The BreakAway Girl: Secrets of a Tantric Yogi is a memoir about your life and how you found peace through hard times. What was the inspiration that made you want to put your story into a book?
Great question. As I mention in the book I’ve been blessed over the years to have the privilege of teaching yoga to so many remarkable students. As a result, in many ways the book is a response to questions I’ve been asked over time. I also believe it’s important that as a teacher you’re seen as a human being. Who can be just as frightened at times, unaware at times, and who may have struggled with insecurities just like the person next to you on the mat, or in front of you at the grocery check-out. It’s all part of this human embodiment.
What I enjoyed was that you didn’t shy away from retelling the difficult moments in your life. Was there anything that was difficult for you to write about?
Ha – yes! Quite honestly revealing all of my human fragility was difficult. It’s not easy to rip open your heart and expose your vulnerabilities so intimately. Knowing that most likely there will be judgement and commentary. Yet, as a writer it’s how I make sense of my world. I teach the whole of yoga, not simply poses. So, for me it’s a way that I’ve learned how to not spiritually by-pass and one way to be self-accountable. By doing that I’ve also learned, that in the right context, you allow others to see that they are not alone in the messiness that is life. And hopefully they feel more accepting of their own cracks and breakaways.
Writing a memoir forces you to look back and analyze life choices. Do you see things in your life differently now that you’ve written about it?
I love this question. I could write a lot about this, but one main analysis is that I’m more forgiving of myself. I realize that I was doing the best I could at the time. However mis-guided it might look like in retrospect. Plus, I’m even more grateful that I finally found my way to the path of yoga that continues every day to help me step more fully into my own essence.
This book is inspirational as well as functional in that you give some yoga pose instruction in the back of your book. What do you hope readers take away from The BreakAway Girl?
I hope that readers are inspired by my story of self-reflection, and ultimately as I see it, redemption. If they recognize themselves in any small way, I hope that my story might provide insight and motivation into their own breakaways. And to never give up on themselves. Also, if a reader is searching for a tool or a modality that might move them forward perhaps it is yoga – the myths, meditation, mantra, or asana might just be that something that will support their spiritual growth and personal transformation.
Paulette Bodeman is a certified integrative life coach and an Anusara® certified yoga teacher and trainer. When Paulette’s students asked her if she’d always “had it all together”, The BreakAway Girl – Secrets of a Tantric Yogi, was born. Through self-reflection, a sacred yogic practice, Paulette realized that she’d had many significant “breakaway moments” – moments when she made conscious decisions to change her life. Throughout her 20+ years of study, Paulette moved through many phases overcoming numerous personal challenges.
The BreakAway Girl is divided into sections that she named for the Hindu Goddesses – Kali, Saraswati and Lakshmi. Only through introspection was Paulette able to understand the meaning the goddesses brought to her life, and how their energetic archetypes supported her personal growth and transformation. In keeping with a relatively new breed of contemporary writing, part memoir – part self-help, Ms. Bodeman reveals with raw honesty and humor the secrets that held her hostage and the secrets that helped to set her spirit free. While she writes with fearless determination from the trenches of personal experience the author’s ultimate message is not only universal, but life-affirming.
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Don’t Ever Look Behind Door 32 takes young readers on a journey through the magical Hotel of Hoo where they’re introduced to many strange guests. What served as your inspiration for this imaginative hotel and its occupants?
The concept was really born from the title. I had wanted to write a counting book for a while but one that carried a stronger narrative than many others in this particular category. After I had the title, everything else just came together. I think that there is something about doors that sparks a natural curiosity, particularly in young children. I wanted to extend that curiosity by placing the story in a setting that would really compound the mystery. A magical castle, to me, holds a lot of intrigue and seemed like an excellent place to begin a curious journey.
There are a lot of interesting creatures behind each door. My favorite was the miniature giants. What was your favorite to write and animate?
I have so many! For most of the characters there is a fascinating juxtaposition between the general perception of their stereotype and a characteristic they embody in the story. Some of the other creatures are simply a play on popular culture. However a few of them are just plain cute. If I had to choose only one favourite, I think it would be from this last category – the big-headed monkeys.
