Blog Archives
Jigsaw: Sonora
Jigsaw: Sonora is a time-hopping, genre-blending adventure that weaves historical fiction with science fiction, political thriller, and a touch of emotional family drama. The story centers around a network of time-traveling guardians from the Falcone Foundation who are thrust into a global conspiracy orchestrated by a rogue splinter group called Global Harmony. Set against the backdrop of the Mexican Revolution, World War I, and a future ravaged by ideological extremism, the novel features multiple timelines and perspectives, villistas spying near the U.S.-Mexico border, modern-day scientists, grieving families, and zealots seeking to rewrite history. The central object tying these narratives together is a mysterious zeppelin named Sonora, a vessel of both literal and symbolic weight.
This story was thrilling, jarring, and slightly disorienting at times. David Alyn Gordon’s writing is fearless. He throws you headfirst into rapid scene changes and complicated timelines without much handholding. The dialogue snaps and pops with sarcasm and humor, even when characters are in mortal danger. Some chapters feel cinematic and full of suspense, while others read like exposition dumps wrapped in tech-speak and geopolitical history.
That said, the emotional moments work beautifully. Scenes like Noah’s funeral, Francesca’s fierce interventions, and Tori and Cheryl’s strained romance really resonated with me. They ground the story in human stakes, which is needed when the plot starts spinning into viral warfare and shadowy authoritarian takeovers. I found myself rooting for the characters, even when I wasn’t always sure where (or when) they were. And the villains are chilling in their calm, calculated evil. I especially liked how the historical injustices, like the Bisbee Deportation or school segregation, were blended into the sci-fi narrative. It made the stakes feel real.
Jigsaw: Sonora is an inventive, passionate, and unorthodox book. It’s not always easy to follow, but it’s never boring. I’d recommend it to readers who enjoy time travel with a conscience, ensemble casts, and layered conspiracies. If you like shows like 12 Monkeys or Fringe, or books like Cloud Atlas, you’ll probably find something to love here.
Pages: 162 | ASIN : B0CZTWP2N5
Within a Shadow
To Save a Life follows two young Jewish immigrants who have fled the violence of Eastern Europe, one escaping an arranged marriage and the other a past that haunts him. Where did the idea for this book come from?
Years ago, I visited the Orchard Street Tenement Museum on the Lower East Side of Manhattan and marveled at how the immigrants who’d lived in those apartments managed to hatch grand dreams in matchbox-sized rooms. More recently, the public outpouring of xenophobia and bigotry toward immigrants reminded me of that visit, and I decided to write about the early 1900s, when my grandparents came to America. As I believe that shame is the most potent motivator, I wondered what would happen if two immigrants carried secrets that prevented them from living full lives in their new country–and I had my premise.
How much and what type of research went into putting this book together?
I relied on diaries, contemporary newspaper articles and photographs, books published a decade or two after the early 1900s, and modern secondary sources about life on the Lower East Side. I also found books explaining the background of popular music, the Yiddish theater, or the garment workers’ union, aspects of my story. As a novelist, if I can see my characters, no matter where they go and what they do, I’ve done enough research; if they seem to move and speak within a shadow, that tells me I don’t know what I’m talking about and have to read more.
How did you decide on the title of this novel?
I took it from a famous Talmudic verse that says–I’m paraphrasing–that if you save a life, it’s as if you saved the world. Two secondary characters quote this verse, from different perspectives, but the title also figures metaphorically. My main characters seek emotional or spiritual rescue, and they try to understand what that means for them.
Can we look forward to more work from you soon? What are you currently working on?
Right now, I’m working on a Holocaust novel, a literary thriller based on a true story, in which three men try to stop a train headed to Auschwitz–with a lantern, pliers, and one pistol among them.
Author Links: GoodReads | Website | Substack | Amazon
In 1909, Malka Kaminsky steals her dowry to flee Russia and an arranged marriage, arriving in New York hungry for freedom. Drawn into the hustle of the Golden Land, Malka joins a sweatshop strike and is nearly beaten by thugs, but a stranger and fellow Russian Jew, Yaakov Rogovin, rescues her. Malka doesn’t thank him, refusing to acknowledge her debt, but when chance brings Yaakov to her Sabbath table, they laugh and trade warm glances—only to deny their mutual attraction. After all, they carry deep scars from Russia, where admitting to desires always led to heartache. But as they strive to become entrepreneurs—Yaakov as a musician, Malka as a dressmaker—they hope that independence will show them how to live unafraid, despite the past. And they will need that lesson soon, because when Malka’s fiancé arrives, determined to reclaim her, she seeks Yaakov’s help, neither of them aware what fighting for their dreams will cost.
