Blog Archives
Haunted Day and Night
Haunted Day and Night follows Anastasia “Ana” Day, a young paralegal in York, Pennsylvania, who buys a crumbling 1887 Victorian row home that turns out to be a lot more crowded than the real-estate listing suggested. As she scrapes carpet, patches plaster, and fights with her controlling boyfriend Blake, strange things start happening in the house. Doors swing open on their own, cabinets sit wide open, a saw accident in the basement feels almost pushed, and messages appear in candy-apple red lipstick on the bathroom mirror that tell her to leave. Paranormal investigators eventually help her uncover the story of Eliza and Eva Klinger, former residents tied to women’s rights, whose restless presence nudges Ana away from toxic love and toward a stronger, more honest version of herself. The book blends haunted-house chills with a slow-burn story about walking out of unhealthy relationships and rethinking faith, family, and what it means to have a voice.
I really enjoyed how grounded the horror felt. The house is vivid in my mind, from the stained powder-blue carpet to the mahogany banister and those bay windows that keep catching Ana’s eye while everything else falls apart around her. The early scenes with Blake in the basement and the “LEAVE” message on the mirror genuinely made my stomach tighten, not because of jump scares, but because the danger feels emotional as much as supernatural. The writing leans descriptive and sometimes lingers on details or explanations longer than I personally wanted, yet that same patience helps the creepy moments land. I liked how the dialogue shows Blake’s gaslighting and need for control without turning him into a cartoon villain; I could imagine real conversations like the ones about “helping” her and “fixing” her house and life. Side characters like Bob the handyman and Ana’s coworkers give the story warmth and a hint of community, which makes the isolation in the house hit harder when things go sideways. At times, I wanted a bit tighter pacing, especially in the middle, but overall, the narrative flow kept me turning pages to see what the house would do next and what Ana would finally do about Blake.
What surprised me most was how much the book leans into questions about belief, the afterlife, and women’s agency, and how emotional that became for me as a reader. The ghosts are not just a spooky background; they are women with their own history of fighting for rights, and their presence feels like a protective line of ancestors standing behind Ana. I liked that she wrestles out loud with heaven, hell, reincarnation, and religious dogma, and that different characters give different answers without the story shoving one “right” view in my face. The connection between restoring the house and restoring her sense of self is pretty on the nose at times, yet it still worked for me because it felt sincere rather than gimmicky. I found the EVP scenes with Nate and his team strangely moving: hearing the names “Eliza” and “Eva” come through while Ana has just done her own historical digging gives the whole thing a bittersweet weight. The feminist thread, especially around women ignoring red flags, surviving control, and learning to trust their own instincts, hit me harder than the ghost plot at some points. Every now and then the message tilts a bit preachy, but I never doubted the heart behind it, and I appreciated that the spirits are there to empower Ana rather than just punish or terrorize her.
I would recommend Haunted Day and Night to readers who like their ghost stories emotional and character-driven, with more haunted feelings than graphic frights. If you enjoy old houses, slow-build supernatural tension, and stories about women untangling themselves from bad relationships while questioning inherited beliefs, this will probably be right up your alley. It is a good fit for book clubs that like to talk about themes like spiritual abuse, intuition, and generational female strength, and for fans of softer paranormal fiction who do not need constant jump scares. For everyone else who loves a creaky Victorian, a stubborn heroine, and ghosts who have opinions about patriarchy, I think this book will be a satisfying and sometimes surprisingly comforting read.
Pages: 400 | ASIN : B0BXJTKG4M
Suspension of Disbelief
Auberon Manor follows a rich paranormal skeptic who is drawn into the mystery of Auberon Manor, an estate with a long, dark reputation, where he discovers something more frightening than a ghost. What was the inspiration for the setup of your story?
Many people will tell you they do not subscribe to the notion that ghosts or other supernatural entities are real. If you were to drop one of these non-believers into an old, isolated, creepy house, I’m willing to wager they’d feel some level of anxiety. Introduce a few odd, not easily explained noises, and even the fiercest skeptic might be tested. What interested me the most in writing this book was the characters’ reaction to discovering a supernatural entity. That’s hardly an everyday occurrence, and I’m sure it would test most people to their limit. I created a group of characters and threw them into that frightening scenario to see what they would do. I admit, I would have fled on day one. Thankfully, my characters are far braver than I would have been. Suspension of disbelief.
