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The Seven
Igor Stefanovic’s The Seven begins as a vivid family drama wrapped in mystery and tension, and it quickly evolves into something much larger. The story follows the Meyer siblings —seven of them —each scattered across continents after their father, Abraham, sets them on a strange quest to find sculptures that represent the purity of love. The setup feels biblical, almost mythic, but the execution is modern and cinematic. From luxury yachts and family mansions to deserts and laboratories, Stefanovic paints a sweeping world filled with ego, guilt, ambition, and buried love. The tone shifts from thriller to introspection and back again, and by the end, it feels like the first act of a much grander saga.
The writing is rich and immersive, the kind that drops you right into a scene with the scent of bourbon, the thrum of a yacht party, the quiet wheeze of an oxygen tank. It’s hard not to feel something for Abraham, the dying patriarch, trying to shake his spoiled children awake. Stefanovic writes him with compassion and grit. The dialogue, though occasionally heavy, feels raw and lived-in. Some parts hit hard, like watching someone confess a lifetime of regret.
The ideas in The Seven stuck in my head. It’s about privilege and purpose, about how easy it is to lose your soul when you’ve never had to fight for it. I found myself angry at the characters but also weirdly protective of them. Stefanovic’s sense of irony is sharp, and he never lets anyone off easy. The emotional punches are subtle at first and then land all at once, like waves catching you when you’re not ready. Sometimes the prose feels indulgent, but then it snaps back with a line so clear it cuts. I liked that unpredictability.
I’d recommend The Seven to readers who enjoy family epics with emotional weight and moral complexity. If you like stories that mix glamour with existential dread, this one’s for you. The writing has heart and ambition, and it always reaches for something real.
Pages: 511 | ASIN : B0FQJNYQHF
Wing Haven
Wing Haven, by Naomi Shibles, is a beautifully imagined fairy tale that feels both timeless and new. It tells the story of Almond Nettlesworth, a reluctant fairy who doesn’t quite fit into her messy, mossy world. After being outshone and betrayed by her younger sister, who suddenly becomes queen, Almond is thrust into an adventure that forces her to confront danger, friendship, and her own sense of belonging. Alongside unlikely allies like a chipmunk named Nutsie, she journeys through the wild forest in search of purpose and freedom, discovering a forgotten dollhouse that becomes a kind of refuge. Beneath the fantasy, the story hums with ideas about independence, family, and what it means to find beauty in imperfection.
What I liked most was how the book blended the charm of childhood imagination with the weight of adult emotion. The writing is lush and cinematic, full of textures like glittering wings, sticky sap, and the smell of damp moss. Shibles has a gift for description that makes even tiny moments feel alive. Still, it’s the heart of the story that got to me. Almond’s frustration with her world, her yearning for cleanliness and order in a place ruled by chaos, hit closer to home than I expected. I found myself rooting for her even when she stumbled, even when her pride made her prickly. The relationship between Almond and Pepper, sisters bound by rivalry and love, felt raw and real. Their clash mirrors the kind of quiet wars siblings fight when one grows up too fast and the other gets left behind.
I felt the pacing sometimes slows under the weight of its detail. The world-building is rich, like a garden that needs a little pruning. Yet, I didn’t mind walking through that garden. The story invites you to pause and notice the small wonders that are hiding. I also admired how the author used the natural world not just as a setting, but as a character. The forest breathes and sighs, both nurturing and cruel. It reminded me of how nature holds contradictions, beauty and decay, danger and shelter, and how those same tensions live inside us.
Wing Haven left me with a quiet ache and a deep sense of wonder. It’s a story for readers who still believe that magic exists just out of sight, for dreamers who feel out of place in the noise of the world. I’d recommend it to anyone who loved The Secret Garden as a child and now wants something more grown, more tangled, and more tender.
Pages: 219 | ASIN : B0FQBXFWPQ
Born on Monday
Born on Monday tells the story of Billy Stevens and Jessica Michaud, two people tethered by shared history and unfinished feelings in the small town of Augusta, Maine. It’s a story about trauma, redemption, and how the past has a way of catching up even when we think we’ve buried it. The novel opens with a reunion that feels innocent at first, a meeting in a bar between ex-lovers, but it quickly widens into something much darker. Their lives, already scarred by heartbreak and regret, begin to tangle again through loss, addiction, and violence. Becker’s writing threads together memory and immediacy with quiet dread, pulling the reader through a story that feels both intimate and cinematic.