Anna, the Princess and the Pendant
Anna Owens is a bright, imaginative seventeen-year-old living in the quiet town of Morrisville, North Carolina. Yet beneath her composed surface brews a yearning for something more, something strange, something thrilling. That desire becomes reality when Anna is summoned to her dying grandmother’s side and receives a curious parting gift: a green gemstone said to possess unusual powers. As it turns out, the stories are true. The gem is a portal, a key to a dreamscape filled with romance, peril, and discovery.
Anna, the Princess, and the Pendant, the debut novel by J.E. London, offers a spellbinding coming-of-age fantasy that blends elements of classic portal fiction with a touch of gothic mystery. Echoes of Neil Gaiman’s The Sandman and Susanna Clarke’s Jonathan Strange & Mr. Norrell surface throughout, though London’s voice remains distinct.
The premise may sound familiar: an adolescent longing for adventure, drawn into an alternate realm, but it endures for a reason. Such narratives tap into our collective craving for escape and transformation. Here, that escapism is filtered through Anna’s emotional lens, adding depth to what might otherwise feel conventional.
Anna is painted with nuance. She is impulsive, deeply emotional, and teetering on the edge of adulthood. Romantic entanglements tempt her, pulling her between logic and longing, between the budding maturity of a young woman and the whimsy of the girl she still partly is. This tension feels authentic and is one of the novel’s quiet strengths.
London’s real distinction lies in the richness of historical context and vivid sensory detail. The dream world Anna explores never loses its grounding. A delicate balance is maintained, ethereal settings balanced with tactile realism. Even as Anna faces life-altering decisions, the prose remains buoyant, never descending into overwrought drama. The stakes are real, though largely emotional, centering on the tumult and vulnerability of first love.
Anna, the Princess, and the Pendant marks a compelling entry into young adult fantasy. It’s a heartfelt, imaginative journey, and J.E. London proves to be as captivating a storyteller as Anna is a heroine.
Pages: 200 | ASIN: B079KHD1PC
To Save a Life
To Save a Life is a historical novel set in early 1900s New York, chronicling the intersecting journeys of Malka Kaminsky and Yaakov Rogovin—two young Jewish immigrants who have fled trauma, violence, and constraint in Eastern Europe. Malka escapes an arranged marriage in Grodno, stealing her dowry in the process, while Yaakov leaves Valozyn, carrying the weight of a haunted past. As they struggle to carve out lives of meaning and agency in the Lower East Side’s chaotic tenements and sweatshops, they find themselves drawn together in a tentative alliance that flirts with hope, love, and the idea of starting anew in a land that promises much but delivers on its own terms.
This book left me both emotionally shaken and deeply moved. Zuckerman’s writing is textured and rich, never rushing, always letting the weight of the moment hang in the air. His depiction of early 20th-century immigrant life doesn’t glamorize struggle—it holds it close, like a bruise you can’t ignore. The scenes of factory labor and violent crackdowns on striking workers burned bright with tension. And yet, it’s the quieter moments—Malka rolling noodles, Yaakov pressing coats while humming a tune—that linger. They feel relatable. I also loved how layered the characters are. Malka’s shame, rage, and tenderness are all tightly wound; Yaakov hides behind music and wit, but you can sense his wounds pulsing underneath. They’re both survivors, just barely hanging on, and their tentative trust feels earned, not forced.
At times, the novel slows a little more than I’d like, especially in some of the reflective passages. But even then, there’s something refreshing about the patience of Zuckerman’s prose. He lets his characters breathe. I found myself unexpectedly teary during the scenes where Malka reflects on the home she fled. There’s a raw honesty to those passages that hit hard. And the subtle Jewish references—Mishnah, Shabbos, old-world customs clashing with American hustle—ground the story with authenticity without weighing it down.
This novel isn’t just for lovers of historical fiction. It’s for anyone who’s ever felt like a stranger in their own skin or tried to build a new life out of broken pieces. Readers who cherish character-driven stories, especially those rooted in immigrant narratives and quiet acts of rebellion, will find a lot to hold on to here. To Save a Life is tender, brutal, and hopeful in equal measure—a heartfelt reminder that surviving is one thing, but daring to live is something else entirely.
Pages: 286 | ASIN : B0F2X1RB6F
Redemption Over Shame
A Certain Man is a searing, lyrical reimagining of the woman at the well, following a fierce Samaritan woman’s battle for freedom, faith, and healing in a world that seeks to break her. What was the inspiration for the setup of your story?
