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My Mission In Life Has Been To Help

Jocelyn Jones Author Interview

Artist provides readers with a step by step guide that will help them awaken their higher self. Why was this an important book for you to write?

I’ve been a teacher and a creative consultant for some 30 years. My mission in life has been to help. I feel like we’re at a precarious time in history. We’re exhausted by the pandemic, terrified by our political landscape, overwhelmed by global warming and despondent at man’s inhumanity to man. It’s no wonder we’re overwhelmed by a 24/7 deluge of epically bad news delivered by a media hell bent on keeping us afraid. When people are scared, they are easily manipulated.

All this noise keeps us from remembering to practice basic human values. It’s as if we’ve forgotten the importance of courtesy, kindness, honesty, and doing the right thing.

I wanted to write a book that shared not only my own experiences and lessons, but a book that offered some simple techniques to help people slow down, still themselves, and get in touch with their higher consciousness. I want to help folks discover their purpose for being here, take better care of their lives, and experience the joy of living a life of their own creation.

I wanted to share the tools and guidance I give to artists that can help anyone summon inspiration at will.

I appreciated all the personal experiences you shared in this book. What is one potent piece of advice someone gave you when you were younger and how did that help shape your growth?

As a troubled teen, my father asked me (with genuine interest) “Jocie, if you could have anything in the world, barring all obstacles, what would that be?”

To answer – I had to present the question to myself. This seemingly simple task was life changing. It made me realize; not only was it possible to pose an internal question, but I found myself waiting for an answer. An answer that came slowly – not from the head but the heart.

I have used this questioning process in various ways throughout my life and my art. Asking a question and then patiently waiting for an answer that makes my heart beat a little faster. This simple practice will empower you with the capacity to summon inspiration at will.

What were some key ideas that were important for you to share in this book?

I believe that there is an artist in everyone and that consciously creating our own life is not only our responsibility but our most essential work of art.

I believe the application of simple daily practices can help us live in the present moment and connect to our best self. I believe we are the result of what we practice.

Lastly, I want the reader to understand that posing questions to our most intimate self about what we want, how we’re doing, or what we might like to change in our life, is an essential component to a life well lived.

What is one thing you hope readers take away from your book?

There is an art to living, which begins with the capacity to still yourself and listen to the counsel of your own heart.

Author Links: GoodReads | Facebook | Website

Artist: Awakening the Spirit Within

Artist: Awakening The Spirit Within is a life-changing book by acting teacher and writer Jocelyn Jones. The book covers many different topics within the few key ones that revolve around us as humans, art and how we view it, and the freedom and spiritual uplifting that comes with it as well as the law of attraction.

Jones is an acting teacher who comes from a family of artists with her father being Broadway actor Henry Jones, her mother being a photographer, and her stepfather a writer. She has taught many different people throughout her life from world-renowned actors to people who have never set foot on stage before coming to her classes. The book is written from her informed point of view and includes life lessons that she has learned as well as many different techniques, exercises, and meditations that she uses in her classes that are helpful for everyone, not just artists and actors.

In this enlightening book the author talks about goals, spirit, knowing that we know, happiness, and our vibration and connects that with her own life and different tales of Hollywood in a beautiful way. The author teaches readers that we first and foremost need to find peace within ourselves and know that we are one with the spirit to go on and live a life on a higher vibrational frequency.

Since the book is quite literally an homage to the muses, myths, and anything and everything spiritual and creative Jones’ simple yet elegant style of writing compliments the topics she covers perfectly. Reading this book is a lovely experience as it was a pleasure reading something written with so much love and passion. The way she writes about art and artists is touching, and will resonate with anyone who has ever been moved by art. The writing is easy to follow and the author’s passion and knowledge is evident throughout the book.

In the book, Jones mentions that you may find this book or it may find you because it needs to find you. So true. I found myself reflecting on what I read for hours after I put the book down. Being an actor myself, this book resonated with me on many different levels and opened my eyes to many things connected to my craft. I recommend this book to actors, artists, musicians, art lovers, and anyone who wants to feel free, happy, and more at peace with themselves.

