The Three Lives of Richie O’Malley follows a mob hitman who must come to terms with the death of his friend, a government investigation, and betrayal. What was the inspiration for the setup to your story?
I knew a guy who was a CIA spook in the 60s and 70s. He introduced me to the world of American involvement in the cocaine trade in Central and South America during that time. It was not hard work to write a story following the money from this time and place to present day government entanglement at the highest levels. In many ways, sadly, this part of the story almost wrote itself.
Richie is an intriguing and well developed character. What were some driving ideals behind your character’s development?
As a young man, my best friend was this guy Hector Luis, a Puerto Rican Kid from the Bronx, NY. Luis was the model for Juan Carlos. I truly loved this guy as my brother. Luis came from a very bad environment and did some bad things, but he had a good soul. Many, most, didn’t see that. I was as bad a kid as Luis any day of the week, but as the clean-cut white guy, I got away with a lot more than Luis. I always thought that was unfair.
Under the hood I think we are all capable of good and evil, regardless of the label we are given. Richie, like Juan (Luis) were good guys who were swept into ruined lives by circumstance and bad choices. I guess my ideal, in this case, is to try to always not see people at face value. There is more to them than we can ever truly know or understand. There are few truly bad people, and we should not look too hard at others without first examining and knowing ourselves.
What were some themes that were important for you to explore in this book?
Friendship and loyalty were very important themes in this book and in my life. These and the old cliché don’t judge a man until you’ve walked a mile in his shoes.
What is the next book that you are working on and when will it be available?
The title is The Berry Pickers. There is an area a few miles north of me where in the 1920s to the 1950s people lived and subsisted picking and selling wild blueberries. A fascinating collection of personalities. I read a book on these people once and it was dry as toast. I’ve long been saddened that in the hands of someone like Steinbeck what a great story this could be, in line with the Grapes of Wrath. Sadly, Mr. Steinbeck never wrote this story, and while I don’t think myself worthy to sharpen his pencils, I thought I’d give it a go.
I am hoping to have the editing and writing process completed by mid-summer. I’d like to publish in the fall. I’ve still not decided if I’ll query agents or not. I had two agents very interested in Richie, but they said they couldn’t find a market for it. I know my stuff isn’t mainstream, no bare-chested vampires with wings, but that aint my jam. I just write what I think needs to be written and hope someone reads it.
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Her Eyes Underwater by Romona Simon is suspenseful true crime inspired novel that begins when Julia goes to a coffee house to indulge in her hobby, men. It isn’t long before she finds an attractive one. Soon we are questioning her wisdom in getting into his truck and letting him drive her out into the woods on a dark and lonely road. We are then transported to a funeral with a dysfunctional family who doesn’t seem too broken up over the death. Then we meet a class of law students who seem to spend more time skiing, playing racquetball, and fighting over mates than studying law. And women keep dying bloody deaths. What is happening? And why does this gorgeous guy act so peculiar?
Her Eyes Underwater has a unique ability to pull you into the story with the simplest details and a patchwork of enigmas that slowly come together to create a chilling mystery. While the slow build up was something that took some getting used it, when I was in the midst of the story I was enthralled and couldn’t put the book down. Julia is an engaging character, although sometimes frustratingly naive, her character adds a sense of the unknown. Couple that with Alex, who takes the cliche of the ‘dark mysterious stranger’ to a whole new level. Julia and Alex’s relationship, for me, felt balanced on a knife’s edge; anything could happen at any moment.
Although I enjoyed the characters I felt that the descriptions of the actions and people were a bit cumbersome in places, along with the use of some odd adjectives that made me stop and pick up a dictionary. But if you’re not afraid of new words and are ready to dive into a fully realized world that is thoroughly described then you will find plenty to enjoy in Romona Simon’s electrifying romance novel.
The scenes between Alex and Julia are steamy without being vulgar. This is definitely for mature audiences to enjoy. Her Eyes Underwater has an ending that was surprising and left me begging for more. This is a gripping start to what promises to be a riveting crime series.
Pages: 263 | ASIN: B0861KLVVH
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Highwayman follows a highly intelligent serial killer with plans to take his rampage to the next level. What were some influences you felt guided your story?
