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Inspired by my Love of Art and Music

Mallory O'Connor Author Interview

Mallory O’Connor Author Interview

American River: Tributaries follows three immigrant families struggling to pursue their dreams during the turbulent 1960’s. What served as your inspiration while writing this book?

My love of Northern California, the place where I grew up, and the wonderful history of the area. I was also inspired by my love of art and music and my passion for social justice issues.  Immigration and ethnic diversity are the cornerstones of the story.

This book has so many fascinating characters that are well developed. What were some themes you wanted to capture in your characters?

Basically, the story focuses on the creative search for meaning, knowledge, compassion and understanding in a tumultuous world filled with prejudice, obstacles, jealousy, and betrayal. As my characters encounter these obstacles, they discover their own strengths and weaknesses and grow beyond their self-centered ambitions.

I thoroughly enjoyed the historical backdrop to the story and how well researched it was. What historical milestones were important for you to highlight in this book?

The Gold Rush had a tremendous impact on the population and culture of California. Before the Gold Rush, the population consisted mainly of Native Californians and Californios (settlers and landowners of mixed Spanish, Native Californian, and African descent). But gold fever brought people to California from all over the country and the world. The Anglo Americans (of English, Irish, or Scots descent), other Europeans (including Italians, Russians, Greeks and East Europeans), Chinese, Japanese, African Americans, and many more who came and stayed. This changed the makeup of the state’s population making it one of the most ethnically diverse in the country. So, this cultural diversity sets the scene for later entanglements.

 Most of the story takes place in the 1960s, that decade that Time Magazine recently termed “The decade that changed a generation.” So, I take the reader down memory lane as my characters encounter the major issues of the time: immigration, racial prejudice, migrant workers, gay rights, women’s rights and the Vietnam War.

This is book one in the American River Trilogy. What can readers expect in book two, American River: Currents?

In Book Two, American River: Currents, a cavalcade of disasters—both personal and public—threatens to overwhelm the scattered members of the McPhalan, Ashida, and Morales clans. Alliances fray, relationships dissolve, divisive secrets are revealed, and promises are broken as the members of three California families struggle to salvage their shattered dreams.  The story follows the character’s journeys to places as distant as Cleveland, Ohio, Venice, Italy, and Kyoto, Japan. From the concert halls of Europe to the artist’s lofts of Manhattan, American River: Currents is filled with passionate and resolute characters who refuse to let go of their unique visions of success—even as life’s tumultuous currents threaten to sweep them all away.

Author Links: GoodReadsFacebookWebsite

American River: Tributaries: Book One of the American River Trilogy by [O’Connor, Mallory M.]In the mid-1800s, three immigrant familiesIrish, Japanese, and Mexicansettle along the American River in Northern California. A century later, only one family remains.

Owen McPhalans Mockingbird Valley Ranch is still a thriving family business in 1959. But when his wife, Marian, leaves Mockingbird to follow her dream of becoming a successful artist, she ignites a firestorm that impacts the descendants of all three families. As artists, musicians, writers, and politicians inherit their immigrant parents hopes, they are torn apart by ambition, prejudice, and deception while struggling through the turbulent 1960s. From the concert halls of Europe to Kyotos ancient avenues, and Manhattans artists lofts to San Franciscos North Beach, they each learn the price they must pay in order to realize their dreams. But just as the river is drawn to the sea, they eventually find themselves pulled back to the place that forged the original link between their destiniesa place called Mockingbird.

American River: Tributaries follows three California families as the descendants of Irish, Japanese, and Mexican immigrants embark on unique journeys to pursue their dreams amid an unsettled 1960s world.

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The Turmoil of Future Existence

Charles R. Reid Author Interview

Charles R. Reid Author Interview

The Philosophical Future discusses the social and psychological challenges facing people in the 21st century. Why was this an important book for you to write?

Man is of course a creature of needs, which are easily misunderstood and in a confrontational world often taken by the individual as absolute imperatives. Violent actions and reactions, and more broadly aggressive behavior in general, tend to satisfy only, and too often, wrongly perceived needs of an instant. Long-term consequences are imprudently ignored. But it is too late as a rule to correct the mistake.