While I was writing this character, I had in my mind something so adorable that it would make a great stuffed toy. What’s exciting about working with Lenny is that we both think similarly. She was able to take my thoughts for this idea and really bring it to life with brilliant expression. They may not be a typical mythical creature, but I think they nevertheless compliment the overall enjoyment of exploring this hotel by diffusing the expectation that each character needs to have some kind of creepy characteristic.
The story is told in rhyme and each door has a theme which, I think, makes this book great for the classroom. Was it challenging to write the story in this way or was it natural?
After I had the idea, the story itself flowed quite naturally. The fantastical nature of the castle meant that each door wasn’t restricted to a single concept or any established rules. I think this is (in part) what both pulls you along in the story and tempts you to linger – every door is a portal to its own unique and perhaps unexpected theme.
I don’t want it to send like I’m begging, but please tell me this story is going to be expanded on in future books?
Ooh, now that’s an interesting question. It was definitely a fun story to write so I wouldn’t rule out a sequel. I’ll let you know…
The magical Hotel of Hoo is a mysterious place with some very unusual occupants. As our guests explore the strange hotel, they are invited to experience everything it has to offer with just one warning… don’t ever look behind door 32.
This imaginative picture book aims to take children beyond the first ten cardinal numbers, and introduces them to the patterns of counting in a fun and accessible way. With rooms to explore and unique objects to count, children will enjoy lingering on each page as they make their way closer to the forbidden door.
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The Day Momma Made Me Dance, written by Patrice Brown, is a colourful children’s book depicting the consequences of what happens when children misbehave. The story follows a young girl who is constantly up to mischief, whether it’s in the form of skipping chores, fighting with her brother or doing cartwheels in the hallway. Her momma ignores her naughtiness, and it seems like the little girl will continue with her mischievous ways. Finally, momma has had enough of her daughter’s behaviour and decides to inflict some interesting forms of punishment.
The Day Momma Made Me Dance is a short story that takes a look at children’s behaviour and using physical punishment as a result of “naughty” or “bad” behaviour.
The story begins with a touching dedication which gives credit to mothers and the strength they carry through motherhood. In particular, it dedicates the story to her mother who has sadly passed and the strength they have had raising their children as a single parent. It sets the tone for the story and provides relevance to the types of punishment used for the children.
It then goes on to continue with a forward and preface section where the author outlines the love for her family and her daughter. It’s clear to see that Patrice has a strong love and bond for her children and family and values the childhood that her mother was able to provide for her. It also indicates how similar punishments of “making her dance” were used on her and her siblings and how she understood and accepted the reasoning behind the particular types of punishment.
The Day Momma Made Me Dance appears to be targeted towards children, however, the underlying message is created for adults as it pushes towards building an understanding of what constitutes abuse and discipline. The choice of punishment is a form of corporal punishment where the child experiences being whipped for her misbehaviour.
The Day Momma Made Me Dance could be used as a talking point of what parents may consider appropriate punishment for their children. At the end of the novel, Patrice Brown discusses what she believes to be abuse and what she feels is discipline. Patrice also goes into depth on the importance of not using sexual abuse as a form of punishment and how abuse can occur in many ways- emotionally, physically and mentally. There are questions you can use to discuss with your children on how they feel about being disciplined and how you can better your relationship with your child. These questions put a positive spin on the story and open up the passage of discussion of what you consider to be unfair or inappropriate discipline.
I would recommend this to parents who were comfortable in the use of corporal punishment or were looking for a storybook to open up the conversation of what family members considered to be abuse or discipline.
Pages: 39 | ASIN: B075KLRNLQ
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In Empyrean two empires are stuck in a struggle for control and suspicion has been raised about Skae’s true motives towards the Brin. How did you approach this book in the Brin series to keep things fresh?
I always had an overall general idea of how I wanted to wrap up the series so there were several hints along the way about the Skae and Gorvin empires. I wanted to follow a single family of Brin over a long span of time so creating individuals across generations was an essential part of the story. As in real life, even close relations have very different personalities so the new generation of characters in each book helped keep everything fresh with new perspectives. As the stories progressed, there were many alterations and details that changed as new inspirations hit, but the overall arc did not change too wildly from my original thoughts.
