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How I Understand It

How I Understand It: A Bad Poet’s Guide to Mental Health & Resilience is a deeply personal blend of poetry, memoir, therapy-informed reflection, and guided self-inquiry. Author Margaret Bryden writes from the overlapping places of therapist, mother, former spouse, wounded person, and stubbornly hopeful human being, moving through love, belonging, divorce, pregnancy, aging, trauma, grief, parenting, imperfection, and creative resilience. The book’s central idea is simple but surprisingly fertile: “bad poetry” can be a brave, playful way to tell the truth, make sense of pain, and build a more compassionate relationship with yourself.

I appreciated the book’s refusal to act polished in the ways books about healing often do. Bryden’s voice can be funny, blunt, tender, profane, and oddly ceremonial, sometimes all within the same page. I found that tonal looseness disarming. A poem like “Making Love Alone,” with its cookie, its solitude, and its sweet redefinition of intimacy, captures the book at its best: warm, strange, embodied, and quietly radical. I also liked the way Bryden keeps returning to personal responsibility without turning it into punishment. In poems about boundaries, codependency, and divorce, she doesn’t soften the bruises, but she also doesn’t linger in helplessness. The writing is not traditionally elegant all the time, and it doesn’t seem to want to be. Its charm is more ragged than refined, more alive than sculpted.

The ideas in the book stayed with me because they’re grounded in emotional reality rather than neat self-help slogans. Bryden’s treatment of grief, especially the long case-study sequence on grief avoidance, is messy and uncomfortable in a way that feels honest. Her reflections on pregnancy and motherhood are just as affecting, particularly when the body becomes both a site of wonder and bewilderment. I was moved by how often the book turns toward paradox: selfishness as a path to deeper love, boundaries as a way of drawing the right people closer, success as boring and humble, and death as a reason to live more fully. There’s a real pulse here, a sense that the author has earned her insights by walking through the smoke herself.

By the end, I felt that How I Understand It is less concerned with being a perfect poetry collection than with becoming a companion for people trying to hear themselves clearly. Its ending, especially the defiant tenderness of “Imposter Syndrome Can Go Fuck Itself” and the practical invitation to make one’s own poems of resilience, gives the book a satisfying sense of arrival. This is a heartfelt and emotionally generous book. I’d recommend it to readers who like therapy-adjacent writing, reflective poetry, journaling, and books that speak plainly about love, grief, trauma, and the difficult art of becoming kinder to yourself.

Pages: 234 | ASIN ‏ : ‎ B0H2FPMTS9

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Mari’s Light Burning Bright

Kaitlyn Marquart’s Mari’s Light Burning Bright is a young adult contemporary fiction novel about Mari, a teenage girl trying to live with memories of childhood abuse, self-harm, a family move, and the fear that she may never feel whole again. As the sequel to Amber Luna My Bright Light, the book follows Mari after Camp Evergreen as she enters Northstar Wellness Center, meets other young people carrying their own pain, and slowly begins to understand that healing is not a straight path. It is messy. It is brave. And sometimes it starts with simply letting someone sit beside you.

Mari’s voice is raw without feeling forced, and Marquart gives her room to be angry, funny, scared, judgmental, tender, and wrong. I appreciated that. Teenagers are not tidy people, especially teenagers in crisis, and the book does not try to polish Mari into someone instantly inspirational. Her thoughts loop, flare, retreat, and return. That rhythm felt honest to me. The scenes at Northstar could have easily become heavy in a flat way, but the author balances them with small flashes of humor and human detail, like Scrabble games, awkward meals, and characters who are much more than the reasons they are there.

I also found myself thinking a lot about the author’s choices around faith, family, and recovery. Mari’s Mormon background is not treated as a simple answer or a simple problem, which makes the story more interesting. Her family loves her, but they often miss what she is trying to say. That hurt to read because it felt real. People can care and still fail to understand. The book is candid about pain, but it is careful with it. It doesn’t turn Mari’s suffering into a spectacle. Instead, it keeps asking a quieter question: what does it take for someone to believe she is worth saving when shame has been speaking louder than everyone else? The answer comes slowly, through therapy, friendship, memory, music, and the fragile courage to try again.