To avoid this familiar trap, nothing avails save the self-aware use of individual will — a learned capability — to survey each situation as it arises, and then rationally decide on and carry out a plan of action (including non-action) suitable to the circumstances. In an overly crowded world, and given today’s climate of festering person-to person and group-against group hostility, however, nothing appears to succeed other than violence or a threat of it. Whatever deprives the “other” of his ability to remain a self-respecting combatant can be employed. This wholly negative world view leads down an unsustainable road — in fact to social chaos.

Calls for meaningful change fall on mostly deaf ears. They do not convince. Nonetheless, the burden for positive change rests with individual minds. Such social unanimity as does occur is forced, and unless or until enough self-discipline takes hold in individual minds, and without coercion, this millennial consummation seems just as probable as another..

This book was written with such global issues in mind. Its significance lies in the message which it conveys to minds honestly aspiring to achieve a personal knowledge of what they may expect to encounter in the way of social, psychological, and moral trials in years to come.

You have an M.A. from the University of Wisconsin and an Ed.D. from the University of California, and you taught at many different schools. How has this experience helped you write this book?

Teachers, much akin to dispensers of religious doctrine, today more than ever share a burden of communicating to students more than mere facts or supposed facts originating with cultural authority. The effective teacher has also himself both learned and understood the “material” of his lessons. Even so, automatic transfer from one mind to another is a misconception. Not all learning experiences can be summed up in this formula. Even the substance of what there is to be learned erodes in this migration.

The basics of language and social skills can of course never be taken for granted. This includes all knowledge that can be reduced to a common parlance, including number, letter, names, places, dates, and even some rules of interpersonal behavior. The tyro can usually master this domain with aid from a teacher who himself studied and retained not only the rote aspect but some of the life-value of its content. Still, more than ever beyond this one needs certain more fundamental elements to make his way in life.

Most individuals, sadly enough, while they do achieve a grasp of these lesser aspects of behavioral competence, fail to move past them. Even many teachers may not learn to question themselves, to seek beyond their already memorized data base to explore the deeper significance of being human. For all further, higher knowledge, the kind needed to live with meaning, though built on a firm foundation of “the basics,” requires a yet greater step, and the true teacher recognizes this. All such higher knowledge demands a learner, as well as his teacher, who together strive for genuine understanding — so that each of them in the web of his own experience questions both himself as well as the “why” of things, basic and abstract alike.

I think this book does a fantastic job of delivering complex ideas in an understandable and meaningful way. What do you hope readers take away from your book?

To those whose developing interests include a genuine curiosity about conditions of life over the longer tomorrow, and assuming they are looking for an unvarnished view of today’s global scene, with some adumbration of what lies ahead, this book aims to provide some, but not all, and never absolute, answers. It is not indeed a prediction but an advisory. It deals only with the possible, in an age of few if any certainties.

Most young people, but also readers in general, tend to live on two levels of thought: On one hand they have a vision of society as some kind of mechanical entity; its fundamental workings go on at a comfortable distance; unless one becomes caught in their legal entanglements, they can be ignored. On the other hand, when society calls on them as individuals to participate actively in its formal activities (such as jury duty), thought and intelligence must be brought to bear; even so, the passive state of mind dominates. Typically (even in the jury room) one follows the herd.

For this typical reader this book then cannot help but sound a wake-up call. Neither mechanistic nor presumably-more active approaches to life in society in fact suffice. Knowledge of the whole and of its salient moving parts and of one’s own capabilities for adaptation to the turmoil of future existence — these will be key to genuine success in the art of living.

Where do you think society is headed and what can an individual do to ensure they are successful in that future?

The question of where society is headed and how it is likely to get there cannot be answered without giving thought to the individual’s plasticity of character and his motivations as a moral being. If individuals en masse pay no heed to what serves the common good, then the way forward becomes rife with predictable social decline. But this view overemphasizes the dark side. Neither man’s overall world outlook nor his web of relations in a complex environment ever reduce to a simple unidirectional pattern, at least in the short run.

History reveals one singular truth: In its gradual development, and often without conscious control, society “fixes” some problems, analyzes others without acting on them, and simply ignores those it cannot deal with. So we cannot rationally envision either a future utopia or dystopia. There is no end-point. The real wild card remains the “average” individual’s capacity for directing his powers either to improve the common good along with his own sense of social stability, or to give way to mental and moral negation, with destructive results in society.

