Blog Archives
Too Complex: It’s a (Enter Difficulty Setting Here) Life
Cody Redbond lives to game. Addiction defines him. His fixation centers on Fantasy Estate, an online battle royale that consumes his days and erases everything else. Hours disappear. Priorities collapse. The game becomes his only reality, while the world beyond his screen loses all appeal. Employment slips away. Social skills erode. Eventually, eviction follows. Even then, Cody refuses to move on. He is too deeply embedded in the digital realm to disengage on his own.
Enter leasing agent Mavirna Holmes and property manager Corey Dwellen. Their task is simple in theory and nightmarish in practice: reach Cody and reclaim the apartment. Doing so requires navigating a living space that has deteriorated into absolute chaos, a physical manifestation of Cody’s inward retreat.
Too Complex: It’s a (Enter Difficulty Setting Here) Life, by Anthony Moffett, is a compact and sharply comic work that blends prose with illustrations. It occupies a space somewhere between novella and graphic novel, using visuals to punctuate its humor and heighten its absurdity.
At its core, the book is an absurdist adventure tailored to video game enthusiasts, but its reach extends further. It functions as a satire of modern adulthood, skewering burnout, disconnection, and the quiet despair that drives escapism. As Cody’s story unfolds, sympathy becomes inevitable. He has not merely abandoned reality; he has replaced it with something brighter, louder, and more responsive. Ironically, the so-called real world offers little incentive to return. It appears dull, unforgiving, and deeply uninspiring by comparison.
This contrast captures the enduring appeal of video games. They promise immersion without consequence, excitement without monotony. When everyday life feels hollow or exhausting, fantasy becomes irresistible. Mavirna and Corey, the unfortunate duo assigned to retrieve Cody, find themselves on a quest of their own, one that mirrors the very games Cody adores. The ultimate irony lies in the aftermath of his obsession. The artificial world he clung to has reshaped reality itself, transforming his apartment into a grotesque, pest-ridden dungeon.
The result is a book that is unabashedly fun. It is silly, unhinged, and gleefully excessive. Beneath the humor, however, lies a pointed warning. Too Complex entertains first, but it also lingers, offering a sharp and thoughtful reflection on escapism, avoidance, and the cost of choosing fantasy over life. I highly recommend this humorous and highly relatable tale to gamers and non-gamers alike.
Pages: 73 | ASIN : B0BR4J3L9Y
The Sound of Violet, 10th Anniversary Edition
Allen Wolf’s The Sound of Violet follows Shawn, a young autistic programmer who longs for connection, and Violet, a woman trapped in exploitation who hides behind a practiced charm. Their worlds collide in ways that neither one expects, and the story weaves romance with themes of trauma, hope, misunderstanding, and the hard work of seeing someone for who they truly are. It moves between humor and heartbreak with surprising ease, and the plot leans into both the sweetness and the messiness of love.
I found myself rooting for Shawn almost immediately. His inner life felt vivid. His sensitivity to color and sound created moments that were oddly beautiful, and I kept pausing to imagine how overwhelming the world must feel to him. I liked how the writing didn’t try to polish his edges. It let him be blunt and awkward and sincere. Those traits gave the story its emotional heartbeat. Violet’s chapters hit me differently. I felt the tension behind her confidence. I felt the fear tucked between her jokes. The writing made her pain feel present even when she tried to hide it, and that contrast kept me pulled in. I caught myself more than once whispering, “Please get out of there” as her world closed in on her.
What surprised me most was how simple the prose often felt while carrying so much weight. Scenes slid quickly from funny to tense, and I liked that the book didn’t pretend those shifts were unusual. Life works like that sometimes. A moment is warm, then it isn’t. A date feels hopeful, then it falls apart. The story’s rhythm captured that truth, and it kept me leaning forward. I also found myself getting irritated with certain characters, which I count as a success. The book wanted me to feel the discomfort of exploitation and the sting of people who misunderstand others. It worked. I felt it.
By the end, I was glad I stayed with the story. It made me think about how people judge each other, and how much quieter the world becomes when someone finally listens. I would recommend The Sound of Violet to readers who enjoy heartfelt romances, stories about neurodivergent characters, or narratives that explore heavy themes with gentleness. It would also appeal to book clubs that like talking about big emotions and complicated choices.
