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Entertaining and Educational
The Adventures of Moly follows a lovable therapy dog who time-travels to ancient Pompeii, befriends a Roman boy and his dog, and faces history’s greatest disasters with courage, heart, and wagging tail. What was the inspiration for the setup of your story?
I always knew that Pompeii would be the destination for Moly in her second adventure. My wife and I visited the ruins of that ancient city on our honeymoon, and I figured that children would love a story about a civilization where a volcano erupted nearby.
How did you research Pompeii to make it come alive for young readers without making it too scary?
I focused on what life was like for everyday Pompeiians and wanted to make it relatable by having a Pompeiian child with his dog guiding Moly through the city’s streets to help steer the narrative. I felt that children would find that entertaining and educational.
The illustrations add so much warmth. Did you collaborate closely with the artist, and how did that process work?
Yes I did. First, I supplied Valeria Leonova, the illustrator, with the final draft of the story with illustration suggestions. Then she supplied illustrations for my review and approval. The process takes about eight months from start to finish.
Can you give us a hint about Moly’s next time-travel destination?
Moly will be traveling on The Underground Railroad with Harriet Tubman in her third adventure.
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Moly isn’t just a sweet Beagle Terrier—she’s a loyal companion who brings joy to children at Renaissance Academy and adventure to everyone she meets.
But her biggest secret? She can leap through time.
This time, her paws carry her to the bustling streets of Pompeii—an ancient city full of color, laughter, and hidden danger. As Moly explores Roman life, she discovers new friends, breathtaking wonders, and the looming shadow of a disaster no one sees coming.
For kids, every page is a doorway into history. For parents, it’s a story filled with heart, courage, and the kind of magic that makes reading unforgettable.
Perfect for readers who love adventure, friendship, and stories that bring history to life. Scroll up and join Moly on her next unforgettable journey through time!
That Became the McGuffin
Fury of the Vampire follows two supernatural detectives who discover an ancient relic that can remake all of existence, and they must stop it from being used before the world as they know it vanishes. What was the initial idea behind this story, and how did that transform as you were writing the novel?
Thank you for the question. Well, originally the story would have focused more on the Jinn characters and their powers. In fact, the original title was The Power of the Jinn. During my research, I uncovered the story of The Ring of Solomon and that became the McGuffin of the tale and we adjusted the story accordingly and I think it improved the narrative.
Was it important for you to deliver a moral to readers, or was it circumstantial to deliver an effective novel?
I believe the best stories are the ones that have parables or thought provoking messages. The best Twilight Zones or Star Treks were the ones with thought provoking themes and I like to do that in my stories.
Were you able to achieve everything you wanted with the characters in the novel?
Yes, especially with Tori who I think is the best protagnoist in the series. Her relationship with Malia I think really helped develop the character and her feelings toward Richardson.
What is the next book that you’re working on, and when can your fans expect it out?
Fury of the Vampire will actually lead to a cross over with the tenth book in the Jigaw Time Travel Series: Temporal Apocalypse which should be out in May, 2026. I am currently outlining it.
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The enemy isn’t just out for blood. Now, they want the world to burn.
They’ve fought the undead. Exposed the horrors behind Utopia. Risked everything to protect those who could not protect themselves.
Now, Vampire Detective Tori Jacobsen and her Werewolf partner Abraham Mueller face a threat unlike anything they’ve seen before: An Ancient Relic that could remake existence.
With the fabric of the world unraveling, they need every ounce of cunning—and the kind of savagery only monsters can wield.
If they fail, the future will vanish before it begins. The world will collapse into a new Dark Age ruled by monsters. Humanity won’t even remember what was lost.
If they succeed… they may not survive it and lose what soul, they have left.
The explosive final chapter in the Nightfall Detective Agency trilogy. If you loved the grit, heart, and horror of The Mummy’s Vengeance and Trail of the Zombies, Fury of the Vampire bites even deeper.
Perfect for fans of supernatural noir, gritty monster-hunters, and apocalyptic thrillers where the last line of defense wears blood and teeth.
Case Files from the Nightfall Detective Agency: Fury of the Vampire
David Alyn Gordon’s Fury of the Vampire is a sweeping supernatural thriller that jumps across centuries, from ancient Jerusalem to 1920s Arizona, weaving together myth, history, and horror. The story follows vampires, werewolves, jinn, and humans caught in webs of betrayal, love, and ambition. At its heart is the eternal struggle between Lilith, Abram, and a cast of characters tied to mystical objects like the Ring of Solomon. Intertwined with this are political conspiracies, mob dealings, and the simmering tension of racial injustice in early 20th-century America. It’s a bold mix of folklore, pulp action, and noir detective work.
