Blog Archives
The Perfect One
The Perfect One pulled me in right away. The opening sets the tone for a dark and twisting story built on secrets, obsession, and the fragile edges of relationships. The book follows several characters whose lives intersect around a brutal murder in a secluded cabin, and the story unfolds through shifting perspectives that slowly reveal old wounds, hidden affairs, and long–buried resentment. It reads like a slow burn that keeps tightening, chapter after chapter, until every character feels like both a suspect and a victim.
Some chapters felt intimate and tightly drawn, the kind that keep you leaning closer because the emotions feel raw and too real. Other moments felt almost playful, like the author knew exactly when to pull back before things got too heavy. I liked that mix. It made the pacing unpredictable in a good way. I also enjoyed how the book handled tension. It did not rush, and it did not give easy answers. Instead, it let scenes breathe with quiet detail that sometimes made me uneasy. I appreciated that slow drip of dread. It made the world feel lived in and messy, which fit the characters perfectly.
What surprised me most was the emotional twists. I kept catching myself feeling sympathy for characters I had sworn I disliked ten pages earlier. Then the story tossed in another reveal, and my feelings flipped again. I love when a book does that. It makes me feel like I am part of the mess rather than just watching it. The ideas beneath the plot lingered with me, too. The story pokes at pride, loyalty, and the ways people hide things even from themselves.
Everything came together in a way that made sense for the world the author built, even when the truth was painful. I would recommend The Perfect One to readers who enjoy psychological thrillers, character–driven mysteries, or stories where the emotional stakes matter just as much as the plot. If you like books that take their time and let you sit in the characters’ minds while feeding you tension bit by bit, this one will be a great fit.
Pages: 360 | ASIN : B0FM1F3QKW
Mog: The Littlest Pirate
Mog the Littlest Pirate by Laura Mitchell and illustrated by Marta Maszkiewicz, delivers a warm, buoyant tale centered on the most endearing pirate imaginable. From the first page, readers encounter Mog, fierce in spirit, confident in skill, and unmatched in her ability to swing a sword, scale a rope, or spot a threat on the horizon. Yet one obstacle shadows her brilliance: her size. The crew dismisses her, laughing off her abilities and insisting she isn’t a “real pirate.”
Everything shifts the moment a band of tiny pirates storms the ship. While the larger crew mocks the newcomers, Mog reacts instantly, intercepting the attack and revealing strength and resolve that no one thought to credit her with. Her bravery transforms not only the battle’s outcome but her standing aboard the vessel. From that day forward, she earns her title: Mog, the most piratey pirate of all.
The story’s emotional core struck me immediately. It offers encouragement to any child who has felt overlooked, underestimated, or told their voice doesn’t carry weight. Mog radiates grit and heart, and young readers will quickly recognize a reflection of themselves in her bold determination. What lingers most is how gracefully the narrative balances playful seafaring adventure with a message about trusting one’s own abilities, especially when others fail to see them.
Beyond confidence, the book gently folds in a lesson on empathy. Mog defends her crewmates even though they have not always treated her fairly. She reassures the tiny pirates that friends can falter yet still be worthy of forgiveness, and that kindness outshines size or strength. Through her actions, children are introduced to ideas of fairness, respect, and choosing to see the good in others.
The language remains accessible without losing emotional depth, allowing young readers to follow Mog’s journey with ease. Maszkiewicz’s illustrations elevate every moment, bright, expressive scenes brim with personality and movement. Each page draws children directly into the heartbeat of the ship, the bustle of the crew, and the thrill of adventure.
In every way, this book shines as a joyful read for families and young children. It is imaginative, uplifting, and full of warmth. Mog the Littlest Pirate reminds readers that courage arrives in all sizes and that being small never means being insignificant.
Pages: 38 | ASIN : B0FT5R88PT
A Story That Had To Be Told
(The other fella is the author)
Swallowing the Muskellunge follows a Black family in the late 1700s as they confront human cruelty and eerie folktale terrors that haunt the forests and rivers surrounding their fragile search for belonging. What was the inspiration for the setup of your story?
I wrote a book about the early Wrightville settlement. Although I never published it, from its bones will come a telling of life during the early period but from the point of view of an Anishinaabe woman. In my research, London’s name kept coming up. There were missing sections within the historical record, which made me curious as to who he was.
My father’s people settled north of his property in the Gatineau hills two life times after he arrived. My grandfather’s parents got married in a church that was built on his land. In recent times, uncles and aunts settled, or acquired land in the area. I had an indirect connection with him, and I felt that his story had to be told, and SWALLOWING THE MUSKELLUNGE is my take on it.