We delve deeper into the two cultures history and motives in this novel. What were some guiding principles for you as you were creating these empires?
As each book came to life, I strove to add greater depth to the universe the characters lived in. This was partly by design, but also the result of my learning more about how to write such an epic tale. Remember, Hegira was my first ever attempt at writing. Even though this is all happening in a different universe than ours, there still had to be certain laws of physics to follow and all the technologies had to abide by those rules. Some few alterations and extensions to our physical laws helped make it an interesting scifi universe, but straying too far would create too much disbelief. I wanted everything to be based on actual theories of what could be possible, then make it so. (yes, an intentional Picard reference.)
You were able to expertly balance technical jargon with easy prose. How did you strike that balance and was it purposeful?
I spent 35 years in the science classroom trying to explain complex scientific concepts to 7th grade students. I guess I developed a knack for doing this which carried over into my story-telling style.
Will this be the last book in the Brin Chronicles or do you plan to continue this series?
Yes, this is the final book of The Brin Archives. It was surprising to discover how much I would miss all these characters when I was finally done writing their story, but it is time to move on to a new project. Maybe someday, if fame and fortune hits and all my adoring fans demand a fourth novel in the series, then I might revisit all of them again. (it could happen… right?)
In this conclusion to The Brin Archives, Maliche Rocker must risk everything including his family’s reputation and even his life, to uncover the truth about the Skae. For over three hundred years the Brin have believed the Skae to be their benefactors, and the race that rescued them from extinction. But recent revelations by a group of young Kolbri, the offspring of Brin and Kolandi mating, tell a disturbingly different story.
Three Kolbri, including Maliche’s son Jontar, must use their unique abilities to telepathically connect with technology, and discover the truth about the Skae once and for all by undertaking a perilous journey through thousands of years in space and time, unravelling the history hidden from them by Skae. During this expedition, Jontar and his two companions must encounter the Gorvin, hated enemy of the Skae and supposed instigators of the current interstellar war.
What turned the Skae and Gorvin into mortal enemies? What is the true cause of the war responsible for the destruction of hundreds of worlds over thousands of years? Will Maliche and his small group find the truth and avert disaster both at home and across the galaxy? Can his wife, Ryma, hold the Brin government together long enough for Maliche to succeed? Only time will tell.
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The Dragon Grammar Book succinctly covers everything from subject and verb agreement to dangling participles and misplaced modifiers in a fun and engaging way. What was your goal when you began this book?
My goal was to create an easy-to-understand and fun grammar book for a wider audience, from middle grades to adults, that would encourage the reader to want to read and learn grammar. As a writer, editor, and publisher, I often come across the same grammar mistakes made by adults, so I wanted the book to be a refresher guide for adults while being a learning guide for children.
What do you find people struggle with the most when learning the English language?
The English language is a complicated language to learn and even confuses seasoned writers on occasions. The thing I see most people struggle with is the proper use of homonyms, like your vs. you’re; and other confusing words, like when to use affect vs. effect. Second to that, punctuation seem to present a lot of problems.
What I liked most about this book was how it distilled ideas down to simple bits of information. What was the hardest part about writing this book so it’s understood by kids and adults?
Most books aren’t written for such a wide audience, so the challenge was in finding that middle ground where the writing would engage the entire group of readers. Personally, I appreciate simple explanations that don’t over explain, which led me to the idea that other adults might too.
Do you plan to create more educational novels like this featuring characters from your fantasy series?
Yes, I have a few ideas brewing, but the idea that keeps coming up front and center is to write my characters into a book about short-story writing. I’d like this book, too, to be for middle grades through adults. The characters are presently voting on the project, so we’ll see where that leads us.
The Dragon Grammar Book is the ideal grammar book for kids, dragons, and adults alike. From multi-award winning children’s fantasy author, Diane Mae Robinson, The Dragon Grammar Book introduces middle grades through adults to the basic rules of the English language with easy grammar lessons. Featuring the zany fantasy characters in the author’s The Pen Pieyu Adventures series, The Dragon Grammar Book is sure to be enjoyed by the whole kingdom.