I would recommend Mari’s Light Burning Bright to readers who appreciate reflective young adult fiction with emotional depth, especially stories about mental health, trauma recovery, friendship, and finding a voice after silence. It’s not a light read, and readers sensitive to self-harm or childhood abuse should approach it with care. But for those who value hopeful, character-driven fiction that understands healing as a long walk rather than a sudden rescue, this book has a steady glow.

Pages: 153 | ASIN ‏ : ‎ B0H56ZX1V8

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Hypnotherapy: The Art and Science of Transformational Healing

In Hypnotherapy: The Art and Science of Transformational Healing, Danielle Aitken presents hypnotherapy as both a clinical discipline and a deeply human practice, moving from definitions and myths into neuroscience, stress physiology, self-hypnosis, metaphor, regression, and practical applications for anxiety, depression, insomnia, pain, IBS, infertility, autoimmune illness, PTSD, phobias, performance, and functional neurological disorders. The book’s central conviction is clear: healing is not something imposed from outside, but something awakened through the mind-body connection, especially when the subconscious is approached with care, repetition, imagery, and emotionally resonant suggestion.

Aitken writes with the confidence of someone who has lived close to suffering, both personally and professionally, and that gives the material an uncommon tenderness. Her discussion of stress as the thread running through so many conditions felt especially persuasive because she returns to it with practical patience. The case examples give the book its pulse: Sam’s perfectionism and headaches, Jody’s belief that rest meant laziness, Sally’s grey heaviness after grief and depression, Jason’s school anxiety softened through imagination, and Layla facing birds after years of panic. These stories help translate theory into felt experience. I found myself most moved when the book paused over the small interior shifts that precede visible change, the moment someone begins to imagine safety, dignity, or relief before the body fully believes it.

The writing is at its best when it blends explanation with metaphor. Aitken has a generous, almost pastoral voice, and she can make clinical ideas feel accessible without stripping them of emotional weight. I liked her insistence that hypnosis is not magic, mind control, sleep, or theatrical surrender, but a collaborative state of focused awareness. That correction matters, and she makes it repeatedly. The book’s wide-ranging chapters create a useful map of hypnotherapy’s possibilities. The prose circles claims about stress, subconscious patterns, and inner resources. Still, I valued the repetition when it served the book’s deeper rhythm: change is practiced, not merely understood.

Hypnotherapy asks the reader to take the mind seriously without abandoning the body, and to see healing as a disciplined partnership between science, language, feeling, and imagination. This is a compassionate, earnest, and useful book, especially for readers curious about hypnotherapy, wellness practitioners seeking a broad overview, and clients who want reassurance before entering the therapeutic room. It is best suited for those who are open to reflective, holistic approaches to change and who appreciate a guide that speaks not only to symptoms, but to the wounded, hopeful person beneath them.

Pages: 319 | ASIN ‏ : ‎ B0GF8SWYGJ

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Mindfulness Is For Everyone

Michael Dow Author Interview

Nurse Dorothea Presents Mindfulness-Based Stress Reduction and Why Mindfulness Is a Key Coping Skill guides readers through the basics of mental health, the meaning of mindfulness, and the many ways it can improve daily life. Why is mindfulness important?

Mindfulness is something everyone can do, and its effects are large on mental health.  Research has proven its ability to reduce stress and anxiety.  In today’s world, we all need simple ways to reduce stress.

With a mix of friendly explanations, real research, and simple activities, your book also covers Jon Kabat-Zinn’s nine pillars of mindfulness and the three main practices: meditation, body scanning, and mindful yoga. What are the nine pillars of mindfulness, and how do they help improve mental health?

Non-judging, patience, beginner’s mind, trust, non-striving, acceptance, letting go, gratitude, and generosity.  Practicing each one by itself can improve mental health, but when practiced many at one time, the synergistic effects are large and can result in more mental peace.

What should readers do to start incorporating mindfulness practices into their daily lives?

The easiest exercise is to focus on your breathing and let everything else in your mind go so that your breathe is the only thing at your attention.

What is one thing that you hope readers take away from Nurse Dorothea Presents Mindfulness-Based Stress Reduction and Why Mindfulness Is a Key Coping Skill?

I hope people become convinced of the usefulness of the practice of mindfulness and actually incorporate into their daily life. 