Your novel features some very interesting characters with flaws, but who are still likable. How do you go about creating characters for your story?
My preference is for strong, capable characters. The kind of people you can count on when the going gets tough, who run towards a problem instead of away from it. Having said that, not every person is skilled, capable of courage when called upon, nor are they dependable when you’re forced to rely on them. I’m fascinated by human behaviour in all of its forms. Too often, a protagonist has to go out of his or her way to navigate around another person’s shortcomings to reach a goal. That’s life. That’s real. No story proceeds in a flawless straight line. Humans are sometimes bumps in the road that need to be navigated. I want the reader to share that frustration.
What intrigues you about the horror and paranormal genres that led you to write this book?
This genre has no limits. If you can imagine it, you can put it on the page and not be criticized for breaking the rules of physics or angering a reader for forcing them to suspend their disbelief. They want to suspend their belief for a story like this. The author and the readers are all on the same page.
What is the next book that you are working on, and when can your fans expect it to be out?
In addition to writing in this genre, I also write action-adventure, legal thrillers, and tech thrillers. My next book is titled ‘Legacy of a Silent Man.’ This is an action book. Work is underway, and the publication is expected in the first quarter of 2026.
Author Website
For the curious and adventurous, the stories read on the website inspire them to make the journey to Pennsylvania and see the manor for themselves. Over time, the stories about the house grow darker with reports of visitors suffering injuries. When an amateur group of investigators conducts a scientific examination of the house, disaster strikes. Members of the investigative team suffer broken arms, a broken rib, and a near-fatal concussion. This compels the owner to prohibit any further visits.
When the story of the Auberon haunting reaches a bored and wealthy young man named Dane Ledger, he’s encouraged by a friend to take a ghost-hunting road trip. To Dane, who doesn’t believe in ghosts, it presents an opportunity to debunk the ridiculous notion that this house, or any house, is haunted. He and his friend arrive at the manor to discover recently erected fencing and a guard who refuses them entry. All of this security makes Dane and his friend even more curious about the house. They approach the homeowner for permission to inspect the property, but are firmly denied. After money is exchanged and Dane agrees to assemble a team of professional paranormal investigators to inspect, identify, and exterminate the entity from the manor, permission is finally granted.
With the team assembled, they enter Auberon Manor and discover its frightening occupant. Terrified by what they’ve discovered, and too frightened to go back into the house, they struggle to find a way forward. Letting the entity remain in the home is not an acceptable option, as it would imperil every future visitor. They don’t know what they’re battling, but it’s not a ghost. It’s something much worse.
Auberon Manor
Paul Chandler’s Auberon Manor is a supernatural thriller that pulls you in slowly, like fog curling over the edges of a graveyard. It begins with Edison Elsher, a weary paranormal investigator whose skepticism is tested when he’s drawn into the mystery of Auberon Manor, a mansion with a long, dark reputation. Alongside Dane Ledger, a rich skeptic seeking proof that ghosts don’t exist, and a small team of experts, Edison steps into a place where logic falters and fear takes root. Chandler builds the dread steadily, layer by layer, and by the time the team realizes they’re in over their heads, it’s far too late to turn back.
I’ll admit, the writing surprised me. It’s clean, deliberate, and full of old-fashioned storytelling confidence. Chandler doesn’t rush. He lets the tension breathe. Some chapters read like a slow drip of unease, and others explode with sharp, unsettling energy. The characters feel grounded, flawed, and real. Edison’s weariness hits hard, and Dane’s arrogance cracks just when it should. The dialogue feels lived-in. People talk the way real people talk when they’re scared but trying not to show it. There’s a sense of decay throughout the book, not just in the manor itself, but in the people who come near it. That touch of melancholy made the story more than just a haunted house tale, it felt like a story about pride, guilt, and the limits of reason.
