Blog Archives
Prima Nocta: A Mystical Quest for Love
Prima Nocta is a sprawling, intimate, and deeply passionate novel that moves through time and culture to explore the idea of soul connections, those rare and fated relationships that transcend logic, distance, and even death. Through a series of interconnected vignettes told from different perspectives and historical settings, the book traces recurring meetings between soulmates over centuries. It begins with a hunted philosopher in 16th-century France and moves to a grieving daimyō in Edo-period Japan, a nobleman in Renaissance England, and onward into modern and future lives. Each tale crescendos in a moment of intense emotional and erotic connection, all part of a larger narrative arc about love, memory, and the spiritual bonds that tether us across time.
From the very first page, I was struck by the raw emotion Pratt brings to the prose. It doesn’t hide behind elaborate metaphors or highbrow literary tricks. Instead, it opens its heart right to you. The writing is so personal. There’s a genuine ache that lives in every chapter. I felt it most in the quiet moments, those simple exchanges of glances, the gentle touches, the characters’ longing to be seen and understood. The dialogue doesn’t try to be clever. It tries to be true. And it is. That’s what makes it hit so hard. It’s not clean or tidy. It’s messy and complicated and bursting with yearning. The characters aren’t perfect, and neither are their lives, but the connections they form are electric. You believe in them. You want them to win. Even when they can’t.
There’s something haunting about the way Pratt weaves the spiritual and the physical. These aren’t just love stories. They’re meditations on fate, identity, time, and what it means to truly know someone. The way the book blends sensuality with existential questions is bold and surprisingly tender. It’s not erotica for the sake of titillation. It’s about finding divinity in the act of connection. The erotic scenes feel earned, not gratuitous. They’re emotional revelations just as much as physical ones. And that’s where the book shines most. It dares to suggest that sex, love, and meaning are all wrapped up in the same tangle, and I completely bought into that.
The pace is slow in places. It lingers, it wanders, it reflects. But if you’re someone who likes your stories soaked in feeling and not afraid to be a little weird or mystical, you’ll find something special here. I’d recommend Prima Nocta to readers who crave emotional intensity, who love deeply romantic fiction with spiritual undertones, and who are open to a narrative that feels more like a journey than a destination. This book isn’t afraid to look you in the eye and ask big questions.
Pages: 333 | ASIN : B0F1YTBGR1
True Change
Common Sense & Other Tales of Disillusionment is a collection of short stories that peels back the layers of ordinary life to reveal the people who are breaking down under the weight of their own choices & circumstances. What was the inspiration for this collection of stories?
Coming off writing my book before this one, BE NOT AFRAID, I’d had the desire to work in a shorter form. BE NOT AFRAID was an incredibly taxing, and thorough, and ambitious project. So, I knew fairly soon after that I wanted to produce a collection. Originally, I’d only wanted to do four stories, but my mother convinced me to do a fifth (lol).
What were some themes that were important for you to explore in this book?
Well, right off the bat, disillusionment was the overall compass for each story. When I began writing the collection, I was experiencing a good deal of it in my personal life and wanted to explore characters entering into their own bouts of disillusionment, where they always believed life would go one way but, instead, was going another, and not for the better, and, try as they may, they only seem to make it worse. I’m one of those readers who does not read to escape but reads to see the world reflected, the more brutally honest, the more I’ll enjoy it. So, naturally, that’s what I write 🙂
Was it important for you to deliver a moral to readers, or was it circumstantial to deliver an effective book?
Everything I write begins as a premise argument, usually around a unique belief I have of the world. For instance, one might look like this: People are incapable of true change vs People are capable of true change. And I will design characters to embody behaviors and decisions for both sides of that argument, so the story is a compelling one. In the first short story of the collection, “DRIVE YOU TO VIOLENCE,” the premise argument was–Family will drive you to violence vs Family will drive you to compassion. Characters dance on both sides of that premise 🙂
What is the next book that you are working on, and when will it be available?
At the moment, I’m nearing completion of a Fargo-esque crime novel, which I plan to serialize on my substack in the coming months. The working title, which is totally subject to change, currently is THE FIRE YOU’RE DRAWN TO.
Author Links: GoodReads | Amazon
A mother’s patience turns to quiet rage as family secrets unravel.
A filmmaker loses his grip on reality while chasing his masterpiece.
In a near future where machines mimic emotion, humanity itself begins to fracture.