Author Links: GoodReads | Facebook | Website | Video Contest | Animated Video Book 11 | Other Projects | Interview about Project | LinkedIn

Nurse Dorothea® presents Mindfulness Based Stress Reduction and Why Mindfulness is a Key Coping Skill

We are starting the process of removing stigma about mental health issues. Let’s share ideas of the journey to well-being and seek to understand others as they are instead of how we wish them to be. By learning to know ourselves and trying different coping skills that are specific to the situation that we find ourselves in, we can achieve balance and peace. As we deepen our self-awareness and harness tailored coping mechanisms for diverse situations, we pave the path to equilibrium and serenity. Let’s foster an environment conducive to both individual and collective growth within our society. By doing this, we unlock potentials previously unattainable, empowering us to fully cultivate our knowledge, skills, and abilities. With gratitude in our heart, peace in our mind, and confidence in our capabilities, we can face the future with bravery, courage, and determination to help make the best lives for ourselves and others that we possibly can. If society wants something we have never had, we’re going to have to do something that has never been done. Dow Creative Enterprises® Help Civilization Reach Its Potential® Ages: Puberty to 99+

Nurse Dorothea® Presents Depression and Accepting Resources to Help

Depression and Accepting Resources to Help is a children’s informational picture book about a girl named Amisha who visits her school nurse, Nurse Dorothea, because she thinks she may be dealing with depression. From there, the book walks through symptoms, risks, causes, treatment options, warning signs, and ways to ask for help, and it ends with Amisha telling her dad what she learned so they can make a doctor’s appointment before things get worse. It’s very much a health-focused educational story more than a traditional plot-driven tale, and that feels true to what the book wants to be.

I think readers will like how direct the writing is. Author Michael Dow doesn’t circle around the subject or soften it into something vague. He lets Nurse Dorothea speak clearly about sadness, hopelessness, suicidal thinking, medication, therapy, and emergency help, which makes the book feel serious in a way I respected. I kept noticing that the book carries a huge amount of information. Sometimes it reads less like a story and more like a guided lesson inside a picture book. It is worth noting that the emotional arc is a bit thinner than the educational one. Amisha gives the book a human center, but the real engine here is explanation.

I also found myself thinking about the author’s choice to frame all of this through a trusted school nurse. That was smart. It gives kids a clear model for what asking for help can look like, and it makes the book feel steady instead of scary. The illustrations help with that too, almost like the book is saying, sit down, breathe, let’s talk this through. I appreciated that the ideas stay practical. The message isn’t that one brave conversation magically fixes everything. The message is that support matters, treatment can take different forms, and learning the signs early matters. That grounded approach felt honest to me.

I would recommend this genre blend of children’s picture book and mental health education resource most for adults reading with kids, school counselors, nurses, teachers, and families who want a structured way to open a hard conversation. It’s especially useful for children who may be starting to notice sadness, worry, or changes in themselves or someone they love. Kids looking for a playful storybook may not connect with it in the same way, because this book is really built to inform first. But for readers who need clarity, reassurance, and a calm entry point into a difficult topic, I think it has real value.

Pages: 95

Raising Awareness

S.G. Hyde Author Interview

Jackdaw Affliction follows Billy from a rough-edged 1980s English childhood into adulthood, where grief, love, and the advancing grip of ataxia turn survival, dignity, and endurance into the heart of the story. What drew you to tell Billy’s story across such a long emotional and physical arc?

My desire in writing this novel was to keep things real and plausible. I have lived experience of Ataxia and strong connections with peers across a wide range of disabilities. To stay truthful to what many folk experience, it was necessary to have an arc where Billy loses everything. Or at least perceives he loses everything.

The beginning of the novel – Youth – is about the growth and making of the man. The second half of the novel is about diminishing abilities and the effects on the mind. The frightening thing about ataxia and all degenerative conditions is that they slowly chip away at you until there is nothing left. Often, the mental health side of this is not explicitly discussed. I wanted to change that.

How did you balance the intimacy of Billy’s voice with the wider family-saga feel of the novel?

I wrote this book with the aim of raising awareness of a rare condition. But also, I wanted to give readers an insight into the mind of someone who slowly loses all that made them who they are. Mental health is a real and delicate thing. It is for me, and it is for many people with debilitating conditions.

The book was always about Billy’s story. Always predominantly his narration. After my first draft, it became apparent that I needed more structure and readability. This is when the vignettes from his family members came in. Both to tell the story from other perspectives, but also to offer some unquestionable truth and reliability to the manuscript. The family was always a vital cog in Billy’s wider story, even when they were no longer present in his life.