There are moments where I wanted the fear to bite sooner. But when it comes, it’s worth the wait. The haunting isn’t about gore, it’s about what you can’t quite name but can’t shake either. The book also has a throwback charm. It feels like something between The Haunting of Hill House and Poltergeist, but written with modern restraint. Chandler clearly loves the genre, and it shows in the care he takes to make the supernatural believable.
When I closed Auberon Manor, I sat for a bit, thinking about how fear works, not just in old houses, but in us. I’d recommend this one to readers who like their horror slow and thoughtful, more spine-tingling than stomach-turning. If you enjoy haunted stories that respect your intelligence and still manage to give you chills, this is your kind of book.
Pages: 231 | ASIN : B0FSYL9B2P
Ghost Writer
Arjay Lewis’s Ghost Writer is a haunting, twisting tale that begins with a bitter divorce and spirals into the supernatural. The story follows Joe Riley, a washed-up novelist who inherits his late uncle’s cabin deep in the Poconos. What starts as a man’s desperate retreat to escape his failures turns into a psychological unraveling filled with eerie noises, mysterious pages that write themselves, and the blurred line between inspiration and possession. At its heart, it’s about creativity, grief, and the price one pays when the muse turns monstrous.
This book gripped me right away. Lewis writes with an easy rhythm that feels like an old friend telling you a story over a drink. The voice is sharp, cynical, and soaked in the kind of regret that only comes from living hard and losing often. Joe’s bitterness feels real. His loneliness cuts deep. There’s humor too, dark and dry, that makes the pain go down easier. What I liked most is how the writing itself mirrors Joe’s mental decline. Sentences start crisp and clear, then grow jagged and strange as his sanity unravels. It’s the sort of book that keeps you awake at night, not because you’re scared of ghosts, but because you recognize the ghosts inside yourself.
The supernatural element creeps in slowly. At first, I wasn’t sure if what Joe was seeing was real or just his hangover talking. That’s what makes it so effective. Lewis never rushes the reveal. Every scene in the cabin feels heavy with memory and regret, every creak in the floorboard feels like a heartbeat. The book plays with the idea that creation and madness might be neighbors. I loved that. It’s not flashy horror; it’s quiet, psychological, and deeply human.
I’d recommend Ghost Writer to anyone who loves stories that blend the eerie with the emotional. Fans of Stephen King’s Bag of Bones or Shirley Jackson’s The Haunting of Hill House will feel right at home here. It’s for readers who enjoy slow burns, flawed characters, and the unsettling feeling that maybe the scariest thing in the room is your own mind.
Pages: 322 | ASIN : B0CWYCWPVS
Under the Guise of Religion
Woman in the Abbey follows a young woman fleeing her abusive father, who finds an abandoned abbey in a haunted forest, where she finds Lucifer, who is searching for love and redemption. What intrigues you about the horror and paranormal genres that led you to write this book?
I have always been interested in the gothic genre. I have read and reread the classics: The Castle of Otranto, The Monk, Melmoth the Wanderer, Dracula, etc. What intrigues me is the mystery and the elements of the supernatural. What I find most interesting as a writer is that the genre allows me to explore the psychological and sociological aspects of the story and its characters. Unlike horror, whose sole purpose is to frighten, gothic allows for a more in-depth exploration of the psyche.
What were some themes that were important for you to explore in this book?
The themes that I was interested in involved issues of faith and doubt, fidelity and betrayal, and, in the case of Sister Lucretia, cruelty under the guise of religion. We have seen this misapplication of doctrine by religious zealots throughout history, going back to the Inquisition. Lucretia is the embodiment of this. One of the other themes I was interested in exploring was that of violence against women. In this case, the violence was by a woman towards other women. This issue is prevalent in our society. It needs to be exposed and dealt with because, while we may not see it in our daily lives, it is there and there are many women who are suffering.
What is the next book that you are working on, and when can your fans expect it to be out?
