The book starts with a little history of the Congo under Belgium rule during the colonial days. This gives the reader an insight into how things were in Belgian Congo, and how ‘La Territoriale’ was made to get rid of King Leopold’s cruelty and brutality in the CFS regime. The first chapter gives a lot of information about Belgian Congo and all that happened. I had the impression that I was attending a history class, as the author wrote about events I had never heard of. It was agonizing to read about King Leopold, as his inhuman acts against the Congo people led to a lot of loss.
Politics in Congo, the formation of political parties, King Leopold’s atrocities and the influence of Rumba are all covered in the book. Reading about natives who were killed as directed by King Leopold in the harvest of red rubber in the era of CFS regime was one of the moments I almost broke down. Natives’ hands were chopped and others left with permanent wounds and under the CFS regime. Just how cruel could one man be? The worst thing was that even as he committed all these crimes, King Leopold received backing from his country, and even had support from his followers.
The author covered a number of themes in the book. Politics, music, law, human rights violation, business, and trade were all covered. This book highlights the use and impact of Congo music in Africa and other continents like America and Europe. Thierry Antha extensively writes about the brand associated with Congo Rumba and Rumba Lingala, Congo music that is known by just a few, how the Flemish administrators took Rumba, the industrialization of Congo music during the colonial days and much more.
Thierry Antha extensively writes about the brand associated with Congo Rumba and Rumba Lingala, Congo music that is known by just a few, how the Flemish administrators protected Congo music’s exceptionalism, while Walloons industrialized it with the addition of the legal diversity of South American music for export in the late 1950s and much more. And mostly how Fonior, the Belgian company, misused its monopoly to commit fraud and defraud Congolese musicians’ copyrights and consumers’ human rights in America, first, after the colony’s independence.
Rumba music, as allegedly sold in the West, is beautiful to the Soul. When played in clubs, the radio, and other public media, one can feel how passionately the artists feel the music they create. As you enjoy “Rumba” music, do you know a little history about Fonior’s fake-outs and how the genres were born? Do you know the challenges they faced and how the music they made affected them and the people around? If not, then you need to read this book. It has all the good, bad, fantastic and ugly stories about Belgian Congo, the natives, Congolese musicians and the exploitation of Congo music.
Pages: 598 | ASIN: B07CH9M9BR
Posted in Book Reviews
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Jagdlied is a genre-crossing novel with elements of a satire, drama, and erotica as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I began this project in 1991 with no intention other than to sketch out a salacious five- or six-page short story as a brief diversion from other more ambitious musical projects I was engaged in at the time. It grew into a twenty-page story, at which point I decided to set it aside as a “completed” work, even going so far as to affix an opus number to it in my otherwise (mostly) musical oeuvre. I moved on to other projects. When I returned to the story about eleven years later, I was dissatisfied with what I had written. I felt the characterizations were flat and the use of language too bland and conventional to suit my tastes, so I performed some deeper edits and revisions until the piece transmogrified into a novella of approximately 60 pages. Vaguely satisfied with what I had done, I set the text aside for another eight years or so and when I returned to it I thought it might need a few additional minor edits. Little did I know then that I would be embarking upon the creation of a 230,000-word magnum opus containing 290 graphic scores, an elaborate system by which musicians could extemporize against the text while it’s being narrated, as well as 108 Youtube links to performances of my musical compositions to enrich the piece even more. To answer your question: I never know in advance exactly how a work (whether literary or musical) will turn out. It happens, as you say, organically while it’s being created. I learn more and more about the characters of a novel as the situations and dialogues are interpolated into its structure. My own life experiences inform the transformation of a work’s gestalt to a certain degree. There are many creative people who plan their pieces meticulously in advance of writing anything down. Such an approach has seldom (if ever) been my mode of operation.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
Thank you. My favorite, perhaps, is one of the more unmitigatedly evil characters in the novel: Chief Justice Dizzy O’Nance. He oversees a kangaroo court in the “Hall of Injustice,” where the questionable protagonist Melody is put on trial without any form of due process. He is a veritable Dr. Crucifer, Judge Holden, and Iago compounded into one.
This book was a collective effort between you, Dolly Gray Landon, and Lon Gaylord Dylan. What was the collaboration process like?