I did an abundant amount of research on subjects with similar traits to the character I wanted to write. When I began developing the Highwayman character, I was constantly reminded of the myriad real-life criminals that inspired him. Serial murderers like Ted Bundy, Luka Magnotta, the Toolbox Killers, Roy Norris and Lawrence Bittaker, all influenced the creation of Highwayman’s character. So, when you ask, “what influences?” they weren’t the traditional works of authors I generally read. Much of my influences were police reports, documentaries, true crime literature, and that kept me grounded. Writing a story about a highly intelligent serial killer that even if they are smart, even if they have the advantage, at their core, there is still something wrong with them. Normal people don’t hunt other humans. That personality defect alone separates them from society and removes the illusion that they are somehow superhuman or impervious to mistakes.
Lance is a villain that I loved to hate. What were some ideals that guided his character development?
The preamble to your question pretty much nails the fundamental mission I had when I created Lance. I didn’t want readers to like him. I wanted them to be horrified by his lack of empathy, narcissism, and psychopathy. In other words, I wanted him to be as realistic to fiction readers as real-life serial killers are to those that read true crime.
The criminal process, as well as the details on FBI procedures, were all fascinating. What kind of research did you undertake to ensure things were accurate?
I did a lot of reading, including interviews with serial killers conducted by law enforcement, and watched 100’s of hours of documentaries on the subject and subjects. I also consulted with true crime writers about the characters they had studied like Ted Bundy. I contacted police agencies, asking questions that raised eyebrows. Nothing beats calling the police and asking strange questions. Examples: “What would happen if I found a body here?” or “Does a vehicle submerged in water still yield fingerprints?” I overdosed on research, but I don’t proclaim myself any type of an expert as I’m sure I can be taken to task on some issues.
This is book one in the Highwayman series. What can readers expect in book two?
Highwayman was a slow-burn, introducing us to Lance and his ambitions over roughly eight years. The follow-up book, FOUR, which is now available, focuses on Lance’s big project of mass murder realized. There’s a lot more action, and it moves faster because the timeline of the story is a much shorter eight weeks. Lance has elevated his status to number one on the FBI’s Most-Wanted list, but there is no more mystery. Law enforcement knows who the Highwayman is and they’re coming. Maxwell is moving with a posse of investigators to stop the Highwayman for good, and now it’s personal. Lance has left Maxwell an arrogant parting shot at one of the crime scenes. AGENT MAXWELL: COME AND FIND ME. Signed: HIGHWAYMAN.
The condescension of a fugitive, yes, but Lance is about to see his plans altered as he tries to escape a relentless force of law enforcement.
Readers can also expect visitations from characters from the first book, like Cole Abraham, Lonnie Perkins, and many others. While this book will conclude the Highwayman story, it is not the end of the series. In future books, there will be more tales of murder and mystery about the monsters who walk among us every day.
This is a personal account of a young women’s journey of being kidnapped and surviving dangerous encounters with this man. Juan Carlos Parraga. From Carlos’s personal connections to El Salvador and his training by Che Guevara as a young boy of fourteen in the jungles of Guatemala. Carlos is a violent man destined to live on the edges of crime and violence. Judith not being allowed to communicate with others lives in silence but is observant of all activities he did around her. Changing her name to save her life and living a secluded life to protect herself from being kidnapped and murdered by Carlos was her life after being his victim. Realization of how dangerous he became was revealed on April 19, 1995, as Judith watched the unfolding and recognition of Juan Carlos Parraga as John Doe #2. Judith turning him into the FBI and letting him go her home in White Rock, British Columbia was arson with the intent to murder her per the RCMP investigation.
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Black and White is contemporary novel focused on interracial couples and the stigma they endure. Why was this an important novel for you to write?
I felt with everything going on in the world today, this book was needed. I want this book to help improve the world or at least get people to start talking and create a dialogue for change. The world can be an ugly place and I wanted to show that ugliness so that people can also appreciate the beauty.
The story is set in a city filled with crime and focuses on the animosity between black communities and the police. You take a balanced perspective in your story, do you feel that is something that is lacking today?