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The Literary Titan Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and we are proud to acknowledge the hard work, dedication, and imagination of these talented authors.
Gold Award Winners
Silver Award Winners
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B.C.R. Fegan’s Don’t Ever Look Behind Door 32 takes young readers on a journey through the magical Hotel of Hoo where Mr. Nicholas Noo gives his first-ever guests constant reminders to avoid, at all costs, door number 32. Behind each door leading up to 32, guests are treated to many surprises, some creepy and some quite humorous. Entertaining rhymes help light the way through the castle-like establishment as both the readers and the guests of the hotel meet and greet a bevy of characters who have taken up residence behind the first 31 doors. What lies behind Door 32? I’ll never tell!
I really love Fegan’s books for young readers. Lenny Wen, illustrator, creates some of the most vivid and striking images you will find in children’s literature. Wen gives his characters amazingly expressive eyes whether they are screaming in terror at ghosts cooking roasts, doing a double-take at a paintbrush-wielding elf, sneaking peeks at tea-drinking monsters, or (my favorite) marveling at miniature giants.
This particular tale takes on a Halloween feel and serves as a fabulous book to read aloud during October or as part of a monster-themed unit for elementary grades. As a third grade teacher, I can see using this book with my students to study rhyme, compare and contrast the findings behind each door, or as an inspiring writing prompt. The possibilities are as endless as the number of creatures housed behind each of the doors in the Hotel of Hoo.
Fegan does an excellent job of periodically reminding the reader that Door 32 is somewhat of an enigma and, possibly, the most feared of all doors in the Hotel of Hoo. Suspense builds throughout the book as the second-person narrative draws young readers into the different rooms, page by page, and treats them to a fantastic assortment of zombies, ghosts, wizards, and many more creatures of lore.
Fegan and Wen are, book by book, mastering the kiddie lit genre. With each successive book, their plots and accompanying illustrations take on more depth and even more vibrant characters. From the very first pages, this one has the feel of a classic in-the-making.
Pages: 36 | ASIN: B078VSML8V
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Lucy’s First Christmas is the heartwarming tale of Lucy the rescue cat’s first Christmas with her adoptive family. There is so many directions to take a holiday story, how did you settle on this story line?
Having a new pet during the holiday season can be stressful for them, the established pets, and the family. The family dynamic changes with the additional family member. I wanted to show that there is plenty of room and love to go around.
I felt like there was a lot of love and truth in this story. Did you take anything from your own life and put it in this story?
Oh yes! Lucy’s antics all happened. From playing with the Christmas tree decorations, to “helping” me wrap Christmas presents, to playing in the snow. She did it all! But in the end her favorite place to be is curled up on our laps or snuggling with one of our other pets 🙂
Do you find that pets are usually extra curious around the holidays when humans are decorating?
Absolutely, the sights, scents, and sounds that go along with the holiday season are very enticing to pets. The constant activity peeks their curiosity even more. That’s why it’s so important to take extra safety precautions for your pets during the holiday season.
What is the next book that you are working on and when will it be available?
The fourth book in the Lucy’s Tale series, Lucy goes to the Vet, will be available spring 2018.
Tomorrow is Lucy’s first Christmas. Everyone is busy getting ready for the big day. Lucy wants to help. But when she tries to help Mom wrap presents, she makes a mess. When she tries to help Dad decorate the tree, she tangles the lights. When she tries to help Ben build a snowman, she gets stuck in a snowdrift. Surely there must be a way for an eager kitten to help!
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The Dragon Grammar Book: Grammar for Kids, Dragons, and the Whole Kingdom, by Diane Mae Robinson, is a handy writing tool for kids in one neat, little package. Robinson presents readers with a succinct list of terminology, ten chapters covering everything from subject and verb agreement to dangling participles and misplaced modifiers. Throughout the grammar guide, readers are treated to engaging illustrations of Sir Princess Petra and Snarls, the dragon. From beginning to end, The Dragon Grammar Book, provides readers with everything they need to address those most common questions they encounter as budding writers.
