Blog Archives
A Sense of Pride
Hard Times is centered around a young magazine writer who discovers a life marked by racist terror, mob pressure, and reinvention when he tracks down a vanished heavyweight champion. What was the inspiration for the setup of your story?
I wanted to write a culmination of all the things African American boxers and war veterans went through in the years leading up to our greatest war. I interviewed several relatives who were in the “Great War” for their perspective, and I created Nathan as an homage to their sacrifice. I added the turmoil and adventures he went through, like the fictional story of The Odyssey, and it fit.
You portray Nathan as deeply human—flawed, driven, tender, and wounded. How did you approach balancing his mythic “King Cobra” persona with his private self?
Nathan always wanted to be something more than just a sharecropper. He saw what Black people went through in the South. He was driven to do great things.
Boxing often symbolizes struggle and survival in literature. What did the sport allow you to explore about race, power, and identity in Nathan’s life?
Boxing is a way, especially in the past, to give Black people a sense of pride over their oppressors. Equal opportunities were nonexistent, so the brutal sport allowed them to fight back the only way they knew how.
What is the next book you are working on, and when will it be available?
I’m working on a sequel to my dark Mystery novel, A Tall Dark Sin, entitled The Devil Walks In/A Tall Dark Sin 2. I’m looking for a late fall release.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Inheritance Lost
Inheritance Lost is a courtroom novel, but it’s really about the afterlife of theft. Author C. Anthony Sherman opens with Isaac Simon being forced to sign away his land over a Bible under armed pressure, then carries that wound forward more than a century into a civil case brought by Dexter Simon against the descendants and institutions that profited from it. What follows is a legal drama built not just on evidence, testimony, and strategy, but on a larger question the book keeps worrying like a nerve: how long can the law live comfortably beside a wrong once the wrong has finally been named?
Sherman doesn’t treat dispossession as old history, or as a backdrop for suspense. He treats it as a living structure, something that survives by changing its vocabulary. The novel keeps returning to paper as a weapon, to signatures, ledgers, title chains, settlement language, all the cool administrative surfaces that make brutality look respectable. There’s a chilling intelligence in that choice. I also found myself unexpectedly moved by the book’s restraint at key moments. Dexter isn’t written as a swaggering avenger. He feels tired, disciplined, and painfully aware that even a favorable verdict can’t restore what was taken. By the time the jury names the title “historically tainted,” and later Dexter refuses to turn the result into a personal monument, choosing instead to build a registry and a legal structure for others, the novel has earned its sadness. It understands that recognition is not repair, even if recognition matters deeply.
At its best, the prose has a grave rhythm that fits the material beautifully. The opening pages are especially strong, and scenes like Isaac’s coerced signing, Meagan Roulier’s testimony, and Claude Plaine’s unraveling have real voltage. Sherman knows how to land a line. He also knows how to stage a courtroom so that shifts in posture, silence, and timing carry dramatic force. At times, though, the novel leans so hard into solemnity that every exchange arrives with the weight of a pronouncement. I occasionally wanted a little more surprise in the dialogue. Still, even when the book grows overtly declarative, I understood why. This is a novel written in defiance of euphemism. Its strongest passages don’t merely tell a story. They press on the language that has long been used to soften or bury stories like this one.
Inheritance Lost is absorbing, forceful, and genuinely affecting. It’s not subtle about its convictions, but it is thoughtful about consequence, and that distinction matters. I finished it feeling sobered rather than exhilarated, which seems exactly right for a book so concerned with memory, inheritance, and the terrible durability of respectable lies. I’d recommend it most to readers who like courtroom fiction with moral and historical weight, especially anyone interested in land, lineage, and the uneasy distance between legal judgment and justice.
Pages: 266 | ASIN : B0GLV1B1C3
The Nature of Our Existence
Have You Seen Him follows a weary public defender who discovers a missing-person ad bearing his childhood face and a stranger’s name, leading him to unravel a buried past, a vanished family, and secrets hidden by his adoptive father. What was the inspiration for the setup of your story?