I feel there is mistrust on both sides when it comes to the Black Communities and the Police. I feel that both sides need to work on change and the only way that can happen is with dialogue. I want this book to help. I’m an NYPD Detective and I feel that it’s important that Cops acknowledge that there are some cops who are prejudice and pray on minorities but at the same time it’s important that minority communities don’t assume that every cop is corrupt and prejudice. I feel society forgets that cops are people too. I feel that sometimes some cops become so calloused from the job that they began to see minorities as bad. Balance is the key to everything. Understanding each other helps also. I talk to communities often and sometimes after I explain certain situations to the crowd, they understand things better and have less animosity. Sometimes the community members help me see things differently than I do through the lenses of being a cop. In order for the world to get better, we all have to change.
Did you put any personal life experiences in this book?
I put some personal life experiences in all of my books. “Ben”, “Ebony”, and even “Bill” and “Becky” are all parts of me. At times I felt like Ben where I felt my own race believed I wasn’t “Black” enough and I was too “Black” for some White people. I know the struggle of dealing with the public at protests like Ebony. I’m an NYPD Detective. Like Ebony, before I became a Cop, I hated cops and I became one to make a difference in the world. I’m heavily involved in urban communities and I’m in an interracial relationship. I’m similar to Becky because I wrote this book to change the world. I wouldn’t want to alter it or tone it down. I love this story the way it is and my writing is important to me. I’m similar to Bill because I grew up in Queens Bridge. Despite growing up in a low-income family, I didn’t let my environment hold me back. I’m also a huge basketball fan and play regularly. Some of the situations and even dialogues in the book I have actually had or have been involved with. I like to put some of my real experiences in my stories because I believe it helps them feel more authentic.
What is one thing that you hope readers take away from Black and White?
I want readers to understand that we all have biases, we all have assumptions and stereotype, but it’s important not to base our actions and decisions on these things. It’s important to get to know people and not assume that a certain race is all the same. I want people to read this book and understand that love is love. It doesn’t matter what race your partner is, be with anyone you love. I also want people to feel comfortable in their own skin. Ben and Simone were examples of two characters that struggled with that and it’s important to know that until you have love and appreciation for yourself, you can’t truly do the same for someone else.
What is the next novel that you are writing and when will it be available?
My next novel will be a story celebrating the strength of Mothers. I’m writing a story about three different types of Mothers in three different situations and I’m calling it “Mothers.” I hope to have the novel out in time for Mother’s Day.
When the prestigious law firm of Wayne, Rothstein, and Lincoln catches two major cases—a rape case where a White NBA star allegedly raped a Black stripper, and a murder case where a Black rapper allegedly killed a gay couple and two policemen—Bill O’Neil and Ben Turner are tasked to handle these racially charged litigations. The cases hit emotional chords with the two lawyers and force them to reckon with their interracial relationships and families. Will the racial tension of their cases destroy them or make them stronger?
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The Testimony of a Villain by Aaron Harrell is a dark, slick ride into the gritty alleys of the inner city. The book is not your typical crime thriller but one with a social lens that can only be given substance by one who has lived it. The reader follows Manuel Doggett, a boy who lost everything to be formed by the streets and remade in its’ dark image. He is out for retribution not redemption when an opportunity arises to have his vengeance on one of the murderers of his family.
Harrell provides a fresh and new take to the “true crime” thriller. His style is so firmly set in the bitingly grime reality of the inner city that the reader could even give this novel a new sub-genre of socio-economic thriller. The new threads do not stop there either, because the plot of the book itself is almost like a hero’s journey in reverse. Manuel is the classic anti-hero and one that does not once look to the audience for sympathy. Instead, there is only apathy towards almost everything, except towards the memories of his past.
The weaving of the inner city struggle and the complex inner life of Manuel makes this novel a stand out for readers of not only crime thrillers, but also those who wish to delve into the dark, broken mind of a man walking the line between light and shadow. The writing is fraught with graphic images of both violence and sex and is not for the weak-hearted.
I found myself enjoying the book from the start, because of the quick and realistic dialogue and the meta conversation about corruption, justice and social strata. There are a lot of binaries at play here, between the poor and wealthy, justice and injustice, and morality and immorality. Harrell does a fantastic job with surveying these issues, touching on them just enough without becoming too explicit. I can only guess at what Harrell’s personal experience has been with the inner city, but I very much appreciated the taste of authenticity that he lends to the narrative.
