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Jupiter’s Ghost
Jupiter’s Ghost is a spacefaring whaling adventure that blends old maritime ritual with big, dangerous science fiction. Author David Gwinn builds the story around Jóre, a Fralie pilot who joins the crew of the whaling ship Jupiter’s Ghost just as fear of the legendary Great Blue is spreading through the fleet. Captain Rowan sums up the danger plainly: “We hunt the deadliest beasts in the galaxy.”
The book’s strongest pull is its setting. Avalon Station, the Orion Nebula, the harpoon ships, the crew taverns, and the whale-bone-decorated vessel all give the story a lived-in frontier feel. The whalers have codes, grudges, superstitions, drinking rituals, and ranks, and Jóre’s outsider perspective makes those customs easy to step into without slowing the story down.
Jóre’s bond with Zaxxen gives the novel its emotional center. Their friendship starts with cautious curiosity and grows into real loyalty, which helps balance the harsher parts of the voyage. Gipson is another standout, a capable officer whose reasons for hunting add heart to the larger conflict. Her belief that “Every whale we catch saves lives” gives the book a moral weight beyond survival and profit.
The action is large-scale and cinematic, especially once the Great Blue becomes more than a rumor. The hunts feel dangerous because the book treats space itself as part of the threat: nebula turbulence, failing engines, damaged hulls, gravity, distance, and silence all matter. Gwinn keeps the crew under pressure, and the final stretch brings together fear, sacrifice, and the cost of obsession in a way that gives the ending some real bite.
Jupiter’s Ghost is an adventurous sci-fi tale about proving yourself, finding a crew, and carrying the dead with honor. It has the bones of a classic sea hunt, but its heart is in the stars, where ancient rituals and futuristic danger sit side by side. It’s a story about people chasing monsters for money, medicine, pride, and redemption, and it’s at its best when it lets those motives collide aboard one battered ship. I recommend Gwinn’s tale to anyone seeking a riveting character-driven science fiction adventure.
Pages: 254 | ASIN : B0F9TMLXQ9
Envision and Sculpt
Talisman: Halcyon centers around a man who has already experienced loss and betrayal and now faces an almost insurmountable conflict involving the multiverse and the search for truth. What is the most challenging aspect of writing a series?
I think, as a pantser, the biggest difficulty comes from not necessarily knowing the entire story or character arc. To be frank, I had NO idea I was going to wind up in the multiverse in Halcyon. Ha! I really didn’t. It just grew and ballooned into something far beyond my own comprehension, and I was running alongside the story, panting, just trying to keep up. I’m so pleased with how it turned out, however. You have to have at least an idea of where to take the characters. For me, one thing I really longed to do was to tie this series into my other series and standalone novels. Through references, common characters, etc., you can link them, but that doesn’t mean that this story will serve its own ends as a standalone. It has to be robust and weighty enough to do that. And where that comes from is really allowing you to get heavily invested in the lives and purposes of the protagonists. I think by the end, it all worked out pretty well. I’m pleased with it.
Many of your characters wrestle with identity across timelines or realities. What draws you to the idea of “alternate selves” as a storytelling device?
The idea for the alternate selves was there initially when I first toyed with going into the multiverse, which in and of itself wasn’t really until I was about a quarter of the way through writing Halcyon. I thought more along the lines of “Wouldn’t it be neat if…” as opposed to “I’m intentionally going to do __.” But yes – when a character is forced to come face to face with themselves, there’s a primeval awakening that happens in that confrontation. You either awake to purpose or you awake to despair, I think. It really depends on who that character is and what they decide, within themselves, they must do. My characters awoke to purpose because of the greater conflict they were embroiled in. Any time you incorporate a doppelgänger, there needs to be a closure that happens that allows both selves to depart in peace, having accomplished their mission and resuming their independent life. The multiverse allowed me that, but it was still difficult to envision and sculpt. I very much enjoyed the challenge!
Was there a particular scene or moment that changed your understanding of the story while you were writing it?
Absolutely. There is a character in the story that I really needed to complete an arc that was painful. There were also elements at the very end that I wasn’t sure it were necessarily ’safe’ to travel down… tie-ins with other novels of mine that would definitely bridge the gap and allow more of the “Aaronverse” to take shape, but would they inherently violate the canon of those stories in the writing of this one? I really wasn’t sure. The best I could do was to honor them each with good storytelling. The arc of the character, and the subsequent arc of the story as a whole, really helped me to see the larger picture of what I was writing. I think that’s the luxury of being a pantser: your eyes are opened in the writing just as much as your readers’ eyes will be opened in the reading.
