Cycles of Norse Mythology does a fantastic job of reinvigorating old mythology and breathing new life into their stories. What was the inspiration that made you want to write this book?
I grew up knowing of Odin, Loki, and Thor long before reading comic books. But when I decided to learn more about the Norse gods and goddesses, I became dissatisfied. All the summary sources (e.g. Bullfinches’ Mythology) were about a handful of male gods; they provided little if any information about the goddesses and the animals that populated the world of Norse Mythology. Talking with other people, I found the same limited information.
So, I began researching the topic, more for my own understanding than anything else. Sharing what I knew with others inevitably resulted in requests for more background and tales from earlier in the mythology. So, I had to do more research and to write more stories. Ultimately, this work expanded to encompass the entire breadth of Norse Mythology.
I thought the research was deep delivered easily. What kind of research did you undertake for this book?
Cycles of Norse Mythology is the culmination of 16 years intensive study of Norse myths that involved consuming research literature, multiple translations of works (from 900 – 1400 AD), and story compilations published since the late 1700’s to the present.
I hunted public and university libraries for references. I sought out period references, such as Tacitus’ The Agricola and the Germainia and Ibn Fadlan’s Journey to Russia. I searched new, used, and rare bookstores for any reference. I dug into cited references and searched for those. I still encounter new references (i.e. works from 875 to 1400s), and I hope there are translations.
Always seeking something cleaner, with less bias, I found the following website provided me with an international access to reference source materials: http://www.archive.org/index.php
The Internet Archive, a 501(c)(3) non-profit, is a digital library of Internet sites and other cultural artifacts in digital form. Like a paper library, they provide free access to researchers, historians, scholars, and the public.
Was there anything that surprised you during your research regarding Norse mythology?
I had several great surprises in store:
- There was more depth and more humanity in the traditional characters of the Norse Gods than the superficial figures found in many pieces of modern literature and in film. For example, a modern viewpoint has Thor’s hammer as a symbol of storm and war. Whereas, in the traditional myths his hammer was actually a symbol of consecration and protection.
- The foundation of our knowledge on Norse Myth is based on fragments of what once was a full oral tradition. And the accuracy of those fragments is subject to question.
- The primary source of our knowledge regarding Norse Myth are the Codex Regius (1270s) and the Codex Wormianus (mid-1400s), of which editions of the Poetic Edda (~985 -1000AD) and the Prose Edda (~1220 AD) are a part. These were written down in Iceland, which wholesale converted to Christianity in 900AD to avoid the bloody religious conversions that had wracked Norway and Sweden. Since the writings were filtered through the lens of several generations raised under Christianity, and it appears only those tales and the portions of those tales which did not conflict too much with Church doctrine were kept, they are likely subject to differences in tone, focus, character presentation, and bias that are different than the traditional unfiltered belief.
What is the next book that you are working on and when will it be available?
I’m currently finishing up a fiction novel that pays homage to three great Victorian characters of literary fiction: Sherlock Holmes, Dr. James Watson, and M_______―the time traveler of H.G. Wells’ The Time Machine. It is set firmly in the Victorian era, with all the social attitudes and prejudices of that time. I am hoping it will be out next spring.
A new work under development involves the Sigurd Myth, but it is too early to provide a timeframe.
These stories are old, old as the Behmer Wold and seldom in life has there been such a brewing…
Cycles of Norse Mythology captures the passion, cruelty, and heroism of an ancient world. Encompassing Odin’s relentless pursuit of wisdom across the nine worlds, Gullveig’s malicious death at the hands of the Æsir that sparks a brutal war with the Vanir, Thor’s battles against the giants of Jotunheim, the tragedy of Volund, the many devious machinations of Loki, and the inescapable events of Ragnarök, this lyrical re-imagining of the Norse myths presents the gripping adventures of the Norse gods and their foes in a style to delight modern readers of all ages.
A detailed glossary provides a quick reference to the meaning behind names and terms used in the book.
A Source Reference is included for persons who want to delve deeper into the study of Norse mythology.