Actually, the inspiration came from the phrase that Jesus used to start several parables. “There was a certain man…” There are Bible scholars who teach that this was a sign to those listening that He was about to speak a true story of real people. I began to contemplate who these people would have been and what their back story would be. So the kernel of the story actually began with Samuel. Then my imaginings expanded to who he would have loved.
How did you balance historical authenticity with creative liberty, especially in reimagining familiar Gospel moments?
I never want to sacrifice Scripture for story. So when Jesus is “onstage” in the Bible, I do not add to His words. But, for instance, the Bible says that Jesus stayed in Samaria for two days after He met the woman at the well. So then this period is open for fiction. Even so, I am careful that He does not teach something that is not found elsewhere in scripture. Sometimes, like the encounter with the woman at the well, the narrative is very sparse and seems to jump from topic to topic. So here I used Mara’s thoughts to try to “fill out” the story. Jesus of course knows her thoughts and answers her. The challenge is to stay authentic to the intent and meaning of scripture without making Jesus a two-dimensional character. He was fully human and fully divine… and that is compelling.
What were some themes that were important for you to explore in this book?
The book explores themes of faithfulness, loyalty, and freedom particularly for women in a culture that often considered them chattel. Further, the hero and heroine must learn to forgive others and each other, choose good over evil, and redemption over shame.
Mara’s journey is steeped in trauma and spiritual transformation. How did you approach writing those darker, more intimate scenes?
The times of the Bible were scandalous and treacherous. While I did not want to include any gratuitous violence or sexuality, I did want the story to ring true in a tasteful way that dealt with very real issues. While there are humorous and lighter moments I wanted the reader to be brought into the times as they were. I believe “there is nothing new under the sun” and that the struggles of my characters to speak to hearts today.
The woman at the well has often been considered to be a loose woman, a harlot. But Jesus says she had five husbands. It is only the sixth man who is not her husband. What would make her give up on marriage, give up the security of a husband supporting and protecting her? I tried to read between the lines of scripture and use research of the time period to flesh out a plausible back story for each of my characters.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Leaving a Legacy
Diamonds in Auschwitz follows a Jewish woman struggling to survive the brutal realities of Auschwitz who finds a hidden diamond engagement ring in the mud, it brings her a glimmer of hope and a reason to survive. What was the inspiration for the setup of your story?
The idea for this story came to me while reading Wendy Holden’s Born Survivors. In this nonfiction book, she briefly mentions that a woman was able to hold onto her engagement ring during the Nazi occupation and living in the Jewish ghetto. As she entered Auschwitz, she refused to let the Nazis get her ring, so she dropped it outside the gates of the concentration camp. I loved the idea of someone finding the ring while a prisoner there. How could something so beautiful change her life, even though it had no value while living in Auschwitz? The story developed from that image.
It seemed like you took your time in building the characters and the story to great emotional effect. How did you manage the pacing of the story while keeping readers engaged?
I actually wrote all of Samual and Hanna’s story in full first. Then I went back and wrote the second timeline — Rachael and Chaya’s story. I made sure to line up their plotline with Samual and Hanna’s – like having climatic events happen next to each other. It took a little bit of shuffling and organizing!
What were some themes that were important for you to explore in this book?
I really wanted to dig into the idea of living after death — not necessarily in a spiritual-afterlife kind of way, but as a legacy. My characters are all very concerned with this question: If no one knows I lived, did I even exist? I wanted to show how leaving a part of you behind after death — whether a ring, memories, artwork — can give your life purpose. I also wanted to explore the idea of hope. At first, it’s seen as a poison to Rachael. She believes that hope kills faster than the Germans can. But as she finds a reason to live, even after losing everything, she sees that hope survives through even the worst of times. The ring is the physical embodiment of that hope for her and Hanna.
What is the next book that you are writing and when will that be published?
I’m in the editing stages of my second book. It’s set in Charleston after the Revolutionary War. It’s part a retelling of a Shakespeare tragedy, part murder mystery, and part origin story of a real Charleston haunted legend.
Author Links: GoodReads | Facebook | Instagram | Website
Rachael is a resilient Jewish woman imprisoned in Auschwitz during World War II, clinging to the memories of her lost family while enduring the harrowing reality of the concentration camp. Amidst the brutality, she uncovers a hidden diamond engagement ring in the mud—its brilliance offering a glimmer of hope and a reason to survive. As she navigates the perils of camp life, Rachael forms a profound bond with Chaya, a young girl also yearning for connection and comfort in their shared despair.Interwoven with Rachael’s tale are the lives of Samual and Hanna, a young Jewish couple planning for their future while navigating the hardships of Nazi-occupied Prague. Distracted by his life in Prague, Samual initially dismisses the growing threats against their community, focusing instead on the engagement ring he dreams of giving to Hanna. As the grip of the Nazis tightens, their plans unravel, yet their love becomes a beacon of resilience amid escalating fear and loss.Diamonds in Auschwitz illustrates how, when everything seems lost, even the smallest treasures can illuminate the path to freedom and connection. Through Rachael and Chaya’s friendship, and Samual and Hanna’s unwavering love, the story reminds us that even in the bleakest times, humanity can shine brightly.