Pages: 267 | ASIN: B0B2VDH84H

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Lady M – Trailer

بود و نبود یک زن قهرمان بود…
قشنگ و زیبا
عالم و فاضل
افتخار ملی

A glorious writer, a laureate poet, a talented painter, a renowned counselor, a celebrated philanthropist and an honored academic, this is the story of Afghanistan’s eternal celebrity. The multi-talented intellectual (and artist) was so enormously popular in her heyday, and continues to be, that she has ascended many levels of memorialization that started from being called a mythical figure to then securing the title of a national hero to finally being beautified as a saint. No other historical figure – save for Zoroaster – has been so dignified in Afghanistan. At the height of career, she was more popular than world-renowned mystic Maulana Jalaluddin Mohammad Balkhi was at his peak.

Though without a complete biography, she has been mentioned perennially throughout Afghanistan, Iran and Tajikistan. Beautiful, tall, talented and accomplished, she is considered the national pride of Afghanistan.

Her skills: writing, poetry, painting, sign language, carving Indus script & gardening. She lived in a house that she cultivated to be as beautiful as the Japanese Kenroku-en garden.

The winner of ancient world’s most prestigious literary prize a record six times!

The foremost adulated celebrity of the ancient world!

Available August 2019

 

Danloria: The Secret Forest of Germania

Danloria: The Secret Forest of Germania by [Gonsalves, Gloria D.]

The magical forests of Germania beckon! When five-year-old Stan is invited to a party by a talking Fern, he eagerly enters a lush, verdant world of discovery. When Stan falls ill, his forest friends find a cure. When he gets lost, they guide him home. The forest’s generosity truly knows no bounds.

Danloria: The Secret Forest of Germania reveals the protective and healing powers of the forest and its vegetation. Author Gloria Gonsalves cleverly teaches children the names and characteristics of plants, and their ability to heal or harm. Her enchanting fable reveals the countless ways the Earth protects and provides. The true magic of this book is in the illustrations that were created by children. Each drawing is engaging and gives the story an added layer of meaning through the imaginations of young artists. It is a heart-warming story that speaks to the giving nature of the Earth.

Pages: 61 | ASIN: B07926X9S4

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Crimes of Rumba: Volume I Congo Music

Crimes of Rumba: Volume I Congo Music by [Antha, Thierry]The book starts with a little history of the Congo under Belgium rule during the colonial days. This gives the reader an insight into how things were in Belgian Congo, and how ‘La Territoriale’ was made to get rid of King Leopold’s cruelty and brutality in the CFS regime. The first chapter gives a lot of information about Belgian Congo and all that happened. I had the impression that I was attending a history class, as the author wrote about events I had never heard of. It was agonizing to read about King Leopold, as his inhuman acts against the Congo people led to a lot of loss.

Politics in Congo, the formation of political parties, King Leopold’s atrocities and the influence of Rumba are all covered in the book. Reading about natives who were killed as directed by King Leopold in the harvest of red rubber in the era of CFS regime was one of the moments I almost broke down. Natives’ hands were chopped and others left with permanent wounds and under the CFS regime. Just how cruel could one man be? The worst thing was that even as he committed all these crimes, King Leopold received backing from his country, and even had support from his followers.

The author covered a number of themes in the book. Politics, music, law, human rights violation, business, and trade were all covered. This book highlights the use and impact of Congo music in Africa and other continents like America and Europe. Thierry Antha extensively writes about the brand associated with Congo Rumba and Rumba Lingala, Congo music that is known by just a few, how the Flemish administrators took Rumba, the industrialization of Congo music during the colonial days and much more.

Thierry Antha extensively writes about the brand associated with Congo Rumba and Rumba Lingala, Congo music that is known by just a few, how the Flemish administrators protected Congo music’s exceptionalism, while Walloons industrialized it with the addition of the legal diversity of South American music for export in the late 1950s and much more. And mostly how Fonior, the Belgian company, misused its monopoly to commit fraud and defraud Congolese musicians’ copyrights and consumers’ human rights in America, first, after the colony’s independence.

Rumba music, as allegedly sold in the West, is beautiful to the Soul. When played in clubs, the radio, and other public media, one can feel how passionately the artists feel the music they create. As you enjoy “Rumba” music, do you know a little history about Fonior’s fake-outs and how the genres were born? Do you know the challenges they faced and how the music they made affected them and the people around? If not, then you need to read this book. It has all the good, bad, fantastic and ugly stories about Belgian Congo, the natives, Congolese musicians and the exploitation of Congo music.

Pages: 598 | ASIN: B07CH9M9BR

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Transmogrified into a Novella

Gary Noland Author Interview

Gary Noland Author Interview

Jagdlied is a genre-crossing novel with elements of a satire, drama, and erotica as well. Did you start writing with this in mind, or did this happen organically as you were writing?