The Rabbit Hole Experience reads like a fireside chat between two paranormal field investigators—one specializing in spirit activity, the other in Sasquatches. They’re friends who sometimes work together and always trade notes.
In the book they explore the ways eyewitnesses react to encountering something they believed to be impossible.
One person may have a spiritual awakening. Another may have a psychological breakdown and live in fear. Yet another denies anything happened.
The two investigators wanted to know, why?
So they open their case files of fascinating, real-life stories, look for patterns, create theories, and pioneer an area not often addressed in the paranormal world.
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She traveled to a new world to find her sister. She left her whole life behind. Now, to keep Emily safe, Alicina must pose as a wealthy aristocrat. Plunged into a royal court steeped in intrigue, she is forced to do battle with someone she once called a friend. Will her belief in herself and the magical powers she has found be enough to save them all?
Welcome to Telidore.
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The BEST-SELLING collection in Occult Parapsychology!!
“Forget the world that you know. You are about to enter a dimension of the bizarre, where the strange and unusual will guide you down the path of imagination. True stories where the ordinary will be replaced with the fantastic! Explore legend, myth, and folklore These cases are based on theory and conjecture. The reader is invited to make their own conclusions on all the available information.
Stranger Than Fiction: True Stories of the Paranormal.”
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A.J. Macready’s Redemption, book three in the Descendant Darkness series, details both the rise and fall of a line of vampires dominating the mountains of Virginia. Deemed “America’s Transylvania,” Clarke’s Summit is home to a plague of sorts dating back to the 1700’s and a rash of murders in 1982. Sheriff Stan Pryor finds himself facing a terrifying night of death and retribution in Clarke’s Summit in 2003 when the town is again host to the vile and nefarious acts of Lydia, a vampire of old seeking vengeance on the three remaining members of the town’s founders. Richard Gaston, Tom Campbell, and Father Ryan Bennett are left to face Lydia’s wrath.
Macready’s Redemption is as filled with action as it is brimming with rich characters. From beginning to end, readers are left breathless with the anticipation of Lydia’s next move. There are few, if any, breaks between chaotic and harrowing scenes. The energy is high throughout the book, and the meetings between the citizens of the cursed Clarke’s Summit township build to an almost exhausting level.
As a first-time reader of Macready’s Descendant Darkness, I wasn’t sure who to peg as the main character right out of the gate. The longer I read, the more I realized that Macready’s main character is the vampire storyline in and of itself. Though each of the characters is memorable and comes with a strong backstory, no one character stands out as the focus of the storyline. Sheriff Pryor helps to set up the premise of book three while Richard Gaston, his son Mike, and Tom Campbell (the vampire hunters, as it were) work as a cohesive unit to battle Lydia, her heinous attacks, and life-altering mind games. Even Lydia, a vivid protagonist, can’t be pointed out as the book’s sole focus. I found this particular choice in the writing to be quite appealing.
I have always been intrigued by the notion that some aspects of truth are embedded in folklore. That being said, one of my favorite elements in Macready’s writing was the inclusion of excerpts from local newspapers describing historic events and the details surrounding what the town deems the “Clarke’s Summit Blood Cult.” The lengths to which Macready has gone to give his vampire tale credibility are impressive. I found myself as absorbed in the passages from the Shenandoah Observer as I was in the lengthy and involved action sequences.
One of the most striking facets of Macready’s vampires is their ability to manipulate the minds of their victims. Throughout the book, Lydia is able to inject her own words into their thoughts and, essentially, control their actions. These episodes are peppered throughout the plot, and each one brings a chill.
Any fan of vampire stories will find this book appealing and engaging. The author expertly incorporates the backstories of Lydia and the vampire-hunting descendants into this third installment. With side stories paralleling those of the book’s main cast of characters, Macready provides mystery, suspense, and action in one neat package.
Pages: 290 | ASIN: B06XPHDPB6
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If you’re new to the Fayborn series, grab yourself a copy of Her Unwelcome Inheritance to get started – and DON’T read on until you do, because the Sneak Preview below contains ***Spoilers***
Sneak Preview: A First or Final Mischief
Her aunt’s been abducted.
Her mother is missing.
