Blog Archives
A Second Chance
Lunch Tales: Teagan follows a woman grieving the loss of her husband and adapting to being a single parent who, through this crisis, is reunited with her first love, and dares to think she could find love again. What was the inspiration for the setup of your story?
The inspiration for the setup of Lunch Tales: Teagan started with her best friend Suellen’s book, where we first meet Teagan. The inability to have children and the financial burden of fertility treatments were causing problems in Teagan’s marriage. She didn’t think she could ever get over not being able to have a child, while her husband Mike, said that she was enough for him, and thus began a clash in their marital partnership. Eventually, Mike gets on board with Teagan’s wish to adopt, and just as their threesome has blossomed in the best way, Mike is killed in a car accident, and Teagan finds herself a single parent at the start of her story. Since I write realistic fiction, many of my themes come from real-life stories. Teagan’s story is a blend of several occurrences I pondered, and I wanted to give it the respect I would give anyone in a similar scenario. The purpose of my stories is to inspire and instill hope.
There was a lot of time spent crafting the character traits in this novel. What was the most important factor for you to get right in your characters?
I had a head start because Suellen’s book included Teagan’s work friends, which gave me a basis to build upon. As for Teagan’s family, I have Irish friends who helped me with the particular traits of an Irish family. Our closeness, coupled with several interviews, gave me confidence that I would get it right.
What were some themes that were important for you to explore in this book?
Teagan’s experience highlights the strength found in the backing of friends and family, while I also explored adoption as a positive option. The most uplifting and charming theme is a romance that offers a second chance.
Will there be a third book in the Lunch Tales series? If so, who will the story focus on?
The third installment of the Lunch Tales series will feature Carol and is currently in early development.
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Pushing her son’s stroller on a summer day, thirty-six-year-old Teagan Quinn has no reason to think a big change is looming-the kind that happens in a mind-blowing instant. Nothing could prepare her for a shocking heartbreak.
Gripped by the trauma and grief of suddenly becoming a single parent, Teagan leans heavily on her lunch friends and lively Irish family for support. But when something ends, something usually begins-and Officer Luke Pisani walks back into Teagan’s life. Not just any old friend, he was her idealistic first. The man who got away.
As the grieving months go by, Luke is there at every turn, and gradually, old attraction reignites. But as ambivalent feelings challenge Teagan’s new beginning, a series of hurtful anonymous notes arrive, each angrier than the one before it.
With grit and urgency, Teagan must summon her inner sleuth before the letters poison one of the best things that could happen to her-learning to love again.
Wake the Lake
Wake the Lake follows fifteen-year-old Hudson Holloway, a driven wakeboarder chasing perfection on the glassy waters of Lake Watanabe while navigating the ripples of family struggle, fear, and self-doubt. Her father, Jim, a blue-collar worker with his own demons, supports her dream despite financial strain, while her mother, Evie, once a wakeboarding champion herself, watches from a wheelchair after a tragic accident. The story swells toward Hudson’s journey to the Junior Nationals, where ambition, anxiety, and family wounds collide in a powerful coming-of-age ride.
This book grabbed me from the first page. The opening scene, Hudson soaring across the lake, the water alive beneath her, felt cinematic. Kevler’s writing is sharp but tender, full of motion and heart. He nails the rhythm of sport and the quiet spaces in between, those moments when confidence fades and doubt creeps in. Hudson’s inner world is drawn with such authenticity that I found myself rooting for her even when she stumbled. The tension between her parents hit me hard, too. Jim’s flaws felt painfully real, and Evie’s strength broke through every page. There’s a rawness to their love that made me ache a little.
What really worked for me, though, was how the book balanced adrenaline and vulnerability. One chapter has you holding your breath through a stunt; the next leaves you still with heartbreak or hope. The prose flows like water, fast when it needs to be, gentle when it should. Sure, a few lines dip into melodrama, but I didn’t mind. The emotions felt earned. I could feel the sun, the spray, the exhaustion, and that electric need to prove something to yourself when no one’s watching.
Wake the Lake is a story for anyone who’s ever chased a dream while fighting the weight of life pulling them down. It’s especially for young readers who crave stories about resilience, family, and finding peace with imperfection. I’d recommend it to teens, athletes, and parents alike, or anyone who knows what it means to fall, get back up, and keep riding.