Can we look forward to more work from you soon? What are you currently working on?
Definitely! I am currently working on my first overtly horror novel, Blood Echoes, set to be released in May. It is a standalone thriller. I do not have any plans to revisit the Dissonance hexalogy or The End or Talisman trilogies, but I do have hopes of constructing a fantasy novel to honor my primary literary inspiration, J.R.R. Tolkien. We’ll see if I’m finally courageous enough to do that, wink wink…. 🙂
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Liam “Foxy” Mayfield never asked to be the Last Iskander, nor to wield a power that can tear the omniverse apart. But then he, Arion Peridifyca – the haunted hunter of the Iskander legacy – and Onyx Sleater, now the cosmic nexus Soteria, discover their grief has been weaponized by the alien Aeterium Axis, and their uneasy alliance becomes the only hope for countless worlds.
As Arion struggles to unite the 743 Iskanders he once betrayed, Soteria’s growing powers make her both a beacon and a battleground for the hearts of her companions. Liam, caught between love, loss, and the terrifying force of the Iskander’s Justice, must decide what he’s willing to sacrifice to end the Axis’s reign of servitude. Their journey leads to the Great Convocation on Proxima Centauri b, where ancient crimes are confessed and a fractured army must choose unity or vengeance. With a monstrous Grievefiend lurking in the multiverse guarding the key to their enemy’s stronghold and betrayal lurking in the shadows, the trio faces a war not just for freedom, but for the very fabric of reality.In an omniverse where grief is currency and trust is fragile, can three broken souls rewrite fate itself—or will their pasts consume them before the final battle begins?
The Structure of Society
Tyrants of Gravity follows the people of Earth who have survived the first alien attack and are now preparing for future attacks, while trying to survive the aftermath of the first war. Is this story more about survival—or about what survives?
The first book in the series, Gravity of Sol-3, is more about what or who survives. The alien sentinels sought to prevent humans from acquiring black hole energy technology that could threaten the dominant galactic worlds. The aliens also tried to prevent the evolution of man’s telepathic communication, deploying eugenic attacks to exterminate neurodiverse members of the population. If the aliens could have blocked these two elements of human civilization — one technological, the other biological — then humankind would survive but stagnate.
The aliens, Tyrants of Gravity, return in the second book to eradicate the human threat now that Earth has obtained both capabilities. Humans use black hole energy to power spacecraft, and human telepathy establishes contact with alien life. The alien antagonists plan to strike our world with relativistic kinetic energy weapons—releasing more destructive energy than a million nuclear weapons. In Tyrants of Gravity, the stakes are the survival of the human race.
Your battle planning and tech feel tactile and grounded. What research or frameworks shaped that realism?
This aspect of the stories came easily to me, as I have a background in science and engineering and have designed military weapon guidance systems and commercial computing systems. I used my experience with those systems, the teams of developers, and with government and military organizations. I also ensured the story’s events obey the laws of physics as closely as possible: I have a spreadsheet titled, Physics, for each story, and this is just as important as my detailed outlines of story structure and character arcs. The realism introduces natural constraints and obstacles that the characters must overcome.
The alien forces are not just antagonists—they react, adapt, and escalate. How did you approach their psychology?
The aliens rely on machine intelligence, MI, to operate their spaceships and their society. I extrapolated beyond our current AI technology to imagine systems that threaten their organic creators. The alien life forms, the organics, still manage to exert diminishing influence over the alien MI. I gave the MI characteristics of human political organizations, along with many of the weaknesses and faults humans exhibit today. The aliens must grapple with MI and organic conflicts as they pursue the greater objective of suppressing and destroying the human threat. The alien organics and MIs are flawed characters.
As a sequel, this book expands both scale and theme. How do you see the larger arc unfolding?