Her enemy is waiting.
And the person she counted on for help is dead.
Too late to free the Faerie Queen, Petra Godfellow and her allies face a terrible choice: Either Petra surrenders and swears to serve James Oberon, or he will torture her Aunt Penny.
If she agrees to James’s demands, the Faerie kingdom will be restored… with James on its throne, and Petra condemned to eternal servitude. Any alternative abandons Penny to torture and her mother to an unknown fate.
Unless, of course, the Cat chooses to intervene…
A First or Final Mischief is available from Amazon here.
About the Author
Aleksandr Wootton is a self-confessed bookworm (“hoards books in shelves and spare rooms; likes to sleep surrounded by them”), fairytale enthusiast, and poet. He pretends to chair the Folklore department at Lightfoot College, but much prefers writing, gardening, & long conversations accompanied by a well-brewed pint.
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Sentinels of the Night is an action-packed novel that follows tracker Cat Morgan who uses forces beyond her understanding to find murder victims. What was the inspiration behind this story and how did you turn that into a novel?
I’ve always been intrigued with characters who have an extra edge, that ability to overcome adversity and danger. Add to that my infatuation with Native American myths and legends and Scottish and Irish folklore, and you have the backdrop for my characters.
In Sentinels of the Night, I created an elite FBI unit—Trackers. Each has a secret, that extra edge that defies reason and logic. Tracker Cat Morgan’s paranormal element was pulled from a Native American myth.
As for the plot, I have twenty-seven years of law enforcement experience. I served in patrol, undercover narcotics, advanced accident investigation and the SWAT team. I was a unit sniper. Several incidents in the book were based on those experiences. Early in my career, I crossed paths with a serial killer who was convicted on eleven counts of homicide. I have never forgotten the dead look in his eyes. That memory was the basis for the serial killer.
Cat Morgan is a mysterious and alluring character. What were some of the trials that you felt were important to highlight the character’s development?
The character had to deal with issues she couldn’t ignore. While her extraordinary gift added to her investigative ability, it made her different and there was the ever-present fear of rejection if her fellow agents found out.
I enjoyed the tension that builds between Cat and Kevin. Was their relationship something that was mapped out or did it grow organically?
It developed as I began to add depth to the characters. Kevin questioning his sanity as the plot progressed added another dimension of trust.
What is the next novel that you are working on and when will it be available?
I published the second of the Tracker novels, Going Gone! about two months ago, and a third is on the way. I hope to have it completed by the end of the year.
FBI Tracker Cat Morgan has an unusual talent, one she has successfully concealed, even from her fellow agents. That is–until she finds a body with a strange symbol carved on the forehead during a stop in Clinton, Mississippi and crosses paths with the town’s rugged police chief, Kevin Hunter.
Despite his instant attraction to the sexy agent, Kevin is suspicious of her presence at the crime scene and isn’t buying her dubious explanations. He wants her out of the investigation and out of his town.
The discovery of another mutilated body with the same symbol sends Cat back to Clinton, and this time she isn’t leaving. To stop the killer, Cat must find a way to overcome Kevin’s distrust and will face an impossible impasse–truth or lies.
But will either one matter, when the killer fixates on her for his next sacrifice?
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If you’ve ever found yourself wondering why exactly it’s so natural to quote another person, Why Do We Quote by Ruth Finnegan is a great place to start. This book is laid out much like a textbook and goes over the history behind quoting in a comprehensive timeline. The text is easy to read and peppered with anecdotes which is a far cry from many traditional textbooks. It proves itself to be a wonderful companion piece to any student who may be researching this area as well as informational for an average person to learn more. It’s a look at the subconscious process of quoting and how we are influenced by those around us and what we are exposed to. Quoting itself is something many take for granted and is a process that is so ingrained in our society that we barely realize what we’re doing most of the time. Finnegan will take us on a journey to find out why.
The professional layout of this book would have readers believing that they picked up something from a university or college course. Indeed, this book would be a welcomed companion in a variety of studies from English to the Social Sciences. While the content is dense, it is not too heavy a read. The rationalization that Finnegan provides allows readers to identify more with the subject matter, therefore absorbing and learning from it easier. The illustrations match the content well and there are proper citations for what is being used. This is very important for a book about quoting others. Improper citation would ruin any academic or professional credibility.