The father–son relationship between London and Abner feels especially raw and vulnerable. Were any real historical accounts or personal experiences influential in shaping their dynamic?
Although the Oxford family had lived in Massachusetts with a label that said they were free, it was still a dangerous place for an African American. Before 1800, one didn’t have to travel far before being vulnerable to the prey of slave holders. It would have been difficult to prove one had papers once they were stolen.
The dynamic of my writing was influenced from numerous cross country drives with my kids, as well as isolated work in the wilderness during my younger days (e.g. logging, surveying, mining, & farming). For the specific dangers in the early part of the book (e.g. Woburn and Framingham), I relied on historical records.
The story balances human cruelty with moments of tenderness. How did you navigate that emotional rhythm without overwhelming the reader?
Whether it was harvesting meteorites for Inco, applying a paint brush during a “Perfect Storm,” witnessing a Chinook disappear two inches of snow within half an hour while sipping a thick cup of lumberjack from behind a cabin by the foothills, I learned that the extraordinary was never far from the mundane. Returning to the time of my grandparents and before also reminded me that hard work most of the time prevented starvation. Folks put up with a lot in order not to go hungry. Although family tenderness made life bearable, its warmth was a counterweight to tragedy, which was not in short supply.
The shadowy forces near the river feel symbolic as well as literal. How do you see the folklore elements interacting with your themes of freedom, fear, and belonging?
Freedom: Persons, mythological beasts, and creatures of the wilderness will not be free if a population attempts to force subservience. Any of the entities can be interpreted as shadowy forces when something attempts to bind them. Ultimately, to be free, a living thing has to be able to feel that it can say no. Others might consider that their ways that are different, but to not be afraid, the entities have to have rights that allow them not to be the same.
Fear: Tribes in the wilderness (of any of the continents) used to acquire mates from beyond their borders. To keep the community vibrant and vital, the other were actively integrated. Whether “the other” remained feared depended on how free they were to show their differences and disagreements when it mattered.
Belonging: To be accepted by “the other,” there has to be a clear understanding that saying no to the norm is socially acceptable. Lacking that, it would not be possible to have a lasting peaceful coexistence. People otherwise would spend their lives trying to escape or doing self-harm.
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Young Abner Oxford has kept something of his mother’s. Something else needs what he has. It’s patient, can be quite disarming, and has a monstrous, fierce appetite. Abner and his family, along with a caravan of sleighs, are moving north.
The frigid cold and the blinding white have made the adults slow, weary, and numb. Very few questioned the drag marks in the snow or the mounting number of disappearances. Abner’s father felt like that—until it woke him up.
Fans of The Terror, the Fisherman, and El Norte will be hooked.
Mirroring Real World Science
Alexander Fleming’s Penicillin Promise follows two siblings and their time-traveling Dr friend who visit London in 1928 to meet Alexander Fleming to learn about the discovery of penicillin. What was the inspiration for the setup of your story?
The heart of this story grew from a simple idea, the moment when a scientific discovery becomes a turning point for humanity.
Alexander Fleming’s chance observation in 1928 changed the course of medicine, yet behind that historic moment was a very human story of curiosity, patience, and readiness to notice what others overlooked.
I wanted children to experience that spark for themselves. By sending Daniel, Jennifer, and Dr. K back to a bustling London laboratory, readers see how ordinary people, even those who doubt their own impact, can shape the world through careful observation and persistence.
The setup allows children to witness the discovery from the inside, giving them a sense of belonging in the world of science.
What is your approach to presenting scientific information and facts in a way that children will not only understand but be excited to learn more about the topic?
My approach is to bring science off the page and into the lived experience of the characters.
Children learn best when they feel connected to the story, so I weave scientific concepts into dialogue, sensory details, and moments of discovery rather than presenting them as lessons. I also rely on curiosity. When Daniel and Jennifer ask real questions, the answers arise naturally in the narrative.
That interplay mirrors how science works in the real world.
Rather than memorize facts, readers follow the excitement of the process, the surprise, the wonder, and the small steps that lead to breakthroughs.
The goal is for children to finish the book not only with new knowledge, but with the desire to keep exploring on their own.
Did you find anything in your research of this story that surprised you?
Yes, and it changed the way I wrote the book. I was struck by how accidental the discovery of penicillin truly was, yet how much preparation and scientific discipline went into recognizing its significance.
Fleming did not set out to discover an antibiotic. He simply had the habit of observing carefully, even when something looked like a mistake. I was also surprised by how long it took for penicillin to become widely available. Its early development required many hands working across years, countries, and laboratories.
That collective effort shaped the book’s message. Even a brilliant idea needs a community of people who believe in the work.