Pages: 319 | ASIN : B0FMP438MV
Peaches and the 19 Cobras
Peaches and the 19 Cobras tells the story of Peaches and Jake, two sweet rescue dogs who misunderstand COVID-19 as “19 cobras” and spend the pandemic doing everything they can to protect their mom. The book moves through their daily adventures from quarantine in Florida to summers in Maine. There are masks and costumes, funny misunderstandings, shiny Christmas trees, and a whole lot of love. The dogs tell the story in their own voices, so the whole thing feels warm and comforting.
As I read it, I kept catching myself smiling. The writing feels like someone chatting with me in their kitchen. It’s simple in a good way and full of genuine emotion. The idea of hearing the pandemic through the ears of two confused and devoted dogs was surprisingly emotional. It reminded me of how strange that time was and how pets kind of carried so many of us through it. Some moments even made my eyes sting a little because the mix of humor and fear from that year still sits in my chest. Seeing the dogs try to make sense of everything made the whole memory softer for me.
I also loved how the book leans into joy. There are photos everywhere, and they’re adorable. The stories jump from masks that never stay on to gigantic Christmas trees to lobster dinners in Maine. It felt chaotic in a charming way. Like watching someone you love tell a story while getting distracted every few sentences. I honestly laughed out loud when the dogs kept ditching their masks or when Peaches tried to look fierce with her tiny warrior stance. The whole thing just felt honest. Not polished in a stiff way. More like real life with all the messiness and sweetness mixed together.
Peaches and the 19 Cobras is great for kids who want a gentle way to understand a heavy moment in history and for adults who want a soft, funny reminder of how we made it through. Anyone who loves animals or who leaned on a pet during the pandemic will feel this one. It’s light and goofy and unexpectedly touching. I’d happily pass it along to families, teachers, grandparents, and anyone who just needs a picture book that feels kind.
Pages: 88 | ASIN : B0DDW3GM88
The Arts Council
When I finished The Arts Council, a satirical novel by Dolly Gray Landon, I felt like I’d been dropped into a carnival mirror version of the arts world. The book follows Honorée Oinkbladder, a gifted young artist raised inside a family business that quietly manufactures the physical tokens of achievement for institutions everywhere. Through her eyes, we watch a small city’s arts ecosystem twist itself into a tangle of ego, corruption, favoritism, and theatrical self-importance. Her tense rivalry with Modesty Greedance unfolds against a backdrop of inflated awards, misused donor funds, and a once-noble arts council that has drifted far from its original ideals. The result is a story that sits squarely in the literary satire genre, though it often reads like a character-driven dramedy with teeth.
The writing is lush, verbose in a way that feels deliberate, like Landon wants the excess itself to be part of the joke. There are long, winding sentences loaded with wordplay and invented terms, and then sudden needle pricks of clarity. It’s funny, but also strange, because the humor is threaded through moments that cut close to the bone: the way Honorée hides her beauty so she won’t attract the wrong kind of attention, or the way Modesty relies on spectacle instead of craft because spectacle is what the system rewards. The satire bites hardest when the book peels back the arts council’s history, revealing how a once-merit-driven institution slowly rotted after a leadership collapse. The contrast between past ideals and current dysfunction is one of the book’s most memorable tensions.
What I liked most was how much the novel asks us to think about value. Who gets to decide what counts as art. Who benefits from the illusion of fairness. Who learns to play the game and who refuses. Even the absurd elements feel purposeful: Honorée’s family literally manufactures the symbols that feed inflated egos, yet they see through them more clearly than anyone else. That irony gives the book a reflective core I didn’t expect. The novel also manages to be playful without losing its edge. It mocks the arts world, yes, but it also mourns what the arts can become when honesty gives way to self-interest. I found myself chuckling at one page and nodding in recognition on the next.
The Arts Council is a bold, brainy satire with a lot on its mind. I’d recommend it to readers who enjoy literary fiction that doesn’t mind being a little unruly, especially anyone curious about the messy intersection of art, ego, and institutions. If you like stories that mix humor with critique and aren’t afraid of dense, stylized prose, this one will keep you thinking. For readers who enjoy sharp, offbeat takes on creative culture, it’s a fascinating ride.