Although this is a study disguised as reading material it may indeed be too heavy for a non-academic to enjoy. This is not the kind of book you pick up just for fun: you need to be genuinely interested in the contents or else it will be a book you never finish. To that end, this book may not grab the casual reader. As long as you go into this book with the expectation to learn, you will not be disappointed. Finnegan carefully guides her readers on the history of quotation and gently teaches along the way.
If you are looking for education and a better understanding of how language works, this is a great piece to add to your collection. This comprehensive history of quoting complete with illustrations is a great piece to add to any student or academic’s library. It’s a fascinating study that is sure to grab the interest of those who enjoy this type of reading. Be wary of its length and don’t be afraid to pause while reading it. Finnegan writes in a way that is easy to put down and pick up. Her personal anecdotes also add flavor to something that might otherwise be dry and boring.
Pages: 348 | ISBN: 1906924333
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The Nefarious, Noble and Nocturnal is a collection of short stories that follow three ghostly women and a vampire. How did this collection come together for you? Did you write them individually over time, or did you set out to write a compilation?
My short story compilation came together when I was getting my apartment organized one weekend this past summer and found some college ruled notebooks. From notations I had made in side margins, all four of them had been written years ago. Frankly, I had forgotten all about them. They appear in chronological order; “Another Helen’s Haircomb” was written in 2011 and is the oldest. The last short story, “There’s Always Another One,” was finished in 2014. As readers can see, even with all of them combined, the cumulative word total is less than 8,500 words, but I remembered that while I attended business college I had enjoyed various compilations and Reader’s Digest editions during breaks from classes. An idea of putting four of my own writing projects together grew more and more appealing to me, so I ran with it. Pun intended.
I really like the cover of the book. How did you decide on what cover to choose?
I appreciate what you wrote about the cover for my compilation, many people have had similar comments, for which I’m grateful. But credit doesn’t belong to me. The Chief Executive Officer of my publisher, Captive Quill Press, is also an author friend of mine, Kenya, and that attractive, haunting woman on “The Nefarious, Noble and Nocturnal” cover was Kenya’s idea. She said market research showed potential consumers react with more interest when a striking female model appears on a book, especially when it is in the paranormal fiction genre. I trust my friend’s savvy, so I approved her suggestion.
I consider this a thrilling paranormal romance collection. Do you read books in that genre? Are there any books in that genre that have influenced you over the years?
Yes, I do read paranormal romances. Perhaps that’s unusual for bachelors, but my reasoning is there’s more opportunity for the creative half of my brain to engage when I read stories with supernatural content, and I can immerse myself with the element of “what if” because it makes for great entertainment, a great escape from my work life which is compartmentalized, ordered. I see enough drab, plain stuff everyday.
I want my imagination to have adventures.
Stephen King’s “Bag of Bones” influenced me to write “Intervention” in particular.
I felt that the characters had a lot of depth. What ideas did you have about your characters when you started and how did that change as you were writing?
As I mentioned earlier, “Another Helen’s Haircomb” was written in 2011, so I can’t remember specific ideas about my characters as I wrote at the time, but the reason I thought it was so important to include within The Nefarious, Noble and Nocturnal is our basic human curiosity and awe when it comes to the vastness of eternity. However, what dove tails with that concept is simply no matter how many technological advances are made, we’re still much like my fictional character of Helen from ancient Athens, in that we grieve and love deeply. Furthermore, according to what I’ve read and heard over my life span, thirteen-year-old girls, especially those who have faced traumatic incidents (such as the loss of a parent), seem to be more apt to accept paranormal manifestations they witness. I took some liberty with a father “rolling with the punches” too, granted, but I thought it was reasonable if I demonstrated a dad and his daughter seeking to adapt as best they could together. Where my other three short stories are concerned, the characters remained as originally written, except for Moira in “There’s Always Another One.” When I did a final edit before I sent my file to you, I decided to make her a bit more complex. While I wanted her to keep a degree of seductiveness, it was vital for readers have a more pronounced idea that she’s no bubble-headed nymphomaniac who happens to be a vampire. She has an agenda, and she has every intention of carrying out her objective with a mercenary’s calculating, cold willfulness to succeed.