I began this project in 1991 with no intention other than to sketch out a salacious five- or six-page short story as a brief diversion from other more ambitious musical projects I was engaged in at the time. It grew into a twenty-page story, at which point I decided to set it aside as a “completed” work, even going so far as to affix an opus number to it in my otherwise (mostly) musical oeuvre. I moved on to other projects. When I returned to the story about eleven years later, I was dissatisfied with what I had written. I felt the characterizations were flat and the use of language too bland and conventional to suit my tastes, so I performed some deeper edits and revisions until the piece transmogrified into a novella of approximately 60 pages. Vaguely satisfied with what I had done, I set the text aside for another eight years or so and when I returned to it I thought it might need a few additional minor edits. Little did I know then that I would be embarking upon the creation of a 230,000-word magnum opus containing 290 graphic scores, an elaborate system by which musicians could extemporize against the text while it’s being narrated, as well as 108 Youtube links to performances of my musical compositions to enrich the piece even more. To answer your question: I never know in advance exactly how a work (whether literary or musical) will turn out. It happens, as you say, organically while it’s being created. I learn more and more about the characters of a novel as the situations and dialogues are interpolated into its structure. My own life experiences inform the transformation of a work’s gestalt to a certain degree. There are many creative people who plan their pieces meticulously in advance of writing anything down. Such an approach has seldom (if ever) been my mode of operation.

The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?

Thank you. My favorite, perhaps, is one of the more unmitigatedly evil characters in the novel: Chief Justice Dizzy O’Nance. He oversees a kangaroo court in the “Hall of Injustice,” where the questionable protagonist Melody is put on trial without any form of due process. He is a veritable Dr. Crucifer, Judge Holden, and Iago compounded into one.

This book was a collective effort between you, Dolly Gray Landon, and Lon Gaylord Dylan. What was the collaboration process like?

Were we actually three separate entities, the collaboration would have been a much happier one. I think your question tongue-in-cheekly references the anagrams I devised as the two separate pen names I employ for the author and illustrator (I go my own name as the composer). It is difficult to compartmentalize writing text, composing and performing music, drawing graphic scores, and even making original films of one-man performances of this piece. I am now very much in a temper to collaborate with other performers (perhaps a narrator other than yours truly) and a variety of instrumentalists. I enjoy participating as both narrator and pianist simultaneously but I don’t mind engaging (read: luxuriating) in only one of these roles. Pantomimists, dancers, and culinary artists are an extravagance that would require a massive budget. Intimate chamber groups of, say, three or four musicians, are far more practical.

What is the next book that you are working on and when will it be published?

I have another magnum opus that has been on and off the burners for upwards of 24 years. It is entitled Venge Art, and is, in certain respects, even more megalomaniacal than Jagdlied insomuch as the improvisational cues are interpolated within—as opposed to being separated from—the text, as are the conventionally notated scores, some of which require super-virtuosic skill on the part of their executants. I am hoping to return to Venge Art to revise and round it off some more. It is a text piece of approximately 300,000 words and 500 pages of notated music (including a 2-hour long string quartet that was my Harvard dissertation back in 1989). A book on my idiosyncratic harmonic method is also in the works. At this point in time, however, I am more interested in tying up some loose ends: various chamber works awaiting completion, a couple of plays in verse, and numerous other projects. It is, unfortunately, impossible for me to give you a precise timeline.

Jagdlied officially goes on sale August 30th, 2018 and will become available in several printed versions. One should be able to pre-order it by August 15th, if not sooner.

Author Links: Twitter | YouTube | Facebook | Website

Jagdlied: a Chamber Novel for Narrator, Musicians, Pantomimists, Dancers & Culinary Artists (color paperback) by [Landon, Dolly Gray]

This musically and graphically enriched chamber novel is an over-the-top black and blue comic extravaganza about the conspiratorial undoing of a teenage entitlement princess. The story throbs throughout with an undercurrent of apocalyptic motifs related to the extinction of art, fall of empire, and coming of the Antichrist. It is an epic farce that reads like an erotically supercharged psychological suspense thriller. The narrative takes the reader/audient on a veritable boomerang roller-coaster ride (with multiple inversions) through a reputational strip-and-whiptease of the novel’s malignantly artful (albeit ingenuously doe-eyed) protagonist: a wealthy young heiress and socialite who boasts an exclusive claim to her progenitors’ munificent estate. Her inheritance comprises an immense fortune amassed through shareholder investments in the world’s largest employment recruiter: the multi-national temp agency behemoth known as the Pleasant Peasant Corporation.