Pages: 253 | ASIN : B0FF4B3CF5
Something Resembling Love
Something Resembling Love tells the story of Jane Davenport, a young woman burdened by loss and a rare medical condition that shadows her every choice. After losing her parents and discovering she has hereditary hemorrhagic telangiectasia, her life becomes a balancing act between survival and desire. Years later, she crosses paths with Peter, a quiet researcher haunted by his own solitude. Their worlds intertwine in Chicago through mutual friends, late-night labs, and hesitant hearts. The novel moves between perspectives, revealing how two people learn to accept imperfection and find something close to love amid fear, science, and second chances.
Author Elizabeth Standish writes with a kind of honesty that sneaks up on you. The story isn’t flashy or overly romantic, it’s gentle, careful, and raw in ways that feel human. I loved how Jane’s sharp wit balances her vulnerability, how her pain never turns her bitter, only more determined. Peter’s quiet awkwardness, his devotion to science, and his fumbling affection make him real and lovable in his own hesitant way. Their chemistry builds like a slow burn, full of small gestures and unspoken emotions, the kind that make you smile and ache at the same time.
What stood out to me most was how Standish weaves science into intimacy. The clinical details of DNA, blood vessels, and soil chemistry mirror the characters’ search for connection. The writing feels almost poetic in places, but it never drifts into pretentiousness. The dialogue feels lived-in, the pacing patient but never dull. Still, there were moments when I wanted the story to push harder, to show more of Jane’s darker thoughts, or Peter’s guilt, instead of keeping things so contained. But maybe that’s the point. Love here isn’t cinematic. It’s quiet, flawed, and a little messy. Just like the people trying to hold it together.
Something Resembling Love isn’t just a romance, it’s a meditation on resilience, grief, and the fragile beauty of being known by another person. I’d recommend it to readers who enjoy character-driven stories with emotional depth, to anyone who’s ever loved someone despite fear, and to those who prefer subtle emotion over melodrama.
Pages: 317 | ASIN : B0FMP96X96
“The Line of Horror”
A Dangerous Friendship follows a woman navigating heartbreak, loneliness, and the lure of risk, who, after a failed marriage, is drawn to a magnetic yet volatile woman whose energy feels both liberating and destructive. What was the inspiration for the setup of your story?
Any kind of loss that forces a woman to question her future and identity sends me into story-telling mode. Especially against the backdrop of New York City in the 1980s, where there was an electric vibe and the possibility that anything could happen if you were open to it. I lived in the City during that time and it was magical. Wealth, street art, theater, fantasies of changing your life in a New York minute—it was heaven.
What was the inspiration for the relationship that develops between Tina and Spike?
Every female friendship I’ve had or witnessed since high school. We know the archetypes of the popular girls, the mean girls. What about the dangerous ones? What about the women who promise to give us power. Who tell us stories that we want to believe are true because are own lives seem so meh. Also, in the 1980’s, there was a second wave of feminism with women fighting for equal rights and questioning cultural and social norms. That history fans the flames of the relationship between Tina and Spike and their confusion: wanting to be powerful in their right but also looking to be elevated to a different reality by wealthy men.
What were some themes that were important for you to explore in this book?
Reinvention after loss. I like to explore the ways women navigate identity and self-worth when their lives take an unexpected turn. Also, truth vs. fiction. I’m fascinated by the stories we tell ourselves and each other to survive. Finally, the thin line between attraction and danger. Tina calls this “the line of horror,” which she refuses to cross at first, then leaps over, believing that Spike, like a cult leader, will change her world.
What is the next book that you are working on, and when can your fans expect it to be out?
My next novel is The Enlightenment of Henry Pike. It leans even further into dark humor than A Dangerous Friendship. It follows a slightly unhinged philanthropist who’s being swindled out of his fortune by those closest to him. At its core, it’s also about loss and reinvention—and our endless obsession with wealth, power, and the lives we think we deserve. Readers can expect it in the next two years.
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In 1980s New York City, aspiring writers Tina and Spike bond in a complex, all-consuming friendship that will change their lives forever.
Desperate to redefine herself after a failed marriage, twenty-nine-year-old Tina embarks on a thrill-seeking journey to feel alive again. When she meets thirty-five-year-old Spike, a beautiful, seductive, seemingly invulnerable woman, she becomes enthralled by the older woman’s stories of NYC power brokers, sex, wealthy men, and her past. Tina latches on to Spike as someone who can save her from mediocrity and show her how to be the kind of woman who can have power over men—both in romance and in life.
Chasing adventure and the writing life, Tina and Spike rent a cabin together for the summer in the rural backwoods. There, they go on a wild, manic, darkly humorous journey involving dive bars, drugs, men, and all-night dancing, becoming increasingly psychologically entangled in each other’s lives along the way. But eventually Tina realizes just how dangerous Spike is, and is forced to act to save herself.