Soon after we meet the book’s main character, David, he’s sifting through his mail and sees a missing child ad with his own face. The inspiration for the book is a scenario somewhat similar to that—I was sorting my mail and saw an ad for a child who went missing when he was 10. The computer-progressed image showed him at 40 years old. I thought about how this boy’s family had been searching for three decades, never giving up trying to find him. The faces haunted me. I tore it out and carried it around in my bag for a while, then sat down to write a story about it.
Was the character’s backstory something you always had, or did it develop as you were writing?
When I first began this story, I was in the process of reading The Immortal Life of Henrietta Lacks, a nonfiction book that chronicles actual events in medical science. I took a few facts from that book and created a “what if” scenario—imagining what would have happened if a number of things had played out differently than what actually occurred in the true story. The backstory developed organically from there.
Do you think there’s a single moment in everyone’s life, maybe not as traumatic, that is life-changing?
I do think that at some point in life we each come to some wise realization—about ourselves, our purpose, the nature of our existence—that deeply impacts us and points the way forward. It could be as simple as a brief encounter with a wise stranger, an event that forces us to rise to the occasion, or even a long, winding journey to trusting in our own strength. I believe we each have key moments that, in retrospect, put us on a certain path to finding out who we really are. In his quest to find his true family, amidst all the action and adventure, David deals with all of the above.
What is the next book that you are working on, and when can your fans expect it to be out?
Have You Seen Him is the first in a trilogy, so it’s back to my notebook to work on the second installment. Readers say the ending is satisfying, but I also left a few questions open, so it’s pen to page to see what happens next with these characters! The goal for this new book is fall of 2026!
Author Links: GoodReads | Website | Amazon
For David Byrdsong, life is a series of daily obligations. An attorney, he lacks both ambition and the ability to commit to a long-term relationship with his girlfriend, Gayle. Abandoned by his family at an airport when he was eleven, he learned to blunt his feelings, despite his subsequent adoption by a loving couple.
Until one day, when David discovers his own face in a missing child ad. Suddenly driven to uncover the truth about his past, he is forced to tap into his inner strength as he encounters corporate conspiracies, murdered bystanders, and distressing suspicions about the only family he’s ever really trusted. David enlists Gayle’s help—and the help of an unlikely stranger with secrets of his own—as he attempts to find his true family, whoever they are.
Thrilling, exploratory, and propulsive, Have You Seen Him is a story of lost identity, dangerous secrets, and a deeply personal pursuit of the truth.
Have You Seen Him
Kimberly Lee’s Have You Seen Him opens with a brutal bank scene and spirals into a decades-later mystery that tangles grief, identity, and moral reckoning into a slow-burn thriller. The story follows David Byrdsong, a weary public defender who discovers a missing-person ad bearing his childhood face and a stranger’s name. That bizarre discovery unravels a buried past, a vanished family, secrets hidden by his adoptive father, and a network of people who’ve been searching for him for decades. Lee layers the suspense with emotional depth, flipping between timelines and perspectives to show how loss ripples across generations.
I was hooked from the first chapter. Lee writes with an intensity that sneaks up on you. Her sentences are clean but punch hard, and her dialogue feels lived-in, not polished. The tension never drops, but it’s not all fear and chase scenes. It’s the quiet unraveling of a man realizing his life might have been built on a lie. Some sections hit me right in the chest, especially the flashbacks to David’s childhood. There’s a sadness there, a kind of ache that sticks. I found myself pausing just to think after some of the reveals. The pacing dips here and there, but that slower rhythm gave me time to absorb the emotion under the mystery.
What I admired most was how human the story felt, even when it got dark. Lee doesn’t rely on shock for impact. She writes about fear the way it really works—slow, creeping, sometimes disguised as routine. The villains aren’t cartoonish, and even the side characters have small flickers of truth. David’s hesitation, his guilt, his strange calm in chaos made me want to shake him. But maybe that’s the point. He’s not an action hero. He’s someone who’s survived by pretending he’s fine, and that resonated with me.