And in the haunting remains of a lost documentary, a vanished man’s voice echoes long after he’s gone.
Each story in AJ Saxsma’s acclaimed collection is a slow descent into disillusionment—where hope flickers, truth corrodes, and the familiar becomes unrecognizable. With a masterful blend of literary fiction, dark realism, and quiet horror, Saxsma confronts what it means to live honestly in a world built on denial.
Fans of Shirley Jackson, Raymond Carver, and Flannery O’Connor will find themselves captivated by Saxsma’s unnerving portraits of love, loss, and human fragility. If you crave stories that unsettle as much as they illuminate, Common Sense & Other Tales of Disillusionment will stay with you long after the final page.
Time to Publish
The Long Red Hair and Other Short Stories is a collection of short stories, flash fiction, essays, and some true stories, shifting seamlessly between humor, nostalgia, and reflection. What was the inspiration for this collection of stories?
I felt it was time to publish a collection.
How did you decide on the themes that run throughout your book?
There were no particular themes. The author notes best describe what happens in the book.
Were there any stories that were particularly difficult to write? If so, why?
Writing about both childhood and adult sexual abuse, such as in my story, “Evie’s Shadows,” was challenging.
What is the next book that you are working on, and when can your fans expect it to be out?
I am in the process of writing a novel. Sorry, no spoiler on the topic. It is going slowly. I hope to complete it within a year.
Author Links: GoodReads | Facebook | Website | Amazon
I am indebted to the many good folks taking part in various writing groups who have included me over many years. We shared our work, listened to others’ writing, and offered writing prompt suggestions; some of the fiction stories here originate from these suggestions.
Our Darkest Reflections
Finitude and Beyond is a collection of nine science fiction short stories that explore the edges of human existence—where time, identity, love, and mortality converge in strange and often heart-wrenching ways. What was the inspiration for this collection of short stories?
Growing up, I was always drawn to humanity’s greatest achievements. Space exploration represented one of our highest aspirations—our desire to reach beyond ourselves and touch the untouchable. In those same dreams, I found our darkest reflections: isolation, fear, and the weight of choices made in desperate moments. This collection sort of grew from that dichotomy.
What are some things that you find interesting about the human condition that you think make for great fiction?
We’re this remarkable species that can conceive of infinity, create art that moves us to tears, and love so fiercely we’d sacrifice everything for another person. Yet we’re also capable of breathtaking cruelty, willful ignorance, and destroying the very things we claim to cherish. What fascinates me is that these aren’t contradictions—they’re features of the same complex system. There is a line from this brilliant show Pantheon where this program sums it up best. “Humans are a low-entropy self-replicating phenomenon that generates a binding force called compassion.”
Do you have a favorite story in the collection, and if so, why does it hold special meaning for you?
That’s tough, I really enjoyed writing “The Captain and The Sower.” I was in such a good mental place when I was working on it but if I had to choose a favorite it would be “A Mere State.” It was the first story I started writing back in 2020. It’s different in two ways. It’s the only epistolary work I’ve ever written and the only sci-fi story set in the past.
What is the next book that you are working on, and when can your fans expect it to be out?
My debut novel, Local Gods, is currently in its last few rounds of copy edits. The expected release date is sometime in the middle of October. Without going too deep, Local Gods is a science fiction drama that explores the sinister threads of capitalism, faith, and power, asking what price we’re willing to pay for comfort—and whether anyone can truly escape Earth’s oldest sins, even among the stars.
Author Links: GoodReads | Website | Amazon
Finitude and Beyond is a provocative collection of existential science fiction short stories that plunges into the depths of human nature, where isolation breeds paranoia, guilt becomes a prison, and the relentless march of technology reshapes what it means to survive.
In nine gripping tales, C.K. Adams crafts intimate, philosophical science fiction narratives reminiscent of Ted Chiang’s psychological depth and Ray Bradbury’s mortal insight. These are stories of raw, flawed individuals confronting transformation, loss, and the often-chilling consequences of progress in worlds both familiar and foreign.
Prepare to explore futures where:
A hardened Pathfinder escorts a family through a world fractured by interdimensional beings. This journey is different, as her cargo begins to alter her understanding of reality itself (Unbeing).
Aboard a generation ship hurtling through space, a young woman’s quest to find meaning in a life predetermined by others becomes a battle to preserve humanity’s collective memory (The Bridge).
A rescue team investigates a frontier colony’s mysterious communications blackout (Colony).
