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A Sense of Pride
Hard Times is centered around a young magazine writer who discovers a life marked by racist terror, mob pressure, and reinvention when he tracks down a vanished heavyweight champion. What was the inspiration for the setup of your story?
I wanted to write a culmination of all the things African American boxers and war veterans went through in the years leading up to our greatest war. I interviewed several relatives who were in the “Great War” for their perspective, and I created Nathan as an homage to their sacrifice. I added the turmoil and adventures he went through, like the fictional story of The Odyssey, and it fit.
You portray Nathan as deeply human—flawed, driven, tender, and wounded. How did you approach balancing his mythic “King Cobra” persona with his private self?
Nathan always wanted to be something more than just a sharecropper. He saw what Black people went through in the South. He was driven to do great things.
Boxing often symbolizes struggle and survival in literature. What did the sport allow you to explore about race, power, and identity in Nathan’s life?
Boxing is a way, especially in the past, to give Black people a sense of pride over their oppressors. Equal opportunities were nonexistent, so the brutal sport allowed them to fight back the only way they knew how.
What is the next book you are working on, and when will it be available?
I’m working on a sequel to my dark Mystery novel, A Tall Dark Sin, entitled The Devil Walks In/A Tall Dark Sin 2. I’m looking for a late fall release.
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Hard Times: The Extraordinary Life and Times of Nathan ‘The King Cobra’ Washington
Hard Times: The Extraordinary Life and Times of Nathan “The King Cobra” Washington, by M. Anthony Phillips, opens as a search story and widens into something far larger: a young magazine writer tracks down a vanished heavyweight champion, only to uncover a life marked by sharecropping poverty in Georgia, racist terror, war service, boxing glory, mob pressure, flight, reinvention, and old grief that never quite cooled. What begins as a sports mystery becomes a multigenerational saga about what a man loses when history corners him and what, against reason, he still manages to keep.
I appreciated the way Phillips portrayed Nathan’s emotional depth, instead of just listing things that happened to him. The early scenes of his family, the long shadow of Jim Crow, and the bruising detours of his adulthood give the novel a rough-hewn earnestness that suits its subject. I felt the book reaching not for polish so much as amplitude. It wants to tell the whole thing: ambition, lust, fear, tenderness, humiliation, pride. Nathan isn’t presented as an emblem or a sermon. He’s a battered, desirous, stubborn human being, and the book is strongest when it trusts that plain, unsanitized fact.
The prose can swing from vivid to blunt. Yet even when it can be melodramatic, I rarely felt indifferent. There’s a kind of unvarnished conviction here that kept me reading. I was especially struck by the book’s sense of aftermath: Nathan doesn’t simply vanish into legend; he survives into obscurity, sorrow, compromised second chances, and a late-life reckoning that is more melancholy than triumphant. That choice gave the novel a mournful aftertaste I found compelling. It refuses the easy coronation. It is more interested in the cost of surviving than in the glamour of winning.
I would recommend Hard Times to readers of sports fiction, historical fiction, and Black historical drama who want a big, old-fashioned story told with bruised sincerity rather than minimalist cool. Readers who respond to sagas of struggle, war, race, boxing, family, and redemption will likely find a great deal to hold onto here. In spirit, it sometimes feels closer to the broad emotional sweep of Walter Dean Myers or the combative American mythmaking around boxing narratives than to sleek contemporary literary fiction. Hard Times is not a delicate novel, but it is a heartfelt one, and its best blows land with the weight of a life fully lived.
Pages: 384 | ASIN : B00AA3PGRE
