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Mallory O'Connor Author Interview

Mallory O’Connor Author Interview

American River: Currents continues the intriguing intertwined stories of three families. Did you want this book to be an extension of book one in the series, or did you want to explore new ideas in this book?

While Currents is a continuation of the story of three California families, I did want to explore some new directions in the book. First, I wanted to let Marian’s story expand, and to have her mature and grow as she faces the problems of trying to break into the New York art scene. So, the early days of the feminist movement emerge in this book. Also, the book spans the time period from 1963 to 1970, a period of enormous change and tumult that included the escalation of the Vietnam War, campus riots, political volatility and the rest of “the sixties” events from the growth of the civil rights movement to the murders of Dr. King and Bobby Kennedy and the Kent State massacre. There was a lot to explore in that period.

I enjoyed the deeply emotional relationships the characters had. Is there anything from your own life that you put into your story?

In many ways, the entire trilogy is shaped by my experiences during that time period. I was in graduate school during 1965-69 and getting involved in the women’s liberation movement and joining the Women’s Caucus for Art and writing about women’s art and why it was so important. I also wanted to write about Mexico where I had spent time and came to love and appreciate very much. So, I took Nick and Marian to Valle de Bravo so I could write about the adventures I had there. I also wanted to write about Stefan Molnar whose character was based on a friend of mine and to explore Kate’s problems of trying to find a balance between a romantic and a platonic relationship. And, I was also interested in exploring California politics and the problems between the land owners and the (usually) Mexican workers on whom they relied yet didn’t want to fully recognize.

You continue to impress me with the exceptional depth of your characters. Who was your favorite character to write for?

I have to confess that I love all of my characters. They’re like my children in that I created them, and I want to care for them and help them grow and flourish, but I can’t always save them from either the obstacles that they face or from themselves. I love Carl even though he can be a real jerk, but he was a fascinating character to write and I enjoyed doing the research into his musical training ad his career. I took classes in conducting and music theory. I interviewed orchestra conductors and tried to understand both Carl’s ambitions and his insecurities. I also had a wonderful time exploring Tommy’s attempt to understand his Japanese heritage by immersing himself in Japanese culture and marrying a Japanese woman. Even though this ultimately led to tragedy, it was an extremely fulfilling experience. I also loved to write about Alex and her profoundly narcissistic view of the world. And Owen’s growth from old style conservative to a more enlightened view was fun to explore.

Where will book three in the American River trilogy take readers and when will it be available?

Book three allows all of the characters to finally come to grips with who they are and what’s most important to them. They all have to grow up and face the consequences of the decisions they’ve made and the relationships they’ve forged. I hope that my readers will themselves learn something about how we can be blinded by our own world view and how we have to take off our blinders and try to learn from our mistakes and seek a wider understanding of ourselves and what we truly can accomplish.

Book three, American River: Confluence, is available on Amazon, from Archway Publishing, on Mallory’s website: mallorymoconnor.com. and in some regional bookstores.

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American River: Currents: Book Two of the American River Trilogy by [O'Connor, Mallory M.]

In the second book of the American River trilogy, a cavalcade of disastersboth personal and publicthreatens to overwhelm the scattered members of the McPhalan, Ashida, and Morales clans during the tumultuous 1960s.

Katestill mourning the death of her brother, Julianfinds herself torn between her love for Carl, now a celebrated conductor who is looking for career opportunities on the East Coast, and her devotion to the West and especially the family ranch at Mockingbird. Also, while attending a music festival in Venice, Italy, she meets Stefan Molnar, a renowned concert pianist, who has become her sister Alexs mentor (and lover). As Kate and Stefans unintentional relationship grows, complications multiply.

Meanwhile, Tommy Ashida, now studying in Japan, falls in love with Emiko Namura, the beautiful, sheltered daughter of a Tokyo businessman. He hopes she holds the key to understanding his Japanese heritage, but will that knowledge lead to happiness or something darker?