I couldn’t help but feel pulled under by Becker’s prose. It’s sharp but unpretentious. The way he writes about small towns feels dead-on, that claustrophobic mix of nostalgia and rot. His characters are flawed, all cracked open in ways that feel real, not performative. Billy’s grief feels worn and honest, and Jessica’s shame and self-doubt are haunting. I liked how Becker avoids grand speeches or easy answers. Every conversation carries an undercurrent, like everyone is speaking through layers of history. The pacing is deliberate, but it gives space for emotion to breathe. I found myself pausing often, not because the plot slowed, but because I needed to sit with the weight of what had just happened.
There’s something raw about the ideas Becker plays with, survival, masculinity, and cycles of trauma. Some scenes hit harder than I expected. The quiet domestic pain, the strange kindness between people who are barely holding on, the way memories echo through time. Becker writes people who keep trying, even when they shouldn’t. The story feels true in a way that most “redemption arcs” don’t.
By the end, I wasn’t sure if I felt heartbroken or hopeful. Maybe both. Born on Monday isn’t for readers who want neat resolutions or tidy morals. It’s for those who don’t mind sitting in the mess, who understand that healing isn’t about closure, it’s about survival. I’d recommend it to anyone who likes character-driven fiction that deals with real scars, not storybook wounds. Fans of small-town dramas like Sharp Objects or Winter’s Bone will find something familiar here, but Becker’s voice is his own.
Pages: 352 | ASIN : B0FSSN8XXZ
The Illusion of Freedom
Day Drinkers follows a woman on a Caribbean island desperate to escape her dead-end job who takes a risk captaining a small sailing vessel for a corrupt music artist, sending her into a life-or-death situation. What was the inspiration for the setup of your story?
The inspiration for Day Drinkers came from the decade I spent living and working in the Caribbean as a travel writer, performer, and liveaboard sailor. I was fascinated by how easily escape and suffering coexist in so-called paradise. The novel is a meditation on the consequences of rejecting society’s rules in pursuit of the illusion of freedom, and on how we choose to either make sense of our past or run from it.
Was there anything from your own life that you put into the characters in your novel?
Absolutely. My books always emerge from lived experience. My debut, Zone Trip, was inspired by the fifteen years I spent with a secret artist society in San Francisco. For Day Drinkers, I drew from a decade of sailing, performing, and working as a travel writer in the Caribbean. I want my stories to feel authentic, so I live them. Most of the characters in Day Drinkers are composites of people I met in the islands, viewed through the lens of absurdism and satire.
Some events in the book were chillingly similar to real-life events. Did you take any inspiration from real life when developing this book?
Yes. Easter Cay, the island at the center of Day Drinkers, was loosely inspired by exclusive enclaves owned by billionaires and celebrities, most notably the infamous Little Saint James, formerly owned by Jeffrey Epstein. As a traveling circus artist, I was hired to perform at private parties for powerful people. This book reflects what happens when wealth and secrecy collide with poverty and desperation—something I witnessed firsthand. While Day Drinkers is a work of fiction, it asks very real questions about complicity, exploitation, and how paradise can become a prison for those who serve it.
What is the next book that you’re working on, and when can your fans expect it out?
My next literary thriller is titled Bufo. It explores the use of spirit medicine and its strange aftermath. In this story, DMT entities begin to manifest as characters. Commercially, it’s in the same vein as Nine Perfect Strangers—but more positive and surreal. From a literary perspective, a major influence is William Burroughs’s Queer, with its raw, unsettling exploration of altered consciousness and outsider desire. Bufo is expected in 2027.
Author Links: Goodreads | X (Twitter) | Facebook | Website | YouTube | Medium | Instagram | Spotify | Amazon
🏝️ Invited to a party on a forbidden pleasure island
🍹 Swept into the corrupt world of a country music legend
☠️ Flees to Cuba, hunted by drug and human traffickers
🥥 Inspired by the dark reality of Jeffrey Epstein’s world
🌊 Day Drinkers: Where the American Dream washes ashore
From her office window on St. Columba, Gemma gazes out at the mysterious pleasure island just beyond the reef. Owned by country music legend Cowboi Rivers, the exclusive retreat lures the world’s wealthy and powerful with promises of secrecy and illicit pleasures. Meanwhile, the locals keep their distance, wary of the wild parties and whispered rumors of drugs and disappearing girls.