A talented linguist’s obsession leads her to the star system of an ancient alien civilization, her curiosity aids her in challenging the very nature of communication (The Otrimi Archive).
A grieving physicist’s obsessive quest to scientifically prove the soul’s existence blurs the line between breakthrough and unforgivable sin (A Mere State).
…and four more journeys that will linger long after the final page.
Perfect for readers who crave thought-provoking sci-fi that isn’t afraid to explore the darker corners of human nature and the ethical quandaries of future technology.
The Narrative Arc of a Life
Universally Adored and Other One Dollar Stories is a sharp and emotionally rich collection of flash fiction that uses the humble dollar bill as a lens to explore love, loss, class, and quiet resilience in everyday lives. What was the inspiration for the setup of your stories?
I’ve been graced in life to be surrounded by hard-working people for whom money is a real thing. Something that determines fortune or misfortune, and all the complications that accompany them. And being an American, the “universally adored” American dollar perfectly captures the power money has over the narrative arc of a life.
I did not, however, set out to write a collection of “one dollar” stories. I wrote one—“Ricky Steiner Was Supposed To Die in Prison”—during a writing workshop series that I co-led for years, and it was well received. So, I riffed on the opening line again, then again, and soon it became like the “Pass the Object” theatre game in which each person in a circle must differently animate the same everyday object, like a bowl, without using words. The bowl becomes a hat, a knee brace, steering wheel, etc. The opening line, “One dollar,” became my “Pass the Object” game.
If you could expand just one of these flash pieces into a full-length novel, which would it be and why?
Well, interestingly enough, I’ve done just that! As you noted, a lot of my characters are pretty lonely, and I was worried about them, so I’ve taken 10 major characters (and a few minor characters) and plopped them down together in a fictitious diner in the Gulf Coast petrochemical town of Texas City in 1980 (which is next to my hometown). You’ll be glad to know that Paulina—the woman in the low-rent motel with the mechanical bed shaker who’s on the run from her abusive ex—is one of them!
The deep back story of this novel-in-progress (which is entitled I Will Read Ashes for You from the Carl Sandburg poem “Fire Pages”) is the 1947 Texas City Disaster, which is still the deadliest industrial accident in US history and, until 9/11, the deadliest loss of firefighter lives as well.
The most central character is Ballard, the older brother in “The Tuesday Theory” story who is the guardian of his younger, autistic brother Willis. The novel is set in the same diner as that story, and the brothers’ absentee “deadbeat” dad, Keller—who is a traumatized Pearl Harbor and industrial accident veteran haunted by the dead—is the unreliable narrator. At the age of 22, Ballard has shelved the pleasures and aspirations of his young man’s life and assumed the responsibility of caring for his neurodivergent younger brother. An everyday hero for sure.
Were there any stories in this collection that you struggled to finish or almost left out?
Great question! I struggled with “Boiling the Buggers”—the story about a recovering germaphobe bartender who is laid off and otherwise undone by the Covid pandemic—in trying to get the interiority of her unraveling right. Certainly, the most bizarre and profane of the stories is “Amygda-la-la-la,” set in a dystopian future time in which two ground-down women friends find meaning in their collection of worthless paper dollars. I debated whether to include that or not—as it is way out there—and I knew it would probably confuse or offend some readers. But I loved the premise that the dollar bill is so foundational to modern human existence that our amygdala—the “lizard brain”—has been hardwired to spot it even among the rubble. The “Mouse Socks” story, told in the POV of a young girl who’s lost her father, wasn’t in the original collection, but after it was published in the South Korean Samjoko Magazine, I gave it another look and decided it was worth including. I had worried its narrative voice was too gentle for contemporary readers.
What is the next book that you are working on, and when will it be available?
My novel-in-progress that I mentioned, I Will Read Ashes for You, is approaching a finished first draft, though I’m still working through a lot of structural edits. It’s a “polyphonic” (multiple POVs), “discontinuous narrative” (meaning there are multiple, interwoven plot lines) novel that has a lot of characters and key backstory about the lingering effects of the 1947 Texas City Disaster and the cancer that riddles that part of the world. However, it is not—emphatically not—historical fiction. While I’ve done a lot of research and indeed, several characters revisit the horror of the Texas City Disaster (plus, there’s a Prologue of the real post-disaster Procession for the Unrecognizable Dead), the narrative arcs of the novel are in 1980, not 1947. There are, though, thematic throughlines about the human cost of war and prosperity, and the work-a-day valor of moving forward.