Robinson begins her grammar guide with a very useful and well-organized grammar terminology section. Teachers, students, and parents will find the opening 15 pages of the book an extremely helpful tool for quickly skimming and finding definitions and examples of each of the parts of speech, punctuation, along with a few writing terms tossed in for good measure.
Let’s face it, kids can shut down at lightning speed when a textbook comes into sight. The Dragon Grammar Book provides the perfect amount of information presented in short bursts that don’t overwhelm the reader. Accompanying explanations for each rule are not too wordy, and hold the reader’s attention long enough to make a point. The ongoing dragon theme is tucked into each of the example sentences throughout the book.
As a teacher, I appreciate the wide variety of topics covered in the fairly short text. The author has chosen to include some areas students will encounter as their writing develops over the course of several years. Chapter One’s focus on confusing words was a breath of fresh air to this teacher. Arranged alphabetically and featuring brief, easy-to-understand examples, this portion of the book is simple to navigate and covers each and every roadblock young writers encounter as they learn to proofread and edit their work.
I give The Dragon Grammar Book: Grammar for Kids, Dragons, and the Whole Kingdom 5 out of 5 stars. Having a useful resource that engages students and includes a wide variety of grammar rules with short, fun examples is difficult to find. Robinson has produced a winner with this easy-to-navigate, all-inclusive, grammar guide for kids.
Pages: 140 | ASIN: 198871401X
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Titch the Itch is the tale of an animated little itch who wants nothing more than to make friends. How did you come up with the idea to anthropomorphize an itch?
The idea was born when I was ‘chasing an itch’ around my wife’s back. Every time I scratched a spot, the itch seemed to move. I thought the idea of an itch playing games would make a fun concept for a children’s book so I set about to develop the story.
There are many fun and funny moments in the book. Were there any moments that made you laugh out loud while creating the book?
I’m not actually a laugh out loud kind of person. I’m one of those annoying people who internalises humour – so no one is actually sure whether I’m finding something funny. I know… I’m working on it. But yes, there were quite a few moments that I found quite fun.
There are probably two main aspects of the story that stand out to me as funny. The first is Titch’s desperate but authentic attempts to make friends, juxtaposed with the exaggerated but real-world reactions of his new acquaintances. The second is Titch’s completely innocent disregard for anyone’s personal space.
Lenny Wen, the illustrator, also did an outstanding job capturing the humour. Probably my favourite page is when Titch spots a ‘rich-looking lady with a tiny white poodle’. She has managed to illustrate someone who typifies dignity and stoic behaviour. It is the anticipation of Titch’s desire to make friends with her that I think prepares readers for a good laugh out loud moment (if that’s their thing of course).
This story of an itch looking for friendship is perfect for teaching young readers about the value of friends and loyalty. What do you hope readers take away from this story?
I tried to write something that was a little different to most books on friendship. Often we think of friendship as something that we accept based on someone’s desirable qualities. I wanted to challenge that, and ask the question, what if friendship has more to do with someone else’s acceptance of us.
Titch ends up being a really interesting case study in friendship, because he is annoying by nature. In essence, the desirable qualities that we normally associate with friendship have been stripped away. We are only left with loyalty. I also purposefully avoid concluding the book in consonance, as it transfers this question to the reader.
At the end of the day however, this question is only a subtle thread in an otherwise simple and humorous adventure of an Itch. More than anything else, I hope that readers of Titch the Itch just enjoy the imaginative qualities and have fun reading!
What is the next book that you are working on and when will it be available?
The next book to hit the shelves is called Don’t Ever Look Behind Door 32. It is about a brother and sister who are invited to explore a mysterious hotel with some unusual guests. Readers will be able to linger on each page and count the hidden objects as they make their way towards the forbidden door. I really look forward to hearing what children (and adults) think of it.
It is currently available for pre-order, and will be available on March 14.
When Titch discovers that no one in his family wants him, he sets off on a journey to find someone – anyone – who would be willing to live with an itch. With every step he grows less hopeful. That is, until he meets an old friend.
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