Desperate to escape her dead-end job, Gemma seizes a risky opportunity to captain the sailing vessel Mariposa for Cowboi’s shadowy empire. She finds herself swept into a world of corrupt elites. When a cocaine pickup in the Dominican Republic spirals into a deadly double-cross, Gemma and her crew enlist the aid of a Vodou priestess, a hard-drinking mariner, and a rumba-loving boat boy to escape. With her enemies closing in, Gemma sails toward Cuba, facing a storm that threatens to sweep her away.
Day Drinkers is a tantalizing medley of Saint X and Don’t Stop the Carnival, seasoned with a dash of The Rum Diary. Drawing from her ten years as a liveaboard sailor and Caribbean travel writer, Kitty Turner, an American Absurdism revivalist, delivers a gripping tale of identity and redemption through her unique talent for rollicking storytelling and deep philosophical inquiry.
Sense of Unease
Friday at Four follows a researcher who happens upon an unexpected method for communicating with his dog and discovers what it means to truly be understood. What was the inspiration for the setup of your story?
I don’t know where the inspiration for this book came from. Somewhere on vacation in France, at some point, I was overcome by a great sense of unease. I had to go and buy a notebook and a pen, and I started writing. I just followed the flow of my thoughts.
Did you plan the tone and direction of the novel before writing, or did it come out organically as you were writing?
I never felt that I had any influence on this story. It was literally dictated to me. But I don’t know by whom or how. It was like a compulsion that had me in its grip for two years.
What experience in your life has had the biggest impact on your writing?
The slow death of a loved one.
What is the next book you are working on, and when will it be available?
I’m going to publish a very funny book about a failed art forger – before Christmas, I hope.
Author Links: GoodReads | X (Twitter) | Website | Amazon
Few novels capture with such honesty the way love can be eroded by silence and then, in the face of death, renewed in its most fragile and essential form. This is not just a story about a man caught between two women, but about how we confront loss, and how even in the darkest moments tenderness and clarity can emerge. It lingers in the mind as a stark yet luminous meditation on what it means to live, to love, and to let go.
Friday at four is a powerful novel about love, betrayal, and the courage to face loss — written with clarity, honesty, and unforgettable emotional force.
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True Change
Common Sense & Other Tales of Disillusionment is a collection of short stories that peels back the layers of ordinary life to reveal the people who are breaking down under the weight of their own choices & circumstances. What was the inspiration for this collection of stories?
Coming off writing my book before this one, BE NOT AFRAID, I’d had the desire to work in a shorter form. BE NOT AFRAID was an incredibly taxing, and thorough, and ambitious project. So, I knew fairly soon after that I wanted to produce a collection. Originally, I’d only wanted to do four stories, but my mother convinced me to do a fifth (lol).
What were some themes that were important for you to explore in this book?
Well, right off the bat, disillusionment was the overall compass for each story. When I began writing the collection, I was experiencing a good deal of it in my personal life and wanted to explore characters entering into their own bouts of disillusionment, where they always believed life would go one way but, instead, was going another, and not for the better, and, try as they may, they only seem to make it worse. I’m one of those readers who does not read to escape but reads to see the world reflected, the more brutally honest, the more I’ll enjoy it. So, naturally, that’s what I write 🙂
Was it important for you to deliver a moral to readers, or was it circumstantial to deliver an effective book?
Everything I write begins as a premise argument, usually around a unique belief I have of the world. For instance, one might look like this: People are incapable of true change vs People are capable of true change. And I will design characters to embody behaviors and decisions for both sides of that argument, so the story is a compelling one. In the first short story of the collection, “DRIVE YOU TO VIOLENCE,” the premise argument was–Family will drive you to violence vs Family will drive you to compassion. Characters dance on both sides of that premise 🙂
What is the next book that you are working on, and when will it be available?
At the moment, I’m nearing completion of a Fargo-esque crime novel, which I plan to serialize on my substack in the coming months. The working title, which is totally subject to change, currently is THE FIRE YOU’RE DRAWN TO.
Author Links: GoodReads | Amazon
A mother’s patience turns to quiet rage as family secrets unravel.
A filmmaker loses his grip on reality while chasing his masterpiece.