Filled with New York wit and fast-paced dialogue, this is a story of loss, betrayal, survival, and blurring the line between attraction and peril.
A Dangerous Friendship
Robin Merle’s A Dangerous Friendship tells the story of Tina, a woman navigating heartbreak, loneliness, and the lure of risk, who is drawn into a powerful and consuming relationship with Spike, a magnetic yet volatile woman whose energy feels both liberating and destructive. The book unfolds as a mix of confession, memory, and cautionary tale, with Tina’s voice pulling readers through the strange encounters, reckless adventures, and raw emotions that define her search for meaning and connection. At its heart, the novel explores how desire, loss, and self-deception intertwine when we reach for love in places that might destroy us.
The writing is sharp, sometimes even intoxicating, as if the sentences themselves were alive with the same restless energy that fuels Spike. There were moments I felt swept along by the chaos, unable to look away even when the scenes grew uncomfortable or unnerving. The style often felt conversational, almost like overhearing someone at a bar late at night telling you the truth they hadn’t meant to say out loud. That rawness worked for me. It made me trust the voice even when I knew the choices being described were dangerous or misguided. Still, there were times when the sheer intensity wore me down. I caught myself needing a pause, needing to breathe, because the book doesn’t really let you step away from the emotional heat. That relentlessness is its strength, though.
I kept coming back to the theme of how easily people mistake chaos for passion, or instability for depth. Spike is fascinating because she’s equal parts irresistible and terrifying. I understood Tina’s attraction to her. Who doesn’t want to be pulled into someone’s orbit when they seem larger than life, when they make you feel braver than you are? Yet I also felt a knot in my stomach, knowing where such relationships might lead. The book never pretends that this friendship is healthy, and I liked that honesty. It made me think about the kinds of people we let in when we’re at our most fragile, and how often the need to feel alive can push us right to the edge of destruction.
A Dangerous Friendship left me unsettled in the best way. It’s not a comforting read, but it is a truthful one. I’d recommend it to readers who enjoy stories about flawed characters, messy emotions, and the dangerous beauty of being swept up in someone else’s storm. If you’re drawn to novels that explore obsession, betrayal, and the thin line between love and ruin, this one will keep you turning pages.
Pages: 311 | ASIN : B0DWYJWSBF
Lasting Impacts
Buckaloo follows a couple opening a dog training academy and preparing for their wedding, who are navigating past traumas, the complexities of relationships, and the chaos of planning two major life events at the same time. What was the inspiration for the setup of your story?
When people find each other and choose to marry, they come with baggage from past relationships. Sometimes one partner is an open book, and the other holds close to their secrets. The story explores what happens when trust builds enough to share every truth. It’s about a couple with a relationship that can withstand whatever comes their way. That kind of maturity takes work but pays dividends. Offering two major life events, each with challenges, allows the reader to embrace the couple and cheer for their successes.
What were some of the emotional and moral guidelines you followed when developing your characters?
Early on, the reader learns that Bill is a “still waters run deep” kind of guy. His concern, respect, and acceptance of others have clearly been a long learning curve. Once inside his cadre, he’d give you anything. It took a long time to let Harley inside. Harley’s charisma brings people together. As an introvert, she has longed for a village to call on. In the novel, she realizes that her friends and family village was her doing. She shows love and acceptance to everyone in her ever-growing circle, watching as each one embraces their talent. Harley aches when things don’t go the way her friends or family might want. Central to Harley’s circle are dog lovers, with many dog owners in her crew. Harley wants others to have the close, respectful relationship she has with Gemma. The reader learns that her maturity has grown from several challenges, and we find she can still struggle over life’s triggers.
What were some themes that were important for you to explore in this book?
Weaved throughout the novel are four key themes. The first of these is that mid-life relationships are essential. The people in these relationships can help your life flourish, even if they haven’t been lifelong friends. Another theme conveyed in the work focuses on the human-canine relationship and how deep those relationships can become, with love, respect, and training. Another theme is how momentous life events can happen in planned and unplanned ways, and what matters is how you react. The other theme is how we humans form communities or villages, and especially how those have lasting impacts on our lives in large and small ways.
Will there be a follow-up novel to this story? If so, what aspects of the story will the next book cover?
Another novel with many of these characters and several new ones is planned. There will be continued focus on Bill and Harley, and their dogs Gemma, Blackjack, and their newest, Coda. Now that a few friends have become neighbors, there will be more focus on them, as well as the dog training academy. Additionally, Harley and Gemma are sure to find themselves assisting on a trail adventure.