Were we actually three separate entities, the collaboration would have been a much happier one. I think your question tongue-in-cheekly references the anagrams I devised as the two separate pen names I employ for the author and illustrator (I go my own name as the composer). It is difficult to compartmentalize writing text, composing and performing music, drawing graphic scores, and even making original films of one-man performances of this piece. I am now very much in a temper to collaborate with other performers (perhaps a narrator other than yours truly) and a variety of instrumentalists. I enjoy participating as both narrator and pianist simultaneously but I don’t mind engaging (read: luxuriating) in only one of these roles. Pantomimists, dancers, and culinary artists are an extravagance that would require a massive budget. Intimate chamber groups of, say, three or four musicians, are far more practical.
What is the next book that you are working on and when will it be published?
I have another magnum opus that has been on and off the burners for upwards of 24 years. It is entitled Venge Art, and is, in certain respects, even more megalomaniacal than Jagdlied insomuch as the improvisational cues are interpolated within—as opposed to being separated from—the text, as are the conventionally notated scores, some of which require super-virtuosic skill on the part of their executants. I am hoping to return to Venge Art to revise and round it off some more. It is a text piece of approximately 300,000 words and 500 pages of notated music (including a 2-hour long string quartet that was my Harvard dissertation back in 1989). A book on my idiosyncratic harmonic method is also in the works. At this point in time, however, I am more interested in tying up some loose ends: various chamber works awaiting completion, a couple of plays in verse, and numerous other projects. It is, unfortunately, impossible for me to give you a precise timeline.
Jagdlied officially goes on sale August 30th, 2018 and will become available in several printed versions. One should be able to pre-order it by August 15th, if not sooner.
This musically and graphically enriched chamber novel is an over-the-top black and blue comic extravaganza about the conspiratorial undoing of a teenage entitlement princess. The story throbs throughout with an undercurrent of apocalyptic motifs related to the extinction of art, fall of empire, and coming of the Antichrist. It is an epic farce that reads like an erotically supercharged psychological suspense thriller. The narrative takes the reader/audient on a veritable boomerang roller-coaster ride (with multiple inversions) through a reputational strip-and-whiptease of the novel’s malignantly artful (albeit ingenuously doe-eyed) protagonist: a wealthy young heiress and socialite who boasts an exclusive claim to her progenitors’ munificent estate. Her inheritance comprises an immense fortune amassed through shareholder investments in the world’s largest employment recruiter: the multi-national temp agency behemoth known as the Pleasant Peasant Corporation.
The character-driven narrative of Jagdlied explores themes of jilted love, misinterpreted motives, paranoid ideations, bombastic egos, ghoulish envy, smoldering jealousy, unconscionable revenge ploys, extravagant public humiliations, ruthless power games, insatiable greed, pernicious corruption, feigned moral outrage from all sides, and even (Heaven forfend!) coldblooded murder—all the type of stuff pre-calculated to magnetize your run-of-the-thrill-seeking bookworms and bibliophiles.
A rich repository of tongue-in-cheek nonce words, malapropisms, neologisms, archaisms, spoonerisms, slanguage, and whole swaths of unintelligible nonsense, the text of Jagdlied is also replete with irreverently lurid, salacious, and scatologic elements, which serve to set it in motion as a formidable contender for the distinctive cachet of being regarded (by cultivated aesthetes of omnifarious persuasions) as a momentously serious dirty book. It is targeted towards percipient readers and audients in possession of a well-seasoned sick and—dare it be said—cruel batch of funny bones inflected with a gallows-cum-smoking-room bent.
Whilst the plot of this story (grotesquely absurd as it will undoubtedly be esteemed) embraces reflexively cringeworthy sadomasochistic motifs, its author would hesitate to instyle it as porn, yet he would not be wholly disinclined to characterize it as a farcical parody thereof. And whilst at the same time its author is admittedly predisposed to eschew ascribing labels of any kind to this opus (especially seeing as what he has concocted is so rarefied in its formal structure that it cannot be facilely pigeonholed), it may not be altogether off the mark to view it as a form of literary neurotica (if, indeed, there is such a genre) as opposed to the more boilerplate literotica—or what in sex nazi circles is dysphemistically adverted to (in no uncertain squirms) as “filth.”