Men are not prisoners of history, as is often claimed. But there is just so much any generation can do in a practical sense to unleash itself from on-the-ground conditions and the relatively passive state of mind it inherits. Revolutions come and go, yet underlying capabilities cling to their natural limits. The process is slow, unseen, and does not involve conscious volition other than to a limited degree. So the likeliest condition of society a century hence, barring an atomic or planetary disaster, will represent in essence only a repetition in substance (though not in detail) of what have been the commonplace evils of our time: over-population and consequent mass poverty; ever increasing global hysterias; police-state governments; continued lack of education and subsequent bewilderment over how to live a meaningful individual life in a complex and demanding environment. The true individual may disappear as this process works itself out. Yet fortunately, his eventual reappearance cannot entirely be ruled impossible either. And how this unresolved dichotomy is then resolved will make all the difference.

Author Links: Amazon | Barnes & Noble | GoodReads

This book surveys the breadth of mankind’s postmodern malaise, which is achieved through a discussion of the major challenges, social and psychological, which every individual faces in the effort to live fully in the twenty-first century. These challenges lay in broadly familiar domains: self- and group-consciousness; common man and his place in a future society in which mental activity dominates; work and leisure; knowledge and values accruing from it, both for self and others; possibilities in education; civilization, with its “Dark Age” phenomena and its dreams of progress; the role of the past in contemporary life; and power, both in society and within the sovereign individual who, though bound by physical and intellectual limits, functions as a seeker after the freedom and self-fulfillment which are so wholly integral to the human condition. And finally a serious question: What fate awaits the perpetual non-conformist, whose views, however unwelcome in his own time and in a contemporary environment, may in fact anticipate future living conditions?

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American River: Tributaries

American River: Tributaries: Book One of the American River Trilogy by [O’Connor, Mallory M.]Second chances are not easy to come by, but when they roll around, you grab them and hold on for dear life. No family quite knows the truth of this old adage as well as the McPhalan clan. Kate, Alex, and their mother, Marian, share a bond that unites them in more ways than one. All three women have had a relationship with Carl, and all three of them have found ways to discover love once more. When Kate decides to breathe new life into Mockingbird Valley Ranch, the home in which they all lived as a young family, mother and both daughters are presented with an amazing and unforeseen opportunity to renew themselves and their relationships with one another as adults.

Mallory M. O’Connor’s American River Trilogy focuses on several different storylines surrounding the McPhalan family. These parallel plots play nicely against one another as the book progresses. Readers are treated to thorough descriptions of Kate and Alex’s backgrounds as well as a clear look at Marian’s history. O’Connor includes a lengthy list of secondary characters with their own storylines and this, at times, can be a little difficult to follow.

Set in the 1970s, O’Connor masterfully integrates mentions of now historic events alongside the characters’ numerous dilemmas. She covers everything from the moon landing to the increasing focus on feminism. Each of the events and historical aspects gives the book a richer and more polished feel.

American River Trilogy touches on a variety of difficult topics including post-traumatic stress disorder and interracial relationships. O’Connor deals with each of these highly-charged topics with style and grace. Her characters are genuine and leave readers rooting for them every step of the way.

Alex’s particular story line is tragic and likely the most down-to-earth of any of the characters. The trauma of her past and the way it impacts her present life is a striking commentary on an all-too-common facet of the lives of many. O’Connor’s slow reveal of Alex’s damaged childhood is effective and powerful. As much as I found Carl’s inclination to move through the women in the McPhalan family to be somewhat disgusting in retrospect, I saw a whole new side of him when he came to Alex’s aid in her time of need.

O’Connor’s writing is, what I would consider, specialized. There exists a specific audience for this particular piece. Centered around the arts and focusing primarily on the world of music, there is a plethora of discipline-specific terms and ideas within American River Trilogy. I did not find myself able to relate easily to many of Kate and Alex’s experiences.

Readers who seek historical accuracy intermingled with their drama will appreciate O’Connor’s particular style. Classically-trained musicians and those who enjoy reading fiction with a peppering of music-specific terms will find American River Trilogy the perfect read.