I am currently working on a novel that involves my Italian heritage, but which, I hope, will speak to people of all ethnicities. It involves three generations, starting with the immigrants and ending with the grandchildren of those immigrants. I am hoping to explore what it means to be an immigrant — the difficulties they face from language to cultural differences; what is means to be the children of immigrants — those in-betweeners who have to navigate both the old ways of their parents and the new ones they face on a daily basis; and what it means to be third generation where the old ways are there still, way in the background but are mostly ignored. Much of this is based on my own experience as well as on my observations of our new immigrants and their children. The book is in its early beginnings and won’t be done for perhaps 2 or 3 years. I hope, though, that it will appeal to all ethnicities, not just Italian-Americans.
Author Links: GoodReads | Facebook | Website | Amazon
A young woman, fleeing the clutches of an abusive father, stumbles upon an abandoned abbey on the edge of a haunted forest. But what she finds there is far worse than anything she left behind.
Within the crumbling walls of the Abbey of San Pietro, ancient horrors stir. A mysterious old woman holds secrets of the past, and an unearthly being watches from the shadows—a being with the power to raise the dead and a thirst for vengeance.
Driven by damnation and bitterness, he weaves a sinister plan, using the living and the dead as his pawns. But is it love or something far more dangerous that motivates him?
In this gothic tale of love, betrayal, and unholy retribution, nothing is what it seems. Will she escape the abbey… or become part of its eternal curse?
Personal Journey
The Girl in the Whispers follows a woman reeling from the devastating loss of her young daughter who, after moving to her husband’s family estate, starts seeing the apparition of a little girl, causing the line between reality and madness to blur. What was the inspiration for the setup of your story?
The original inspiration occurred years ago when talking to a couple who had dealt with the grief of losing a child and how emotionally fragile they both had been at the time. I then coupled that with many horror films featuring ghosts and asked what would happen if a grieving person encountered a ghost. How would they react?
What are some things that you find interesting about the human condition that you think make for great fiction?
I find it fascinating that different people can have very different responses to the exact same incident, whether it be a trauma or something good. We all bring our individual past experiences and specific psychoses to everything.
What were some themes that were important for you to explore in this book?
There are three main themes I wanted to explore: Grief, self-acceptance, and detachment.
First, that grief is a very singular and personal journey.
Second, that self-acceptance is key to self-understanding.
And finally, that sometimes we need to get out of our own way to fully comprehend a situation.
What is the next book that you are working on, and when can your fans expect it to be out?
My next book is a yet untitled murder mystery, what will be the eighth in the Sam Lawson Mystery series. I’m still plotting it out but it involves a cold case about a woman who is missing. When our detective Sam Lawson begins to investigate, he discovers the missing woman matches the description of another missing woman from a different town. Are they two different people? Or is it one woman leading two separate lives?
Author Links: GoodReads | Facebook | Website | Amazon
Catherine Devereux, still emotionally and mentally fragile after the sudden death of her young daughter, reluctantly accompanies her husband to his family’s crumbling Louisiana estate. Soon, she starts to hear troubling whispers, and Catherine fears she may be having another breakdown. But when the whispers escalate into ghostly visions of a little girl, Catherine’s need to hold on to her sanity is outweighed by the desperate hope of reconnecting with her deceased daughter.
With the help of Delphine, the estate’s housekeeper, Catherine attempts to seek out the child spirit while trying to avoid suspicion from her over-protective husband and his bitter, secretive father. To her horror, the hauntings begin to reveal a terrifying revelation that could tear the family apart.
But can Catherine trust her senses? Or is she descending into madness?
The Girl in the Whispers is an award-winning psychological thriller by David K. Wilson. If you enjoy chilling stories with unexpected twists, then you’ll be haunted by this gripping tale of grief, guilt, and ghosts.
People Are Complicated
Upon the Pale Isle of Gloam follows a girl who wakes up on a deserted shoreline with no memories and surrounded by supernatural beings. What was the inspiration for the setup of your story?
I have a deep appreciation for gothic fiction. One day the desire struck me to start on a story that would be somewhat of a love letter to the genre. To me, few things capture gothic storytelling better than horror. So, when I started writing Upon the Pale Isle of Gloam, I wanted to draw inspiration from the classic themes and elements we all love in gothic literature and horror. Things like existentialism and abandoned places, for example. A misty, supernatural island seemed like a great place to start.