The first two books of the series focus on Earth and the first contacts with alien antagonists. These books are close together in time and result in the breakout survival and advancement of the human race, making Earth’s inhabitants viable contenders in the galaxy. The worldbuilding of the first two books was a straightforward extrapolation of present-day Earth. Future books will explore how humans exploit their new capabilities to travel to the stars and interact with the alien species that first watched over and then assaulted Earth. Human neurodivergence and telepathy progress and dramatically affect the structure of society.
I have two works in progress that transit across space and time and feature significantly more worldbuilding for the alien settings, cultures, and technologies of Luyten-B and Proxima-B. Humans travel to the home world of the Luyten, Cap, to find the captain’s world subjugated by Centauri masters. Human military and diplomatic missions journey to the Centauri fleet station on Proxima-B to confront the alien civilizations from a position of strength, but grapple with the unintended consequences of their missile and cyberattacks on the Centauris.
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Humans mount a frantic defense.
The aliens launch planet killers.
Earth’s civilization and billions of human lives are at stake.
Two autistic boys, Robby and Luca, search for their lost parent–lost in the dystopia created by the alien attacks. The rogue alien officer, Cap, is thrilled by the boys’ emerging telepathy mutation and helps them in their quest.
Scott Anderson, Robby’s physicist brother, joins the Space Force weapons development team to defend against the approaching alien fleet. But man’s technology, which harnesses the energy of primordial black holes, is primitive compared to the Centauri fleet’s weapons.
Talisman: Halcyon
Talisman: Halcyon is a science fiction adventure novel with strong superhero and space opera DNA, but I think it’s really a story about grief getting dragged across the stars. Author Aaron Ryan picks up Liam Mayfield’s story after betrayal, loss, and revelation have already cracked his world open, then sends him into a larger conflict involving Onyx, Arion, the Aeterium Axis, the multiverse, and a search for truth that keeps changing shape as the book goes on. The scale is huge, with cosmic alliances, alternate selves, and a widening war for liberation, but the emotional center stays tied to Liam’s pain, his family, and the question of what remains when the promise you built your life around turns out to be false.
I really enjoyed Ryan’s willingness to go big. This book is packed with lore, declarations, training, revelations, and confrontation, and at times it has the full-throttle energy of a graphic novel stretched into prose. But I think that’s part of the book’s identity. It is earnest in a way that many contemporary sci-fi books try to dodge. It wants the emotions to be felt clearly. It wants the stakes to sound like stakes. And when that works, it really works. The shifting viewpoints from Arion, Onyx, and Liam give the novel a layered feel, especially because each of them carries a different mix of loyalty, longing, and suspicion. I found myself especially interested in how Onyx grows into Soteria and how the book lets attraction, jealousy, and memory complicate what could have been a more straightforward good-versus-evil story.
I also appreciated that Halcyon is not content to stay a revenge story. It starts to feel like one kind of sci-fi saga, then opens into something stranger and more reflective, especially once the multiverse material and the doubled identities come into view. There is a scene where Liam and Onyx confront alternate versions and people they thought were gone, and it gives the book a haunted quality that I genuinely liked. It makes the story feel less like a straight corridor and more like a hall of mirrors, where every choice throws back another version of regret or hope. The dialogue can lean theatrical, and the mythology is occasionally dense. But even when I felt that, I never felt indifference. The book has conviction. It believes in its world, its pain, and its big moral struggle, and that kind of commitment carries real weight.
Having read other books in the series, along with Dissonance, The Phoenix Experiment, The Slide, Forecast, and The End, one of the real pleasures of Halcyon was catching the tie-ins and seeing how the author keeps pulling threads from those earlier stories into something larger and more connected. That gave this novel an added charge for me. It felt less like an isolated sequel and more like another major piece locking into place. What’s emerging now feels like an “Aaronverse,” a shared story world where apocalyptic stakes, sci-fi mythology, and spiritual questions keep folding back into each other in ways that reward longtime readers.
I would recommend Talisman: Halcyon most to readers who enjoy ambitious indie science fiction, superhero-inflected cosmic fiction, and long-form saga storytelling that leads with heart rather than restraint. This book is emotional, mythic, and fully invested in redemption, loss, power, and destiny. Readers who want passion, scale, and a story that wears its soul on its sleeve will probably find a lot to admire here.