Whilst the text of Jagdlied may be read in silence as a novel in the traditional sense, it is ultimately written for the purpose of being recited by a skilled elocutionist to the accompaniment of extemporized music by ad hoc variable ensembles in relatively brief, self-contained or—depending on how one looks at it—semi self-contained episodes with the aid of a do-it-yourself improvisation kit provided in its appendix. This “kit” is likenable to a Baroque-style table of ornaments, albeit comprehending specific sets of chance operations for each and every participant involved in renditions of individual fascicles of this work. Aside from entailing a professional narrator and musical extemporizers, the score discretionarily calls for pantomime actors, dancers (hence choreographers), set designers, culinary artists, and even members of the audience itself.
Posted in Interviews
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The Korpes File follows a technician born into the underclass of his world when he is marked by the ruling class as a threat due to his genetic make-up and is forced to fight back. What was the inspiration for the idea at the core of this exciting novel?
This is a complicated question to answer because the inspiration came in stages over the course of thirty years.
I was an artist long before I became an author. Concepts for the world of Tamyrh started showing up in illustrations while I was still in high school in the early-80s.
In 2012, a friend approached me to brainstorm on a game he was designing. I suggested that he let me do some world-building for him, and I wrote two pieces of flash fiction to go with the maps I’d designed. The game was shelved (unfortunately), and my work was returned to me, but that burst of writing led me to dig Tamyrh out of my portfolio case and look at it again. That was it; my objective became “write something that I would want to read,” and books one through five were plotted by the following summer.
Dystopian themes in science fiction are popular, and I wanted to create something that depicted both the protagonists and antagonists as living in the shadows and light between good and evil. To have a worthy, three-dimensional hero, you must have an equally worthy, three-dimensional adversary. Each one has to have reasons behind what they do, and regardless of how they start out they each have to have the potential to redeem or to condemn themselves. Thus, my series is about life, people, flawed, challenged, and hopefully tangible enough to touch. Ultimately, the reader’s sympathies will decide who the heroes and villains truly are….
Nash Korpes is an interesting character that, I felt, continued to develop as the story progressed. What were some themes you wanted to capture while writing his character?
First, thank you for the compliment. If I’m going to be honest, I didn’t start off with a theme for Nash apart from the fact that he was taken from his family in the Diaspora at an early age, and that he was isolated because of his ‘gifts’ and heritage. I wrote a few short scenes of interaction and dialogue and then let his personality emerge organically as the plot points presented themselves. I’m still learning things about him. At heart, he’s a good man, he tries his best, but like everyone, he falls down, gets dirty, and can make terrible decisions that have lasting ramifications. By the end of book one, I felt he was a non-angsty, relatable protagonist for everyone who’s ever felt like they were on the outside looking in due to their ethnicity, a disability, or their socio-economic background.
This book is a gritty thriller and action-packed adventure to the very end. What were some sources of inspiration for the detailed world in this book?
I’ve been fortunate enough to have traveled widely and lived abroad in my early years, and those experiences can’t help but factor into my world’s design unconsciously.
As I mentioned earlier, I consciously began world-building Tamyrh back in high school; I’m an artist, so creating maps, designing the aliens, and doing concept art was fun. The toxic jungle, “The Seep”, as well as the ancient history of Tamyrh were invented then, but, I didn’t officially begin adding in the hard-science behind my world until 2012. Since then, I’ve been compiling research to give my world a sense of dimension and reality.
Now, I have an entire Pinterest account dedicated to ‘novel inspirations’ – it includes flora, fauna, visuals for the racial groups, cluster city concepts, diaspora inspiration, articles on real-world developments in science and physics, and cutting-edge technological advancements. They do say that a picture is worth a thousand words.
On an associated note, I’m planning to release a limited edition character sketchbook in 2020 – Patreon funded. A bestiary and world atlas are also in the works.
This is book one in the 942 Series, when will book two be available and where will the story pick up in that book?
I’m finishing up book two right now, and I plan to release it in December. The story picks up with Nash and Davis, roughly two months after the end of book one. A collection of short stories from the series will be published in October.
For those that love classic “Star Trek” and modern “Battlestar Galactica”, “The Korpes File” taps a fresh vein of science fiction gold.
“As if being born Diasporan wasn’t enough, Technician Nash Korpeshas the bad luck to match his Tyran ancestors in form and manner. Thesetraits, though highly prized by the special projects division at Korlune Military Research and Development, mark him as a specter from theirwarlike past. With only his intellect to save his sanity, he wages aprivate war against the entire socioeconomic status quo and uncovers anemesis that threatens them all.”