Determined to make her mark in the male-dominated art world, Kates mother, Marian, decides to move to New York while Kates father, Owen, becomes involved in local politics. When he is elected to the California Assembly, he finds himself in direct opposition to Jorge Morales, Carls father.

Alliances fray, relationships dissolve, divisive secrets are revealed, and promises are broken as the members of three California families struggle to salvage their shattered dreams.

Set against the natural beauty of Northern California, OConnor weaves a complex tapestry of interrelationships and betrayals that captures the mood and resonance of a decade that began in innocence and ended in despair.

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The Scopas Factor

The Scopas Factor by [Panettiere, Vincent]

When Mike Hegan’s last case ends tragically, the detective hopes to put everything behind him. His girlfriend instead brings him along on a hopeful job opportunity to a small town in north California and little does he realize the web forming there to ensnare them both. Hegan finds himself thrust into the middle of a kidnapping and double homicide. When a link that is too close to home provides a lead, Hegan decides that he must dive deeper if he is going to get to the truth. Antiques, forged art, and foreign drug dealers all come together to make an on-your-toes mystery.

Hegan is your typical somewhat damaged detective from the noir tradition. He is a well-rounded character and is interesting to follow as he attempts to piece together these varied elements into a conclusive solve. The emotional depth that Panettiere can bring out, because of how personal this mystery becomes is impactful. The reader can feel a certain amount of distress from Hegan as he continues to struggle to figure it all out. Hegan made this story such a joy to read and it is my hope that these books become more serialized as they go along. It would be interesting to see how he develops over time.

Panettiere’s mystery is an expansive novel that straddles the fence between a mystery and thriller. The length of this novel works against the suspense, since some of the more filler passages work against the tension built in the story. But this is made up by his poetic prose, beautiful descriptions and clever dialogue. But at times I felt the pace of the story slowed because of this, this may be the only mark against him, since all the other elements of Hegan’s arc coinciding with the plot arc was brought together quite well by the end.

Recommended for readers of thriller mysteries. Based on some of the more aesthetic qualities to this story, such as the forged art and antiques, those who enjoy such stories would not be disappointed either. This novel establishes Panettiere as a solid new writer in the mystery genre and I look forward to more of his work.

Pages: 310 | ASIN: B07JP69TH3

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Sexuality is our Birthright

Barbara Williamson Author Interview

Barbara Williamson Author Interview

Free Love and the Sexual Revolution is a memoir about your life, marriage, and founding of a free love nudist community in California. Why was this an important book for you to write?

It was important for me to commemorate Sandstone Retreat. To document some facts. Barbara and John created such a special place {never done before} and preserve it for history. As a reminder that “SEXUALITY IS OUR BIRTH RIGHT and must be reclaimed for us to be free individuals.” Now 50 years has past, and I can show virtual documentation to those born afterward, of this all important revolution that brought much needed change in America.

Writing a memoir causes one to reflect on their life in a different light. Is there anything you see differently now that you wrote this book?

I am so grateful for all the awakenings and lessons learned through the sexual revolution era and beyond We are all “hardwired to connect” and globally connected.

I appreciated the honesty and sincerity with which you told your story. What was the most important thing for you to convey to readers?

Seek TRUTH and LIFE to pave your road to PERSONAL FREEDOM and HAPPINESS. I am living proof that truth sets us free.

What is the next book that you are working on and when will it be available?

No Title at this time. Working on next memoir of my own spiritual exploration and transformations. A personal memoir where I am getting truly naked. Book will be available in 2019.

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Free Love and The Sexual Revolution: Finding Yourself by Removing Sexual Boundaries by [Williamson, Barbara]

Barbara Williamson, “the most liberated woman in America,” shares her life story for the first time in her amazing memoir – Free Love and Sexual Revolution. As cofounder with her husband John, “the messiah of sex,” of the highly successful and controversial Sandstone Retreat in Malibu, California, in the late 1960s and early ’70s, the couple started what became known as the hub of the sexual revolution.