What is the next story that you are writing and when will that be published?
Currently, I’m in the process of writing a novel, still on its fifth chapter, which is a ghost story entitled “The Stein and the Studebaker: Book 1 of the Norseman Chronicles.” Another of Stephen King’s older works, “Christine,” is influencing me again, but there will be notable differences when my book is done this coming summer or autumn. For starters, King’s supernatural auto, a 1958 Plymouth Fury, is written as a homicidal, vengeful wraith on wheels. By contrast, the 1957 Studebaker Golden Hawk in my story is motivated by a desire to see justice is brought to bear for a murder investigation that went cold in 1960. My intent is to have the story written sometime between June and October of 2017, but I have no idea how long it will take to get the book published after that. Oh, and it will be the first of a trilogy series.
Readers, prepare yourselves, and embark on a supernatural journey spanning the battlefield of Marathon in ancient Greece to the present day in America’s Pacific Northwest. Three long distance runners will encounter ghosts, one falls in love with a beautiful vampire who has an agenda, and all four will cross very different finish lines, whether they’re ready or not.
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The Nightmare From World’s End, a science fiction thriller by Robert J. Stava, takes place in Wyvern Falls located along the Hudson River. The action begins when various people begin to go missing along the river. Members of the community are confused about the disappearances until it’s discovered that a giant squid-like creature is wreaking havoc, leaving carnage and even more questions in its wake. That’s not all to the story, however. There isn’t just one creature, there’s two!
A major player in the chaos is John Easton, a private detective, begins to unravel the history around the two creatures. Alongside him is Sarah Ramhorne, a strong-headed Native American archeologist who seems to hold some of the answers. Together they, along with others, try to unravel the story that surrounds these two mysterious creatures and put a stop to the death that has been taking place along the Hudson River.
This book is definitely a thriller that will have readers flipping through the pages wondering what will happen next. The author holds nothing back when he describes each vicious attack committed by the giant squid. Also, the tie-in with Native American culture within the book was handled well. It’s obvious that Robert J. Stava did his research on the tribes in the Hudson Valley area, and while the main purpose of his book was to thrill his readers with the tale of giant, murderous, perhaps ancient sea creatures, a secondary purpose was to provide them with a history of the area and enlighten the reader on Native American history.
Adding to this point, Native American folklore is very present and relevant within the piece. The leading lady, Sarah makes it a point to educate those that she encounters about the injustice done to the tribes within the area. The author doesn’t just place Sarah’s dialogue as disconnected rants within the piece; it all leads up to the climax the unfolds towards the end of the story. This is evident through the actions of Crazy Jack, a homeless Native American (and real folklore character), that contributes to the climax of the story by waking up the second creature that lives on the other end of the river from where the squid is attacking. Throughout the story, Crazy Jack is guided by the voices of his ancestors, telling him what must be done in order to bring an end to the death and carnage unfolding.
This book has a lot going on it in; sea creatures, Native American history and folklore, a private detective with a tragic past, ancient aliens, mind-reading, and even ghosts. You name it, and it’s probably in this book. At times, it was a bit too much, and a little disconnected for the reader. Especially, the bit on ancient aliens. It’s hard to see how Guillamo Del Tesler and his fanatical theories about the river monster being an ancient alien come into play. He’s brought to the area after Jennie Roderick, a half-witted archaeologist student, mails him some doctored petroglyphs that indicate an alien existence within the area. While this part of the plot is an entertaining aside to the major drama going on in the story, it was difficult to discern how it actually contributed to the overall plot, if at all.
Overall, the author tells a good story. The entwinement of sci-fi thriller with Native American folklore is unique and provides a sturdy foundation upon which to base the plot of the entire story. Regardless of a couple smaller story lines falling out of place within the book, it was an entertaining read.
Pages: 249 | ASIN: B01MQLLNM3
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