Pages: 394 | ASIN: B079659RH5

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The Rigel Affair Book Trailer

THE RIGEL AFFAIR is a novel based on real events and the life of Navy Seal Charlie Kincaid. Part Cherokee, born into Southern poverty, Charlie trained as a diver and became the leader of the war’s first underwater demolition team. His men experienced their first test, moments after the strike on Pearl Harbor, rescuing twenty-eight U. S. sailors trapped in the sinking USS California. Their missions sent them to New Zealand, Australia, and a dozen Pacific Islands, into the most dangerous combat areas on that side of the world. They dove and carried out clandestine missions under horrific weather and health conditions while constantly facing attacks by Japanese troops, bombers, and submarines.

But Charlie’s life was not all hardship. Even as the bloody war ground on in Europe and the Pacific, he fell in love. Her name was Mattie, and she lived in New Zealand. Their love story offers a tender counterpoint to gritty battle scenes throughout the novel. The book is framed around actual love letters sent by the couple, newspaper accounts from 1941-44, material from various archives, and documented events involving Charlie’s ship, the USS Rigel. We’ve also interviewed surviving shipmates.

L M Hedrick Website

Crazy Experiences

Denise Ann Stock Author Interview

Denise Ann Stock Author Interview

Blowout Summer follows Dee Dee as she reflects on one memorable summer filled with surfing, drugs and experimentation. What served as your inspiration while writing this wild summer?

It was a different time. Everything about living in a small beach town was easy. California was changing right under the States noses. People and their crazy experiences during that time, led me to write about their antics.

Dee Dee is a character, I felt, continued to develop as the story progressed. What were some obstacles you felt were important to her characters development?

She was on the verge of becoming an adult and she still wanted to have fun making bad or detrimental choices. She needed to become independent instead of going with the crowd.

This novel takes place in the 70’s when a lot of experimentation was going on. What were some themes you wanted to capture while writing this book?

The world of surfing, clothing styles, and the music of that time.

What is the next story that you are working on and when will it be available?

It features the same characters. They can’t seem to stay out of trouble. It should be done this year.

Author Links: Website | Amazon

Blow Out Summer by [Stock, Denise Ann]

Surf, party, and romance take center stage in the breezy novel Blow Out Summer, as a group of local surfers in Huntington Beach, California, enjoy a summertime of hanging out and having fun.

Their story takes place in the mid 1970s, when no one was paying much attention to the drugs being brought into California at an alarming rate. But Dee Dee’s eyes are about to be opened.

Dee Dee lives in a very well-to-do area and is introduced to social drug experimentation and drug trafficking while maintaining a normal family life. She and her friends enjoy the surf up and down the coast of California.

Her friends run the gamut from the very wealthy to beach bums she met at the pier. Dee Dee’s lazy summer is spent under beautiful sunny days with slow drifting clouds and perfect barrel waves. But the ups and downs in her relationships and the dangers of dabbling in drugs ultimately force her a decision that will change her life.

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The Philosophical Future: Man’s Psychic Journey: End or Beginning?

“There is no cure for birth or death, save to enjoy the interval”

This is easier said than done. How does one enjoy said interval? How is the enjoyment made possible in times of back breaking responsibility? The search for answers to the how-question has led to tedious inquiries into life’s meaning. It has led all individuals to try harder than they should to understand the age into which they are born. Whether it is an unconscious effort or intentional, seeking freedom and fulfillment is a human condition. Without proper knowledge of the field, the search will be futile and frustrating. Learn first; earn the tools to navigate through life efficiently.

This book is about expanding and maturing the view of the future, it is about understanding the role of the past in the future, it is about understanding the extent of social and psychological challenges that deter wholesome living in this century, it is about introducing the novices to a picture of how civilized thoughts and ideas develop, to introduce people to the quintessence of human thinking. To help people contend with the role of religion despite rampant secularism.

Charles Reid has come up with a roadmap unlike nothing that has even been suggested before. He is not just telling the reader to live fully. He is handing us the necessary tools to do exactly that. He is giving a guide to take advantage of every minute. He is ensuring that birth and death do not become regrettable events. His ideas are simple enough but intricate the more you think about them it. He goes further to break down his ideas of a philosophical future into little tidbits. The breakdown is effective as it allows a deeper understanding of the subject matter.

