Blog Archives

Unstuck: Break The Cycle of Self-Sabotage and Rewire Your Mind for Lasting Confidence

Unstuck digs into the everyday mess of self-sabotage and shows how it hides in fear, doubt, old stories, and habits that feel protective but really keep us spinning in place. The book moves through patterns like procrastination, perfectionism, avoidance, and negative self-talk, and ties them back to emotional roots that often come from childhood, comparison, or unspoken beliefs about worth. It blends stories of people like Jamal and Elena with practical tools, reflection prompts, and gentle coaching. The focus stays on helping readers slow down, notice their patterns, and use small steps to build new habits that create steady change.

The writing comes across warm and welcoming, almost like a therapist talking to you over coffee. Sometimes the author repeats concepts, yet that repetition slowly sinks in and makes the ideas feel doable. I appreciated the steady reminder that self-sabotage is not a personal flaw. The book explains this in clear language that feels comforting. Some sections linger on similar examples, but the message that change begins with awareness feels powerful. I liked how the author encourages tiny actions rather than dramatic reinventions. It made me relax into the process rather than brace for homework.

What stood out most was the emotional honesty of the stories. Seeing Elena wrestle with success and Jamal doubt his own worth made the ideas feel grounded. It stirred up a mix of hope and discomfort in me. I caught myself thinking about the ways I shrink from opportunities or talk myself out of progress. The book made those habits feel normal, which softened the shame. Then it nudged me to look at them more closely. Some tools felt simple on the surface, but when I tried them, I felt that surprising spark of relief that comes from naming things I usually avoid. I enjoyed that mix of calm guidance and real challenge. It made the reading experience feel personal.

By the end, I felt encouraged rather than overwhelmed. The message lands with clarity. You can grow at your own pace. You can take tiny steps and still move forward. If you tend to hesitate, overthink, or talk yourself down, this book will likely resonate. I would recommend Unstuck to anyone who keeps circling the same goals and wonders why progress feels slippery. It would be especially helpful for young professionals, creatives, and anyone who feels tangled in fear or doubt. The book offers compassion and direction without pretending that change happens overnight.

Pages: 125 | ASIN : B0G3XKYSTH

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Connecting the Dots

Carol Odell Author Interview

Girl, Groomed is a raw and unflinching memoir that traces your childhood experiences of grooming and abuse at a horse stable, and the long, painful process of understanding how that past shaped your adult life and relationships. Why was this an important book for you to write?

I wanted to offer what I have learned personally and professionally about the importance of lining up with and healing from past trauma. I chose to use my own story to encourage readers that it is only through walking directly into the painful places that we can heal ourselves.

What were some ideas that were important for you to share in this book?

The path towards reclaiming our lives is through an understanding of how trauma continues to impact ourselves and others. This shows up in many forms, but through an awareness of this, we gain the agency to decrease our reactivity and defensiveness that are constricting byproducts. This, in turn, gives us more choice and liberation over our lives going forward.

What was the most challenging part of writing your memoir, and what was the most rewarding?

Writing my memoir required me to delve back into memories that I had disconnected from. The process of re-experiencing what I had fractured off was both painful and healing. After all, we can only heal from what we can accurately name. Connecting the dots of my life helped me integrate and reclaim my story.

What do you hope is one thing readers take away from your story?

One takeaway is that trauma informs our lives, but it doesn’t define who we are or who we are becoming.

Author Links: GoodReads | Website | Instagram | Amazon

Fans of Lori Gottlieb’s, Maybe You Should Talk to Someone, and horse lovers alike will appreciate this therapist’s intimate journey in “the other chair” as she strives to untangle the trauma from her equestrian childhood that now threatens her marriage.

Raw and riveting, Girl, Groomed is seasoned psychotherapist Carol Odell’s evolving story of deepening her understanding of how the crisis she blindly imposes on her marriage is rooted in her own history of sexual abuse and violence at the hands of a predatory horse trainer who, for far too much of her young life, held all the reins. Chapters toggle back and forth between scenes of her childhood growing up jumping horses on the show circuit in Virginia and the therapy sessions she later undergoes as an adult sitting in “the other chair.”

Using her own journey, Carol demonstrates in this insightful memoir how unintegrated trauma limits us and our connection with others—and how the work of uncovering and reintegrating “what we do with what happens to us” can become the very source of our liberation.

I Wasn’t Alone

Barb Dorrington Author Interview

The Trauma Monster shares your story of looking into the unsolved murder of your childhood friend, and through the investigation and with the knowledge you gained as a trauma therapist, helped your community heal. Why was this an important book for you to write?