Pages: 385 | ASIN : B0GQXHM7NN
The Magnificent Legend of the Steampunk Warrior
From the first page, The Magnificent Legend of the Steampunk Warrior feels like diving headfirst into a swirl of brass gears, magic dust, and heartbreak. It’s a strange and beautiful mix of time travel, friendship, and redemption. The story follows Thaddeus Might, a self-proclaimed Time Magician, along with Clyde, Arnold, Karl, and others as they tumble through centuries and worlds chasing after fragments of the fabled Golden Lion. The book blends steampunk invention with mystical lore and even a touch of science fiction, all while threading through themes of loss and second chances. It’s a wild, cinematic journey, jumping from Victorian England to alien worlds, filled with wit, wonder, and a surprising amount of emotion.
The writing is lush, full of rhythm and melody, almost poetic at times. Author M. Scott Smallwood clearly delights in language, spinning dialogue that feels both archaic and alive. Sentences twist and turn like clockwork spirals, sometimes dazzling, sometimes dizzying. Still, the characters kept me grounded. Clyde’s weariness and Arnold’s loyalty hit close to home. Thaddeus, with his tragic backstory and impossible hope, stood out the most. He’s eccentric and endearing, the kind of character who makes you smile even when he’s rambling about time’s cruel logic. What I liked most was how human it all felt beneath the fantasy, people clinging to purpose, trying to fix what can’t quite be fixed.
At times, I caught myself grinning. Other times, I found myself working to keep up with the story’s many threads. Yet, I never wanted to stop reading. There’s something earnest in the storytelling, something old-fashioned and heartfelt. You can feel the author’s joy and pain in every page, the same way you can hear a musician’s soul in the flaws of a live song. The mix of humor and heartbreak worked for me, especially when the story leaned into its quieter moments, those small pauses between battles where the characters actually breathe. That’s when the book shone brightest.
The Magnificent Legend of the Steampunk Warrior is an ambitious and oddly touching ride. I’d recommend it to readers who love sprawling adventures, old-school fantasy, and stories that aren’t afraid to get weird and sentimental. It’s messy, it’s moving, and it’s magnificent in its own peculiar way.
Pages: 268 | ASIN : B0FR2PMMPD
Gynarchy’s Golden Sire
The story picks up in the Zhiva Legacy universe, a strange and intoxicating place where women rule absolutely, men are property, and technology blurs the line between flesh and machine. The story opens with Erin Prisco as she struggles to reconcile her new role as a Duchess in the Gynarchy with her lingering feelings for Ethan, a man now trapped in the system of control. The narrative weaves her political and personal dilemmas together with Ethan’s harrowing descent into the Institution of Male Education, where bodies and minds are broken down to be rebuilt in submission. Running alongside these arcs is the scheming of Dr. Morgana Bennett, whose obsession with revenge pushes her into darker and darker manipulations. The book also threads in flashbacks and interludes, like the Patel children’s tragic past, which add weight and scope to the wider galactic power plays. It’s equal parts political intrigue, erotic dystopia, and space opera.
I was blown away by the sheer ambition of this world. The Gynarchy feels vivid and lived-in, equal parts terrifying and fascinating. The author leans into sensory description, making scenes lush and immersive. The erotic content isn’t just window dressing. It’s tied tightly to the politics, the power, and the characters’ own battles with identity. I sometimes found myself jarred by how clinical certain scenes of control and humiliation were, almost like reading a medical report stitched into a love story. As though the intensity tipped from emotional to procedural. I admired how unflinchingly the book asked me to confront the mix of desire, shame, and survival.
Erin feels caught in a tug-of-war between vulnerability and authority, and I often sympathized with her. Ethan, meanwhile, broke my heart. His resistance against the collar’s influence felt raw and real, and I think his chapters carried the most emotional punch. Morgana, on the other hand, is larger than life in her cruelty, and while she’s a compelling villain, her obsession sometimes teetered into melodrama. What I appreciated most, though, was that none of these characters felt safe. The book thrives on tension, political, sexual, and personal, and it kept me on edge in a way I didn’t expect.
Gynarchy’s Golden Sire is a bold, confrontational, and deliberately uncomfortable book, and I think that’s its greatest strength. If you’re willing to dive into a world where power, sex, and politics are tangled in ways that are sometimes ugly and sometimes beautiful, then you’ll find something here worth wrestling with. I’d recommend it to readers who enjoy dark science fiction with erotic and psychological edges, people who want their stories to provoke as much as they entertain.