Enthusiasm and passion are paramount to the successful conveyance of a message. This book has those in loads. The author has great passion in the subject matter as is evident in his eloquent portrayal of a philosophical definition of happiness, freedom, and fulfillment. He does not rush over any knots. Everything is exhaustively explained and explored. The Philosophical Future is very well written. It is a suggestion rather than a lecture. It is an invitation to comprehend the true meaning of things. The author does not force his deas aggressively but rather places a bowl at the table to share. This is an important trait especially in a matter that is so subject to individual opinion.

This book is highly recommended to young people. They still have the time to entertain new ideas, to introduce new angles into their search for happiness, to develop a new dimension for their view of the future. The age-advanced should not be left behind either. It is never too late to tweak your thinking. You might use or you might pass it on. This book is well suited to either demographic.

Pages: 276 | ASIN: B079LH9GMH

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She Had a Lot of Secrets

Janelle Dietrick Author Interview

Janelle Dietrick Author Interview

Mademoiselle Alice tells an intimate tale that takes readers on a personal journey through life and love. What was the inspiration that made you want to turn Alice’s life into a story?

I spent three years writing a history book called Alice & Eiffel, A New History of Early Cinema and the Love Story Kept Secret for a Century. As soon as I finished it, my girlfriends said: “We want a novel!” Alice wrote a memoir that is very cryptic, only 120 pages. I felt that she had a lot of secrets which she alluded to, particularly about her father, her experiences at the convent, and her relationship with Eiffel.

Why did you choose to write the novel in the first person?

When I started the novel, I spent several months writing Alice’s story in the third person, but it felt distant. I felt like I was flying over the rooftops, getting an occasional peek through a crack in the curtains. The novel didn’t start to come to life until I switched to first person and told it from Alice’s point of view.

Being basically kidnapped from her grandmother’s home at four and then being dropped off at the convent at six were the heartbreaks in her childhood that most captured my imagination and sympathy. Then of course when her father died when she was seventeen, that was the coup de grâce for her. In her memoirs she began with “My destiny was no doubt traced before my birth,” and I think she was referring to the early connections between her father and Eiffel since Eiffel really did go to Chile the year before she was born.

Alice Guy Blaché was a pioneer with so many accomplishments. What was the one thing that surprised you the most about Alice?

The biggest surprise was that although Eiffel was wildly successful and a very attractive person, Alice is more compelling. I think the story-telling gene that she developed was a result of her early experiences and not a function of ambition to make it in the movies which did not exist when she started.

The first film she wrote and directed, La Fée aux Choux, remains iconic in symbol and mystery. In one minute she tapped into the deepest themes of human experience: romantic love, sexual attraction, and family. We know it when an artist touches that chord, cuts to the core of something deep.

The temptation with a biography of a famous or accomplished person is to stack up their achievements in an intimidating tower. You can do the same thing with Eiffel. Would you like to read about all forty of the bridges he built culminating in his famous tower? That has been the outline of all the biographies about him. They don’t get close to the real person.

What kind of research did you have to do to maintain the historical accuracy of the book?

I look up all kinds of quirky things. It is not at all efficient, but you have to cast a very wide net. I read French and American newspapers from 1890s through the 1920s, and it is surprising what you run across, such as a column entitled “What makes a woman charming?” The old newspapers reflect how people thought back then. The phrase “gender roles” wasn’t coined until 1955. In Alice’s time, being a wife and mother were a woman’s duties, not roles she chose. The “old maids” were viewed as having missed the boat of life.

What is the next story that you are working on and when will it be available?

I am working on scripts for Mademoiselle Alice. I think it would make a good television series starting with the California Gold Rush. Many people came from France to California during that period and I believe Alice’s father was among them. Everyone wonders how Alice was able to do cowboy and western films. I think it was in her DNA.