The Trauma Monster was never just about writing a book. I was not a writer by profession but I decided to learn to write so I could help others deal with longstanding trauma. It was also about breaking a silence that’s hung over my community, and over my own life, for decades. I grew up with unanswered questions, carrying the weight of childhood loss, violence, and unresolved grief.  When someone you cared about is murdered, as my first crush, Scott Leishman, was, and the case goes unsolved, the trauma doesn’t end. It lingers, it shapes one, and it shapes the town around each of us that was affected.

This book was my way of finally giving voice to the pain that was hidden for too long. But it’s also a book about hope. It is about how, even after decades, people can come together to seek truth, to heal, and to demand answers. Writing The Trauma Monster allowed me to honour the victims, amplify the voices of those who were silenced, and show others that healing is possible, even when justice feels out of reach. 

What were some ideas that were important for you to share in this book?

There are three important ideas that I hoped my book described. First, I wanted people to understand that trauma doesn’t just belong to the families of victims, it eventually ripples through entire communities. When a murder goes unsolved, it leaves behind more than grief. It leaves fear, silence, and shame. I saw that in London, Ontario, and I carried it personally with me for decades.

Sometimes, families didn’t want the investigation stirred up again. They were grieving in their own way, or protecting themselves from more pain, which is their right. But that silence didn’t stop the hurt, it just pushed it underground for everyone else. Friends, classmates, shopkeepers, neighbours and others, we all were left with unanswered questions, and nowhere to put their pain.

Second, I wanted to show that unsolved murders aren’t just cold files, but actual human stories. The victims weren’t statistics; they were kids I went to school with, the boy I once had a crush on. They had dreams, fears, favourite songs. Their stories deserved to be told, and with dignity, with truth.

Third, I wanted people to know that healing is possible, but it starts with facing the past. It starts with stories being told, even the uncomfortable ones. Even when justice feels impossible, we can still reclaim our voices. Silence may have protected some, but it also trapped many others. It’s time for the silence to end.

What was the most challenging part of writing your book, and what was the most rewarding?

The most challenging part of writing The Trauma Monster was carrying other people’s pain, and recognizing my own pain, at the same time. I spent years listening to stories that were buried for decades, including stories of violence, fear, and loss. Some of those were my own stories too. There were moments I’d sit at my writing desk and think, I can’t do this because it’s too heavy, too heartbreaking. But I also knew that staying silent wasn’t an option anymore, not for me, and not for the community.

Another challenge was navigating the delicate reality that not everyone wanted these stories reopened. Some families, understandably, wanted the past to stay buried. I had to find a way to respect that, while still standing up for the friends, classmates, neighbours, meaning the rest of us  who’d been living with unanswered questions and hidden trauma all this time.

The most rewarding part, without question, was seeing what happens when people finally feel heard. I’ve had survivors, classmates, even complete strangers tell me that reading The Trauma Monster made them feel less alone. For the first time, their fear, their grief, even their anger, was seen, validated and understood. That’s why I wrote it. Not to stir up pain for the sake of it, but to remind people that silence doesn’t heal, but truth, connection, and shared stories can.

How has writing this book impacted or changed your life?

Writing The Trauma Monster changed my life in ways I didn’t expect. It gave me back my voice and not just as an author. It gave me a way to tell my own story as someone who grew up carrying unanswered questions and unspoken grief. For decades, I thought I had to live with the silence. I thought that’s just how it was because people didn’t talk about these murders, and the pain stayed tucked away in the corners of our lives.

But the more I researched, the more I listened to other people’s stories, the more I realized how many of us had been carrying the same weight. Writing this book showed me that I wasn’t alone. More importantly, I didn’t have to be quiet anymore.

It also connected me with people I never would have met otherwise, including other survivors, families, citizen sleuths, even people from my own past I lost touch with. Some of them shared their memories for the first time in 50 years. That’s powerful.

Most of all, it reminded me that healing doesn’t come from pretending nothing happened. It comes from telling the truth, even when it’s messy, even when it’s hard. Writing this book helped me face my own trauma, honour the people we lost, and finally believe that it’s not too late for change or for answers, or for a community to begin healing together.

Author Links: GoodReads | X | Facebook | Website

At once a cold case investigation and self-help memoir, The Trauma Monster follows retired trauma therapist Barb Dorrington as she investigates the unsolved 1968 murder of her childhood friend, Scott Leishman. She meets many survivors during her search for clues. Their stories of abduction, sexual assault, and home invasion are terrifying, but they also serve as catharsis for those who have kept their stories secret for far too long. As she uncovers new leads about key suspects in the case, Dorrington stumbles upon the real heart of her pursuit: to find the trauma monster hiding inside each of us, and drag it out into the light.