In a near future where machines mimic emotion, humanity itself begins to fracture.
And in the haunting remains of a lost documentary, a vanished man’s voice echoes long after he’s gone.
Each story in AJ Saxsma’s acclaimed collection is a slow descent into disillusionment—where hope flickers, truth corrodes, and the familiar becomes unrecognizable. With a masterful blend of literary fiction, dark realism, and quiet horror, Saxsma confronts what it means to live honestly in a world built on denial.
Fans of Shirley Jackson, Raymond Carver, and Flannery O’Connor will find themselves captivated by Saxsma’s unnerving portraits of love, loss, and human fragility. If you crave stories that unsettle as much as they illuminate, Common Sense & Other Tales of Disillusionment will stay with you long after the final page.
Heartwarming Journeys
The Adventure of Alex and Er follows a brave knight and his unicorn mare who embark on a quest to recover a snowman’s missing broom. What was the inspiration for your story?
My son’s name is Alexander. A few years ago, he went away to his pre-med school.
Because he was 3,000 kilometers away, my parental obligations were reduced to zero; I had the time to think and create. One day, while thinking about him, I realized that his moniker consists of two names: Alex and Er. I also thought of developing a children’s story about two characters named Alex and Er. Why a children’s book, you may ask. Picture books allow me to employ my talents to write, illustrate, and design, and THE ADVENTURE OF ALEX AND ER became my first publication.
What scene in the book did you have the most fun writing?
The most rewarding moment was when I connected an innocent snowman and an evil old witch through an item they both used—a broom.
What were some goals you set for yourself as a writer in this book?
My goal was to create a whimsical yet straightforward and enjoyable story. I planned to create a good book for young readers who love magical tales and heartwarming journeys. First, I wanted to make it as authentic as possible, with typos and imperfections. Then I realized that children’s books have a significant educational component and should never give their readers bad grammar lessons. The story has been updated, but an older version may still be available on the web.
What is the next book that you are working on, and when can your fans expect it to be out?
Number seventeen will be an adventurous in spirit roller coaster of action that will be lavishly illustrated and handwritten to please children and book lovers of all ages. Cinderella, Aladdin, Rumpelstiltskin, Thumbelina, and other fairy tale characters work together to make a sad and abandoned wooden horse happy again. The title of the new publication? LITTLE RED RIDING HORSE.
Author Links: GoodReads | Facebook | Website | Amazon
The Jack Dean Story
Gary D. Patrick’s The Jack Dean Story follows the extraordinary life of a man who endures more loss, danger, and transformation than most people could imagine. From being orphaned as a child to surviving brutal foster homes, finding real love in the care of two teachers, and later navigating the violence of war and the moral fog of life afterward, the book traces Jack’s path through heartbreak, courage, and self-reinvention. It reads like a heartfelt confession mixed with an adventure story, full of emotion and grit, told in plain language that feels genuine and unpolished in a good way.
I found myself pulled into Jack’s world almost immediately. The writing isn’t fancy or flowery, but that’s what makes it feel so real. It’s simple, honest storytelling that fits the life it’s describing. The early chapters broke my heart, especially the scenes of abandonment and cruelty. You can almost feel the coldness of those houses and the emptiness of being unwanted. Then the warmth of the McClearys comes like sunlight after years of rain. Later, in Vietnam, the story takes on a tense, vivid rhythm that captures both the horror and the brotherhood of war. Patrick doesn’t shy away from pain, but he also doesn’t wallow in it. There’s a kind of steady resilience running through Jack that makes you root for him, even when his choices later in life start to blur the lines between right and wrong.
Emotionally, the book hit me harder than I expected. It’s not just about one man’s life: it’s about what happens when fate keeps testing someone who refuses to quit. The way Patrick writes about loyalty, guilt, and redemption feels raw and human. I liked that Jack isn’t perfect. He makes mistakes, sometimes big ones, but you still feel his heart in everything he does. The story kept me turning pages because I wanted him to find peace, and even when he didn’t, I understood why.
I’d recommend The Jack Dean Story to anyone who enjoys true-to-life tales about perseverance, sacrifice, and the search for meaning. It’s a powerful read for veterans, history buffs, and anyone who’s ever wondered what it takes to keep going when life doesn’t play fair.
Pages: 124 | ASIN : B0FH1X9ZRK
LITERARY TITAN 