkness—to the future.
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On a trade visit to Malta, Orfeo – in line to the throne of Pylos – is kidnapped by mysterious strangers. The net is spread far and wide, with heroes from all over the Aegean joining forces in the quest to find the lost prince.
Is Orfeo in danger, though? His captors seem to have strange motives, what exactly do they see him as? A prince, a prophet, a political pawn, or something more? Only one thing is for certain, nothing is as it appears on the surface, and Orfeo must keep his wits about him. This wonderful work of historical fiction will amaze and engage you in equal measures.
With The Wanderer’s Last Journey, Murray Lee Eiland Jr. has woven an astounding and complex tapestry. It has all the makings of a classic fantasy epic, as the rich and evocative world he creates is as intriguing as it is intricate, whilst the narrative constantly keeps us on our toes. Eiland Jr. clearly has an eye for important details, as his simple use of language is restrained and mannered. He writes much like any of the great classical fantasy writers, with simplistic, well-constructed sentences forming the framework for a complex and sprawling narrative. Where he does choose to go into detailed description, he paints for us a clear and colourful picture. The milieu of The Wanderer’s Last Journey, whilst mostly serving as a stage on which to set the players, is perhaps one if the novel’s most astonishing features. This mythical, magical Mediterranean is exotic and enticing, and we are left wanting to learn more about it. As the story expands and speeds towards its thrilling crescendo, its setting is left unexpanded, and one wonder’s whether the novel might have benefited from going into greater detail in this regard. In many ways it is unfamiliar from the Ancient Greece we know and are familiar with, yet it verges upon Virgil and Homer. The Iliad is an obvious reference, and Eiland Jr.’s love of this period is clear on the page.
This novel sets Eiland Jr out as an author of great scope and intention, however one who isn’t afraid to create a world of great depth and complexities. He cleverly weaves multiple storylines and, for the most part, manages to keep on top of this, and keeps all the strands of his stories working together. There are moments, though, where the machinations of the plot seem to get the better of him. The action tends to flit between one character’s perspective and another’s, and whilst this serves to provide us with a huge wealth of storyline, it occasionally distracts from it. It also means, at points, that we aren’t given long enough in each character’s story to form an emotional bond with them, and we are left wondering who exactly our protagonist is. This is perhaps to be expected, though, with a story so vast, and one with so many strands, and for the most part The Wanderer’s Last Journey works well as a rich, entertaining fantasy epic.
Pages: 237 | ASIN: B018RHOIRI
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