A futuristic look at one woman’s life is what readers will find in Julia’s Memories by Dave Drӧge. The book is told from Julia’s point of view as she dictates her life to her PR robot. It’s an intense read that follows our protagonist as she navigates her life in this new world. However, her story takes place in 2050, which is not far off from where we are today. Readers in their twenties and thirties will find themselves identifying with Julia as she describes what is a not-so-distant future, but one we may not be comfortable with just yet. While there are no flashy light saber battles in this unique science fiction story, this is a story of a woman’s experience with her life which transcends time.
The first thing to keep in mind about this book is that it is an English translation. That being said, it becomes easier to ignore the spelling or grammatical issues that crop up from time to time. They are not so great that they detract from the content of the story, but they are there nonetheless. There is a lot of content in this dense book. Not only is the word count dense, the content is dense. This book is a sort of existential look at a person’s life. With that comes philosophical thinking and a viewpoint that is unique.
If philosophical thoughts and conversations about what makes up humanity are your thing, then this book is definitely something that you will enjoy. Drӧge certainly dives right into the existential theme that he has built this novel upon. Seeing this world through Julia’s memories gives readers the ability to distance themselves from it and see things in a different way. While there are things that have occurred quite differently from our current timeline, there is no doubt that reading a book that takes place in 2050 is daunting to those who will live to see it. Less than 50 years away yet with the technological advancement one comes to expect from future-exploration books.
While there are a few drawbacks to this book, I found it to be an interesting read, if you can get past the seemingly insurmountable walls of text that will greet you on every page. This book offers a fascinating exploration into the human condition, it picks it a part piece by piece and examines each one.
Readers will find an interesting life-story in Julia’s Memories by Dave Drӧge as the book explores the memoirs of the title character. While this book has been translated, it is linear and easy to follow. That doesn’t make it any less of an impressive declaration of the human condition in a not too distant futuristic world. This book is definitely the novel to pick up if you want to philosophically muse about what it means to be human.
Pages: 364 | ASIN: B07DWJQQ1M
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The very fabric of her being is coming undone. She has always lived such a sheltered life, she is not ready for the massive shift that is about to take place in her life. The socialite is heiress to a fortune earned through investments and work at a multinational. She is faced with all sorts of questions about life and even touches on the possibility of a world without art. This princess will learn a few things the hard way. She will be bruised and knocked around a few times, but such is life.
The author has skillfully crafted a tale of sour love, questionable characters, jealousy and revenge. The story is told vividly and imaginatively. It is a thrilling literary ride through the protagonist’s experiences as a princess whose castle is falling apart by the brick. On one hand, you feel bad for her but on the other you would rather not bother. This quality leaves the reader so gloriously torn between the characters of the book. Not to mention glued to the pages as the story unfolds.
This story is told in an unusual tone. A tone that is quite indescribable but is quite fitting for the story and characters therein. The grammar is impeccable. The sentences are artfully crafted with relatively simple language. The reader will find themselves quite easily drawn into the story. The unusual tone and a touch of simplicity for the complex plot are welcoming and appealing. They beg the reader to read just one more page. To find out what happens next and then next. The term- page turner- was coined for this book.
The characters are well developed. Each has a quality that the reader will identify with. There is a certain intrinsic quality that just makes the characters quite lovely to dabble with. A certain ‘je ne sais quoi’ so to speak. This quality in the character development is consistent throughout the book, but makes it so hard when the book comes to an end. The trio really did a good job with this.
To the intrigued reader, beware, this book is quite a dirty sex crazed romp. Conservatives better brace themselves, keep a bible handy, and an open mind because you will hate how much you enjoy the erotic quality of this book. Rarely does a book possess so many winning qualities. Humor, drama, erotica, tragedy and much more. All delivered with expert craftsmanship and a generous dose of thrill. The erotica may be a little strong for some but if read with an open and relaxed mind, this is a very enjoyable and entertaining ride.