I wanted young readers to see that science is never a solo journey.
Can you tell us more about what’s in store for Dr. K, Daniel, and Jennifer, and the direction of the next book?
The adventure continues with Albert Einstein in Book 4: Albert Einstein’s Journey Through Relativity.
This story brings the siblings into the heart of one of the most transformative scientific periods of the twentieth century.
They travel from Germany to Switzerland and witness Einstein’s early curiosity, his time in the patent office, and the ideas that became the foundations of modern physics. The focus of the next book is not only on scientific concepts, but on resilience, imagination, and the courage to pursue questions that defy the expectations of the time. Dr. K, Daniel, and Jennifer continue to grow in their understanding of science, and also in their confidence as young thinkers who see the world with wonder and responsibility.
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In Alexander Fleming’s Penicillin Promise, readers embark on a thrilling journey that intertwines history and science. Guided by the enigmatic Dr. K, Jennifer and Daniel step into a world where a simple mold changes the course of medicine forever. They find themselves in St. Mary’s Hospital, where Fleming’s groundbreaking discovery unfolds before their eyes. The children experience the excitement of scientific inquiry, learning how curiosity and observation can lead to monumental breakthroughs. As they navigate through London’s rich tapestry of scientific landmarks, they uncover the significance of antibiotics in combating infections and saving lives. The story emphasizes the importance of perseverance, showcasing how Fleming’s relentless pursuit of knowledge led to a discovery that would revolutionize healthcare.
This engaging narrative not only entertains but also educates young readers about the fundamentals of bacteria and early medicine. It inspires them to appreciate the wonders of science and the unexpected paths that lead to great discoveries. Alexander Fleming’s Penicillin Promise is the third installment in the Dr. K’s Portal Through Time series, celebrating a quiet yet monumental achievement that continues to shape our world today. Through immersive storytelling, children are encouraged to explore their own interests in science and history, fostering a sense of wonder and a desire to learn.
The Atlas of Elsewhere
The Atlas of Elsewhere follows Elsie Vine, a quiet librarian whose life has grown too small for her spirit, even if she has not admitted that to herself yet. When a mysterious atlas appears in her library, filled with living maps and impossible worlds, it pulls her into a journey that is as much inward as outward. Each realm she enters reflects a part of her identity. Scale, emotion, memory, choice. All of it blends into a story that feels half fantasy and half self-examination. It is a tale about possibility, courage, and the stubborn tenderness of becoming someone new.
I loved how the story plays with imagination in a practical world. The magical pieces feel warm and handmade. Nothing grand in a showy way. More like pockets of wonder stitched into the edges. I kept getting caught on the gentle humor, too. The philosophical beetle made me grin, and the Cartographer made me feel oddly comforted. I kept thinking about all the places in my own life where I have chosen the chair instead of the door.
The emotional honesty kept pulling me back to this book again and again. The fragility in Elsie’s choices felt real. The regret, the soft longing, the almost childlike ache to believe that something impossible might still be waiting. I got swept up in it. I found myself rooting for her, not in a heroic way, but in a human way. I wanted her to remember her own size. I wanted her to walk through every door, even when it scared her. The writing made me feel that, and it has been a while since a book did that so simply and directly.
The Atlas of Elsewhere reminded me a bit of The Night Circus in the way quiet magic slips into ordinary life and stirs something deep and unexpected. I would recommend The Atlas of Elsewhere to anyone who loves quiet fantasy, reflective journeys, or soft magic that grows out of everyday life. It is perfect for readers who enjoy character-driven tales and for anyone who has ever felt stuck in their own routine and wondered what might happen if they finally picked the door instead of the chair.
Pages: 198 | ASIN : B0FRC44BRZ
Students on the Margins
The Elephant in the Ivy follows a theater student at an Ivy League campus whose playful interdepartmental spy game blurs into real danger, exposing how performance, power, and privilege shape identity and loss. What was the inspiration for the setup of your story?
I had a couple of influences here. First, I had some students a long time ago when I was a middle school teacher that really inspired me. I wanted to imagine what they’d be like in college, and the whole set-up is a metaphor for the kinds of challenges that students on the margins face. Second, I currently teach at a community college, working with students that are often coming back to school after a long break. This population benefits from reassurance that they are “real” college students, that this community is here for them. Alison is a scholarship student in the Ivy League. Her feeling out of place and finding her own ground to stand on– that’s something I see a lot from community college students.
How did your background or observations of academic life influence the book’s tone and details?
