Forging of a Knight: Knighthood’s End is the fifth installment in Hugo V. Negron’s “Forging of a Knight” series. The book series takes place in a magical, mythical world drawing heavily upon folklore and where numerous societies with feudal systems reside in the greater universe. The series follows the journeys of Qualtan, a knight who wields the powerful and coveted Goldenflame blade, Glaive, his half-orcne best friend and trusted partner, and many other rulers, knights, and creatures with whom they interact in the ongoing fight against the heinous agenda of the Evil Order. The “Knighthood’s End” installment guides readers on an arguably more personal battle involving Qualtan – the events that transpire as he finds his true love in Vanessa, a Mah-Zakim, and the journey of Qualtan and Vanessa in securing their freedom to love.
This book features many different types of characters and creatures, some common fixtures and other illustrations pulled from the depths of Negron’s vast imagination. The author does a fantastic job at creating the imagery needed for the reader to conjure in mind each of these magical characters and creatures. He displays the same talent for expressing imagery in his illustrations of the different worlds that Qualtan, Glaive, Vanessa, and other characters in the story traverse. The Great Forest, for instance, with its idyllic scenery and woodland creatures roaming about, contrasts greatly with the dark, terrible, and grotesque world of the Mah-Zakim.
The development of the story is done in such a way that, even if the reader was not already familiar with the series, they not left in the dark in regard to former battles or happenings from previous installments and how they play into the current plot. My only comment is that the author could have elicited more emotion and dimension in each character; I found that the characters at times fell too deeply into their respective tropes (ex. Qualtan as the hero, Glaive as the disgruntled but loyal sidekick, and Vanessa as the hopeless lover fighting against herself). The interactions between the characters, along with references to past struggles they have mutually faced, still adequately depict the strong ties that bind the characters to each other; a great example of this bond is the brother-like companionship between Qualtan and Glaive that remains steadfast even during the moments when they have their differences.
Forging of a Knight: Knighthood’s End is overall a great read for anyone who has an interest in a well-written and carefully crafted story where knights, kingdoms, gods, magic, and other elements of folklore rule, with some seeking the greater good and some seeking no benefit outside themselves. The plot of the story is rich and enjoyable, and it should spark reader’s interest in delving into the rest of the series.
Pages: 432 | ASIN: B07DFPM1Q5
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Cycles of Norse Mythology does a fantastic job of reinvigorating old mythology and breathing new life into their stories. What was the inspiration that made you want to write this book?
I grew up knowing of Odin, Loki, and Thor long before reading comic books. But when I decided to learn more about the Norse gods and goddesses, I became dissatisfied. All the summary sources (e.g. Bullfinches’ Mythology) were about a handful of male gods; they provided little if any information about the goddesses and the animals that populated the world of Norse Mythology. Talking with other people, I found the same limited information.
So, I began researching the topic, more for my own understanding than anything else. Sharing what I knew with others inevitably resulted in requests for more background and tales from earlier in the mythology. So, I had to do more research and to write more stories. Ultimately, this work expanded to encompass the entire breadth of Norse Mythology.
I thought the research was deep delivered easily. What kind of research did you undertake for this book?
Cycles of Norse Mythology is the culmination of 16 years intensive study of Norse myths that involved consuming research literature, multiple translations of works (from 900 – 1400 AD), and story compilations published since the late 1700’s to the present.
I hunted public and university libraries for references. I sought out period references, such as Tacitus’ The Agricola and the Germainia and Ibn Fadlan’s Journey to Russia. I searched new, used, and rare bookstores for any reference. I dug into cited references and searched for those. I still encounter new references (i.e. works from 875 to 1400s), and I hope there are translations.
Always seeking something cleaner, with less bias, I found the following website provided me with an international access to reference source materials: http://www.archive.org/index.php
The Internet Archive, a 501(c)(3) non-profit, is a digital library of Internet sites and other cultural artifacts in digital form. Like a paper library, they provide free access to researchers, historians, scholars, and the public.
Was there anything that surprised you during your research regarding Norse mythology?
I had several great surprises in store:
- There was more depth and more humanity in the traditional characters of the Norse Gods than the superficial figures found in many pieces of modern literature and in film. For example, a modern viewpoint has Thor’s hammer as a symbol of storm and war. Whereas, in the traditional myths his hammer was actually a symbol of consecration and protection.
- The foundation of our knowledge on Norse Myth is based on fragments of what once was a full oral tradition. And the accuracy of those fragments is subject to question.