The character-driven narrative of Jagdlied explores themes of jilted love, misinterpreted motives, paranoid ideations, bombastic egos, ghoulish envy, smoldering jealousy, unconscionable revenge ploys, extravagant public humiliations, ruthless power games, insatiable greed, pernicious corruption, feigned moral outrage from all sides, and even (Heaven forfend!) coldblooded murder—all the type of stuff pre-calculated to magnetize your run-of-the-thrill-seeking bookworms and bibliophiles.

A rich repository of tongue-in-cheek nonce words, malapropisms, neologisms, archaisms, spoonerisms, slanguage, and whole swaths of unintelligible nonsense, the text of Jagdlied is also replete with irreverently lurid, salacious, and scatologic elements, which serve to set it in motion as a formidable contender for the distinctive cachet of being regarded (by cultivated aesthetes of omnifarious persuasions) as a momentously serious dirty book. It is targeted towards percipient readers and audients in possession of a well-seasoned sick and—dare it be said—cruel batch of funny bones inflected with a gallows-cum-smoking-room bent.

Whilst the plot of this story (grotesquely absurd as it will undoubtedly be esteemed) embraces reflexively cringeworthy sadomasochistic motifs, its author would hesitate to instyle it as porn, yet he would not be wholly disinclined to characterize it as a farcical parody thereof. And whilst at the same time its author is admittedly predisposed to eschew ascribing labels of any kind to this opus (especially seeing as what he has concocted is so rarefied in its formal structure that it cannot be facilely pigeonholed), it may not be altogether off the mark to view it as a form of literary neurotica (if, indeed, there is such a genre) as opposed to the more boilerplate literotica—or what in sex nazi circles is dysphemistically adverted to (in no uncertain squirms) as “filth.”

Whilst the text of Jagdlied may be read in silence as a novel in the traditional sense, it is ultimately written for the purpose of being recited by a skilled elocutionist to the accompaniment of extemporized music by ad hoc variable ensembles in relatively brief, self-contained or—depending on how one looks at it—semi self-contained episodes with the aid of a do-it-yourself improvisation kit provided in its appendix. This “kit” is likenable to a Baroque-style table of ornaments, albeit comprehending specific sets of chance operations for each and every participant involved in renditions of individual fascicles of this work. Aside from entailing a professional narrator and musical extemporizers, the score discretionarily calls for pantomime actors, dancers (hence choreographers), set designers, culinary artists, and even members of the audience itself.

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Who the Heroes and Villains Truly Are….

J.I. Rogers Author Interview

J.I. Rogers Author Interview

The Korpes File follows a technician born into the underclass of his world when he is marked by the ruling class as a threat due to his genetic make-up and is forced to fight back. What was the inspiration for the idea at the core of this exciting novel?

This is a complicated question to answer because the inspiration came in stages over the course of thirty years.

I was an artist long before I became an author. Concepts for the world of Tamyrh started showing up in illustrations while I was still in high school in the early-80s.

In 2012, a friend approached me to brainstorm on a game he was designing. I suggested that he let me do some world-building for him, and I wrote two pieces of flash fiction to go with the maps I’d designed. The game was shelved (unfortunately), and my work was returned to me, but that burst of writing led me to dig Tamyrh out of my portfolio case and look at it again. That was it; my objective became “write something that I would want to read,” and books one through five were plotted by the following summer.

Dystopian themes in science fiction are popular, and I wanted to create something that depicted both the protagonists and antagonists as living in the shadows and light between good and evil. To have a worthy, three-dimensional hero, you must have an equally worthy, three-dimensional adversary. Each one has to have reasons behind what they do, and regardless of how they start out they each have to have the potential to redeem or to condemn themselves. Thus, my series is about life, people, flawed, challenged, and hopefully tangible enough to touch. Ultimately, the reader’s sympathies will decide who the heroes and villains truly are….

Nash Korpes is an interesting character that, I felt, continued to develop as the story progressed. What were some themes you wanted to capture while writing his character?