For any of your readers who have read my recent collection, Universally Adored & Other -One Dollar Stories (published by Vine Leaves Press), the other recurring characters include the diner waitress Eileen, Manny the cook, and Officer Palacios from “The Tuesday Theory;” Theo, the extreme bibliophile from “All Knowledge;” and the alcoholic grandfather Fred, grandson Ben, and Ben’s mom Colleen from “Flounder” (Chester the Bait Man also makes a cameo appearance). Paulina, the domestic violence survivor in “Magic Fingers,” reappears as the waitress Eileen’s daughter, and Paulina’s abusive ex shows up as well. Willa Rae, the Depression-era migrant farmworker girl in “Evening in Paris,” is there as the owner of the used bookstore next to the diner.
Happily, an excerpt from I Will Read Ashes for You will be published in June 2025 in the bilingual (English/Hindi) literary/scholarly online journal Setu Bilingual. The finished book, however, is probably a year or two away from publication.
Currently, project-wise, I’m also collaborating with a longtime visual artist friend, Kevin Oehler, on a chapbook of short fictions that resonate with his artworks. And, with my husband and creative partner, Robert Michael Oliver, I co-produce a weekly podcast, Creativists in Dialogue: A Podcast Embracing the Creative Life, which is supported in part by the DC Commission on the Arts & Humanities. As a former character actor, I’m also keen to produce an author-read audiobook of Universally, much like I did for my debut novel, And Silent Left the Place.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
In “Universally Adored,” a color-obsessed artist draws a facsimile of a dollar—a masterpiece universally adored—to win her girlfriend back. While checking for spare change in the laundry, in “Bald Tires” a Tennessee housewife with a malcontent husband finds an unused condom in his Sunday trousers. In “The Forgiveness Man,” a runaway teen with a newborn follows a vagabond healer absolving the bedraggled godless through hugs of forgiveness. And in “Magic Fingers, a ladies’ room attendant tracked down by her abusive ex finds refuge in a cheap motel with a 1970s era bed massager.
Riffing on the intimate object of a dollar, Bruce’s humane short fictions—from a great mashed potato war to the grass Jesus walked on—ring with the exquisite voices of characters in analog worlds.
Less-Than-Perfect Lives
Under Brambles is a collection of short stories and poems centered around the raw beauty that exists in the forgotten, the broken, and the misunderstood. Why was this an important collection for you to write?
Many of these stories are quite personal, including the one about my mother, whilst others are a shadow of people I have known. I think that many people have less-than-perfect lives–imperfect love stories and life events that don’t get a neat resolution. I hope that readers can gain some reassurance in a world where everyone carefully curates their lives on social media.
Can you share a bit about your writing process? Do you have any rituals or routines when writing?
If I have an inspiration, be it a word, an idea, or a paragraph, I write it in Samsung Notes on my phone. Most of my books start off as short stories. My children’s book The Dragon Way Home was borne out of the short story “There Be Dragons” in Under Brambles.
Do you have a favorite selection in the book, and if so, why does it hold special meaning for you?
I feel that “Waiting for the Gate” resonates strongly because it captures all the joy, beauty, madness, and struggle that makes up modern China. I loved my decade living there and this is one of my favorite memories.
What is the next book that you are working on, and when will it be available?
I am working on two novels at present–one for children, one for adults. My children’s novel is called Yowie Dreaming and it will be available in March. It has been inspired by the town of Kilcoy which has a Yowie statue. My adult novel is set in a south-east Queensland town and it will be available later in the year.
Author Links: GoodReads | Website | Amazon
Under Brambles: A Short Story Collection
Under Brambles is a tapestry of vignettes, poems, and narratives that unravel the raw beauty found in the broken, the forgotten, and the misunderstood. Margaretta James takes us through fragments of lives—of people on the margins, of unspoken pain, of longing, and fleeting moments of connection. The stories don’t follow a linear structure; instead, they pull the reader through waves of emotion, leaving behind echoes of regret, defiance, and tenderness.
James’s writing is poetic and immersive, painting scenes with words that feel almost cinematic. The opening piece, There Be Dragons, transports us to a bustling night market, where a sand-sculpted dragon silently witnesses human cruelty and kindness. The sensory details—jasmine, salt air, the flickering light of candles—make the setting almost tangible. But beyond the lush descriptions, the story carries an undercurrent of sorrow, of destruction, of the transient nature of beauty. The dragon, lovingly crafted and then desecrated, becomes a metaphor for the fragility of creation in the face of careless violence.
