Blog Archives
Ghost Town
A. J. Thibault’s Ghost Town is a speculative thriller that combines time travel, espionage, paranormal horror, and the harsh mythology of the American West. The novel follows Richard Hart, a former intelligence operative and RAND analyst whose search for direction leads him into a covert military experiment near the abandoned town of Ehrenberg, Arizona. Transported from 1989 to 1891 alongside pilot Honey Burns and drifter Boon, Hart must navigate a community governed by appetite, suspicion, and violence. The book’s shifting chronology and alternating character histories gradually connect Hart’s private crisis to Moodbain, a legendary agent overseeing a technology capable of altering perception, matter, and time.
Hart gives the novel its emotional and intellectual center. His formidable analytical abilities are balanced by anger, loneliness, and a lingering fear that his achievements have amounted to little. Thibault’s extensive account of Hart’s impoverished Brooklyn childhood clarifies why he values intelligence so fiercely and why humiliation can provoke him into violence. His father’s lesson that “a real man has more than his brain and his fists. He has a heart” becomes a quiet standard against which Hart’s later decisions can be measured. Honey and Boon receive similarly revealing histories, allowing the novel to treat its three stranded travelers as psychologically burdened people rather than pieces in a time-travel puzzle.
The 1891 sections provide the book’s strongest atmosphere. Ehrenberg is crowded with saloons, card games, public punishments, sexual coercion, religious fervor, and eruptions of collective cruelty. As the experiment weakens the characters’ judgment and resistance, ordinary events acquire the instability of a nightmare. Thibault frequently moves between bleak comedy, grotesque spectacle, and genuine menace, creating a town that feels both historically tangible and mentally distorted. The novel’s breadth gives it considerable imaginative energy, though its many flashbacks, tonal shifts, and extended confrontations sometimes slow the central ordeal and require close attention from the reader.
The final explanation reframes the ghost town as both an experimental weapon and a moral test. Hart survives because he can think beyond the apparent limits of his situation, but his more consequential act comes later, when he destroys the information needed to reproduce the technology. That choice answers the question underlying his journey: whether intelligence serves power or conscience. “Time was the most valuable thing he had left,” the narrator observes, and the line captures the novel’s concern with mortality, agency, and responsibility. Ghost Town is an ambitious, densely plotted novel whose most memorable achievement is its fusion of a violent Western setting with a Cold War meditation on the dangers of controlling human perception and history.
Pages: 460 | ASIN : B088WSBPRM
Broken Image
Kay Brooks’s Broken Image is a small-town romantic suspense novel that blends murder, grief, family secrets, and a touch of the supernatural. The story centers on Sage Grimes, who returns to Edmondsville after losing both her young daughter, Grace, and her beloved great-uncle Joe. Sage is also recovering from an accident she can’t fully remember and separating from an abusive husband. While she tries to make a home out of the house Joe left her, a serial killer is stalking women in the area, another woman is fighting to survive captivity, and several people close to Sage are pulled into the growing danger.
Sage’s emotional recovery gives the novel its heart. Her grief isn’t treated as a single obstacle she needs to overcome, but as something that shapes her routines, relationships, and sense of self. Baking, exploring Joe’s collection of local history, and planning a meditation gazebo all become meaningful parts of her healing. One of the book’s most affecting observations comes when Leona tells her, “Our hearts break because they are tender and vulnerable.” That idea runs through the entire story. Sage’s pain leaves her exposed, but it also allows her to form deeper connections with the people who welcome her back into the community.
The suspense unfolds through several intersecting storylines. Sage’s missing memories gradually raise questions about the crash that killed Grace, while Abby receives increasingly disturbing attention from a killer who believes she belongs to him. Ivy’s struggle to escape captivity adds urgency, and Sheriff Duane Peterson works to connect the evidence before someone else dies. Brooks frequently shifts viewpoints, sometimes letting readers see events through the eyes of the criminals. This creates tension by revealing how close the danger is even when the characters don’t recognize it. The mystery surrounding Walter, Sage’s estranged husband, becomes especially gripping as Sage begins trusting her own instincts again.