- The primary source of our knowledge regarding Norse Myth are the Codex Regius (1270s) and the Codex Wormianus (mid-1400s), of which editions of the Poetic Edda (~985 -1000AD) and the Prose Edda (~1220 AD) are a part. These were written down in Iceland, which wholesale converted to Christianity in 900AD to avoid the bloody religious conversions that had wracked Norway and Sweden. Since the writings were filtered through the lens of several generations raised under Christianity, and it appears only those tales and the portions of those tales which did not conflict too much with Church doctrine were kept, they are likely subject to differences in tone, focus, character presentation, and bias that are different than the traditional unfiltered belief.
What is the next book that you are working on and when will it be available?
I’m currently finishing up a fiction novel that pays homage to three great Victorian characters of literary fiction: Sherlock Holmes, Dr. James Watson, and M_______―the time traveler of H.G. Wells’ The Time Machine. It is set firmly in the Victorian era, with all the social attitudes and prejudices of that time. I am hoping it will be out next spring.
A new work under development involves the Sigurd Myth, but it is too early to provide a timeframe.
These stories are old, old as the Behmer Wold and seldom in life has there been such a brewing…
Cycles of Norse Mythology captures the passion, cruelty, and heroism of an ancient world. Encompassing Odin’s relentless pursuit of wisdom across the nine worlds, Gullveig’s malicious death at the hands of the Æsir that sparks a brutal war with the Vanir, Thor’s battles against the giants of Jotunheim, the tragedy of Volund, the many devious machinations of Loki, and the inescapable events of Ragnarök, this lyrical re-imagining of the Norse myths presents the gripping adventures of the Norse gods and their foes in a style to delight modern readers of all ages.
A detailed glossary provides a quick reference to the meaning behind names and terms used in the book.
A Source Reference is included for persons who want to delve deeper into the study of Norse mythology.
The Rabbit Hole Experience reads like a fireside chat between two paranormal field investigators—one specializing in spirit activity, the other in Sasquatches. They’re friends who sometimes work together and always trade notes.
In the book they explore the ways eyewitnesses react to encountering something they believed to be impossible.
One person may have a spiritual awakening. Another may have a psychological breakdown and live in fear. Yet another denies anything happened.
The two investigators wanted to know, why?
So they open their case files of fascinating, real-life stories, look for patterns, create theories, and pioneer an area not often addressed in the paranormal world.
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She traveled to a new world to find her sister. She left her whole life behind. Now, to keep Emily safe, Alicina must pose as a wealthy aristocrat. Plunged into a royal court steeped in intrigue, she is forced to do battle with someone she once called a friend. Will her belief in herself and the magical powers she has found be enough to save them all?
Welcome to Telidore.
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The BEST-SELLING collection in Occult Parapsychology!!
“Forget the world that you know. You are about to enter a dimension of the bizarre, where the strange and unusual will guide you down the path of imagination. True stories where the ordinary will be replaced with the fantastic! Explore legend, myth, and folklore These cases are based on theory and conjecture. The reader is invited to make their own conclusions on all the available information.
Stranger Than Fiction: True Stories of the Paranormal.”
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A.J. Macready’s Redemption, book three in the Descendant Darkness series, details both the rise and fall of a line of vampires dominating the mountains of Virginia. Deemed “America’s Transylvania,” Clarke’s Summit is home to a plague of sorts dating back to the 1700’s and a rash of murders in 1982. Sheriff Stan Pryor finds himself facing a terrifying night of death and retribution in Clarke’s Summit in 2003 when the town is again host to the vile and nefarious acts of Lydia, a vampire of old seeking vengeance on the three remaining members of the town’s founders. Richard Gaston, Tom Campbell, and Father Ryan Bennett are left to face Lydia’s wrath.
Macready’s Redemption is as filled with action as it is brimming with rich characters. From beginning to end, readers are left breathless with the anticipation of Lydia’s next move. There are few, if any, breaks between chaotic and harrowing scenes. The energy is high throughout the book, and the meetings between the citizens of the cursed Clarke’s Summit township build to an almost exhausting level.
As a first-time reader of Macready’s Descendant Darkness, I wasn’t sure who to peg as the main character right out of the gate. The longer I read, the more I realized that Macready’s main character is the vampire storyline in and of itself. Though each of the characters is memorable and comes with a strong backstory, no one character stands out as the focus of the storyline. Sheriff Pryor helps to set up the premise of book three while Richard Gaston, his son Mike, and Tom Campbell (the vampire hunters, as it were) work as a cohesive unit to battle Lydia, her heinous attacks, and life-altering mind games. Even Lydia, a vivid protagonist, can’t be pointed out as the book’s sole focus. I found this particular choice in the writing to be quite appealing.