I enjoyed how daringly the author blends myth with history. Seeing Lilith spar with Abram in one chapter and then finding myself in the smoke-filled dance halls of Prohibition-era Tucson in the next kept me hooked. The pacing is brisk, and the action scenes pop with energy. I found myself leaning in whenever vampires clashed with werewolves or when political schemers whispered in dark corners. The dialogue can be blunt, sometimes even melodramatic, but it fits the pulpy, high-stakes feel of the book. It reminded me of flipping through an old serialized adventure, where the thrill matters more than polish.
Some passages carry raw emotional weight, like Malia grieving for her cousin, while other scenes are exaggerated. That didn’t ruin the ride for me, though. If anything, it made the book feel unpredictable. I enjoyed how unapologetically it leaned into its own wildness. It’s not a quiet or subtle novel; it’s brash, bloody, and loud. And I have to admit, I had fun with that. Sometimes I rolled my eyes, other times I grinned, and a few moments genuinely made me pause and think, especially the parts dealing with cultural memory and injustice.
I’d say Fury of the Vampire is best for readers who love fast-moving supernatural adventures, who don’t mind a little chaos in their fiction, and who want something that feels both familiar and refreshingly strange. If you’re into folklore reimagined as a gritty pulp detective saga, this is your book. It’s messy, it’s fierce, and it absolutely has bite.
Pages: 164 | ASIN : B0FLTB1L71
Strength of Character
Jigsaw: The Face of the Joker follows a team of Temporal Guardians racing through time to save a single 1927 film whose failure could unravel a century of history, culture, and humanity itself. What inspired you to center the plot around The Man Who Laughs?
I have always, since the time my father introduced me to Abbott and Costello Meet Frankenstein, been a fan of Universal Horror Movies. What made me center on The Man Who Laughs is that the movie both set the cinematic scope for Universal classics like Dracula, Frankenstein, and The Mummy, but also provided, through Jack Pierce’s makeup for the Conrad Veidt character, the inspiration for Batman’s The Joker. When coming up with the story, I thought The Man Who Laughs would be a wonderful fork in the temporal roads to center on. I also wanted to pay homage to Paul Leni, an acclaimed director who died before his time and who may have directed Dracula with Veidt in the lead role had he not died prematurely from an infection.
The dynamic between Noah and Francesca feels particularly alive. Were any of their interactions drawn from real-life experiences or relationships?
Yes. I based it on some of the interactions between my wife, Gwyn, and myself.
Did you have a favorite scene to write, maybe one that brought together your love of film, history, and sci-fi in a satisfying way?
I like the scene where Francesca and later she and Noah dealt with Norman Kerry, the actor who tried to harass the women on set. It showed their strength of character and why they are indeed the heroes of the story. I also like the interplay between Paul Kohner and Noah and Josh, as well as the interactions between Mary Philbin and Francesca and Tori. It brought history alive.
The book has a sharp, cinematic style. Did you imagine it visually as you wrote, and has there been any interest in adapting it for the screen?
Yes, I did because I always thought back to scenes in Universal Horror classics for some of the chapters. There is also a subtle homage to Abbott and Costello Meet Frankenstein in the chapter with the custodians. There is also an interest in having it adapted for the screen.
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Franesca and Noah are excited to start their new lives as newlyweds, but the fight for reality never ends! Catapulted back into yet another adventure, life is put back on pause.
Thrust into the battle to stop the vampire Lilith from helping Novus Ordo change history by stopping the production of the Universal silent movie The Man Who Laughs, Francesca, Noah, Tori, and Josh face off against the supernatural forces of evil in 1920s Hollywood — both in this universe and a parallel Neo-Fascist one.
Global History and Politics
Jigsaw: Sonora follows a group of ideological extremists who travel back in time to WWI to alter history, and a group of temporal guardians must stop them before their plan unfolds. What was the inspiration for the setup of your story?
Excellent question. Most of the attention given to World War I seems to center on what happened on the Western and Eastern Fronts in Europe. Outside of the Zimmerman Telegram, little attention is given to the efforts to keep the United States out of the war or keep many of their military assets occupied on the Southern Border. This book touches on that as well as the origins of the Influenza virus in that period and the attack on Wall Street, where a real one did take place in 1920.
What intrigues you about this time period enough to write such a thrilling novel in this era?
This time period influenced global history and politics for the next century, from World War II to the Cold War, to the growth of the United States’ influence, to the advance of the modern welfare state and labor movement, to the creation of modern nations and nationalist movements that are still with us today.
What was your favorite scene in this story?
The climax on the Zepplein Sonora. I do not want to spoil the climax for readers, so I will leave it there.
Can you tell us where the book goes and where we’ll see the characters in the next book?