Have You Seen Him is about finding yourself after everyone else thought you were lost. I’d recommend it to readers who love stories that balance plot with heart, especially fans of psychological thrillers like Gone Girl or Everything I Never Told You. If you like your thrillers with a pulse and a conscience, this one’s worth every page.
Pages: 270 | ASIN : B0F9TJYN8V
A Novel Readers Can Return To
The Unaccompanied Soul follows a reclusive older woman who opens her door to a mysterious stranger, unaware that she’s inviting darkness itself into her home. What was the inspiration for the setup of your story?
Honestly, about 95% of my books come through divine inspiration. I was doing some house cleaning one day when the entire first chapter of this book suddenly came to me—vivid and complete. That was around 2015. Having only written one novel before (a coming-of-age story), I wasn’t sure what to do with this unexpected gift. So the chapter sat dormant for years until friends encouraged me to see where the story would lead and finish what had been started.
What are some things that you find interesting about the human condition that you think make for great fiction?
As a society, we expect everyone to achieve some version of ‘success’—get educated, contribute positively to humanity, become accomplished. However, I’m always intrigued by this expectation when applied to people like Sam, who never had parents who loved her unconditionally and was brainwashed to believe violence wasn’t just acceptable but expected. She was never formally educated—so how was Sam, or anyone like her, ever supposed to achieve any semblance of normalcy? I think great fiction is made from telling the stories of greatly flawed people.
How do you balance story development with shocking plot twists? Or can they be the same thing?
When I write, I let my characters guide me—their voices leading me toward the lives they demand to live on paper. This being my first thriller, I’m still learning the art of shocking plot twists, but I’ve discovered that the best ones grow organically from my characters’ flaws and choices rather than being dropped in randomly for shock value.
Whenever I try to force a story in a direction my characters resist, that’s when I hit major writer’s block. But when I let character development create the surprises—when Sam’s buried trauma suddenly surfaces in an unexpected way—it becomes both character revelation and plot twist simultaneously. For me, they often are the same thing.
When the writing flows, the story plays out like a movie in my head, scene by vivid scene. Rather than planning shocking moments separately, I’ve learned to trust that authentic character growth will naturally create those jaw-dropping turns. My goal is to take readers on an extraordinary journey with people they’ll develop feelings for—even if that feeling is disdain—where every twist feels both surprising and inevitable.
I want to create a novel that readers can return to again and again, discovering new layers each time, seeing how the seeds of each revelation were planted in the character’s very foundation. If I can achieve that depth, where plot surprises emerge from the soul of the story itself, then I’ve successfully balanced both story development and shocking twists.
What is the next book that you are working on, and when can your fans expect it to be out?
My next book is actually a re-release of Some Price to Pay, a coming-of-age story I first published in 2004. Early 2026 will bring a follow-up novel to The Unaccompanied Soul, with Zayden taking center stage as the main antagonist. It’s another psychological thriller that delves deep into his psyche—that’s shattered, twisted or perhaps both.
Then, in fall 2026, I’m releasing something that’s currently scaring the bejesus out of me: The Other Side of Right, a psychological thriller that’s pushing me into uncharted territory as a writer.
One day I hope to write a great love story, but for now, it seems my niche has found me. There’s something about the dark corners of the human mind that keeps calling me back, demanding to be explored through psychological thrillers.
Author Website
But Sam carries secrets deeper than the Mississippi soil. Taught by a man she calls “Father” to view the world through a distorted lens of violence, she drifts from town to town, leaving a trail of sorrow in her wake. When her carefully constructed façade begins to crack, those closest to Clara race to uncover the truth before it’s too late.