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Throughout Harley and Gemma’s adventures, they have made friends in states as far east as Washington, D.C. and as far west as Oregon. Those friends and more have assisted Harley and her fiancé, Bill Harris, with their engagement and in their home designing and ranch developing endeavors. Those same friends gather once more to assist Harley and Bill with the academy opening. Since the friends have travelled far once again, Harley and Bill have agreed to have the academy opening one weekend with the wedding taking place the following weekend.
Before the events can happen, Harley and Gemma are called away for another dangerous adventure where Harley’s and Gemma’s skills are required. Before and between the life-changing events, friends and family arrive with their dogs, their own imperfect relationships, and their areas of expertise to help Harley and Bill. The story of Buckaloo revolves around excellent food, enjoyable conversation, especially those taking place at the fire pit, and dreams that might come true, though likely in unexpected ways.
Hurricane, twelve dogs, a training academy, glamping tents, and a black-clad stranger intertwine in this story of middle-aged friendships.
Buckaloo
Deborah J. Chavez’s Buckaloo is a warm and engaging novel that blends everyday joys and personal healing with a deep love for dogs and community. Set in the rolling foothills of Santa Barbara, the book follows Harley Fremont and her partner Bill as they open a dog training academy and prepare for their wedding. Alongside their dogs Gemma and Blackjack, they navigate past traumas, the complexities of relationships, and the chaos of planning two major life events. The story balances quiet domestic moments with emotional depth, creating a gentle but moving narrative about love, resilience, and second chances.
The story is unhurried, comforting, and full of small surprises. I loved the writing style. It was easygoing and heartfelt without being sentimental. Chavez has a gift for capturing the way dogs enrich our lives, and she writes with the kind of affection that makes you feel like you’re in the story. The dialogue is realistic and often funny, and I appreciated the strong sense of place. The natural beauty of California’s chaparral landscape is described with a soft reverence that made me want to lace up my hiking boots and head out with a dog of my own. Harley and Bill’s relationship, too, is a mature love story. It’s built not on drama, but on trust, compassion, and the shared work of building something together.
The pacing is slow, and there were chapters where the plot gave way to long descriptions of logistics, guest accommodations, shirt logos, and tent arrangements that could have been trimmed without losing the warmth of the story. But I didn’t mind too much. There’s a slice-of-life charm to it, like listening to a friend tell you about their big plans over coffee. The emotional core, Bill’s tragic past, Harley’s quiet strength, and the community that forms around them, kept me engaged. And the dogs are the beating heart of this book. Gemma especially is written with so much love and personality, she almost feels like a co-narrator.
Buckaloo is a cozy and heartfelt read that would appeal to dog lovers, fans of small-town fiction, and anyone who enjoys stories about real people trying to do good in the world. If you’re looking for something gentle, affirming, and full of canine charm, this one’s for you.
Pages: 287 | ASIN : B0FG3FGHJ2
The Narrative Arc of a Life
Universally Adored and Other One Dollar Stories is a sharp and emotionally rich collection of flash fiction that uses the humble dollar bill as a lens to explore love, loss, class, and quiet resilience in everyday lives. What was the inspiration for the setup of your stories?
I’ve been graced in life to be surrounded by hard-working people for whom money is a real thing. Something that determines fortune or misfortune, and all the complications that accompany them. And being an American, the “universally adored” American dollar perfectly captures the power money has over the narrative arc of a life.
I did not, however, set out to write a collection of “one dollar” stories. I wrote one—“Ricky Steiner Was Supposed To Die in Prison”—during a writing workshop series that I co-led for years, and it was well received. So, I riffed on the opening line again, then again, and soon it became like the “Pass the Object” theatre game in which each person in a circle must differently animate the same everyday object, like a bowl, without using words. The bowl becomes a hat, a knee brace, steering wheel, etc. The opening line, “One dollar,” became my “Pass the Object” game.
If you could expand just one of these flash pieces into a full-length novel, which would it be and why?
Well, interestingly enough, I’ve done just that! As you noted, a lot of my characters are pretty lonely, and I was worried about them, so I’ve taken 10 major characters (and a few minor characters) and plopped them down together in a fictitious diner in the Gulf Coast petrochemical town of Texas City in 1980 (which is next to my hometown). You’ll be glad to know that Paulina—the woman in the low-rent motel with the mechanical bed shaker who’s on the run from her abusive ex—is one of them!
The deep back story of this novel-in-progress (which is entitled I Will Read Ashes for You from the Carl Sandburg poem “Fire Pages”) is the 1947 Texas City Disaster, which is still the deadliest industrial accident in US history and, until 9/11, the deadliest loss of firefighter lives as well.