The Trauma Monster: A Healing Journey through the Untold Cold Case Stories Of One Ontario Community

The Trauma Monster is a gut-wrenching yet hopeful book that weaves together personal memoir, true crime investigation, and trauma therapy insights. Set in Ontario during the 1960s and ’70s, the book begins with the unsolved murder of the author’s childhood crush, Scott Leishman. That loss becomes the starting point for a wider exploration into a series of cold cases that haunted the community and left lingering emotional scars. Through firsthand accounts, interviews, and years of therapeutic work, Dorrington tells the stories of survivors, people who were children during those years and never had a chance to speak. At its heart, the book is about the long reach of trauma, the silence it breeds, and the healing that comes when people feel safe enough to speak.

There’s a raw honesty to Dorrington’s voice that pulled me right in. She doesn’t write from a distance. She’s not an outsider poking around in someone else’s pain. This was her town. These were her friends. She opens herself up on every page, and that openness gives the book its power. The writing is simple, which works here. No need for flowery prose or academic terms. At times, the book left me breathless. She paints the ’60s in vivid detail. The crime scenes aren’t sensationalized, but they do haunt. I kept thinking about the kids who didn’t come home. The way Dorrington connects personal grief with collective trauma is what makes this more than a true crime book.

What surprised me most was how tender it is. For a book about murder and silence and shame, there’s so much care here. Dorrington is a trained trauma therapist, and it shows, not in technical talk, but in how she handles each story with compassion. She gives voice to people who were never asked to speak. Her inclusion of art, storytelling, and even a workbook makes the book not just a record but a tool for healing. I found myself thinking about my own losses, my own unspoken stories. That’s the kind of impact this book has. And still, she doesn’t tie anything up neatly. She’s not pretending these wounds close easily. The monster, as she calls it, never disappears. But it can shrink. It can be drawn, faced, and named.

This book is not just about old murders or sad memories. It’s about witnessing. About telling stories that were hidden too long. I’d recommend The Trauma Monster to anyone who’s been through something hard and is still trying to name it. It’s not an easy read, but it’s a comforting one. If you like true crime with heart, if you’ve felt unseen or unheard, or if you’re trying to heal, then this book is for you.

Pages: 297 | ASIN : B0F7D6SCL8

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Our Deepest Roots: Navigating Past Trauma to Build Healthier Queer Relationships

Our Deepest Roots is a brave and illuminating book about how trauma—especially the kind rooted in queerness and relational wounds—intertwines with the mess and beauty of love. Dr. Jen Towns doesn’t just discuss trauma in the abstract. She lays bare her own experiences, not as case studies or distant theory, but as raw, beating-heart truth. Through her lens as a queer trauma therapist and partner, she unpacks how our “parts” (the internal voices, reactions, and protections we develop) shape, distort, and sometimes save our relationships. She explores this through concepts like attachment theory, the Internal Family Systems (IFS) model, and a blend of hard-earned wisdom from both the therapy room and the kitchen table.

Reading this as a gay man who’s wrestled with his own ghosts, I felt seen in a way that knocked the wind out of me. The opening scene where Dr. Town’s wife (also a trauma survivor and therapist) writes about storming out of a fight, numb to her partner’s sobbing felt uncomfortably familiar. That terrifying push-pull of needing space but fearing abandonment? Yep. Lived it. And the self-loathing inner monologue she transcribes after the fallout was brutally spot on. It’s one thing to read about trauma reactions. It’s another thing entirely to read someone gently dissect their own and realize, oh god, that’s me too.

What sets this book apart is the refusal to shy away from the complicated, layered ways trauma shows up in queer love. Towns doesn’t romanticize healing, and she doesn’t offer cheap fixes. Instead, she walks us through her fights, her therapy, her missteps, and the hard-won tools she now teaches. When she talks about “fawning” in queer identity—where we perform caretaking to stay safe—it hit like a freight train. She describes fawning not as a flaw but as a strategy, born of survival.

Towns also brings a refreshingly down-to-earth voice. It’s not clinical or cold. It’s like a trusted friend walking with you, swearing a little, crying with you, laughing with you when you realize, yes, we’re all a little messed up but still deeply worthy of love. And her exercises, like the PEACE TALKS framework and the “Zhuzh” reminders, are actually doable—not just filler. She brings everything back to the body, the relationship, and the now. It’s healing work you can feel.

I recommend Our Deepest Roots wholeheartedly, especially to my fellow queer men who grew up believing we had to shrink to be loved, who still brace for rejection when things get close. This book isn’t just for therapists or couples in crisis—it’s for anyone tired of repeating old patterns and ready to face themselves with honesty and tenderness. It’s raw, smart, sometimes painful, and deeply human. And if you’re anything like me, you’ll find parts of yourself on every page.

Pages: 268 | ASIN : B0C6FRBKN2

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Mental Health Crisis

Brett Cotter Author Interview

The Stress is Gone Method helps readers navigate stress, anxiety, and trauma via emotional awareness and exercises centered around self-reflection. Why was this an important book for you to write?