Yes. The next book, Jigsaw: Shadow Ball is already out where our Time Traveling heroes have to save the creation of the Negro Leagues in the 1920’s and the integration of Major League Baseball in the 1940’s with Larry Doby and the Cleveland Indians. That adventure will be followed in 2026 with Jigsaw: Temporal Apocalypse, where our heroes have to stop the ultimate attempt to change reality in the post-World War I Era by disrupting events in Italy/Yugoslavia over Fiume and the Russian/Polish War.
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Renegade Novus Ordo operatives have formed Global Harmony and have launched Project Sonora, a plan to draw the United States out of World War One, start a continental war in the Americas, and unleash a genetically coded pathogen that would cause population segments to fall to the Influenza Virus.
The Temporal Guardians, led by Francesca and Noah must stop Global Harmony before the Forces of Evil can change history and destroy reality.
American Eugenics Movement
Trail of the Zombies follows a trio from the Nightfall Detective Agency as they unravel a sinister conspiracy tied to eugenics, Indian boarding schools, and a nefarious project called the Utopia Institute. What was the inspiration for the setup of your story?
Great question. I had recently heard of the recent stories about the mistreatment of Indian children in boarding schools and read/mostly watched several documentaries on the subject in researching the beginning of Trail of the Zombies. I also am a fan of the works of Edwin Black and his book, War Against the Weak, told about the height of the American Eugenics Movement which coincided with the timing of the persecution of the Indian children. I also wanted to portray zombies in the way they were meant to be depicted. Recent works and movies/television series inspired by Day of the Dead and The Last Man on Earth show them as flesh-eating monsters. Those are actually ghouls, not zombies.
What kind of research did you do for this novel to ensure you captured the essence of the story’s theme?
This kind of supplements my response to question one. I read and watched a lot of material like many documentaries on the persecution of the Indian Children, the American Eugenics Movement, and actual Zombies. You can find all the sources I used in the Acknowledgement section of Trail of the Zombies.
The Trail of the Zombies crosses many genres. What books or authors were the biggest inspiration for you?
Good question. I mentioned Edwin Black and his book War Against the Weak. That really helped. Universal Horror and Horror movies of that era from other studios like White Zombie were inspirational as well. Mystery-Noir works also guided me as well as the writings and shows of Rod Serling like The Twilight Zone. Historical Fiction like those by James Michener also influenced me.
I hope the series continues in other books. If so, where will the story take readers?
The next book in the Case File Series will be Fury of the Vampire and it will come out before Halloween this year. It picks up right where Trail left off and our heroes will have to solve a political assassination, prevent widespread contamination of a local water supply, stop the antagonists from creating an alternative reality, and combat a powerful Jinn. I think readers are going to enjoy it when it comes out.
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For the first time since coming into their office, Simon struggled to lift his head, the bullet hole in his eye becoming more evident.
“To find out who killed me.”
Thus begins the next thrilling adventure for the Nightfall Detective Agency.
Vampire Detective Tori Jacobsen and Werewolf Detective Bram Mueller are drawn into the shadowy depths of the Utopia Institute to both solve the murder of the late Ira Simon and the reports of abuse of the Native American Students and those deemed unfit to attend there.
Set in 1929, just outside Marana Arizona, the pair unearth a web of dark secrets.
The Institute is a front for a sinister plot.
Evil Forces, once thwarted in their pursuit of the Eye of Aten, are now bent on creating an army of Zombie slaves from the people held at the Institute.
The ultimate goal?
A hidden Aztec treasure that could fund their designs for world domination.
Tori and Bram must race against time to prevent the ushering in of a new Dark Age of Terror.
If they fail, the world will descend into chaos and repression.
The stakes have never been higher.
Educate Readers
Jigsaw: Powder Keg flips between timelines, ancient Persia, WWI and WWII Europe, post-Holocaust Italy, 1950s Alabama, and even Victorian England, while weaving together a massive, complex tale of shadowy global conspiracies, time travel, and supernatural battles. What was the inspiration that created the fantastic journey these characters go on?
I wanted to write a book that especially focused on the events leading up to Pre World War One not normally dealt with in great detail in general high school history textbooks. Jigsaw Powder Keg, like all my books, is designed to appeal to and educate readers from mature middle school level on up. The other historical and religious/mythological events covered in the book like those in Ancient Persia, Post Holocaust Italy, and 1950’s Alabama are also not regularly known and I wanted readers to be aware as well as see our major characters in action. The scene with the time-traveling dog, Nicki, uncovering the identity of Jack the Ripper, was kind of a back in pilot to my Adventures of Moly: Time Traveling Dog series.
I felt that the action scenes were expertly crafted. I find that this is an area that can be overdone in novels. How did you approach this subject to make sure it flowed evenly?
Great question. I generally outline the chapters and map the action sequences out before writing the first draft. For me, dialog is also a great mover of the action. I am also greatly aided by a very good line editor, Natalie Bavar, who is a great partner in smoothing out and polishing these scenes.
Did you find anything in your research of this story that surprised you?