The story weaves a tale of twisted devotion, fractured identities, and the terrible price of redemption. As buried truths rise to the surface like strange fruit, Clara must confront not only the monster behind her red door but also the fears that have kept her prisoner for so long.
Some souls are born of love. Others are carved from darkness. And in the fertile Mississippi earth, every secret eventually finds its season to bloom.
The Unaccompanied Soul
The Unaccompanied Soul is a dark and lyrical Southern Gothic novel that weaves mystery, memory, and trauma into a tale of unexpected kinship. Centered around Clara Lee Henning, a reclusive older woman haunted by her past, and Sam, a younger woman with a child and secrets stitched into her soul, the story unfolds in the hushed corners of Lazy Creek, Mississippi. A red door, both literal and symbolic, serves as the gateway to Clara’s guarded life and Sam’s carefully concealed agenda. What begins as a story of sanctuary slowly shifts into a tense psychological drama as the past resurfaces in chilling ways.
Harris writes with a voice soaked in Southern flavor, equal parts poetic and brutal. I loved how grounded the prose was in place and atmosphere. The house itself felt alive, pulsing with history and warning. Her characters breathe real and raw. Clara’s loneliness is almost painful to witness, and Sam? Sam’s a wildfire. Unpredictable, magnetic, and filled with so much buried rage, she practically jumps off the page. I found myself both rooting for her and fearing her. Harris plays with trust in interesting ways, just when I thought I had it figured out, something twisted the story into another direction. It was deliciously unsettling.
The writing can occasionally veer into the dramatic. And while I appreciated the slow burn, the pacing slowed in the middle. There’s so much weight in the dialogue that a little more action could’ve helped break it up. Still, the emotional punches landed. The deeper themes, abandonment, identity, generational pain, what it means to mother or be mothered, resonated with me. Harris never offers clean answers. This isn’t a book that wraps up neatly. It leaves bruises and questions.
I’d recommend The Unaccompanied Soul to readers who enjoy literary fiction with bite. Think Beloved meets Sharp Objects. It’s for folks who like their stories character-driven, haunted by memory, and tangled in complicated, often uncomfortable truths. If you want to get lost in something layered, lyrical, and quietly devastating, this novel will stick with you long after the last page.
Pages: 269 | ASIN : B0F6VVSBHT
Treacherous Trek
Fallen Deer follows a woman and her friends as the town they live in quickly spirals into an intricate mystery involving arson, hidden children, and a chilling murder that seems to connect to forces far greater than the town itself. What was the inspiration for the setup of your story?
You might be surprised if I told you a deer fell out of the sky and landed on our car, but it’s true. My husband was driving during a rainstorm, and apparently the deer was hit by a truck in the other lane and went airborne. My husband never saw it coming since it fell from above the car. He only knew what happened because another driver stopped to tell him. He was in shock when he called me—he hadn’t even dialed 911 yet—and I was startled that a career fire lieutenant, who was trained to respond to danger, would react to a crisis the same way the rest of us do. As we talked about the accident in the weeks after it occurred, I knew it would be the catalyst scene of Fallen Deer. I just added a little Cadence extra to it. The symbolism of the falling deer gave me the title, too, and the storyline for the character who falls the farthest.
The other inspiration was the political battle over immigration reform during election season. I wanted to put a face on the individuals who sacrifice everything to come to a country where half the people hate them and describe them as “venom” or worse. What is their motivation and thinking behind the decision to embark on such a treacherous trek that may end in being sent back to the place from which they fled? What is the history of immigration and who gets to tell the story of it?
What were some ideas that were important for you to personify in your characters?
I wanted to explore greed; resilience; revenge; retribution; discovering one’s inner strengths and weaknesses; trust; redemption; and, finally, acceptance and love.
What scene in the book did you have the most fun writing?