Pages: 558 | ASIN : B0G2TFBLHZ
Easy-To-Use Tactics
Dr. Toad’s Short Book for a Long Memory is a guide that blends humor with practical advice, vivid examples, quirky illustrations, and down-to-earth explanations to show how memory works and how anyone can strengthen it. Why was this an important book for you to write?
Among several reasons, I wanted to be a physician because I receive tremendous satisfaction from helping people with challenges. No longer in clinical practice or teaching, I realized some time ago that everyone—no matter their age—worries about lapses in memory. I knew I could help by offering my simple, easy-to-use tactics.
What is a common misconception you feel people have about memory and learning to improve it?
If you are young, under 40 years old, you worry about looking dumb when you can’t remember someone’s name or phone number. If you are older, you worry about early dementia. A lot of people assume they have a memory problem if they can’t recall everything. Not true! As I describe in my book, forgetting things is common. Good memory does not require brilliance. It only requires a small effort to employ one’s imagination.
Learning to strengthen memory can be overwhelming. What were some ideas that can help readers feel more comfortable with starting this process?
Start with a name you want to memorize. Use your imagination to turn that name into a mental image that is outlandish. If that image makes you laugh, you are on the right track. This may sound silly at first, but it works! Turning one’s wristwatch over and linking it to an item or date is another simple technique.
What is one thing that you hope readers take away from Dr. Toad’s Short Book for a Long Memory?
I hope readers will believe that they truly can improve their memory for things that are important by using the simple, easy-to-understand techniques that anyone can use. They can DO it!
Author Links: GoodReads | LinkedIn | Website | Amazon
Dr. Toad’s Short Book for a Long Memory is the first book in the Dr. Toad series, created to share simple, achievable solutions for the everyday challenges we all face on the path to better health and well-being.
Open the Mind of Some Poor “Nitwit”
Revolutionary Women A Little Left of Center, weaves together your personal history with your artistic, and ideological journey, starting with your early life in Toronto to your awakening as a gay artist and the experiences that shaped your identity and worldview. Why was this an important book for you to write?
“The book, Revolutionary Women, a Little Left of Center, is meant to be a work of revolution and revolt. Rejecting stale outdated notions and inspire people to think and see things differently.”
“The old dysfunctional thinking wasn’t working and needed to be laid bare. I wanted to create humorous imagery for all people, who were craving “phycological relief” and “counter-balance,” to the endless outpouring of “agony” and “hate” from the “extreme right.” I wanted to lift up the “left” and show it too, was an important human ingredient.”
“Women, more often than not, embody the left; more subtle in tone, soft, gentle, caring, uncanny intuition, creative and intelligent. These are the same characteristics shared by artists, musicians, gay people and any intelligent free-thinking person. What’s needed is real acceptance by society at large of people who are different. The standing order from idiotic religious & xenophobic ideologies is…. “You’re different and our leaders are telling us who to hate & to join-in their agenda of taking power by suppression and annihilation of others.”
“Let’s look at it from a gay women’s point of view and learn to lean a little to the “left.”
Your book expertly blends memoir with satire, offering readers a dash of humor alongside serious topics that impact modern day women. What is one thing that you hope readers take away from your story?
“What’s happening in the United States right now, sickens and horrifies me. It is my heart felt wish to connect and ease the hearts that ache for the planet and all its living creatures.”
“The “Left” is often attacked, and certainly regarded as less important than the ideas associated with extreme masculine notions of the “Right.” The extreme right rigid binary people are stuck in their own conflict of what is right and what is wrong. Unfortunately, they’ve been misinformed.”
“So, let’s laugh in the face of the ridiculous societal norms. Lay bare the faulty logic in religious beliefs and open the mind of some poor “nitwit” saturated in bigotry and speak out for those who cannot!”
What part of the book did you have the most fun illustrating? Was there one particularly hard section?