Music feels like a quiet current running through the book. What role did it play for you while writing?

Music helps set the theme, feel, and time stamp this story. Almost by chance, I had found myself listening to certain tracks whilst writing and developing the book. Each track helped me set the scenes and characters to a specific point in time. Whilst not a historical novel, it is set over 35 years, so being accurate on the recent past was a necessity.

Also, if you pay really close attention to each song in the book, you can almost see a story told by the track listings.

As important as music is, it was also important to have an absence of music during Billy’s darker times. For this reason, almost all of part 4 is devoid of music.

When writing Billy’s experience of ataxia, how did you approach portraying disability, humiliation, and endurance without slipping into sentimentality?

The aim from the outset was to portray a plausible, real character. Inspiration porn was not the goal. By this I mean it was important that all characters made mistakes, had flaws, and had mischievous thoughts, rather than paint them as some kind of saint or martyr. Hopefully, the book balances vulnerability with agency. The idea was not to have characters as symbols or lessons, but to present flawed, authentic human beings. As mentioned, it was great to draw on my experiences and those of my peers to keep the story feeling as genuine as possible.

Author Links: GoodReads | Facebook | Website | Instagram | Amazon

Memory is a tricky thing. Reality is fragile. And the past never stays buried.

From bike rides through the suburbs of 1980s Hampshire to the claustrophobic grind of adulthood, Billy Cooper’s life is shaped by loss, fractured family ties, and the creeping onset of a degenerative disease. As his body betrays him and grief corrodes what remains, Billy turns inward—into recollections that blur, narratives that contradict, and personas that may never have existed.

Jackdaw Affliction is a descent into memory’s labyrinth, where trauma, illness, and longing distort the line between truth and invention. Told with brutal honesty, warped humour and hallucinatory edge, S. G. Hyde’s novel explores what it means to live when the ground of reality keeps shifting beneath your feet.

At once harrowing and tender, it is a story of survival through imagination, self-deception, and the desperate human need to stitch meaning out of chaos. A haunting meditation on identity, illness, and loss, sprinkled with dark comedy, this is fiction at its most unsettling and raw.

Nurse Dorothea® Presents Bullying and How to Create a Culture to Prevent It

Bullying and How to Create a Culture to Prevent It, by Michael Dow, feels less like a conventional storybook than a guided classroom session turned into a book. Nurse Dorothea leads an after-school mental health club and walks a group of children through what bullying is, the forms it can take, and the damage it can do, from insults and exclusion to cyberbullying, humiliation, extortion, and workplace cruelty. Along the way, different kids speak up with examples from school, work, and daily life, and the book keeps returning to the same core conviction: bullying shrinks a person’s sense of self, but communities can answer it with courage, candor, and mutual protection.

The book doesn’t treat bullying as a minor social hiccup or a rite of passage. It treats it as something corrosive, something that stains a whole environment. I found that persuasive, especially in the moments where the children’s comments give the lesson a human pulse, like Frida describing insults as social pollution, or Azamat recalling the humiliation of being shamed by a teacher in front of classmates. Those moments give the book a bruised, lived-in feeling. Even when the language is direct and didactic, there’s an unmistakable sincerity underneath it, a real desire to protect children and to name harms that adults often dismiss too quickly.

The writing is earnest and clear, and it often speaks in declarations, so it can feel more instructional. This isn’t a book driven by plot so much as by accumulation. Example after example, consequence after consequence. Yet I didn’t mind that because the ideas are unusually expansive for a children’s book. It isn’t content to say bullying hurts feelings. It follows the damage outward into anxiety, isolation, sleep problems, burnout, lower performance, family strain, even housing instability, and fear of deportation. That reach gives the book a grave, almost civic imagination. It wants children to understand not only that bullying is cruel, but that it distorts whole cultures if nobody interrupts it. I respected that ambition because the book is trying to build conscience, not just deliver a tidy lesson.

This book is blunt, compassionate, and deeply invested in the idea that young readers can handle serious conversations about power, shame, and self-worth. I would absolutely recommend it for classrooms, counselors, parents, and older children who are ready to talk openly about bullying in a structured, reflective way. It’s a children’s book for readers who need language for what they’ve lived through, and for communities trying to become braver on purpose.

Pages: 123