Pages: 350 | ASIN : B0DFKD7LCT
Gynarchy’s Collar
In Gynarchy’s Collar, the first book in the Zhiva Legacy series, T.R. Schneider crafts a futuristic, sensual tale where gender dynamics are upended and power plays out through collar technology, political seduction, and raw emotional entanglement. The novel begins with a space expedition led by Lieutenant Ethan Drake and his crew, who are flung 200,000 years into the future and awaken in a galaxy now ruled by the Gynarchy—a matriarchal empire where men are property and emotions are often weaponized. Amid the sweeping backdrop of galactic intrigue and technological marvels, Ethan finds himself entangled in a dangerously intimate triangle with Anaisa, a brilliant engineer, and Dr. Bennett, a calculating psychologist with dark designs of her own. As passion meets submission and politics slips between the sheets, survival hinges on loyalty, vulnerability, and the cost of surrender.
The writing often walks a tightrope between lush and lurid, sometimes dipping into camp, but it works. Schneider isn’t afraid to lean into the drama, and that boldness kept me flipping pages late into the night. The world-building is ridiculously imaginative. Cryogenic sleep cycles, neural dampeners, collar-based control systems—these aren’t just sci-fi gimmicks, they’re woven into the emotional core of the story. Ethan’s internal war between duty and desire struck a chord with me. He’s a character who starts out commanding and composed, only to be slowly and methodically unraveled. And Anaisa is the heart of the book. Fierce, brilliant, but haunted. Her slow dance between empowerment and submission made her feel utterly real. And then there’s Dr. Bennett—seductive, sadistic, and absolutely terrifying in the best way. I hated her. I feared her. I was riveted by her.
At times, the eroticism felt heavy, and the psychological games Bennett plays, though chilling, sometimes strayed into over-the-top villainy. Still, I admired how Schneider used sensuality not just for heat, but to explore identity, control, and the ways trauma clings to us in unexpected ways. The prose flits between stark, almost clinical observation and poetic sensuality, which kept me off-balance, in a good way. The story thrives on tension, and the love triangle is both steamy and agonizing. I felt the ache of their choices, the way intimacy gets twisted in the gravity of power. And that final moment of self-doubt Ethan experiences stuck with me. It’s rare for a sci-fi novel to leave me feeling so bruised and breathless.
Gynarchy’s Collar is not for the faint of heart. It’s erotic, intense, and unapologetically subversive. But if you’re drawn to stories that blend sci-fi spectacle with intimate human messiness, and if you’re into high-concept world-building with sharp emotional stakes, this one’s worth your time. I’d recommend it to fans of The Expanse, Dune, and Fifty Shades of Grey. It’s a rare cocktail: space opera meets dark romance with a psychological edge.
Pages: 528 | ASIN : B0D8P91SV1
Everything Is at Stake
Until the Rescue Ship Arrives follows a retired priest who discovers a washed-up alien on a beach and chooses to protect this visitor and not turn them over to the authorities. What are some things that you find interesting about the human condition that you think make for great fiction?
Regardless of genre, what I consider great fiction always reveals the strengths and weaknesses of the characters who are presented with a problem or crisis in which much or everything is at stake. Great fiction requires presenting characters with great challenges.
What was one scene in the novel that you felt captured the morals and message you were trying to deliver to readers?
There are numerous scenes in Until the Rescue Ship Arrives in which characters had to reach deep within themselves, especially in Chapter 22, but to avoid giving those surprises away, a scene I would mention is in Chapter 4 when the female alien, already physically depleted and functioning almost on force of will alone, battles fatigue and the elements in her struggle to reach the Oregon shoreline.
What is the next book that you are working on, and when will it be available?
I am still exploring little fragments of stories that come into my head. Sooner or later, I’ll conjure a scene, a situation, or an exchange of dialogue that tells me there is a story here waiting to be discovered. I constructed the Until the Rescue Ship Arrives from the opening of Chapter 1 in which Father Hughes discovers the alien female on the beach. I saw everything pretty much as I wrote it up to the point when he kneels down and realizes he has discovered a person from another world. For some time thereafter I engaged in “what happens now?” until finally, I just began writing that scene. From then on, I was mostly just a reporter describing what I saw and what I heard the characters saying. The next book will probably follow that pattern.
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