One of the most gut-wrenching entries, My Mother Who Danced, is written as a letter from a daughter to a mother she spent her whole life resisting, only to understand too late. The honesty in this piece is brutal. The resentment, the love, the guilt—it’s all there, tangled up in a raw confession that is both personal and relatable. The narrator’s realization that she has inherited some of her mother’s traits and that she has failed to appreciate her mother’s sacrifices hits hard. This isn’t just a story about a complicated mother-daughter relationship; it’s about the passage of time, about regret, about how we often only recognize love in hindsight.
Then there’s Hallelujah, a darkly satirical take on faith, miracles, and commercialism. A statue of the Madonna in a failing church begins bleeding, and the reaction is swift. What starts as a seemingly divine event is quickly swallowed by human greed, morphing into a spectacle that loses all meaning. James expertly balances humor and cynicism here, crafting a sharp critique of the way society exploits faith for gain.
The book doesn’t shy away from pain. In Story from a Quilt, James presents a heartbreaking tribute to a friend lost to illness and societal rejection. The imagery of a memorial quilt, each patch a piece of a life cut short, is devastatingly beautiful. The contrast between the vibrant, rebellious life of the protagonist and the cold indifference of the institutions that shunned him makes for an emotional gut-punch. The writing here is particularly poignant, moving between nostalgia and grief in a way that feels personal.
Under Brambles is not for readers looking for a conventional story with clear resolutions. It’s for those who appreciate writing that makes them feel something raw and unfiltered. This book is for lovers of poetic prose, for those who find beauty in imperfection, for anyone who has ever looked back and wished they had understood sooner.
Pages: 85 | ASIN : B0DSW98NXT
The People of the Mid-Ohio Valley
Town and Country: Voices from the Mid-Ohio Valley is a collection of short stories centered around life in a Midwestern small town. What inspired you to write this collection?
The ten stories in Town and Country were written and published in various journals over a number of years starting in 2019. So the collection developed gradually, but the stories were inspired by the locale and people where I grew up. I’ve turned the town of Parkersburg, WV, and the nearby rural communities of Lubeck, Washington, and New England Ridge into the fictional Parkeston and Locust Hill, respectively. Faulkner had his Yoknapatawpha County; Thomas Hardy had Wessex; I have Locust Hill.
Is there anything from your own life included in your stories?
Very much so. In addition to the locale, the character of Livia in “The Postmistress” is based on one of my aunts—my father’s sister. She did indeed operate the local post office from her parlor and was famous for her feisty personality. Also, the general store featured in the companion stories “Disorder” and “Penny Candy” was real, with cats in the front window and penny candy in jars. Along with my schoolmates, I waited there for the school bus to come and take us to the high school on the far side of Parkersburg.
Is there one story that stands out for you? One that was especially enjoyable to craft?
Oh yes, that would be “Penny Candy.” I intended it to contain a tribute to the people of the Mid-Ohio Valley—actually the entire collection is that. But I put the words of the tribute in the mouth of Pastor Beattie as he tries to comfort the distraught Lorna Crandall, who continues to be haunted by the ghost of her son killed in Vietnam. Pastor Beattie tells her, “There’s good people here in Locust Hill, as you yourself just said. So many angels, all in their own way. As good as any I’ve seen in this world. I can say that for certain.” And I hope the people who read Town and Country will see that too.
Can we look forward to more work from you soon? What are you currently working on?
You can, but I’m not so certain about the “soon” part. I’m working on a sci-fi-paranormal-inspirational story that requires quite a lot of research. The protagonist is a chemical engineer who replaces the deceased head of research in a chemical laboratory. The deceased chemist, famous for his invention of rejuvenating tires (i.e. regrown their treads), urges his successor from the Afterlife to turn his talents to medical discoveries rather than industrial ones. To complete the novel, I just need to come up with a plausible explanation of the Afterlife and a plausible cure for cancer. No problem! The working title is The Covalence of Love.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
In this collection of short stories, the reader encounters ordinary people struggling with a variety of extraordinary problems that threaten to change their lives: an elderly widower confronting a life of regrets, precocious children threatened with separation, a middle-aged couple facing the loss of their generations-old general store, and many others. Read Town and Country and meet the people of the Mid-Ohio Valley—people you may very well recognize from your own hometown.
LITERARY TITAN 