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The Fragility of Belief

J.S. Ash Author Interview

Abducted follows a 16-year-old who is abducted onto an alien warship, where she must use the deadly training she knows to fight through a biological nightmare and save her best friend. Where did the idea of a living alien warship come from?

A boring answer, but it originally grew out of trying to solve a story-mechanic problem. I knew I wanted the alien ship to be in Earth’s atmosphere in present and flashback timelines, as opposed to deep space, and I needed a plausible reason for that to be a necessity. The ship being powered by Oxygen provided the answer which eventually led me to making it a living organism. Once that had unlocked, I kept finding organic ways to fold the concept into the story, eventually tying it directly to the aliens’ search for a cure. In the end I think it provided a really unique backdrop for the story and opens interesting questions about the world beyond Earth in the context of the novel.

Abigail isn’t a “chosen one” in a traditional sense of hero novels. How did you shape her personality and her character arc?

I’ve always been more interested in everyman-type heroes than in chosen ones, so I shaped Abigail in that mold. At the same time, I gave her skills and experiences from her past that provide a foundation, enabling her to confront the situation she finds herself in.

One of the central themes of the novel is the fragility of belief, which manifests in different ways for each character. Abigail’s arc centers on learning to believe in herself. Self-belief can be difficult for adults to sustain, and it’s even more challenging for teenagers. I was drawn to the idea of someone whose life seemed to be moving in a clear direction suddenly being thrown wildly off course—shattering her confidence in the process—and then struggling to gather the pieces and put herself back together.

If you look at the three main characters, this becomes the throughline of the story. Harris begins the novel fully believing his father’s story and holding, deep down, an unshakable conviction that his mother is still alive. He ends the novel with those beliefs confirmed. Abigail starts the novel having lost her self-belief, gradually regains it—albeit shakily—and finishes the story fully assured of who she is. Taylor, by contrast, begins the novel confident in himself, his worldview, and in Abigail; by the end, all of that has shattered. His arc is almost the inverse of Abigail’s, which ultimately leads him to make the decision he does. All of that feels inherently relatable to me.

The friendship between Abigail and Harris anchors the story. Why center on loyalty?

I’ve always loved the trope of best friends who are secretly in love with each other. I’m also drawn to stories in which the loyalty forged in an early bond is tested as the characters grow up and their circumstances change.

If Abigail’s father hadn’t made the choices that knocked her off course, I think her relationship with Harris would have evolved far less dramatically—because the detour with Taylor likely wouldn’t have happened. The domino effect of those decisions felt like a strong starting point for the story and something that could organically thread its way through the novel. Abigail’s pull toward her loyalty to Harris is tied to her longing for a time when her life was simpler, and perhaps to a purer version of who she once was. I believe she has been in love with him all along. At the same time, her relationship with Taylor may have changed her in fundamental ways. For Harris, loyalty lies at the heart of his struggle—torn between wanting to be with Abigail and needing closure about his mother. In that situation, where should his loyalty rest? That tension is what makes the question so compelling to me, and I’m curious how readers will feel about the decisions he makes.

Can you tell us more about where the story and characters go after book one?

Abducted ends with a ticking clock: three months to prepare for a rescue mission to the alien planet. In Infiltrated, the second book in The Beast’s Burden Chronicles, that mission finally unfolds. Readers will discover what Charlotte has been doing since Donovan’s escape—and how her actions reshape her dynamic with Harris. We’ll also get a glimpse into Phaust and Marvus’s home life, and see where they fit within the broader society of their world. Abigail and Taylor will be forced to join forces, with Abigail single-mindedly determined to rescue her best friend and Taylor striving for redemption. And it’s possible that one of the characters we glimpsed at the end of Abducted isn’t who they seem… Hopefully, it won’t take me another decade to write the next book.

Author Links: GoodReads | X | Website

Trapped aboard a living spacecraft hidden above her hometown, a teenage outcast must wage war against ruthless alien mercenaries to save her best friend before the ship jumps into deep space.

A SHIP FULL OF ALIENS TOOK HER BEST FRIEND. THEY SHOULD’VE LEFT HER ON EARTH.
Abigail Ashby was raised to be a weapon by a dad convinced the world was on the brink of collapse. Then, inexplicably, he forced her into early retirement—aka high school.