Tags: a chamber novel, alibris, art, artist, artists, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, culinary, Dancers, drama, ebook, erotic, erotica, fantasy, fiction, goodreads, humor, ilovebooks, indiebooks, Jagdlied, kindle, kobo, literature, Musicians, mystery, narrator, nook, novel, Pantomimists, publishing, read, reader, reading, satire, sex, shelfari, smashwords, story, suspense, thriller, tragedy, writer, writer community, writing
Once Upon a Time Slip follows young China Winter as she discovers her ability to cross worlds and finds herself summoned by the father of time travel to save humanity. What was the inspiration behind the setup to this thrilling novel?
I am absolutely fascinated by the paranormal, history and the whole steampunk movement. As an artist, a lot of my paintings and sculptures are heavily influenced by these three genres and my interest in art eventually began to seep into my writing. I have a love of antiques and learning as much as I can about past inventors. I also read a lot of scientific journals and have a huge interest in the whole concept of parallel universes, time travel and time slips. My biggest inspiration behind the book was the great Nikola Tesla. Other influences have been the volumes of history books and war stories I have devoured over the years. I wanted contrast in the story and so my main character is a futuristic, steampunk girl. I liked the idea of having a protagonist who would be willing to sacrifice themselves in order to save the whole of humanity if it was necessary.
China Winter is an intriguing character that continues to develop throughout the novel. What were some obstacles you felt were important, to highlight her character development?
The biggest obstacle for China was having to choose sides in war which seemed to have no boundaries. Her loyalties were being tested throughout the story. Being faced with life altering decisions which would have led to suffering and loss, was the ultimate challenge for such a young girl. Falling in love with a dead man led to a fork in her path of destiny.
The story takes place in a steampunk future where wild inventions abound. What were you favorite inventions or tech to create and write for?
Without giving too much away, I loved creating new time travel devices throughout the story. I felt that it was necessary to have more than one mode of time travel transportation in order to give the full impact of how extremely advanced technology is yet to become within the future.
I especially loved writing scenes where ghosts from the past would react to futuristic technology and end up coming to all manner of baffling and humorous conclusions about what they were witnessing
What is the next book that you are working on and when will it be available?
I am currently working on the sequel to Once Upon A Time Slip which will become available in 2019. I cannot leave the readers breathless and tingling with anticipation as they stand at the edge of a mighty cliff hanger!
It is the year 2258 when nineteen year old China Winter discovers her ability to cross the veil between worlds. On a quest to find her missing brother Maddox, she finds herself summoned by the father of time travel – Nikola Tesla to help save the whole of humanity; both past and future souls. China must sacrifice so much as she is dragged ever deeper into a treacherous and eternal time war.
Stepping back in time from her steampunk-esque existence, China finds herself caught up in the most incredible battles. Every army that ever existed can materialise in the wrong time or place, at any given moment to lay siege upon the earth. Slipping back and forth between the mists of time, history re-writes itself, playing havoc on the very fabric of reality. Can she survive the world of hauntings, poltergeist manifestations and time slips to save the universe from complete obliteration?
Posted in Interviews
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A World of Wonder by Brent A. Ford and Lucy McCullough Hazlehurst is an educational combination of photographs and poetry, designed to be enjoyed by parents and children together. Giving the latter an interest in the world and to act as a starting point for appreciating its wonders. It consists of 41 high-quality, color images of nature and natural phenomena across the globe, each paired with a relevant, short poem – some newly written for the book, and some classics. The interactive copy has links to further information related to each photo.
The first thing that struck me was the quality of the photos, which are expertly-framed, beautiful shots of a range of animals, scenery, and weather across the globe, as well as views from beyond the upper atmosphere. As an adult, I still wonder at many of them, so it must be magical for a child. They evoke multiple emotions – some are dramatic, some cute, some calm – but all are of a suitable nature for young children, as should be expected.
The accompanying poems are apt for the stated age range of 3-8, and grade level K-2; they’re short, accessible and fun to read aloud. Some are humorous, while many are more instructive about the habits of animals or natural processes. They match well with the photos, and explore different aspects of life on Earth.
The combined variety of photos and poems are ideal for promoting conversation of all kinds between parents and children; it’s easy to tell that the authors have experience in education. Not just parents, but teachers could certainly get a lot of use out of this book, too.
It’s not particularly long, and because it’s designed to be picked up and put down, it seems perfect for different attention spans and available periods of time. It could be used at bedtime, or for car journeys.
