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American River: Confluence

American River: Confluence: Book Three of the American River Trilogy by [O'Connor, Mallory M.]

One type of story that captivates a large portion of readers is the story of humanity. The author, Mallory M. O’Connor, excels at capturing powerful moments of human interaction in her novel American River: Confluence. O’Connor’s work involves a host of social issues—sexuality, politics, race relations—all disguised in what seems to be a book about artists pursuing their passions.

This book follows three families of different cultures that manage to connect. They are all tied to the same area, and while the young adults have mostly wandered off to different regions of the U.S., this story is about them all finding a reason to come home to celebrate life, art, and diversity which gives the story a greater sense of symmetry. O’Connor filled this book with real-life problems such as racism, mental health issues, sickness, and political confrontations. Therefore, this book can be a guide for helping people navigate their way through similar tragedies in their own life.

The overall story arc is intricate and well thought out. It is a little unclear where the book is going at first and what the focal point will be, but there are exciting turns everywhere that keep the readers’ attention until the end. Several subplots play out to give the book a lot of depth. On the surface, it seems like the McPhalan family is working through their problems with the ultimate goal of setting up a musical festival on Mockingbird Valley Ranch, the family’s ancestral property. Underneath, O’Connor raises awareness of many social issues. These social issues are picked apart one by one to allow the reader to think through different perspectives regarding them. While set in the 1970’s, the problems the characters face are problems that are prevalent in our society today, potentially making this book a timeless classic.

If you did not read the previous books to get familiar with the intricacies of the story you would need to refer to the “Cast of Characters” page at the beginning. The book immerses readers from the start with drama and doesn’t let up until the end, so lacking thorough character introductions early in the story, even though its the last of the series, can detract from the impact of certain events. I highly suggest you read books one and two before confluence.

American society, as well as many others around the globe, could drastically benefit from reading this book. While many authors hide a political agenda in their work, it’s often obvious where they stand on controversial issues; O’Connor, on the other hand, hid her feelings on many of the topics, which requires distinct talent. Ultimately, she encourages discussion and introspection through the characters. If it weren’t for some minor language concerns, this book would be well suited in a high school reading curriculum to expose students to the complexity of the world they live in and the core of human nature.

Pages: 364 | ASIN: B07HL12C8T

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American River: Tributaries

American River: Tributaries: Book One of the American River Trilogy by [O’Connor, Mallory M.]Second chances are not easy to come by, but when they roll around, you grab them and hold on for dear life. No family quite knows the truth of this old adage as well as the McPhalan clan. Kate, Alex, and their mother, Marian, share a bond that unites them in more ways than one. All three women have had a relationship with Carl, and all three of them have found ways to discover love once more. When Kate decides to breathe new life into Mockingbird Valley Ranch, the home in which they all lived as a young family, mother and both daughters are presented with an amazing and unforeseen opportunity to renew themselves and their relationships with one another as adults.

Mallory M. O’Connor’s American River Trilogy focuses on several different storylines surrounding the McPhalan family. These parallel plots play nicely against one another as the book progresses. Readers are treated to thorough descriptions of Kate and Alex’s backgrounds as well as a clear look at Marian’s history. O’Connor includes a lengthy list of secondary characters with their own storylines and this, at times, can be a little difficult to follow.

Set in the 1970s, O’Connor masterfully integrates mentions of now historic events alongside the characters’ numerous dilemmas. She covers everything from the moon landing to the increasing focus on feminism. Each of the events and historical aspects gives the book a richer and more polished feel.

American River Trilogy touches on a variety of difficult topics including post-traumatic stress disorder and interracial relationships. O’Connor deals with each of these highly-charged topics with style and grace. Her characters are genuine and leave readers rooting for them every step of the way.

Alex’s particular story line is tragic and likely the most down-to-earth of any of the characters. The trauma of her past and the way it impacts her present life is a striking commentary on an all-too-common facet of the lives of many. O’Connor’s slow reveal of Alex’s damaged childhood is effective and powerful. As much as I found Carl’s inclination to move through the women in the McPhalan family to be somewhat disgusting in retrospect, I saw a whole new side of him when he came to Alex’s aid in her time of need.

O’Connor’s writing is, what I would consider, specialized. There exists a specific audience for this particular piece. Centered around the arts and focusing primarily on the world of music, there is a plethora of discipline-specific terms and ideas within American River Trilogy. I did not find myself able to relate easily to many of Kate and Alex’s experiences.

Readers who seek historical accuracy intermingled with their drama will appreciate O’Connor’s particular style. Classically-trained musicians and those who enjoy reading fiction with a peppering of music-specific terms will find American River Trilogy the perfect read.

Pages: 394 | ASIN: B079659RH5

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