Edmondsville itself plays a major role in the book. The auction business, fall festival, cemetery, apple orchard, local history society, and community Facebook page give the town a lived-in personality. Brooks fills it with a large, affectionate network of friends and relatives who cook for one another, investigate strange events, share old stories, and show up when someone needs help. The many characters and plot threads make the novel feel busy at times, but they also create the sense that Sage is entering a community with a history that extends well beyond her personal crisis. The ghostly presence of Isabella fits naturally into this setting, adding warmth and lingering mystery rather than shifting the novel into full supernatural horror.
Broken Image is about rebuilding a life after fear and guilt have distorted the way a person sees herself. The thriller plot supplies danger and momentum, but Sage’s movement from isolation toward belonging provides the most satisfying journey. By the closing chapters, her statement, “I’m going to be okay,” feels earned because it comes after she has confronted both the truth about her past and the person who tried to control it. Readers who enjoy romantic suspense with an active community, multiple mysteries, gentle paranormal elements, and a strong emphasis on emotional healing will find plenty to engage with here.
Pages: 292 | ASIN : B0GZFNJZ9G
Mirror Image (Bennett Auction Series)
Mirror Image, by Kay Brooks, opens the Bennett Auction Series with Abby Adams and TJ Bennett entering the secluded White house to prepare an estate auction, only to find a portrait that looks exactly like Abby, a restless ghost named Isabella, hidden family secrets, and a present-day killer circling Edmondsville. The book braids a haunted-house mystery, a slow-burn romance, and a serial-killer thread into a story where antiques, diaries, portraits, and old rooms become evidence rather than scenery.
I appreciated the way the house is presented as more than a setting. Brooks has a strong instinct for objects: Lladró figures, old furniture, sketchbooks, diaries, a missing vase, and the kind of heirlooms that seem to remember more than the living do. That auction-world texture gives the paranormal mystery a pleasing specificity. I also enjoyed Abby’s curiosity; she is not merely frightened by Isabella’s presence, but pulled toward her with compassion, which gives the ghost story an emotional hinge.
The romance between Abby and TJ has a familiar push-pull rhythm, sometimes heated, sometimes prickly, but it works best when their banter is interrupted by real danger or tenderness. The book is busy with ghosts, genealogy, murder, family business, romance, and a killer’s stalking presence, all of which compete for space, but that abundance gives it a pulpy, page-turning energy. I was especially drawn to the idea that history is not dead here; it is ambulatory, wounded, and occasionally mischievous.
This book is for readers who enjoy paranormal romantic suspense, small-town mystery, serial killer thrillers, and family secrets fiction. Fans of Heather Graham’s Krewe of Hunters novels may feel at home with the blend of romance, ghosts, investigation, and danger, though Brooks adds her own auction-house flavor. Mirror Image is a ghost story that feels old, mysterious, and alive.
Pages: 299 | ASIN : B0DYZPL83J
Haunted Day and Night
Haunted Day and Night follows Anastasia “Ana” Day, a young paralegal in York, Pennsylvania, who buys a crumbling 1887 Victorian row home that turns out to be a lot more crowded than the real-estate listing suggested. As she scrapes carpet, patches plaster, and fights with her controlling boyfriend Blake, strange things start happening in the house. Doors swing open on their own, cabinets sit wide open, a saw accident in the basement feels almost pushed, and messages appear in candy-apple red lipstick on the bathroom mirror that tell her to leave. Paranormal investigators eventually help her uncover the story of Eliza and Eva Klinger, former residents tied to women’s rights, whose restless presence nudges Ana away from toxic love and toward a stronger, more honest version of herself. The book blends haunted-house chills with a slow-burn story about walking out of unhealthy relationships and rethinking faith, family, and what it means to have a voice.