The clothing-optional, alternate-lifestyle Sandstone Retreat was outrageously popular, with a membership reaching 500 and nearly 8,000 visitors. Long before today’s reality television inundated the airwaves with its media “personalities,” Barbara and John Williamson were the darlings of the media, with newspapers, magazines, books,movies, and television shows clamoring for interviews.

SANDSTONE Retreat quickly became outrageously popular with membership reaching five hundred, and numerous newspapers, magazines, books, movies, and television shows clamoring for interviews.

It became known as the hub of the sexual revolution. John was branded as “The Messiah of Sex” and I as the most liberated woman in America. Based on mutual trust and friendship, the bond between John and me grew so strong that we were inseparable for forty-seven years until his death.

University professors nationwide rushed to visit this new kind of unstructured free love community to view and study members joyously living an alternate lifestyle. The dress code was optional but most everyone preferred nudity.

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Their Unique Destinies

Mallory O'Connor Author Interview

Mallory O’Connor Author Interview

American River: Confluence follows three families as they find a way to come together to celebrate life, art, and diversity. What direction did you take in this book that was different from the first two books?

I’ve always thought of a trilogy as being similar to the Sonata form in music—a musical structure consisting of three sections: the exposition (in which the main ideas are introduced), the development (in which those ideas are examined and explored) and the recapitulation (or resolution in which the main themes culminate in a conclusion). In this musical form, there might also be an introduction (or prologue) and a coda (or epilogue).

Because music is one of the main components of my writing, I had in mind the Sonata form as I developed the American River story.

Book One, American River: Tributaries, introduces the story of the three immigrant families and involves the reader in their struggles to overcome prejudice and to follow their dreams and ambitions. But it ends with a tragedy that further separates the characters from each other.

Book Two, American River: Currents, further explores the issue of discrimination and the struggle to overcome both external prejudice and internal delusions. Swept away by their passions, the characters find themselves flailing and unable to navigate the deep waters that threaten to destroy their dreams.

I knew that Book Three, American River: Confuence, would be about a resolution of some of the issues that my characters face, but they would also discover that in order to realize their unique destinies they would have to find a way to work together toward a common goal.

You are able to bring to light many perspectives on social issues without inserting your own opinion on the reader. What was the balance for you in discussing these topics?

A recent review posted by Literary Titan states: “O’Connor’s work involves a host of social issues—sexuality, politics, race relations—all disguised in what [first] seems to be a book about artists pursuing their passions.” Each of my characters has a particular role to play that reveals the social issues that affect them. They don’t all have the same views which allows them to interact with each other and voice their opinions. I wanted to help the reader understand that there are always at least two sides to an argument, so my characters represent different points of view as they attempt to navigate the rocky shoals of confrontation with each other. A discerning reader will likely be able to figure out where my sympathies lie, but I wanted an opposition to play off of. The characters end up debating the issues and the readers can decide who gives the most persuasive argument.

There are many characters and plots that run through the trilogy of books. Were you able to accomplish everything you set out to?

I doubt that most writers are able to accomplish everything that they’d like to include in a story. I had to make some pretty painful cuts during the many revisions, but I wanted to be sure that the story moved along and that the flow was not needlessly interrupted. In the end, I think I was able to address many of the problems that I hoped to cover—racism, sexual identity, mental health, political conflicts, women’s liberation, cultural differences—and to give the reader a lot to think about.

Do you plan on continuing the story of these families in another series or are you moving on to a new story in your next book?

I actually have an outline for three more books in the American River series subtitled Whitewater, Reflections, and Water Music. I thought it would be exciting to follow the thread of the character’s lives through another decade and see what they encountered. Maybe someday I’ll get to that.

But meanwhile, I’ve started another series of what I’m calling “psychic cli-fi.” I’ve been in touch with Dan Bloom, a climate activist and blogger who actually coined the term “cli-fi” for a new genre of “climate-fiction.”