Author Links: GoodReads | Amazon

Mademoiselle Alice: A Novel (The Life and Work of Alice Guy Blaché Book 1)A deeply evocative story inspired by real events: the love affair between two unforgettable people—Gustave Eiffel, the builder of the Eiffel Tower, and Alice Guy Blaché, a pioneer in the art of cinema. Mademoiselle Alice steps out of the shadows into the reader’s mind as an endlessly intriguing and entirely relatable young woman. Told through Alice’s eyes, we get to know her, her family, and Monsieur Eiffel. Eiffel is not looking to fall in love—he is a widower who has everything—wit, wealth, fame, and brilliance. He was a friend of Alice’s father who died when she was seventeen, and the story she tells of falling in love with him is funny and emotionally intimate. Alice and Eiffel forge an enduring romantic and intellectual bond. But while she wants to marry him, he refuses because he is so much older than she is. Out of her desire to have a family, she marries a handsome Englishman and travels to the United States, where she works with D. W. Griffith and then opens her own film studio. Some of her emotional experiences find expression in the scenarios she writes for film. Her relationship with Monsieur Eiffel continues on in her mind and leads to some surprising developments. Mademoiselle Alice tells us much about women’s lives during the silent film era in France and the United States. Combining a biographer’s knowledge of her subject with the novelist’s gift for narrative, Janelle Dietrick has crafted a novel that will capture the interest of every reader.

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Cowboys and spies?

Jamie Dodson Author Interview

Jamie Dodson Author Interview

In the latest Nick Grant adventure story the Japanese plot to steal the famous Hughes H-1 racer. What was the inspiration for the setup to this exciting novel?

Interesting, during the World War II, Howard Hughes got the opportunity to examine a captured Japanese A-6M Zero. He recognized several innovations he had incorporated into the H-1. Many years later, he told a story about a 1936 break in at his Culver City airport. The culprits ransacked the H-1 hangar and several blue prints were missing. The Japanese were never implicated. I took those snippets of story and wrote Nick Grant into the action.

The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write?

I enjoy writing the supporting characters as much as I do writing Nick. In each novel, I have introduced news characters – some good – some evil. In Black Dragons Attack my hands down favorite is Brian O’Malley. Without exception, the advance copy readers loved him. Those same early readers asked that I include Brian in future Nick Grant Adventures. Brian is a good hearted cowpoke who has a pivotal role in the story line. Cowboys and spies? An interesting combination that I hope my reader’s enjoy as much as I did crafting the story.

The Black Dragons are working for the Japanese Intelligence Service who are conspiring with the Third Reich in California. How did you develop this twist? Anything pulled from real life?

As a young military intelligence officer, the Army assigned me to the US Pacific Command, Oahu, Hawaii. Several of the old hands told me about their experiences before and during WW II. One retiring Army Counter Intelligence Agent spoke about a concerted espionage effort between the Japanese and Germans. A married couple, who were in fact German Spies, provided critical information to the Japanese prior to the December 7th, 1941 attack on Pearl Harbor. Another spoke about and effort to steal US Communications codes. A third spoke about a effort in California to infiltrate US aircraft manufactures to steal advanced US technology. Much like the Chinese are doing to us today.

I understand that real people inspired this story. Who were those people and how did they impact you?

Once I saw bestselling author, Homer Hickam, of October Skies fame, wearing a T-Shirt emblazoned with the following: BE CARFEFULL – YOU MIGHT WIND UP IN MY NEXT NOVEL. I build my characters around people that I have known in my life. Some are blends of different individuals others are as I remember them but with cover names. As a career foreign intelligence officer I have known many people that would stretch the reader’s belief. One stands out in my mind, the senior intelligence officer of the Army’s Paratrooper Division, the 82d Airborne. Then Lieutenant Colonel Nick Grant – now Brigadier General (Retired) Grant was a huge influence on me. During down time on maneuvers he told me about his youth and burning desire to become a pilot. Like my character, Nick Grant actual comes from humble beginnings. He worked hard to achieve many things in his successful career. I modeled my Nick after General Grant’s steely eyed nerve, technical expertise, and strong desire to take the hard right instead of the easy wrong.

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Book IV. The Black Dragons are back! After their last run in, Nick Grant believes his nemesis, Toshio Miyazaki, is dead. Determined to leave the spy games behind, Nick starts a new life as a Naval Aviation Cadet. During training, famous aviator and movie producer, Howard Hughes, lures Midshipman Grant into a mock dogfight. Afterwards Hughes offers Nick a pilot job. Nick’s college dreams stand in the way, and he turns Hughes down. However, their paths cross again in an unexpected way.