I really enjoyed how grounded the horror felt. The house is vivid in my mind, from the stained powder-blue carpet to the mahogany banister and those bay windows that keep catching Ana’s eye while everything else falls apart around her. The early scenes with Blake in the basement and the “LEAVE” message on the mirror genuinely made my stomach tighten, not because of jump scares, but because the danger feels emotional as much as supernatural. The writing leans descriptive and sometimes lingers on details or explanations longer than I personally wanted, yet that same patience helps the creepy moments land. I liked how the dialogue shows Blake’s gaslighting and need for control without turning him into a cartoon villain; I could imagine real conversations like the ones about “helping” her and “fixing” her house and life. Side characters like Bob the handyman and Ana’s coworkers give the story warmth and a hint of community, which makes the isolation in the house hit harder when things go sideways. At times, I wanted a bit tighter pacing, especially in the middle, but overall, the narrative flow kept me turning pages to see what the house would do next and what Ana would finally do about Blake.
What surprised me most was how much the book leans into questions about belief, the afterlife, and women’s agency, and how emotional that became for me as a reader. The ghosts are not just a spooky background; they are women with their own history of fighting for rights, and their presence feels like a protective line of ancestors standing behind Ana. I liked that she wrestles out loud with heaven, hell, reincarnation, and religious dogma, and that different characters give different answers without the story shoving one “right” view in my face. The connection between restoring the house and restoring her sense of self is pretty on the nose at times, yet it still worked for me because it felt sincere rather than gimmicky. I found the EVP scenes with Nate and his team strangely moving: hearing the names “Eliza” and “Eva” come through while Ana has just done her own historical digging gives the whole thing a bittersweet weight. The feminist thread, especially around women ignoring red flags, surviving control, and learning to trust their own instincts, hit me harder than the ghost plot at some points. Every now and then the message tilts a bit preachy, but I never doubted the heart behind it, and I appreciated that the spirits are there to empower Ana rather than just punish or terrorize her.
I would recommend Haunted Day and Night to readers who like their ghost stories emotional and character-driven, with more haunted feelings than graphic frights. If you enjoy old houses, slow-build supernatural tension, and stories about women untangling themselves from bad relationships while questioning inherited beliefs, this will probably be right up your alley. It is a good fit for book clubs that like to talk about themes like spiritual abuse, intuition, and generational female strength, and for fans of softer paranormal fiction who do not need constant jump scares. For everyone else who loves a creaky Victorian, a stubborn heroine, and ghosts who have opinions about patriarchy, I think this book will be a satisfying and sometimes surprisingly comforting read.
Pages: 400 | ASIN : B0BXJTKG4M
Suspension of Disbelief
Auberon Manor follows a rich paranormal skeptic who is drawn into the mystery of Auberon Manor, an estate with a long, dark reputation, where he discovers something more frightening than a ghost. What was the inspiration for the setup of your story?
Many people will tell you they do not subscribe to the notion that ghosts or other supernatural entities are real. If you were to drop one of these non-believers into an old, isolated, creepy house, I’m willing to wager they’d feel some level of anxiety. Introduce a few odd, not easily explained noises, and even the fiercest skeptic might be tested. What interested me the most in writing this book was the characters’ reaction to discovering a supernatural entity. That’s hardly an everyday occurrence, and I’m sure it would test most people to their limit. I created a group of characters and threw them into that frightening scenario to see what they would do. I admit, I would have fled on day one. Thankfully, my characters are far braver than I would have been. Suspension of disbelief.
Your novel features some very interesting characters with flaws, but who are still likable. How do you go about creating characters for your story?
My preference is for strong, capable characters. The kind of people you can count on when the going gets tough, who run towards a problem instead of away from it. Having said that, not every person is skilled, capable of courage when called upon, nor are they dependable when you’re forced to rely on them. I’m fascinated by human behaviour in all of its forms. Too often, a protagonist has to go out of his or her way to navigate around another person’s shortcomings to reach a goal. That’s life. That’s real. No story proceeds in a flawless straight line. Humans are sometimes bumps in the road that need to be navigated. I want the reader to share that frustration.
What intrigues you about the horror and paranormal genres that led you to write this book?
This genre has no limits. If you can imagine it, you can put it on the page and not be criticized for breaking the rules of physics or angering a reader for forcing them to suspend their disbelief. They want to suspend their belief for a story like this. The author and the readers are all on the same page.
What is the next book that you are working on, and when can your fans expect it to be out?