For the past thirty years, I’ve researched psychic phenomena and I have a number of contacts in that area of interest. I’m also very disturbed about the rapid rate of climate disruption as warming temperatures upset the balance of nature. And I’m also concerned about what global warming will mean for our cultural treasures—works of art and architecture and their preservation in the face of social and meteorological upheavals.

So, with that in mind I’m working on a series of psychic novels that will address the issues of fracking, water resources, the spread of infectious diseases, climate-induced migration and other similar problems. My main character is a psychic medium who in the first book is called upon to work with a very skeptical PI who is an ex-FBI art crimes investigator. Again, the deep line that separates the world view of the two main characters will allow me to explore each of their views on a variety of topics that I believe are important—the nature of time, the impact of climate disruption, and the significance of our cultural heritage.

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American River: Confluence: Book Three of the American River Trilogy by [O'Connor, Mallory M.]

Book three of the American River Trilogy begins with the three families—the McPhalans, the Morales, and the Ashidas—in turmoil. Following Owen McPhalan’s death, his daughter Kate has inherited Mockingbird Valley Ranch only to discover that the once profitable family business is no longer sustainable. Desperate to find a way to save Mockingbird, she struggles to formulate a plan. But she hasn’t counted on the wrath of Dan Papadakis, Owen’s former campaign manager, who is working behind the scenes to undermine her efforts.

American River: Confluence is the culmination of a compelling historical drama about the lives, loves, triumphs and sacrifices of the descendants of three immigrant families who settled along California’s American River, and who are called upon to put aside a decade full of grievances and betrayals to try to save the history and legacy of their ancestral home.

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Free Love and the Sexual Revolution – Trailer

FREE LOVE and the SEXUAL REVOLUTION is a joyous romp through the sexual revolution of the sixties. My life partner, John, and I created the first (and perhaps the only) commune for grown-ups where open sexuality was encouraged and fully embraced. We called it Sandstone Retreat. Nestled in the wooded splendor of Topanga Canyon, California, with sweeping vistas of the Malibu Mountains and Pacific Ocean, it was fifteen acres of beauty and pleasure, a retreat from artificiality. It was a community where a person’s mind, body,and sexuality came together in total abandonment. The dress code was total nudity, and the mind-set was acceptance of all things pleasurable, sensual, and sexual. Sandstone was a huge success from the moment we opened our doors, and dozens of celebrities came to stay and play. I can honestly say I saw more naked stars than any other woman of that era! We offered such a unique and tantalizing lifestyle that soon reporters and television producers were clamoring for us to go public about our amazing concept of shared sexual pleasure without jealousy or possessiveness. Gay Talese’s wildly successful best seller Thy Neighbor’s Wife was about life at Sandstone. Articles written about Sandstone are too numerous to list, but just a few highlights include Esquire (three times), Rolling Stone, the Los Angeles Times, Atlantic Monthly, Time Magazine, Penthouse, and the Los Angeles Star. We were also prominently featured in television specials that aired on the History Channel, VH1, Lifetime, and the Sundance Channel. Presiding over all that free love and open sexuality was an experience of a lifetime. I came to recognize and embrace my own bisexual nature and to share it with others. When I look back on those years spent at Sandstone, I appreciate how truly wondrous it was, how amazing and unique, and John and I were the creators.

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Free Love and the Sexual Revolution: Finding Yourself by Removing Sexual Boundaries

I feel liberated just reading this book! I was totally caught by surprise by how much I loved this book. Any preconceived notions I had about this type of living situation were quickly dispelled by this beautifully written memoir about one woman’s life as the owner of a free love nudist community in California. She walks the reader through her early life, youth, and young adulthood and how this former top insurance salesperson and her aerospace engineer husband ended up running this alternative commune.

This community is located in Topanga Canyon, CA and is not hard to find on the internet and other sources like books, TV and even movies. She describes the community and property beautifully as being “nestled like a gentle Buddha in the wooded tangle of Topanga Canyon” and it made me instantly want to go there. The way she describes life with this free love family both answered questions and created more curiosity in me.  The star struck silly girl in me wants to know all the celebrities who went there, as the author mentions.