In 1936 the Black Dragons, working for the Japanese Intelligence Service, remain active in California and have a new partner, the Third Reich! Agents from both countries team up in their most audacious plan yet—steal the Hughes H-1 racer. Their plan—use the cutting edge technology to develop the world’s most advanced fighter aircraft.

The Japanese plan goes awry when US Naval Counterintelligence becomes aware of their activities. Commander Boltz assigns Nick and Senior Chief Ellis to guard the airfield until the FBI can take over. Together, they foil the Black Dragons’ attempt to steal the H-1 plans but the Japanese regroup with an even more sinister plan. They grab a hostage and demand that Nick deliver the H-1 technical plans and the Navy’s Top Secret Pacific War Plans.

When the Black Dragons attack, it’s up to Nick and friends to turn the tables, retrieve the stolen goods and a fabled katana. Join Nick Grant, Nancy Tanaka, and Leilani Porta in their latest adventure, Black Dragons Attack!

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Black Dragons Attack: A Nick Grant Adventure

Black Dragons Attack, the fourth installment in the Nick Grant Adventures series outdoes the high bar set by the previous adventures. This enthralling pre-World War II story features a superb cameo by American aviation hero Howard Hughes! Readers are transported to the nostalgic war era with the mind-blowing narrative by author Jamie Dodson. Nick Grant starts afresh as a Naval Aviation Cadet that leads to a chance encounter with Howard Hughes that changes the course of his life. Join Nick as he thwarts the Japanese plot to steal the famous Hughes H-1 racer along with his friends Nancy Tanaka and Leilani Porta for some edge of your seat entertainment.

Jamie Dodson has always delivered riveting story lines, perfect character development, amazing locales, and ultimately an exceptional climax  – in short, each of Nick Grant’s adventures, be it Flying Boats & Spies, China Clipper, or Mission Shanghai or the latest offering Black Dragons Attack never fail to impress readers.

Set in 1936, Black Dragons Attack continues the Nick Grant saga as he believes his arch nemesis Toshio Miyazaki, is dead and starts afresh as a Cadet in the Naval Aviation Academy. It takes no less than a chance run in with the genius billionaire aviator and movie producer, Howard Hughes to lure Nick back into another deadly spy game.

The Black Dragons, working for the Japanese Intelligence Service, turn out to be secretly active and conspiring with a new partner, the Third Reich in California! As the Japanese hatch an elaborate plan to steal the Hughes H-1 racer to reverse engineer and build something even more advanced, US Naval Counterintelligence uncovers their activities. Nick is tasked with foiling the plans of the Japanese with the help of Nancy Tanaka and Leilani Porta.

As much as Nick impresses with his heroic show of patriotism and daredevilry, the Hughes H-1 steals the show with its sheer technological prowess and revolutionary functionalities that are years ahead of anything that existed in that era, precisely why the fascist regimes of Imperial Japanese and Nazis were so obsessed with it.

The setting of pre-world war II provides a poignant background wherein Jamie Dodson successfully manages to capture the mindset of people in a war torn country. Howard Hughes, albeit in a sort of guest appearance, manages to shine and awe the reader with his larger than life personality. The character sketches of Nancy, Leilani and Toshio are spot on and do justice to their role in the plot.

Overall, Black Dragons Attack, the fourth book in the Nick Grant adventure series is a pleasure to read.

Pages: 244 | ASIN: 1938667549

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Blow Out Summer

Surf, party, and romance take center stage in the breezy novel Blow Out Summer, as a group of local surfers in Huntington Beach, California, enjoy a summertime of hanging out and having fun.

Their story takes place in the mid 1970s, when no one was paying much attention to the drugs being brought into California at an alarming rate. But Dee Dee’s eyes are about to be opened.

Dee Dee lives in a very well-to-do area and is introduced to social drug experimentation and drug trafficking while maintaining a normal family life. She and her friends enjoy the surf up and down the coast of California.

Her friends run the gamut from the very wealthy to beach bums she met at the pier. Dee Dee’s lazy summer is spent under beautiful sunny days with slow drifting clouds and perfect barrel waves. But the ups and downs in her relationships and the dangers of dabbling in drugs ultimately force her a decision that will change her life.

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