Salamander Man: Mohamed Idris’ search for meaning
Salamander Man is a moving novel chronicling the life of Mohamed Idris, a boy stricken with polio in 1940s Malaya and forced to crawl through his village, earning the cruel nickname “Salamander Man.” Narrated in the first person, the story follows Idris from early childhood to adulthood as he battles ridicule, exclusion, and systemic prejudice to find self-worth, intellectual purpose, and dignity. Guided by resilient parents, patient mentors, and books that opened up new worlds, Idris’s inner journey is as sweeping as his outer constraints are severe. With rich cultural detail and emotional candor, the book becomes both a coming-of-age tale and a testament to the triumph of spirit over circumstance.
Wolter’s themes of alienation, resilience, and the search for meaning through education resonated deeply with me. I admired how Idris’s disability wasn’t presented as something to “overcome” but rather something he simply lived with and made meaning out of. The idea that books could offer freedom when the world denied you movement resonated with me. At times, the dialogue drifted into sentimentality, but those moments were brief and forgivable. The emotional highs are earned. Wolter never lectures, yet the novel feels quietly profound.
I found myself pulled into the emotional current of Idris’s story. Wolter’s writing is plainspoken yet poetic, with just enough color to keep the prose vivid but never overdone. It struck a fine balance between restraint and rawness. The character of Idris feels heartbreakingly real. At times angry, other times funny, almost always stubborn, and always relatable. The injustice of him being refused school admission just for his legs was gutting. But it was the small triumphs, like learning to read, beating the village boys at tree climbing, and building friendships, that broke me open the most. The scenes with his mother, especially when she patiently teaches him to read using the Andy and Betty books, are tender and unforgettable.
Salamander Man to anyone who loves intimate stories about underdogs, outsiders, or bookworms. If you’ve ever felt on the margins or struggled to be seen, you’ll find something true here. It’s for readers who appreciate character over plot, and soul over spectacle. For educators, caregivers, and anyone who’s ever stood by someone whose body or life didn’t fit the mold, this one’s for you.
Pages: 199 | ASIN : B0F2NCRCDX
Of Saints and Rivers
In Jim Logan’s Of Saints and Rivers we follow the sprawling multi-generational saga of the McClellan family, primarily through the eyes of the youngest son, Jordan. It begins in the late 1800s with his parents’ unlikely romance and settles into the vast Oklahoma frontier, tracing the family’s joys and heartbreaks through the mid-20th century. The narrative centers on Jordan’s relentless quest for purpose and healing, a journey propelled by personal tragedy and a gnawing sense of guilt that sends him far from home to unexpected places, such as a Mexican village and a seminary, only to find that the past, like a river, always finds its way back.
I loved Logan’s masterful way with words. He crafts sentences with a gentle flow, making even complex emotional landscapes feel accessible. I found myself drawn into the characters’ lives, experiencing their triumphs and sorrows alongside them. The author doesn’t shy away from the hard questions, grappling with faith, destiny, and the human condition in a way that feels both profound and personal. It’s rare to find a book that so honestly explores the nuances of forgiveness and self-acceptance, but this one does it with an understated power that resonated with me. The way the historical details are woven into the family’s story, particularly the struggles of the Dust Bowl and the impact of the world wars, creates a vivid and immersive experience.
While the exploration of Jordan’s internal struggles was compelling, there were moments I wished for a bit more outward joy or less immediate return to hardship. Yet, I think that’s part of the book’s honesty; life isn’t always neat, and the author doesn’t pretend it is. The relationships, especially between Jordan and his father, were incredibly raw and real. I felt my own emotions stirring as they navigated their complicated bond, a testament to the author’s ability to create such authentic human connections.
Of Saints and Rivers is a moving and introspective read that I wholeheartedly recommend to anyone who appreciates historical fiction with a strong emotional core. If you enjoy stories about family, redemption, and the search for meaning in a world that doesn’t always provide easy answers, then this book is for you. It’s a journey that leaves you pondering life’s big questions.
Pages: 272 | ISBN : 0988928159
LITERARY TITAN 