Aside from the opening scene of the falling deer, I liked writing Oliver’s journey of self-discovery. His is a late coming-of-age story, and his scenes are fraught with terror, insecurity, angst, comic relief, and glimpses into his parents’ intrusive relationship with him. Oliver first appeared in Stone Coat Man (A Cadence Mystery #5), where he shied away from the action. I wanted to dig deeper into his story and take him on his personal journey from shy, reticent kid, whose parents still send him care packages of essentials, to a self-reliant adult, who may not like where his thoughts are taking him, but who knows he’s the only one in a position to act upon them. The scene in which he envisions his vehicle passenger and a huge stag standing in front of the vehicle as Minecraft characters was really fun to write, but I am no gamer. I had to do research and then revise and revise to get the right balance of humor and suspense. I especially enjoyed writing the dialog between Oliver and his passenger.
What is the next book that you are working on, and when can your fans expect it to be out?
I don’t have a title yet for the book I’m working on now, but it will be book 7 of the series, A Cadence Mystery, and it’s going to be a frightful thriller! I’ve had nightmares about the asanbosam, a creature from Ghanian mythology, that appears in the book. Often, my dreams take my books in directions I hadn’t considered, or they resolve questions when I feel stuck or suffer writer’s block, so I am always open to what they show me. The book deals with a terrible chapter in our history, doppelgangers, and the power of suggestion. I’m about 36,000 words in and plan to release the book in December 2025.
Author Links: GoodReads | BlueSky | Facebook | Website | Amazon
Fallen Deer (A Cadence Mystery #6)
Dianne L. Hagan’s Fallen Deer drops readers straight into the stormy heart of Cadence, New York, a town brimming with history, secrets, and an eerie knack for attracting trouble. When Marian Greene, our ever-curious protagonist, sets out on a simple errand, she never expects to find herself staring into the lifeless eyes of a man who quite literally falls out of the sky. What begins as a routine morning quickly spirals into an intricate mystery involving arson, hidden children, and a chilling murder that seems to connect to forces far greater than the town itself. As Marian and her steadfast group of friends, family, and law enforcement unravel the layers of Cadence’s latest catastrophe, they uncover deep-rooted corruption, harrowing secrets, and the resilience of a community determined to protect its own.
What I love most about this book is how effortlessly Hagan blends cozy small-town dynamics with high-stakes suspense. The relationships feel real—warm, complicated, and filled with the kind of teasing and deep loyalty that makes the town of Cadence feel like home. Take Lester and Marian’s banter, for instance. Their long-standing love is evident in the way they bicker, support, and challenge each other. And then there’s Enoch, who, despite his gruff exterior, carries a quiet wisdom that grounds the story. Every character feels like someone you’d meet in real life.
The writing itself is a mix of sharp, punchy dialogue and beautifully immersive descriptions. The moment when Marian’s windshield shatters as a deer crashes onto her car is a masterclass in tension. The scene unfolds in slow motion, pulling the reader into the same breathless shock Marian experiences. And just when you think she’s caught a break, she looks up—only to lock eyes with a dead man. It’s moments like these that showcase Hagan’s ability to build suspense without sacrificing the intimate, small-town feel that makes Cadence so special.
That said, the book isn’t all heartwarming friendships and gripping mysteries. It also digs into weighty, real-world themes. The arrival of two buses of migrants, the racial history of Cadence, and the trauma carried by the town’s residents add layers of social commentary that make this more than just a mystery novel. One of the most gut-wrenching moments comes when a malnourished child is found hiding in the woods, terrified and alone. The urgency of finding the missing mother and the fear that something far more sinister is at play give the story a deeper emotional weight.
If you’re looking for a mystery that balances thrilling suspense with rich character relationships and meaningful themes, Fallen Deer is for you. Fans of Louise Penny’s Three Pines series or Julia Spencer-Fleming’s Clare Fergusson/Russ Van Alstyne Mysteries will feel right at home in Cadence. It’s a book for readers who love a good whodunit but also crave depth, humor, and a little bit of history woven into their mysteries.
Pages: 258 | ASIN : B0DWYP2ZCV