The most central character is Ballard, the older brother in “The Tuesday Theory” story who is the guardian of his younger, autistic brother Willis. The novel is set in the same diner as that story, and the brothers’ absentee “deadbeat” dad, Keller—who is a traumatized Pearl Harbor and industrial accident veteran haunted by the dead—is the unreliable narrator. At the age of 22, Ballard has shelved the pleasures and aspirations of his young man’s life and assumed the responsibility of caring for his neurodivergent younger brother. An everyday hero for sure.
Were there any stories in this collection that you struggled to finish or almost left out?
Great question! I struggled with “Boiling the Buggers”—the story about a recovering germaphobe bartender who is laid off and otherwise undone by the Covid pandemic—in trying to get the interiority of her unraveling right. Certainly, the most bizarre and profane of the stories is “Amygda-la-la-la,” set in a dystopian future time in which two ground-down women friends find meaning in their collection of worthless paper dollars. I debated whether to include that or not—as it is way out there—and I knew it would probably confuse or offend some readers. But I loved the premise that the dollar bill is so foundational to modern human existence that our amygdala—the “lizard brain”—has been hardwired to spot it even among the rubble. The “Mouse Socks” story, told in the POV of a young girl who’s lost her father, wasn’t in the original collection, but after it was published in the South Korean Samjoko Magazine, I gave it another look and decided it was worth including. I had worried its narrative voice was too gentle for contemporary readers.
What is the next book that you are working on, and when will it be available?
My novel-in-progress that I mentioned, I Will Read Ashes for You, is approaching a finished first draft, though I’m still working through a lot of structural edits. It’s a “polyphonic” (multiple POVs), “discontinuous narrative” (meaning there are multiple, interwoven plot lines) novel that has a lot of characters and key backstory about the lingering effects of the 1947 Texas City Disaster and the cancer that riddles that part of the world. However, it is not—emphatically not—historical fiction. While I’ve done a lot of research and indeed, several characters revisit the horror of the Texas City Disaster (plus, there’s a Prologue of the real post-disaster Procession for the Unrecognizable Dead), the narrative arcs of the novel are in 1980, not 1947. There are, though, thematic throughlines about the human cost of war and prosperity, and the work-a-day valor of moving forward.
For any of your readers who have read my recent collection, Universally Adored & Other -One Dollar Stories (published by Vine Leaves Press), the other recurring characters include the diner waitress Eileen, Manny the cook, and Officer Palacios from “The Tuesday Theory;” Theo, the extreme bibliophile from “All Knowledge;” and the alcoholic grandfather Fred, grandson Ben, and Ben’s mom Colleen from “Flounder” (Chester the Bait Man also makes a cameo appearance). Paulina, the domestic violence survivor in “Magic Fingers,” reappears as the waitress Eileen’s daughter, and Paulina’s abusive ex shows up as well. Willa Rae, the Depression-era migrant farmworker girl in “Evening in Paris,” is there as the owner of the used bookstore next to the diner.
Happily, an excerpt from I Will Read Ashes for You will be published in June 2025 in the bilingual (English/Hindi) literary/scholarly online journal Setu Bilingual. The finished book, however, is probably a year or two away from publication.
Currently, project-wise, I’m also collaborating with a longtime visual artist friend, Kevin Oehler, on a chapbook of short fictions that resonate with his artworks. And, with my husband and creative partner, Robert Michael Oliver, I co-produce a weekly podcast, Creativists in Dialogue: A Podcast Embracing the Creative Life, which is supported in part by the DC Commission on the Arts & Humanities. As a former character actor, I’m also keen to produce an author-read audiobook of Universally, much like I did for my debut novel, And Silent Left the Place.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
In “Universally Adored,” a color-obsessed artist draws a facsimile of a dollar—a masterpiece universally adored—to win her girlfriend back. While checking for spare change in the laundry, in “Bald Tires” a Tennessee housewife with a malcontent husband finds an unused condom in his Sunday trousers. In “The Forgiveness Man,” a runaway teen with a newborn follows a vagabond healer absolving the bedraggled godless through hugs of forgiveness. And in “Magic Fingers, a ladies’ room attendant tracked down by her abusive ex finds refuge in a cheap motel with a 1970s era bed massager.
Riffing on the intimate object of a dollar, Bruce’s humane short fictions—from a great mashed potato war to the grass Jesus walked on—ring with the exquisite voices of characters in analog worlds.
LITERARY TITAN 