This is a personal account of a young women’s journey of being kidnapped and surviving dangerous encounters with this man. Juan Carlos Parraga. From Carlos’s personal connections to El Salvador and his training by Che Guevara as a young boy of fourteen in the jungles of Guatemala. Carlos is a violent man destined to live on the edges of crime and violence. Judith not being allowed to communicate with others lives in silence but is observant of all activities he did around her. Changing her name to save her life and living a secluded life to protect herself from being kidnapped and murdered by Carlos was her life after being his victim. Realization of how dangerous he became was revealed on April 19, 1995, as Judith watched the unfolding and recognition of Juan Carlos Parraga as John Doe #2. Judith turning him into the FBI and letting him go her home in White Rock, British Columbia was arson with the intent to murder her per the RCMP investigation.
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Black and White is contemporary novel focused on interracial couples and the stigma they endure. Why was this an important novel for you to write?
I felt with everything going on in the world today, this book was needed. I want this book to help improve the world or at least get people to start talking and create a dialogue for change. The world can be an ugly place and I wanted to show that ugliness so that people can also appreciate the beauty.
The story is set in a city filled with crime and focuses on the animosity between black communities and the police. You take a balanced perspective in your story, do you feel that is something that is lacking today?
I feel there is mistrust on both sides when it comes to the Black Communities and the Police. I feel that both sides need to work on change and the only way that can happen is with dialogue. I want this book to help. I’m an NYPD Detective and I feel that it’s important that Cops acknowledge that there are some cops who are prejudice and pray on minorities but at the same time it’s important that minority communities don’t assume that every cop is corrupt and prejudice. I feel society forgets that cops are people too. I feel that sometimes some cops become so calloused from the job that they began to see minorities as bad. Balance is the key to everything. Understanding each other helps also. I talk to communities often and sometimes after I explain certain situations to the crowd, they understand things better and have less animosity. Sometimes the community members help me see things differently than I do through the lenses of being a cop. In order for the world to get better, we all have to change.
Did you put any personal life experiences in this book?
I put some personal life experiences in all of my books. “Ben”, “Ebony”, and even “Bill” and “Becky” are all parts of me. At times I felt like Ben where I felt my own race believed I wasn’t “Black” enough and I was too “Black” for some White people. I know the struggle of dealing with the public at protests like Ebony. I’m an NYPD Detective. Like Ebony, before I became a Cop, I hated cops and I became one to make a difference in the world. I’m heavily involved in urban communities and I’m in an interracial relationship. I’m similar to Becky because I wrote this book to change the world. I wouldn’t want to alter it or tone it down. I love this story the way it is and my writing is important to me. I’m similar to Bill because I grew up in Queens Bridge. Despite growing up in a low-income family, I didn’t let my environment hold me back. I’m also a huge basketball fan and play regularly. Some of the situations and even dialogues in the book I have actually had or have been involved with. I like to put some of my real experiences in my stories because I believe it helps them feel more authentic.
What is one thing that you hope readers take away from Black and White?
I want readers to understand that we all have biases, we all have assumptions and stereotype, but it’s important not to base our actions and decisions on these things. It’s important to get to know people and not assume that a certain race is all the same. I want people to read this book and understand that love is love. It doesn’t matter what race your partner is, be with anyone you love. I also want people to feel comfortable in their own skin. Ben and Simone were examples of two characters that struggled with that and it’s important to know that until you have love and appreciation for yourself, you can’t truly do the same for someone else.
What is the next novel that you are writing and when will it be available?
My next novel will be a story celebrating the strength of Mothers. I’m writing a story about three different types of Mothers in three different situations and I’m calling it “Mothers.” I hope to have the novel out in time for Mother’s Day.
When the prestigious law firm of Wayne, Rothstein, and Lincoln catches two major cases—a rape case where a White NBA star allegedly raped a Black stripper, and a murder case where a Black rapper allegedly killed a gay couple and two policemen—Bill O’Neil and Ben Turner are tasked to handle these racially charged litigations. The cases hit emotional chords with the two lawyers and force them to reckon with their interracial relationships and families. Will the racial tension of their cases destroy them or make them stronger?
Posted in Interviews
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The Testimony of a Villain by Aaron Harrell is a dark, slick ride into the gritty alleys of the inner city. The book is not your typical crime thriller but one with a social lens that can only be given substance by one who has lived it. The reader follows Manuel Doggett, a boy who lost everything to be formed by the streets and remade in its’ dark image. He is out for retribution not redemption when an opportunity arises to have his vengeance on one of the murderers of his family.
Harrell provides a fresh and new take to the “true crime” thriller. His style is so firmly set in the bitingly grime reality of the inner city that the reader could even give this novel a new sub-genre of socio-economic thriller. The new threads do not stop there either, because the plot of the book itself is almost like a hero’s journey in reverse. Manuel is the classic anti-hero and one that does not once look to the audience for sympathy. Instead, there is only apathy towards almost everything, except towards the memories of his past.