These days, Abigail’s only battle is defending Harris, her outcast best friend who swears his parents were abducted by aliens. She’s secretly sure he’s delusional—right up until his bedroom explodes in amethyst light.

They wake up aboard the Beast’s Burden, an interstellar warship lurking above their town. Its leader, a sadistic warlord, seizes Harris as his prize, while Abigail slips away in the chaos—overlooked, underestimated.

Until she kills an alien to survive.

Now, hunted through the ship’s living corridors, Abigail must decide: retreat into the shadows, or unleash the lethal training she buried to wage a one-girl war and save everything she’s ever known… Because Harris isn’t just a hostage. He’s the trigger for humanity’s extinction.

Abducted

Abigail Ashby is sixteen, chronically grounded, and tired of being treated like an annex of her sheriff father, until the night she sneaks out to be there for her best friend, Harris Barnett, whose parents vanished and whose dad returned claiming an alien abduction. One reckless, emotionally tangled evening later, Abigail and Harris are pulled into something brutally literal: a living ship called The Beast’s Burden, built on an organism that has to “recharge” in Earth’s atmosphere, with a sadist named Phaust steering the cruelty. What follows is part survival-run, part rescue mission, part coming-of-age under fluorescent terror, Abigail clawing for agency while the people she loves become both ballast and blade.

I didn’t expect the opening to feel so teen-soap, with the sharp social pain, the humiliations, the almost-kiss interrupted at precisely the wrong moment, and then for the book to pivot and simply drop the floor out from under it. The contrast is the point: it’s not just “small town” versus “space,” it’s the way adolescent feelings already behave like an alien environment. When the sci-fi horror arrives, it doesn’t replace the emotional stakes; it weaponizes them. Even the recurring idea of instincts you’re trained to bury becomes a practical matter, not a motivational poster but something you either exhume in time, or you don’t.

My strongest reaction was how physical the danger feels. Slick membranes, crackling amethyst energy, the sense that the ship itself is an organism with moods. The action often reads like panic with choreography: fast, messy, but strangely lucid. And I appreciated that the book doesn’t let bravery stay clean. Abigail’s competence isn’t a glow-up montage; it’s bought with hard choices and aftertaste, including a recurring question of what “hero” means when survival requires spilling a lot of not-your-blood. The adult plotline running alongside, Donovan Barnett’s history aboard the ship, and the grim science of what was done to him and his wife, adds a darker undertow that kept me reading.

If you like YA science fiction, alien abduction, action-adventure thriller, and romance that refuses to be tidy, this is aimed squarely at you, especially if you enjoy stories where a heroine’s self-trust is as important as her weapon. In vibe, it reminded me of The 5th Wave-era tension (ordinary teen life interrupted by invasive, uncanny war), but with a meaner streak of body-horror and a more intimate fixation on loyalty as a survival skill.

Pages: 312 | ASIN : B0GJQTDBBG

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New Release This Week: A First or Final Mischief (Fayborn #3) by J. Aleksandr Wootton

If you’re new to the Fayborn series, grab yourself a copy of Her Unwelcome Inheritance to get started – and DON’T read on until you do, because the Sneak Preview below contains ***Spoilers***

Sneak Preview: A First or Final Mischief

Her aunt’s been abducted.

            Her mother is missing.

                        Her enemy is waiting.

 And the person she counted on for help is dead.

 Too late to free the Faerie Queen, Petra Godfellow and her allies face a terrible choice: Either Petra surrenders and swears to serve James Oberon, or he will torture her Aunt Penny.

 If she agrees to James’s demands, the Faerie kingdom will be restored… with James on its throne, and Petra condemned to eternal servitude. Any alternative abandons Penny to torture and her mother to an unknown fate.

 Unless, of course, the Cat chooses to intervene…

 A First or Final Mischief is available from Amazon here.

About the Author

Aleksandr Wootton is a self-confessed bookworm (“hoards books in shelves and spare rooms; likes to sleep surrounded by them”), fairytale enthusiast, and poet. He pretends to chair the Folklore department at Lightfoot College, but much prefers writing, gardening, & long conversations accompanied by a well-brewed pint.

You can contact him at www.jackwootton.com or connect with him at Goodreads.