College can be a setting where marginalized populations don’t feel welcome. A lot of that comes from the standard dialect being enforced in classrooms. I learned to talk like my teachers and my privileged peers when I was a scholarship student, but I never felt that ownership of the space that others seemed to feel. With Alison, I wanted to show the audience what outsiders feel like in this setting. It’s only when she stumbles upon the game that she starts to see the university as her own space. I think college can be a wonderful place to find your footing, to find something you’re passionate about that makes you want to dig your heels in. For me, it was building sets for the theatre department.
The novel balances humor with real grief and danger. How did you know when to let scenes stay light and when to let them turn dark?
My default is probably light. I’m a funny person, and I make light of most everything. I think there’s even some good jokes in the scene where Alison has to mother her mother. I make the case that Hamlet could be a comedy if you played it for laughs. I actually did that. I played Hamlet and hammed up the stuff I thought was funny. The local papers didn’t like it much, but I did get laughs. The world has light moments and sobering ones, too. I guess I just tried to be Rainbow Rowell during the hard ones, and P. G. Wodehouse the rest of the time. Taking a low-stakes thing and giving it higher stakes by making characters want what they want even harder– that’s a Wodehous move, I think.
What conversations do you hope students, educators, or first-time readers have after finishing the book?
Well, I very much hope I covered the bases of the stuff that’s in literature. Something to say, and a long-form story that says it. A nice mix of passages, characters, and literary devices that serve as metaphors for the big ideas. I’m hoping that the book being free is helpful so that classrooms can take advantage and have one less hurdle to take on. I hope they read it in class and then just stop when it reminds them of something– a life experience, another story, a concept from class. And that they chat about that a bit, and then move on. I think that’s what it takes to become a stronger reader: a place and time dedicated to reading, a community to read with, and someone to talk to about the book.
Author Links: GoodReads | Website
Alison Ashe is a junior at Bauer. A scholarship kid, a theatre major, strapped for cash and even more strapped for time; she’s easily annoyed and something about her privileged peers really wigs her out. But unlike most of her peers, Alison has an outlet where starting on third base doesn’t do anyone any favors. Ancient and secret, Bauer is home to a spy game of sorts. A game where all that matters is that your wits are sharp and you’re willing to take big risks. And, of course, who you trust.
All proceeds for The Elephant in the Ivy are used to purchase books for classrooms. Teachers are invited to reach out to the author to participate in this program.
Praise for The Elephant in the Ivy:
“It’s a real book!” -Danyelle Khmara, Arizona Public Media
“A rollicking heist of a book. Alison Ashe will trick you, and you’ll thank her for it.” -Grace Olsen, WMHC Radio
Written with support from Pima Open Digital Press, an open educational resource initiative at Pima Community College.
Your Problems Solved: Cold Clues
Your Problems Solved: Cold Clues hooked me right from the first scene, where retired librarian Dory Frame steps onto her porch and finds a troubled young woman asking for help. That moment kicks off a mystery rooted in a small California town in 1955, full of heat, old secrets, sharp characters, and the quiet grit of a woman who never expected to become a sleuth. The story winds through murder, corruption, community ties, and one woman’s stubborn insistence on truth. It moves with a gentle rhythm that feels like a stroll through a neighborhood, then tightens when things turn dark. I found myself caring far more than I expected to.
As I read, I kept smiling at the voice of Dory. She is steady and thoughtful, yet she surprises you with a streak of bravery that sneaks up on you. The writing made me feel like I was sitting beside her at the kitchen table, sipping iced tea while she sorted through clues and her own memories. Author Lennette Horton paints small-town life with such affection that even the gossip feels warm. There were moments that hit harder, though, like the quiet grief wrapped around Dory’s widowhood or the unease of a veteran struggling with trauma. Those scenes caught in my chest. They added weight to a book that could have stayed light but chose something richer.
I also appreciated the layers tucked inside the plot. What starts as a simple request from a desperate daughter slowly becomes a tangle of civic corruption, hidden relationships, and buried ledgers. Horton balances this with soft humor and everyday detail. One moment I was caught in the tension of a new clue, and the next I was listening to neighbors talk tomatoes and grandbabies. Oddly enough, that blend worked. It grounded the danger in something very real. I felt like I knew these people. I wanted them safe. I wanted justice to land where it should.
By the final pages, I closed the book feeling satisfied. This story would be wonderful for readers who love cozy mysteries with heart, fans of historical settings, and anyone who enjoys a heroine who solves problems with brains, kindness, and a little stubbornness. If you like mysteries that feel authentic rather than flashy, this one is a great pick. I’m looking forward to reading more of Dory’s adventures.