She tells amazing, sexy, erotic, and loving stories from her time at Sandstone, but she also shares some of the conflicts that inevitably arise in this type of environment. I was particularly interested by the chapters about the making of a film at the site. I am definitely going to have to hunt that movie down to watch after reading this book.

I love that she included essays by many of the former family members who shared their experiences at Sandstone. It seems like so many people felt transformed by their ability to be so open and free among this community of free thinkers and people who did not want to be weighed down by jealousy or judgment. I love that they promoted their lifestyle and had workshops and publications. These were people who were not just flippantly promiscuous or polyamorous. They lived this lifestyle with intention and the desire to live in a conscious way outside of what was forced on them by society.

The author shares openly about her life story which is somewhat sad in her early years, but she maintains such a positive and mindful attitude that it is inspiring to read. I am so impressed by how she ran with who she is and what she believed in. I find this awe inspiring and this book got me thinking about the things about which I am passionate. She also shares so much about her time running a cat rescue and you can really experience her love for these animals in her loving descriptions about these creatures.

This was not a smutty or perverse book, as some might assume, far from it. This work of non-fiction about the Sandstone Retreat paints this community with a beautiful brush. It was not some swinger club or sex club but a group of like-minded individuals who came together and chose to live in pure openness and honesty. This magically led to an amazing experience for so many people and never morphed into anything ugly or tragic. Awesome! I thoroughly enjoyed this book!

Pages: 202 | ISBN: 9781508543558

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Inspired by my Love of Art and Music

Mallory O'Connor Author Interview

Mallory O’Connor Author Interview

American River: Tributaries follows three immigrant families struggling to pursue their dreams during the turbulent 1960’s. What served as your inspiration while writing this book?

My love of Northern California, the place where I grew up, and the wonderful history of the area. I was also inspired by my love of art and music and my passion for social justice issues.  Immigration and ethnic diversity are the cornerstones of the story.

This book has so many fascinating characters that are well developed. What were some themes you wanted to capture in your characters?

Basically, the story focuses on the creative search for meaning, knowledge, compassion and understanding in a tumultuous world filled with prejudice, obstacles, jealousy, and betrayal. As my characters encounter these obstacles, they discover their own strengths and weaknesses and grow beyond their self-centered ambitions.

I thoroughly enjoyed the historical backdrop to the story and how well researched it was. What historical milestones were important for you to highlight in this book?

The Gold Rush had a tremendous impact on the population and culture of California. Before the Gold Rush, the population consisted mainly of Native Californians and Californios (settlers and landowners of mixed Spanish, Native Californian, and African descent). But gold fever brought people to California from all over the country and the world. The Anglo Americans (of English, Irish, or Scots descent), other Europeans (including Italians, Russians, Greeks and East Europeans), Chinese, Japanese, African Americans, and many more who came and stayed. This changed the makeup of the state’s population making it one of the most ethnically diverse in the country. So, this cultural diversity sets the scene for later entanglements.

 Most of the story takes place in the 1960s, that decade that Time Magazine recently termed “The decade that changed a generation.” So, I take the reader down memory lane as my characters encounter the major issues of the time: immigration, racial prejudice, migrant workers, gay rights, women’s rights and the Vietnam War.

This is book one in the American River Trilogy. What can readers expect in book two, American River: Currents?

In Book Two, American River: Currents, a cavalcade of disasters—both personal and public—threatens to overwhelm the scattered members of the McPhalan, Ashida, and Morales clans. Alliances fray, relationships dissolve, divisive secrets are revealed, and promises are broken as the members of three California families struggle to salvage their shattered dreams.  The story follows the character’s journeys to places as distant as Cleveland, Ohio, Venice, Italy, and Kyoto, Japan. From the concert halls of Europe to the artist’s lofts of Manhattan, American River: Currents is filled with passionate and resolute characters who refuse to let go of their unique visions of success—even as life’s tumultuous currents threaten to sweep them all away.