I find Manuel to be a compelling character. Most readers may find something akin to the backstory of Batman here, but there is a real human struggle that Harrell puts on display often.
Overall, I do believe that The Testimony of a Villain stands up to the best the crime thriller genre has to offer. It makes for a pleasurable read for any fans of such novels!
Pages; 489 | ASIN: B06XG6FYVH
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Dr. C. Arthur Ellis talks with The Monster about his new book Hall of Mirrors which comments on the various short films and documentaries developed to examine the life and crime of Ruby McCollum.
“Ruby McCollum (August 31, 1909 – May 23, 1992) was known for killing a prominent caucasian doctor in 1952 (whom she accused) that he had abused her and forced her to have sex and bear his child.” – Wikipedia.org
You’ve written many books about the case of Ruby McCollum and the true crime story that shook the south. How does Hall of Mirrors differ from your other works?
I first completed the annotated transcript of the trial of Ruby McCollum, which contained comments on each day of the trial, based upon my direct knowledge of the case. Commentary included various relationships among the key players, including attorneys and witnesses, who were known to me. I was motivated to create this work since various academic publications, including the first edition of Zora Neale Hurston: A Life in Letters by Karla Kaplan, maintained that Ruby McCollum was not allowed to testify at her trial when she actually did testify.
I then published a true crime novel of the story, written from the 1st person perspective of Zora Neale Hurston, the famous African-American anthropologist who reported on the trial for the Pittsburgh Courier, and then the omniscient narrator voice to tell the backstory leading to the murder.
Hall of Mirrors differs from these first two publications in that it comments on the various short films and documentaries developed after my work, as well as on the academic publication, The Silencing of Ruby McCollum, written by Dr. Tammy Evans. I considered all of these works to be without any foundation in fact, and developed with what appeared to be various biases that slanted the truth of the case in order to make political or personal statements. Further, all of these accounts were developed by people who never knew the key characters in the story. Hall of Mirrors presents primary research, not secondary opinion, to allow readers the freedom to develop their own take on the story.
What is your connection to the story of Ruby McCollum?
I was delivered into this world by Dr. C. Leroy Adams, Jr., the murder victim, in the front bedroom of our family home in Live Oak, Florida, just a block from the McCollum home. My father worked with Dr. Adams at the Suwannee County Hospital, and my mother was friends with Mrs. Adams. I knew every other character in the story, some of whom were my relatives.
Do you think Ruby McCollum’s case was instrumental in the struggle for civil rights and do you think her story is still relevant today?
I think that Ruby McCollum’s case was instrumental in the struggle for civil rights since it was the first documented case in which a woman of color was allowed to take the witness stand in her own defense in a trial charging her with killing a white man. In Hall of Mirrors, I place this trial in context, beginning with a similar trial prior to the Civil War, continuing to a case prior to McCollum’s in the Jim Crow South, and ending with the McCollum trial. This establishes a clear path of progress toward equal justice in America’s courtrooms.
I think that the public is witnessing many trials today that continue this march toward social equality, and the McCollum case is a clear benchmark on the timeline of that social progress.
The debate over the Ruby McCollum’s case has continued through the years in part because Judge Adams placed a gag order on Ruby. Why do you think the judge silenced Ruby?
Had Ruby McCollum been allowed to speak freely with the press, Live Oak, Florida would have been a feeding ground for IRS treasury agents, and the white community would have been equally convicted of tax evasion, illegal gambling, racketeering, illegal liquor sales and many related offenses. The judge himself stated that he issued the order to “protect the community,” and this is actually quite true. This being said, Ruby McCollum was visited by a reporter from the Jacksonville Times when she was in the Florida Prison at Raiford and refused to talk with him. This is in a letter written by McCollum and published in Hall of Mirrors. It is likely that McCollum had been advised to avoid the press, should they be able to reach her.
Hall of Mirrors is the most thoroughly researched work on the Ruby McCollum story published since the work of William B. Huie. Written by the author who first published the annotated transcript of the murder trial, this work explores recent attempts to revise Ruby McCollum’s story to suit the motives of various authors, academics and film producers. Hall of Mirrors avoids confirmation and presentist biases and presents this captivating story in its proper historical context.