Pages: 342 | ASIN : B0FNTBNHY3
The Relentless Lure of Greed and Power
Polar Deception follows a man living in a time of environmental collapse and geopolitical fractures who steals rare crystals from a remote research center and murders his colleagues to secure himself a lucrative deal. What was the inspiration for the setup of your story?
It’s interesting that you characterize the story as following Carlos, the antagonist. Carlos represents all that is wrong with the world—the relentless lure of greed and power. While he doesn’t steal the crystals, he hides them to double‑cross his prospective buyer, China. That act underscores his manipulative nature and the destructive choices people in power often make. History and current events remind us that unchecked ambition and exploitation lead to suffering for the many and lasting damage to our only home in the universe. Diana’s struggle against Carlos is symbolic of humanity’s broader fight to resist those forces.
For me, the heart of Polar Deception is Diana’s story—a smart, adventurous woman who has endured profound personal tragedy, from a difficult childhood to the loss of both her mother and husband within just a few years. Her journey is about resilience and finding the courage to stand up to someone like Carlos.
My novel was inspired by my own visit to Antarctica aboard a ship with a Russian captain. One night was set aside for camping on the shores of Paradise Bay. After digging my “grave” in the snow and arranging my bivy bag, I watched the Zodiac head back to the ship and wondered: What if they don’t come back for us? There are no trees or plants, we were told to bring no food, and going inland only meant the danger of crevasses. My concern for the environment and awareness of rare‑earth issues grew around that moment, eventually forming the foundation of a story I knew I had to tell.
What character did you enjoy writing for? Was there one that was more challenging to write for?
I especially enjoyed writing Angie. She’s a lively, fun companion for Diana, yet she carries her own inner demons that I hope to explore more fully in the next book.
Carlos, on the other hand, was the most difficult. I envisioned him as a narcissistic sociopath, but early (and even recent) feedback suggested he came across as cartoonishly evil. To balance that, I gave him a more nuanced background shaped by personal tragedies, and even a faint conscience—he avoids harming those he believes “don’t deserve it.” Writing such characters is tricky: while narcissistic sociopaths exist in real life, their behavior can feel unbelievable in fiction. Still, if we are to understand and deal with such sociopaths in reality, at the very least we must be able to acknowledge that they have a role to play in fiction.
I felt there was a clear warning in these pages about the direction Earth is headed. What were some themes that were important for you to explore in this book?
The central theme is the butterfly effect—how a single action, whether natural or human, can ripple across the globe for good or ill. The Russian earthquake is one example, echoing the real-life 2011 Japanese earthquake and tsunami that impacted Antarctica. It’s a reminder that it only takes one event in one corner of the world to reverberate thousands of miles away in mere hours
Another theme is the outsized influence of individuals. History shows us how one person—Hitler being a stark example—can alter humanity’s course through threats or promises of power. Carlos embodies this danger, justifying his actions as serving the “greater good.” But Diana ultimately strips that power from him, at least for now, preserving the fragile balance.
What will your next novel be about, and what will the whole series encompass?
Without giving too much away, the next book begins with a global event that sends Diana and Angie to Greenland, where a crisis is brewing. Book 2 is set in 2053 and will explore sustainable alternatives to today’s technology—solutions that are based on existing innovations that are not yet considered economically feasible. The series as a whole will continue to examine how humanity’s choices, both large and small, shape our shared future.
Author Links: Amazon | GoodReads | Website
And Thwaites—the infamous Doomsday Glacier in Antarctica—has collapsed. Submerged coastlines and yesterday’s technologies are the new normal. But deep within Antarctica’s mountains, revolutionary magnetic crystals hold the key to resurrecting the modern era. There’s just one problem—with Thwaites gone, mining will unleash a catastrophic chain reaction, shattering Antarctica’s ice, and reshaping Earth’s future forever.
Dr. Carlos Perez doesn’t care. Prestige and profit are all that matter. After collecting crystal samples at a Chilean research station, he murders three colleagues under orders from his Chinese buyer—then hides the samples until he can cut a new deal. To avoid detection, he returns to the facility aboard a pleasure cruise.
Also aboard is Diana Harris, a recently widowed sustainability advocate with a background in geology, traveling with her spirited best friend, Angie. Diana hopes for healing—but after she stumbles upon a mysterious red crystal and a trail of hidden agendas, she’s pulled into a deadly conspiracy. The CIA is watching. China is listening. And Carlos is ready to kill again.
When Diana and the other campers are left stranded in the icy wilderness, the countdown begins. A rare cyclone is closing in. The truth is cracking through the ice. And Diana must summon her strength to stop a man-made disaster that could redefine civilization.
The truth lies beneath the fracturing ice.
And if it surfaces—nations will kill to control it.
LITERARY TITAN 