Against All Enemies follows a Naval Commander whose crew is cut off from leadership after a devastating attack on the US. What inspired the setup of your story?

I wrote the first draft between Feb. and Nov. of 2016. Tensions were fairly high with China, again. I worked at the Navy lab where the Prologue is set and often lunched at the cafeteria that features. One day in late 2015, I wondered what it would look like if a cruise missile attack streamed in from the sea. That gave me the opening. A few months later, I listened to the various debates and positions taken by presidential candidates across the spectrum. I took what I felt were the least well-considered positions vis a vis our relationships with China, Russia, and NATO, and combined them all into my president. He was not patterned after any one candidate. I’d always wanted to write a modern naval warfare novel, and the rest of the characters were born as amalgamations of officers and enlisted I served with through my 32-year career. Though I must admit, my Seventh Fleet commander, Vice Admiral Simpson, was influenced by David Weber’s Honor Harrington character! The Russia-NATO war came as a natural consequence of a break with NATO. I am not prescient by any stretch of the imagination, but I did have to make some changes and edits over the next five years. It also required a full year and a half to get the manuscript through the Navy Operational Security review process.

Newly appointed Commander Bill Wilkins is a fascinating character who is thrown into a complex situation. What scene was the most interesting to write for that character?

There were several, but the scene that sprung fully developed without any conscious thought was when he is reporting in with Rear Admiral Gupta at the end, just before Bill and Nicholas are ordered home. The possibility that Bill would reject an augment to his crew after suffering such losses definitely didn’t come from me! Bill had his own ideas by this point, and he made it clear he didn’t need any help. The real-life USS Franklin analogy is much more nuanced than portrayed here, but Bill was clear about why he wanted his crew to take Nicholas home themselves. The second most interesting, and difficult, scene to write with him was the one (SPOILER!) in which his Navigator dies. I didn’t want her to die, but the story needed it, and it led to the theme, which hadn’t yet revealed itself to me: risk and the need to embrace it.

I felt that the action scenes were expertly crafted. I find that this is an area that can be overdone in novels. How did you approach this subject to make sure it flowed evenly?

I have a wonderful editor, Laura Taylor, who runs a Read and Critique workshop at the Southern California Writers Conference. She’d seen several of the action sequences and encouraged me to keep writing them short and to the point. She doesn’t believe in overdone action scenes, either! I avoided them because I’ve experienced combat at sea myself and want to be true to the way it plays out. Especially today with supersonic missiles, but even as far back as World War II (particularly during the Guadalcanal campaign), sea combat moves quickly. If I were to have characters over-reacting, or inject unnecessary drama, I’m no longer being authentic. Authenticity is very important to me. I want Navy veterans to read this and say, “Yep, that’s how it was.” People do their jobs amidst chaos. There’s no time to let anything else in, even if the ship is taking hits. That was true 249 years ago and has proven true again as recently as last month in the Red Sea.

Will there be a follow-up novel to this story? If so, what aspects of the story will the next book cover?

I’ve been asked that quite a bit. When I finished this book, I didn’t have any plans for these characters, and I will definitely never try writing a story too close related to real-world events again! That said, I’ve played with some possible future scenarios, perhaps where Bill is now a Destroyer Squadron commander. Iran and Korea are obvious possibilities for adversaries, but again, I am leery of writing anything that might be overcome by events by the time it comes to print. I think China is done for this generation, based on where I’ve left it, and I don’t want to stretch the bounds of reasonable to create another conflict with them just to get the characters back into another book. I’m working on a trilogy set during the American Revolution right now, and a World War II novel loosely based on my father’s and two of my uncles’ service. But I’m not ruling out Bill’s eventual return. I wish Barrister were alive, as I think she’d be an interesting character for a future story, but alas, it’s not to be.

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