In addition to writing in this genre, I also write action-adventure, legal thrillers, and tech thrillers. My next book is titled ‘Legacy of a Silent Man.’ This is an action book. Work is underway, and the publication is expected in the first quarter of 2026.
Author Website
For the curious and adventurous, the stories read on the website inspire them to make the journey to Pennsylvania and see the manor for themselves. Over time, the stories about the house grow darker with reports of visitors suffering injuries. When an amateur group of investigators conducts a scientific examination of the house, disaster strikes. Members of the investigative team suffer broken arms, a broken rib, and a near-fatal concussion. This compels the owner to prohibit any further visits.
When the story of the Auberon haunting reaches a bored and wealthy young man named Dane Ledger, he’s encouraged by a friend to take a ghost-hunting road trip. To Dane, who doesn’t believe in ghosts, it presents an opportunity to debunk the ridiculous notion that this house, or any house, is haunted. He and his friend arrive at the manor to discover recently erected fencing and a guard who refuses them entry. All of this security makes Dane and his friend even more curious about the house. They approach the homeowner for permission to inspect the property, but are firmly denied. After money is exchanged and Dane agrees to assemble a team of professional paranormal investigators to inspect, identify, and exterminate the entity from the manor, permission is finally granted.
With the team assembled, they enter Auberon Manor and discover its frightening occupant. Terrified by what they’ve discovered, and too frightened to go back into the house, they struggle to find a way forward. Letting the entity remain in the home is not an acceptable option, as it would imperil every future visitor. They don’t know what they’re battling, but it’s not a ghost. It’s something much worse.
Auberon Manor
Paul Chandler’s Auberon Manor is a supernatural thriller that pulls you in slowly, like fog curling over the edges of a graveyard. It begins with Edison Elsher, a weary paranormal investigator whose skepticism is tested when he’s drawn into the mystery of Auberon Manor, a mansion with a long, dark reputation. Alongside Dane Ledger, a rich skeptic seeking proof that ghosts don’t exist, and a small team of experts, Edison steps into a place where logic falters and fear takes root. Chandler builds the dread steadily, layer by layer, and by the time the team realizes they’re in over their heads, it’s far too late to turn back.
I’ll admit, the writing surprised me. It’s clean, deliberate, and full of old-fashioned storytelling confidence. Chandler doesn’t rush. He lets the tension breathe. Some chapters read like a slow drip of unease, and others explode with sharp, unsettling energy. The characters feel grounded, flawed, and real. Edison’s weariness hits hard, and Dane’s arrogance cracks just when it should. The dialogue feels lived-in. People talk the way real people talk when they’re scared but trying not to show it. There’s a sense of decay throughout the book, not just in the manor itself, but in the people who come near it. That touch of melancholy made the story more than just a haunted house tale, it felt like a story about pride, guilt, and the limits of reason.
There are moments where I wanted the fear to bite sooner. But when it comes, it’s worth the wait. The haunting isn’t about gore, it’s about what you can’t quite name but can’t shake either. The book also has a throwback charm. It feels like something between The Haunting of Hill House and Poltergeist, but written with modern restraint. Chandler clearly loves the genre, and it shows in the care he takes to make the supernatural believable.
When I closed Auberon Manor, I sat for a bit, thinking about how fear works, not just in old houses, but in us. I’d recommend this one to readers who like their horror slow and thoughtful, more spine-tingling than stomach-turning. If you enjoy haunted stories that respect your intelligence and still manage to give you chills, this is your kind of book.
Pages: 231 | ASIN : B0FSYL9B2P
Ghost Writer
Arjay Lewis’s Ghost Writer is a haunting, twisting tale that begins with a bitter divorce and spirals into the supernatural. The story follows Joe Riley, a washed-up novelist who inherits his late uncle’s cabin deep in the Poconos. What starts as a man’s desperate retreat to escape his failures turns into a psychological unraveling filled with eerie noises, mysterious pages that write themselves, and the blurred line between inspiration and possession. At its heart, it’s about creativity, grief, and the price one pays when the muse turns monstrous.