Author Links: GoodReadsFacebookWebsite

American River: Tributaries: Book One of the American River Trilogy by [O’Connor, Mallory M.]In the mid-1800s, three immigrant familiesIrish, Japanese, and Mexicansettle along the American River in Northern California. A century later, only one family remains.

Owen McPhalans Mockingbird Valley Ranch is still a thriving family business in 1959. But when his wife, Marian, leaves Mockingbird to follow her dream of becoming a successful artist, she ignites a firestorm that impacts the descendants of all three families. As artists, musicians, writers, and politicians inherit their immigrant parents hopes, they are torn apart by ambition, prejudice, and deception while struggling through the turbulent 1960s. From the concert halls of Europe to Kyotos ancient avenues, and Manhattans artists lofts to San Franciscos North Beach, they each learn the price they must pay in order to realize their dreams. But just as the river is drawn to the sea, they eventually find themselves pulled back to the place that forged the original link between their destiniesa place called Mockingbird.

American River: Tributaries follows three California families as the descendants of Irish, Japanese, and Mexican immigrants embark on unique journeys to pursue their dreams amid an unsettled 1960s world.

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The Turmoil of Future Existence

Charles R. Reid Author Interview

Charles R. Reid Author Interview

The Philosophical Future discusses the social and psychological challenges facing people in the 21st century. Why was this an important book for you to write?

Man is of course a creature of needs, which are easily misunderstood and in a confrontational world often taken by the individual as absolute imperatives. Violent actions and reactions, and more broadly aggressive behavior in general, tend to satisfy only, and too often, wrongly perceived needs of an instant. Long-term consequences are imprudently ignored. But it is too late as a rule to correct the mistake.

To avoid this familiar trap, nothing avails save the self-aware use of individual will — a learned capability — to survey each situation as it arises, and then rationally decide on and carry out a plan of action (including non-action) suitable to the circumstances. In an overly crowded world, and given today’s climate of festering person-to person and group-against group hostility, however, nothing appears to succeed other than violence or a threat of it. Whatever deprives the “other” of his ability to remain a self-respecting combatant can be employed. This wholly negative world view leads down an unsustainable road — in fact to social chaos.

Calls for meaningful change fall on mostly deaf ears. They do not convince. Nonetheless, the burden for positive change rests with individual minds. Such social unanimity as does occur is forced, and unless or until enough self-discipline takes hold in individual minds, and without coercion, this millennial consummation seems just as probable as another..

This book was written with such global issues in mind. Its significance lies in the message which it conveys to minds honestly aspiring to achieve a personal knowledge of what they may expect to encounter in the way of social, psychological, and moral trials in years to come.

You have an M.A. from the University of Wisconsin and an Ed.D. from the University of California, and you taught at many different schools. How has this experience helped you write this book?

Teachers, much akin to dispensers of religious doctrine, today more than ever share a burden of communicating to students more than mere facts or supposed facts originating with cultural authority. The effective teacher has also himself both learned and understood the “material” of his lessons. Even so, automatic transfer from one mind to another is a misconception. Not all learning experiences can be summed up in this formula. Even the substance of what there is to be learned erodes in this migration.

The basics of language and social skills can of course never be taken for granted. This includes all knowledge that can be reduced to a common parlance, including number, letter, names, places, dates, and even some rules of interpersonal behavior. The tyro can usually master this domain with aid from a teacher who himself studied and retained not only the rote aspect but some of the life-value of its content. Still, more than ever beyond this one needs certain more fundamental elements to make his way in life.