I have always been intrigued by the notion that some aspects of truth are embedded in folklore. That being said, one of my favorite elements in Macready’s writing was the inclusion of excerpts from local newspapers describing historic events and the details surrounding what the town deems the “Clarke’s Summit Blood Cult.” The lengths to which Macready has gone to give his vampire tale credibility are impressive. I found myself as absorbed in the passages from the Shenandoah Observer as I was in the lengthy and involved action sequences.
One of the most striking facets of Macready’s vampires is their ability to manipulate the minds of their victims. Throughout the book, Lydia is able to inject her own words into their thoughts and, essentially, control their actions. These episodes are peppered throughout the plot, and each one brings a chill.
Any fan of vampire stories will find this book appealing and engaging. The author expertly incorporates the backstories of Lydia and the vampire-hunting descendants into this third installment. With side stories paralleling those of the book’s main cast of characters, Macready provides mystery, suspense, and action in one neat package.
Pages: 290 | ASIN: B06XPHDPB6
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If you’re new to the Fayborn series, grab yourself a copy of Her Unwelcome Inheritance to get started – and DON’T read on until you do, because the Sneak Preview below contains ***Spoilers***
Sneak Preview: A First or Final Mischief
Her aunt’s been abducted.
Her mother is missing.
Her enemy is waiting.
And the person she counted on for help is dead.
Too late to free the Faerie Queen, Petra Godfellow and her allies face a terrible choice: Either Petra surrenders and swears to serve James Oberon, or he will torture her Aunt Penny.
If she agrees to James’s demands, the Faerie kingdom will be restored… with James on its throne, and Petra condemned to eternal servitude. Any alternative abandons Penny to torture and her mother to an unknown fate.
Unless, of course, the Cat chooses to intervene…
A First or Final Mischief is available from Amazon here.
About the Author
Aleksandr Wootton is a self-confessed bookworm (“hoards books in shelves and spare rooms; likes to sleep surrounded by them”), fairytale enthusiast, and poet. He pretends to chair the Folklore department at Lightfoot College, but much prefers writing, gardening, & long conversations accompanied by a well-brewed pint.
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Sentinels of the Night is an action-packed novel that follows tracker Cat Morgan who uses forces beyond her understanding to find murder victims. What was the inspiration behind this story and how did you turn that into a novel?
I’ve always been intrigued with characters who have an extra edge, that ability to overcome adversity and danger. Add to that my infatuation with Native American myths and legends and Scottish and Irish folklore, and you have the backdrop for my characters.
In Sentinels of the Night, I created an elite FBI unit—Trackers. Each has a secret, that extra edge that defies reason and logic. Tracker Cat Morgan’s paranormal element was pulled from a Native American myth.
As for the plot, I have twenty-seven years of law enforcement experience. I served in patrol, undercover narcotics, advanced accident investigation and the SWAT team. I was a unit sniper. Several incidents in the book were based on those experiences. Early in my career, I crossed paths with a serial killer who was convicted on eleven counts of homicide. I have never forgotten the dead look in his eyes. That memory was the basis for the serial killer.
Cat Morgan is a mysterious and alluring character. What were some of the trials that you felt were important to highlight the character’s development?
The character had to deal with issues she couldn’t ignore. While her extraordinary gift added to her investigative ability, it made her different and there was the ever-present fear of rejection if her fellow agents found out.
I enjoyed the tension that builds between Cat and Kevin. Was their relationship something that was mapped out or did it grow organically?
It developed as I began to add depth to the characters. Kevin questioning his sanity as the plot progressed added another dimension of trust.
What is the next novel that you are working on and when will it be available?
I published the second of the Tracker novels, Going Gone! about two months ago, and a third is on the way. I hope to have it completed by the end of the year.
FBI Tracker Cat Morgan has an unusual talent, one she has successfully concealed, even from her fellow agents. That is–until she finds a body with a strange symbol carved on the forehead during a stop in Clinton, Mississippi and crosses paths with the town’s rugged police chief, Kevin Hunter.
Despite his instant attraction to the sexy agent, Kevin is suspicious of her presence at the crime scene and isn’t buying her dubious explanations. He wants her out of the investigation and out of his town.
The discovery of another mutilated body with the same symbol sends Cat back to Clinton, and this time she isn’t leaving. To stop the killer, Cat must find a way to overcome Kevin’s distrust and will face an impossible impasse–truth or lies.
But will either one matter, when the killer fixates on her for his next sacrifice?
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