“I had the most fun actually drawing all the illustrations. The first four illustrations really set the tone. Firstly, imagine a fantasy of women cleaning up a war scene in WOMEN DO ETHNIC CLEANSING. Or next, envision a 3,000-year-old scene, at the ancient monument STONEHENGE, where women are included in the construction and joke about a huge fear known to all mankind.”
“Thirdly, a reenactment of the famous first moon landing, with women astronauts in MOONWALK. And fourthly, I introduce the character of Mother Nature in the illustration called GOD AND MOTHER NATURE DO THE REVIEW.”
“I suppose THE PHOBE FAMILY was a particularly hard section to finish, as it took me 10 years to resolve the problem presented in THE PHOBE FAMILY and answer it in WHY MAKE IT LEGAL? In the “Phobe Family,” I wanted to hi-light the fear, isolation & denial families go through, when it turns out they have a Gay child. It’s funny but hints of dark undercurrents.”
What is the next book that you are working on, and when can your fans expect it to be out?
Work in progress.
Step into a world where sharp wit meets unapologetic truth. A collection of full color illustrations/cartoons delivers a fierce and funny feminist punch, from the absurdity of gender roles to the hypocrisy of historical myths. With a clever commentary of edgy humor, and a wink into gay culture. These pages don’t just make you laugh; they make you think. Whether poking holes in patriarchy, challenging religious relics or spotlighting modern day madness, these cartoons are radical in the best way. Some are satirical, some are heart felt and sincere. All of them are drawn with a love for justice a questioning spirit and a mischievous pen. Perfect for anyone who’s ever rolled their eyes at the status quo or laughed in its face..
Laura M. Duthie was born in Toronto. Attended the Ontario College of Art from 1976 to 1980. Studied Fine Art. Worked in Real Estate Graphics, Woodworking and Carpentry. Also worked in property management and Security. Recently retired to become a full-time artist.
About the Author:Laura M. Duthie was born in Toronto and studied Fine Art at the Ontario College of Art (1976–1980). Her diverse background spans real estate graphics, woodworking, carpentry, security, and property management. Now retired, she has returned to her true passion as a full-time artist—using her art to speak truth with humor and heart.
His Amazing Stories About Rural Life
Tales of the Beechy Hollow Great Outdoors Club follows a weary journalist who returns home and stumbles into his late father’s wild band of outdoorsmen, discovering that friendship, foolishness, and the forest are entwined. Are any of the Beechy Hollow Club members based on real people from your own life or hometown?
All the main characters in the book are a composite, a blend of real people I’ve known across my life. Rufus Sneed, for example, was inspired by my great-grandfather, who was born in the 1800s and lived to be 99. He lived with my grandparents on a small farm until his death in the ’70s. I grew up listening to his amazing stories about rural life. Similarly, Rob and Rusty are fictionalized versions of my brother and me.
The foundation for the character Scoutster was a nerdy but well-intentioned Scoutmaster I once knew; I layered in traits of a bourbon-loving outdoorsman and a magistrate from other personalities. Same with Smitty, a good-natured farmer and mechanic who loves to hunt and fish. I’ve known lots of good people in Appalachia who fit that mold.
My personal favorite, Holly, is a combination of college friends and people I’ve met over the years. She will play a more significant role in the next book.
What were some themes that were important for you to explore in this book?
I set out to write a series of humorous outdoor stories. But over time, as I kept reworking and revising the stories and characters, I think a few underlying themes emerged. One is the innate human desire to return to our roots. All the stories spring from the main character, Rob, returning to his hometown. Other themes would be the redemptive power of wild spaces, and the Appalachian love of storytelling.
In my book, I primarily use these ideas to mine for humor. While some of the comedy definitely borders on the absurdist, I believe a heartfelt strain runs beneath the surface that speaks to a genuine love of home and the importance of found family. I’m always eager to hear what other themes readers detect in the stories. Of course, I also hope they get a chuckle or two along the way.
The setting feels so alive. What kind of research or personal experience shaped your portrayal of Appalachian life?
The stories are deeply rooted in my years of hiking, camping, and fishing across West Virginia, Kentucky, and southeastern Ohio. I’ve also spent time living in Tennessee and exploring the Great Smoky Mountains.