First, thank you for the compliment. If I’m going to be honest, I didn’t start off with a theme for Nash apart from the fact that he was taken from his family in the Diaspora at an early age, and that he was isolated because of his ‘gifts’ and heritage. I wrote a few short scenes of interaction and dialogue and then let his personality emerge organically as the plot points presented themselves. I’m still learning things about him. At heart, he’s a good man, he tries his best, but like everyone, he falls down, gets dirty, and can make terrible decisions that have lasting ramifications. By the end of book one, I felt he was a non-angsty, relatable protagonist for everyone who’s ever felt like they were on the outside looking in due to their ethnicity, a disability, or their socio-economic background.

This book is a gritty thriller and action-packed adventure to the very end. What were some sources of inspiration for the detailed world in this book?

I’ve been fortunate enough to have traveled widely and lived abroad in my early years, and those experiences can’t help but factor into my world’s design unconsciously.

As I mentioned earlier, I consciously began world-building Tamyrh back in high school; I’m an artist, so creating maps, designing the aliens, and doing concept art was fun. The toxic jungle, “The Seep”, as well as the ancient history of Tamyrh were invented then, but, I didn’t officially begin adding in the hard-science behind my world until 2012. Since then, I’ve been compiling research to give my world a sense of dimension and reality.

Now, I have an entire Pinterest account dedicated to ‘novel inspirations’ – it includes flora, fauna, visuals for the racial groups, cluster city concepts, diaspora inspiration, articles on real-world developments in science and physics, and cutting-edge technological advancements. They do say that a picture is worth a thousand words.
On an associated note, I’m planning to release a limited edition character sketchbook in 2020 – Patreon funded. A bestiary and world atlas are also in the works.

This is book one in the 942 Series, when will book two be available and where will the story pick up in that book?

I’m finishing up book two right now, and I plan to release it in December. The story picks up with Nash and Davis, roughly two months after the end of book one. A collection of short stories from the series will be published in October.

Author Links: GoodReadsTwitterFacebookWebsitePinterest

For those that love classic “Star Trek” and modern “Battlestar Galactica”, “The Korpes File” taps a fresh vein of science fiction gold.

“As if being born Diasporan wasn’t enough, Technician Nash Korpeshas the bad luck to match his Tyran ancestors in form and manner. Thesetraits, though highly prized by the special projects division at Korlune Military Research and Development, mark him as a specter from theirwarlike past. With only his intellect to save his sanity, he wages aprivate war against the entire socioeconomic status quo and uncovers anemesis that threatens them all.”

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Julia’s memories

Julia's memories (Amor Mundi Book 1) by [Dröge, Dave]

A futuristic look at one woman’s life is what readers will find in Julia’s Memories by Dave Drӧge. The book is told from Julia’s point of view as she dictates her life to her PR robot. It’s an intense read that follows our protagonist as she navigates her life in this new world. However, her story takes place in 2050, which is not far off from where we are today. Readers in their twenties and thirties will find themselves identifying with Julia as she describes what is a not-so-distant future, but one we may not be comfortable with just yet.  While there are no flashy light saber battles in this unique science fiction story, this is a story of a woman’s experience with her life which transcends time.

The first thing to keep in mind about this book is that it is an English translation. That being said, it becomes easier to ignore the spelling or grammatical issues that crop up from time to time. They are not so great that they detract from the content of the story, but they are there nonetheless. There is a lot of content in this dense book. Not only is the word count dense, the content is dense. This book is a sort of existential look at a person’s life. With that comes philosophical thinking and a viewpoint that  is unique.

If philosophical thoughts and conversations about what makes up humanity are your thing, then this book is definitely something that you will enjoy. Drӧge certainly dives right into the existential theme that he has built this novel upon. Seeing this world through Julia’s memories gives readers the ability to distance themselves from it and see things in a different way. While there are things that have occurred quite differently from our current timeline, there is no doubt that reading a book that takes place in 2050 is daunting to those who will live to see it. Less than 50 years away yet with the technological advancement one comes to expect from future-exploration books.

While there are a few drawbacks to this book, I found it to be an interesting read, if you can get past the seemingly insurmountable walls of text that will greet you on every page. This book offers a fascinating exploration into the human condition, it picks it a part piece by piece and examines each one.

Readers will find an interesting life-story in Julia’s Memories by Dave Drӧge as the book explores the memoirs of the title character. While this book has been translated, it is linear and easy to follow. That doesn’t make it any less of an impressive declaration of the human condition in a not too distant futuristic world. This book is definitely the novel to pick up if you want to philosophically muse about what it means to be human.

Pages: 364 | ASIN: B07DWJQQ1M

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