That the photographer, Gordon Parks, who was being persecuted in 1950’s Alabama was not widely known. I actually found out about him while doing a reading activity with second graders in the elementary school where I am an Instructional Assistant and I thought after reading about him that this would make a great scene in the book with the Antonia and Rene characters.
Another area that kind of surprised me was that the Italian-Libyan War revealed to other powers at the time that the Ottoman Empire was truly “The Sick Man of Europe” and Italy’s defeat of it motivated other powers like Serbia to take advantage of that situation in the resulting Balkan Wars which also led to World War One.
Can you tell us more about what’s in store for Temporal Guardian Foundation and the direction of the next book?
The next two books in this story arc are out. The first is Jigsaw Sonora which deals with our time-traveling heroes thwarting an attempt by Global Harmony to take the United States out of World War One by staging a border war, an attack on Wall Street, and a Zeppelin bombing raid over Tucson with a bioweapon. The second, Jigsaw Shadow Ball deals with the Guardians saving the creation of The Negro Leagues and the integration of Major League Baseball with Larry Doby and the Cleveland Indians. The final book in this arc, Jigsaw: Temporal Apocalypse is coming out in 2026 and will deal with the end of World War One in Bulgaria and the post-war conflicts and incidents in Russia/Poland and Fiume.
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Novus Ordo has not given up on its Mission to Shape Reality In its Neo-Fascist Image
Working with the Novus Ordo organization from the beginning of the Twentieth Century, they have launched Operation Powder Keg, an attempt to steer the course of World War One to their benefit.
But they did not factor in the involvement of Ahriman, the Devil who sees this as an opportunity to finally remake the world in his image.
They also did not consider the intervention of Francesca, Mariah, Noah, Bonomi, and other members of the newly formed Temporal Guardian Foundation.
Now the heroes from the Jigsaw Universe must race across 1903 Serbia, 1911 Italy, 1913 Macedonia, 1914 Sarajevo, and the Ancient Middle East to stop the plans of Novus Ordo and the Devil…
And save existence.
Case Files From The Nightfall Detective Agency: Trail of the Zombies
Trail of the Zombies is a supernatural detective story set against the haunting backdrop of 1920s America. The novel follows a trio from the Nightfall Detective Agency as they unravel a sinister conspiracy tied to eugenics, Indian boarding schools, and a nefarious project called the Utopia Institute. Zombies, mind control, and historical evils merge into a narrative that is both pulpy and painfully relevant. At its core, the book is a thriller with a conscience, blending paranormal intrigue with real-world atrocities.
The writing in Trail of the Zombies is striking in its directness and conviction. Gordon confronts the grim realities of the era head-on, refusing to soften or obscure their brutality. Chapter five, in particular, stands out as we are introduced to the eugenicist architects behind the Utopia Institute. Their dialogue, steeped in cold-blooded ideology and unapologetic prejudice, is profoundly disturbing and all the more powerful because of it. Gordon draws unsettling parallels between fictional characters and historical figures such as Harry Laughlin and Madison Grant, blurring the line between fiction and fact. The result is a narrative that reads like speculative history, yet feels alarmingly authentic.
The novel’s use of zombies is particularly compelling in its departure from conventional tropes. Initially, I approached this element with some hesitation, given how frequently the genre relies on familiar, often superficial portrayals. However, Gordon subverts expectations by grounding his depiction of zombies in Haitian Vodou tradition, reframing them not as mindless predators but as victims, individuals chemically manipulated and robbed of their will. This interpretation transforms the horror into something far more poignant. The attack on Professor Wallace in chapter one, for instance, is not simply a moment of terror; it is a sobering reflection of exploitation and control. The fear evoked is not of the undead themselves, but of the systems and individuals who create and command them.
What I also loved was the supernatural detective team at the heart of the story. Tori is a vampire with attitude and compassion. Frank is a golem with a heart. Mueller brings a touch of old-world wisdom. Their banter adds humor, but more importantly, their compassion balances the grim subject matter. When Tori rescues Malia from the Institute’s goons at the synagogue, it’s a fist-pumping moment of justice. The way Gordon blends mythology with gritty noir detective work just works.
Trail of the Zombies is an unexpected yet impactful work, gritty genre fiction used as a vehicle for urgent historical and moral inquiry. Beneath its pulp-inspired exterior lies a pointed critique of systemic injustice, particularly in relation to eugenics, racism, and the abuse inflicted on marginalized communities. Readers with an interest in social history, speculative fiction, or political horror will find its themes both provocative and emotionally resonant. Some passages, particularly those involving the mistreatment of children, are difficult to endure, but they serve a necessary purpose. This is a forceful and unflinching novel one that challenges as much as it entertains.
Pages: 158 | ASIN :B0DFM8W9FJ
LITERARY TITAN 