As for research, I began studying Appalachian dialects several years ago, starting as a newspaper project that quickly grew. This involved poring over books in the library and studying some of the linguistic research being done at West Virginia University. You can see this in the story, “The Evil Psychic Mule of Devil Ridge,” through the old-time mountaineer character, Shiloh Young.
While this type of speech was once dismissively called “hillbilly,” it’s now one of the most-studied dialects in the field. Sadly, authentic Appalachian speech is rapidly dying off. The good news is there’s less stigma affecting young people from our region. Appalachians are increasingly taking pride in their heritage. I hope some of that comes through in the book.
Author Links: GoodReads | X | Bluesky | Facebook | Medium | Website
In these humorous stories set in West Virginia, small-town reporter Rob Greenwood and a cast of offbeat characters prove that the best outdoor adventures are the ones that go completely off the rails. From camping and fishing trips gone sideways to half-baked schemes that never quite pan out, these stories celebrate friendship, folly, and the untamed spirit of Appalachia.
After being fired from his big-city job, Rob returns to his hometown of Looneyton—only to be swept up in the antics of a free-spirited outdoors club. Each hilarious misadventure blends humor, heart, and a deep love for the wild. In the end, Rob discovers that what makes the journey worthwhile is the family you find along the way.
This book includes the novella, The Evil Psychic Mule of Devil Ridge, because no backwoods saga is complete without a demon mule on a rampage—but the mayhem doesn’t stop there.
Tales of the Beechy Hollow Great Outdoors Club is perfect for fans of Patrick F. McManus and for readers who loved Bill Bryson’s A Walk in the Woods. The club’s escapades are guaranteed tokeep you laughing and leave you yearning for a seat around the campfire.
Revolutionary Women a Little Left of Center
Laura M. Duthie’s Revolutionary Women: A Little Left of Center is part memoir, part feminist manifesto, and part visual commentary. The book weaves together Duthie’s personal history with her artistic and ideological journey. From her early life in Toronto to her awakening as a gay artist, Duthie recounts experiences that shaped her identity and worldview. Alongside her autobiographical reflections, she presents a series of feminist cartoons and essays that tackle themes like religion, patriarchy, sexuality, and society’s deeply ingrained biases. The work feels like both a confession and a call to action, a deeply personal yet universal exploration of what it means to claim one’s voice in a world that often silences women.
Reading this book felt like sitting down with someone who’s lived through several lifetimes of rebellion. Duthie’s tone is sharp and funny and sometimes achingly vulnerable. She doesn’t sugarcoat the pain of growing up under misogyny or the confusion of coming into her sexuality in an unwelcoming world. What struck me most was how her humor doesn’t dull her anger, it sharpens it.
The cartoon’s artwork is executed in a clear, traditional comic-strip style defined by bold outlines and a flat, simple color palette. This accessible visual style serves its purpose effectively, ensuring that the viewer’s attention is drawn immediately to the characters’ actions and the text in the speech bubbles. My favorite was the “Moon Walk.” The cartoon provides a sharp, satirical commentary on contemporary social polarization. It cleverly transports a modern “culture war” debate to a history-making moment, the first landing on another world, signified by the “APHRODITE I” lander. The humor stems from the juxtaposition of this grand achievement with petty ideological infighting.
There’s also something raw in how she talks about art and identity. When Duthie describes art school and the chaos of creative discovery, it’s electric. She paints the world of artists, the lost, the brilliant, the broken, with an honesty that’s both funny and sad. I felt her frustration with the hypocrisy of society, and I admired her courage to turn that frustration into something that challenges and provokes. Some parts run on, sure, but that’s part of the charm. It feels real. It feels like someone thinking out loud, refusing to polish herself for anyone’s comfort. Her take on Freud made me laugh. It’s the kind of commentary you wish you’d said yourself but never found the guts to.
This book left me thinking about what it really means to be revolutionary. Not in the sense of shouting the loudest, but in daring to be honest. Revolutionary Women is alive and full of heart and bite. I’d recommend it to anyone who loves art that has something to say, especially women and gay readers who’ve had to fight for their place in the world.
Pages: 67 | ASIN : B0FFZT3611
LITERARY TITAN 