Most individuals, sadly enough, while they do achieve a grasp of these lesser aspects of behavioral competence, fail to move past them. Even many teachers may not learn to question themselves, to seek beyond their already memorized data base to explore the deeper significance of being human. For all further, higher knowledge, the kind needed to live with meaning, though built on a firm foundation of “the basics,” requires a yet greater step, and the true teacher recognizes this. All such higher knowledge demands a learner, as well as his teacher, who together strive for genuine understanding — so that each of them in the web of his own experience questions both himself as well as the “why” of things, basic and abstract alike.

I think this book does a fantastic job of delivering complex ideas in an understandable and meaningful way. What do you hope readers take away from your book?

To those whose developing interests include a genuine curiosity about conditions of life over the longer tomorrow, and assuming they are looking for an unvarnished view of today’s global scene, with some adumbration of what lies ahead, this book aims to provide some, but not all, and never absolute, answers. It is not indeed a prediction but an advisory. It deals only with the possible, in an age of few if any certainties.

Most young people, but also readers in general, tend to live on two levels of thought: On one hand they have a vision of society as some kind of mechanical entity; its fundamental workings go on at a comfortable distance; unless one becomes caught in their legal entanglements, they can be ignored. On the other hand, when society calls on them as individuals to participate actively in its formal activities (such as jury duty), thought and intelligence must be brought to bear; even so, the passive state of mind dominates. Typically (even in the jury room) one follows the herd.

For this typical reader this book then cannot help but sound a wake-up call. Neither mechanistic nor presumably-more active approaches to life in society in fact suffice. Knowledge of the whole and of its salient moving parts and of one’s own capabilities for adaptation to the turmoil of future existence — these will be key to genuine success in the art of living.

Where do you think society is headed and what can an individual do to ensure they are successful in that future?

The question of where society is headed and how it is likely to get there cannot be answered without giving thought to the individual’s plasticity of character and his motivations as a moral being. If individuals en masse pay no heed to what serves the common good, then the way forward becomes rife with predictable social decline. But this view overemphasizes the dark side. Neither man’s overall world outlook nor his web of relations in a complex environment ever reduce to a simple unidirectional pattern, at least in the short run.

History reveals one singular truth: In its gradual development, and often without conscious control, society “fixes” some problems, analyzes others without acting on them, and simply ignores those it cannot deal with. So we cannot rationally envision either a future utopia or dystopia. There is no end-point. The real wild card remains the “average” individual’s capacity for directing his powers either to improve the common good along with his own sense of social stability, or to give way to mental and moral negation, with destructive results in society.

Men are not prisoners of history, as is often claimed. But there is just so much any generation can do in a practical sense to unleash itself from on-the-ground conditions and the relatively passive state of mind it inherits. Revolutions come and go, yet underlying capabilities cling to their natural limits. The process is slow, unseen, and does not involve conscious volition other than to a limited degree. So the likeliest condition of society a century hence, barring an atomic or planetary disaster, will represent in essence only a repetition in substance (though not in detail) of what have been the commonplace evils of our time: over-population and consequent mass poverty; ever increasing global hysterias; police-state governments; continued lack of education and subsequent bewilderment over how to live a meaningful individual life in a complex and demanding environment. The true individual may disappear as this process works itself out. Yet fortunately, his eventual reappearance cannot entirely be ruled impossible either. And how this unresolved dichotomy is then resolved will make all the difference.

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This book surveys the breadth of mankind’s postmodern malaise, which is achieved through a discussion of the major challenges, social and psychological, which every individual faces in the effort to live fully in the twenty-first century. These challenges lay in broadly familiar domains: self- and group-consciousness; common man and his place in a future society in which mental activity dominates; work and leisure; knowledge and values accruing from it, both for self and others; possibilities in education; civilization, with its “Dark Age” phenomena and its dreams of progress; the role of the past in contemporary life; and power, both in society and within the sovereign individual who, though bound by physical and intellectual limits, functions as a seeker after the freedom and self-fulfillment which are so wholly integral to the human condition. And finally a serious question: What fate awaits the perpetual non-conformist, whose views, however unwelcome in his own time and in a contemporary environment, may in fact anticipate future living conditions?

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