This book gripped me right away. Lewis writes with an easy rhythm that feels like an old friend telling you a story over a drink. The voice is sharp, cynical, and soaked in the kind of regret that only comes from living hard and losing often. Joe’s bitterness feels real. His loneliness cuts deep. There’s humor too, dark and dry, that makes the pain go down easier. What I liked most is how the writing itself mirrors Joe’s mental decline. Sentences start crisp and clear, then grow jagged and strange as his sanity unravels. It’s the sort of book that keeps you awake at night, not because you’re scared of ghosts, but because you recognize the ghosts inside yourself.
The supernatural element creeps in slowly. At first, I wasn’t sure if what Joe was seeing was real or just his hangover talking. That’s what makes it so effective. Lewis never rushes the reveal. Every scene in the cabin feels heavy with memory and regret, every creak in the floorboard feels like a heartbeat. The book plays with the idea that creation and madness might be neighbors. I loved that. It’s not flashy horror; it’s quiet, psychological, and deeply human.
I’d recommend Ghost Writer to anyone who loves stories that blend the eerie with the emotional. Fans of Stephen King’s Bag of Bones or Shirley Jackson’s The Haunting of Hill House will feel right at home here. It’s for readers who enjoy slow burns, flawed characters, and the unsettling feeling that maybe the scariest thing in the room is your own mind.
Pages: 322 | ASIN : B0CWYCWPVS
Under the Guise of Religion
Woman in the Abbey follows a young woman fleeing her abusive father, who finds an abandoned abbey in a haunted forest, where she finds Lucifer, who is searching for love and redemption. What intrigues you about the horror and paranormal genres that led you to write this book?
I have always been interested in the gothic genre. I have read and reread the classics: The Castle of Otranto, The Monk, Melmoth the Wanderer, Dracula, etc. What intrigues me is the mystery and the elements of the supernatural. What I find most interesting as a writer is that the genre allows me to explore the psychological and sociological aspects of the story and its characters. Unlike horror, whose sole purpose is to frighten, gothic allows for a more in-depth exploration of the psyche.
What were some themes that were important for you to explore in this book?
The themes that I was interested in involved issues of faith and doubt, fidelity and betrayal, and, in the case of Sister Lucretia, cruelty under the guise of religion. We have seen this misapplication of doctrine by religious zealots throughout history, going back to the Inquisition. Lucretia is the embodiment of this. One of the other themes I was interested in exploring was that of violence against women. In this case, the violence was by a woman towards other women. This issue is prevalent in our society. It needs to be exposed and dealt with because, while we may not see it in our daily lives, it is there and there are many women who are suffering.
What is the next book that you are working on, and when can your fans expect it to be out?
I am currently working on a novel that involves my Italian heritage, but which, I hope, will speak to people of all ethnicities. It involves three generations, starting with the immigrants and ending with the grandchildren of those immigrants. I am hoping to explore what it means to be an immigrant — the difficulties they face from language to cultural differences; what is means to be the children of immigrants — those in-betweeners who have to navigate both the old ways of their parents and the new ones they face on a daily basis; and what it means to be third generation where the old ways are there still, way in the background but are mostly ignored. Much of this is based on my own experience as well as on my observations of our new immigrants and their children. The book is in its early beginnings and won’t be done for perhaps 2 or 3 years. I hope, though, that it will appeal to all ethnicities, not just Italian-Americans.
Author Links: GoodReads | Facebook | Website | Amazon
A young woman, fleeing the clutches of an abusive father, stumbles upon an abandoned abbey on the edge of a haunted forest. But what she finds there is far worse than anything she left behind.
Within the crumbling walls of the Abbey of San Pietro, ancient horrors stir. A mysterious old woman holds secrets of the past, and an unearthly being watches from the shadows—a being with the power to raise the dead and a thirst for vengeance.
Driven by damnation and bitterness, he weaves a sinister plan, using the living and the dead as his pawns. But is it love or something far more dangerous that motivates him?
In this gothic tale of love, betrayal, and unholy retribution, nothing is what it seems. Will she escape the abbey… or become part of its eternal curse?