The amazing choice of photographs enables you to revisit this book many times, so parents can ask different questions to highlight different points and to introduce more complex ideas as their child grows. This flexibility of use would is a huge draw for parents. It would be ideal for guessing games – trying to remember the photo from the poem, or even the poem from the photo. Budding artists could get some great inspiration from it, and it could be a very useful starting point for crafting projects or for guided research about animal habits and habitat.
I appreciate the authors’ aims and the work that they have put into the book in order to achieve them. A World of Wonder truly delivers on the wonder that it promises.
Pages: 88 | ASIN: B072LJWBSZ
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Into The Liquor Store follows Bink, a graffiti artist and connoisseur of cannabis, through a series of life events set against a dystopian future. What was your inspiration for this creative novel?
When I started writing the novel, it was supposed to be an autobiographical movie. Then I decided to have the events take place in the future; mostly so that I wouldn’t get in trouble with my family. With hesitation I let my mother read the first chapter, and she suggested I write it as a book instead. I even reached out to an Iranian graffiti artist who goes by A1one (Alone) and he gave me some encouraging words. Bink makes a reference about him in the novel as well.
Bink’s character slowly builds throughout the novel and ends up being a fairly deep person. What were the themes you used when creating his character?
I focused on Bink’s trajectory and growth. The last thing I wanted was a one dimensional character. He relies heavily on his connections, he has flaws, and towards the end he’s redeemed to an extent. I didn’t want Bink to be Mr. Perfect, and I wanted the people who interact with him to hold him accountable.
The novel is set in a dystopian future earth where graffiti is a regulated art form and taggers are well respected. Where did this idea start for you and how did it develop as you wrote?
In the prologue we start to see Bink’s love for the 21st century, 2010 through 2019 to be exact, embraced in his nature. He refers to it as a classic era. So I imagine there must be galleries that depict street art in the same light as the Renaissance. Art and specifically painting, I feel will be around forever.
What is the next book that you are working on and when will it be published?
The next book is still being developed. I can’t say much about it, but it will take place in the same universe as Into The Liquor Store. It will focus on the behind the scenes work of the government. The movie adaptation, of the same name, is being completed and soon my collaborator and I will send it to contests.
The worst has yet to happen to Le’roy, of Egyptian and Russian decent, when his girlfriend of three years breaks up with him; dealing with the conflicting societies of a 23rd century Iran, he often feels nostalgia for a century to which he was not born.
Le’roy, an artist who abstains from tobacco and alcohol, bombards his mind with vices such as: lust, marijuana, and psychedelics. He must come to terms with his heightened status of celebrity and the fact that a lottery can enhance his lifestyle, but a vision transcends a lifetime.
Posted in Interviews
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Bean in the Garden is the first book of the children’s series, Bean in the Garden, by Ann Bevans and Matthew Ethan Gray. The books are designed with preschool children in mind, so Bean in the Garden is short, colorful, and easy for young children to understand.
Bean sets out to take a walk around the garden, and packs his favorite toys in his backpack. On the way, he meets Mrs. Berg, who has a new teapot but is out of tea. Bean offers to get her some tea as part of his adventure. Along the way, he meets three little peas who are about his own age, and they all have toys just like his. When he discovers a hole in his backpack and all of his toys are gone, he realizes the three peas were trying to return what they had found. The story is all about sharing, making friends, and being kind; a great message for preschool kids.
The first thing that struck me about the book was the illustrations. Mr. Gray’s artistry fills the page with bright colors and engaging images. This is a world of vegetable people. Bean is, of course, a bean and his mother is a lovely red beet. His neighbors include a friendly lettuce, Mrs. Berg, and a potato, Miss Tots. The clues to Bean’s toy dilemma are right there in the pictures so adults can encourage their children to search for the “lost” toys as they read along. Kids may also want to look at the pictures and imagine their own Bean adventures.
Another message I got from the story is that some things that seem bad, like a hole in your backpack, don’t have to be a big crisis. Bean reacts with shock when he realizes his toys are lost, but instead of being angry, he realizes that the three peas were trying to help him all along. It’s a good way to teach children about kindness and understanding, especially since kids who will be reading this are learning how to control their expectations and emotions.
There are three books in the series thus far, each available in both print and eBook formats. For toddlers and preschoolers, you can’t go wrong adding this book to their reading list. You can get more information about the authors, the series, and links to purchase the print and eBooks at http://beaninthegarden.com/
Pages: 36 | ASIN: B01LNRBK7K
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