The weaving of the inner city struggle and the complex inner life of Manuel makes this novel a stand out for readers of not only crime thrillers, but also those who wish to delve into the dark, broken mind of a man walking the line between light and shadow. The writing is fraught with graphic images of both violence and sex and is not for the weak-hearted.
I found myself enjoying the book from the start, because of the quick and realistic dialogue and the meta conversation about corruption, justice and social strata. There are a lot of binaries at play here, between the poor and wealthy, justice and injustice, and morality and immorality. Harrell does a fantastic job with surveying these issues, touching on them just enough without becoming too explicit. I can only guess at what Harrell’s personal experience has been with the inner city, but I very much appreciated the taste of authenticity that he lends to the narrative.
I find Manuel to be a compelling character. Most readers may find something akin to the backstory of Batman here, but there is a real human struggle that Harrell puts on display often.
Overall, I do believe that The Testimony of a Villain stands up to the best the crime thriller genre has to offer. It makes for a pleasurable read for any fans of such novels!
Pages; 489 | ASIN: B06XG6FYVH
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Dr. C. Arthur Ellis talks with The Monster about his new book Hall of Mirrors which comments on the various short films and documentaries developed to examine the life and crime of Ruby McCollum.
“Ruby McCollum (August 31, 1909 – May 23, 1992) was known for killing a prominent caucasian doctor in 1952 (whom she accused) that he had abused her and forced her to have sex and bear his child.” – Wikipedia.org
You’ve written many books about the case of Ruby McCollum and the true crime story that shook the south. How does Hall of Mirrors differ from your other works?
I first completed the annotated transcript of the trial of Ruby McCollum, which contained comments on each day of the trial, based upon my direct knowledge of the case. Commentary included various relationships among the key players, including attorneys and witnesses, who were known to me. I was motivated to create this work since various academic publications, including the first edition of Zora Neale Hurston: A Life in Letters by Karla Kaplan, maintained that Ruby McCollum was not allowed to testify at her trial when she actually did testify.
I then published a true crime novel of the story, written from the 1st person perspective of Zora Neale Hurston, the famous African-American anthropologist who reported on the trial for the Pittsburgh Courier, and then the omniscient narrator voice to tell the backstory leading to the murder.
Hall of Mirrors differs from these first two publications in that it comments on the various short films and documentaries developed after my work, as well as on the academic publication, The Silencing of Ruby McCollum, written by Dr. Tammy Evans. I considered all of these works to be without any foundation in fact, and developed with what appeared to be various biases that slanted the truth of the case in order to make political or personal statements. Further, all of these accounts were developed by people who never knew the key characters in the story. Hall of Mirrors presents primary research, not secondary opinion, to allow readers the freedom to develop their own take on the story.
What is your connection to the story of Ruby McCollum?
I was delivered into this world by Dr. C. Leroy Adams, Jr., the murder victim, in the front bedroom of our family home in Live Oak, Florida, just a block from the McCollum home. My father worked with Dr. Adams at the Suwannee County Hospital, and my mother was friends with Mrs. Adams. I knew every other character in the story, some of whom were my relatives.
Do you think Ruby McCollum’s case was instrumental in the struggle for civil rights and do you think her story is still relevant today?
I think that Ruby McCollum’s case was instrumental in the struggle for civil rights since it was the first documented case in which a woman of color was allowed to take the witness stand in her own defense in a trial charging her with killing a white man. In Hall of Mirrors, I place this trial in context, beginning with a similar trial prior to the Civil War, continuing to a case prior to McCollum’s in the Jim Crow South, and ending with the McCollum trial. This establishes a clear path of progress toward equal justice in America’s courtrooms.
I think that the public is witnessing many trials today that continue this march toward social equality, and the McCollum case is a clear benchmark on the timeline of that social progress.
The debate over the Ruby McCollum’s case has continued through the years in part because Judge Adams placed a gag order on Ruby. Why do you think the judge silenced Ruby?
Had Ruby McCollum been allowed to speak freely with the press, Live Oak, Florida would have been a feeding ground for IRS treasury agents, and the white community would have been equally convicted of tax evasion, illegal gambling, racketeering, illegal liquor sales and many related offenses. The judge himself stated that he issued the order to “protect the community,” and this is actually quite true. This being said, Ruby McCollum was visited by a reporter from the Jacksonville Times when she was in the Florida Prison at Raiford and refused to talk with him. This is in a letter written by McCollum and published in Hall of Mirrors. It is likely that McCollum had been advised to avoid the press, should they be able to reach her.
Hall of Mirrors is the most thoroughly researched work on the Ruby McCollum story published since the work of William B. Huie. Written by the author who first published the annotated transcript of the murder trial, this work explores recent attempts to revise Ruby McCollum’s story to suit the motives of various authors, academics and film producers. Hall of Mirrors avoids confirmation and presentist biases and presents this captivating story in its proper historical context.