What are some things that you find interesting about the human condition that you think make for great fiction?
That’s a great question. I think people are complicated, and though most are aware of that, there’s still this tendency to try and generalize others. Sometimes we’re quick to label them. Sometimes we oversimplify the complex problems they’re facing. We force black and white bottom lines onto gray areas. But no matter how much we do it, those complexities and gray areas are still there glaring back at us. Ignoring them doesn’t make them any less relevant.
Exploring parts of the human condition that are overlooked and shrugged off makes for interesting stories. At times it can be awkward. Sometimes ugly. But we can learn a lot from taking a moment to consider what others are going through. Maybe even learn more about ourselves—all while indulging in the escapism that stories deliver. Just look at the impact of a book like Mary Shelley’s Frankenstein.
I felt that Upon the Pale Isle of Gloam delivers the drama so well that it flirts with the grimdark genre. Was it your intention to give the story a darker tone?
It was, absolutely. I tend to be drawn toward dark stories that make me feel something or walk away with a different perspective, even if it’s not one I’m comfortable with. When I chose to write a tale set within the gothic horror genre, I felt a darker tone would be crucial to delivering the kind of story I wanted to tell.
What is the next book that you are working on, and when can your fans expect it to be out?
I’m currently in the early stages of my next book, which will likely be more of a literary drama rather than horror. It’s hard to say when I’ll be finished with it, though I hope it won’t take me too long. In the meantime, I’d like to encourage readers of Upon the Pale Isle of Gloam to follow me on social media for updates. I’d love to hear from everyone.
Author Links: GoodReads | Twitter | Website
Upon a deserted shoreline, Rue wakes alone with no knowledge of her past. Decades of wreckage lay sprawled across the beach. The days are impossibly short, and the weather foreboding. Worse are the supernatural beings that stalk the landscape, littering it with corpses. Using only her instincts, Rue embarks on a journey to reclaim her truth and find a way home—all while unraveling the isle’s dark secret.
A spooky weekend read brimming with gothic themes and atmospheric horror.
Some content may not be suitable for all audiences. For more information, please visit http://www.markgulino.com/novella.
Upon the Pale Isle of Gloam
Upon the Pale Isle of Gloam, by Mark Gulino, is a gothic horror novella that introduces readers to Rue, a protagonist shrouded in mystery. Rue awakens on a beach littered with remnants of the sea spanning decades and realizes she has no memory of her past. The only path available leads into a dense forest and further into the heart of the island. This setting, characterized by its persistently gloomy weather and unusually short days, forms the backdrop of Rue’s unsettling journey. As Rue navigates the island, she encounters other individuals who share her amnesiac condition. They are guided by an apparition known as Riel, who instructs them to rediscover their former lives. However, Rue and her newfound companions soon realize they are not alone on this island, hinting at deeper, darker mysteries to be uncovered.
Gulino’s narrative effectively creates an atmosphere of tension and intrigue from the outset. The reader is drawn into the story by questions surrounding Rue’s identity, the enigmatic Riel, and the island’s peculiar inhabitants. The island itself, with its haunting landscape and hidden dangers, adds to the sense of foreboding that permeates the novella. The characters offer a spectrum of personalities, providing points of connection for a diverse range of readers. Each character, despite their memory loss, retains distinct personality traits that contribute to the overall mystique of the setting. The writing style of the novella is intentionally crafted to be vague and mysterious, imbuing the story with a sense of intrigue and encouraging deeper engagement with the text. This stylistic choice invites readers to explore the narrative more thoroughly, often revisiting previous sections to uncover hidden layers of meaning. The amnesia experienced by the characters further enriches the narrative, adding complexity and depth to their personalities and traits, which unfolds gradually, keeping the reader’s interest piqued throughout the story.
Upon the Pale Isle of Gloam offers a compelling foray into gothic horror, weaving together elements of mystery, amnesia, and survival in a setting that is both haunting and intriguing. While the writing style may occasionally obfuscate details, it contributes to the novel’s enigmatic and atmospheric quality, making it a notable addition to the genre.
Pages: 225 | ASIN : B0CJNL1P2T