I feel this material is so important right now because effective mental health care is so hard to find. The mental health crisis is compounded by stigmas, waiting until the last minute to ask for help, long wait times before appointments are available, etc. Personally, I have seen thousands of clients quickly improve their mental health by learning how to address problems from the inside, as opposed to searching for solutions on the outside.

How much research did you undertake for this book, and how much time did it take to put it all together?

This book is a culmination of the past 25 years of professional experience in the field. The techniques are time tested; first by myself, and second by my clients and students. I now train a broad range of mental health professionals, school guidance counselors, and suicide prevention specialists in my methods. The reach of these techniques continues to grow.

Why was it important for you to include a workbook for your readers?

Often I’m asked, “Why did you write a workbook?” It’s because the human race has a lot of work to do. Another book to read and not interact with, not engage with, that doesn’t help you explore yourself, would be just another book on the shelf. But something that causes a person to look deep inside themselves, and then guides them through practical steps to reduce their stress and anxiety, I felt would be my best service to humanity.

What is one thing you hope readers take away from the advice you offer in The Stress is Gone Method?

I hope readers take away a few things; (1) they can take control back from stress if they focus on what’s happening inside their body, (2) they can release anxiety and emotional pain, and heal traumatic memories, and (3) they can find all the answers they seek inside themselves in deep meditation.

Author Links: GoodReads | Instagram | Facebook | Website | Amazon

The Stress Is Gone Method is a self-care system that empowers people with tools to overcome stress, emotional pain, anxiety, negative thinking, and trauma. This interactive workbook provides you with more than just stress-relief techniques; it guides you to release the repressed fear that creates additional emotional pain and helps you embody the new beliefs necessary to produce the life of your dreams. You’ll discover your true power as you effectively respond to stress from:

• Traumatic Events
• Caring for Elderly Parents
• Work, Finances, or School
• Caring for a Child with Special Needs
• Out-of-Control Family Situations
• Abusive or Narcissistic Relationships
• Personal or Family Health Crises
• Generational or Ancestral Trauma
• Loss of a Loved One
• Legal System or Medical Trauma
• Exhaustion from Placing Everyone Else’s Needs Before Yours
• Being Raised by Abusive, Addicted, or Neglectful Parents

This book allows stress to enlighten us as triggers become teachers and self-love fills the hole that trauma left in our soul.


The Suicide Prevention Family Handbook

The Suicide Prevention Family Handbook, by Brett Cotter, is a deeply compassionate and practical guide for those facing the realities of depression, suicidal ideation, and grief. The book serves as a roadmap for families and individuals navigating these challenges, offering step-by-step techniques to provide support, regain emotional balance, and rebuild life after loss. While it does not replace professional medical or psychological treatment, it complements traditional approaches by focusing on mindfulness, emotional release, and effective communication strategies.

One of the most powerful aspects of this book is its emphasis on the role of emotional pain in suicidal ideation. Cotter explains that emotional pain is seeking to be “seen, heard, and loved.” This perspective shifts the focus from simply preventing suicide to addressing its emotional root causes. The techniques he provides, such as the 5 Prompts, which encourage open-ended, compassionate listening, are practical and immediately useful. His step-by-step breakdown of how to hold space for a loved one, particularly the sections on body language and tone, make this guide stand out. It’s not just about what to say but how to be with someone in pain, and that nuance is essential.

Cotter’s personal anecdotes make the book feel intimate and real. His description of working with veterans struggling with PTSD and suicidal ideation, along with his own past experiences with emotional pain, add authenticity to his methods. The story of how he guided someone out of suicidal ideation in 2003 by simply listening, grounding himself, and asking, “Please tell me more,” is a striking example of how small shifts in approach can make a life-saving difference. It’s one thing to discuss theories of emotional healing, but Cotter’s book is packed with real-life examples that prove the effectiveness of his techniques.

Another strong point is his approach to grief. He acknowledges that loss, especially from suicide, can be overwhelming, but he doesn’t offer empty platitudes. Instead, he provides tangible exercises, like the Letting Go with Love Visualization and Calling Loved Ones Into Our Dreams, which allow people to continue their relationship with lost loved ones in a meaningful way. His insight that guilt after a loved one’s suicide is a natural survival mechanism, rather than an indicator of personal failure, is a revelation that could provide comfort to many struggling with loss.

The Suicide Prevention Family Handbook is for anyone who has a loved one struggling with depression, those dealing with their own suicidal thoughts, and individuals grieving a tragic loss. It’s not just for mental health professionals; it’s written for everyday people who want to learn how to truly support those in pain. Cotter’s writing is clear, heartfelt, and filled with empathy, making it an accessible and invaluable resource. If you’re looking for practical tools to help yourself or someone you care about, this book is well worth the read.

Pages: 58 | ASIN ‏ : ‎ B0DPJKWXDT

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