Nathan Andrews was a good man. It came as quite a surprise to him that he wanted to die.
After a “botched” attempt to commit suicide, Nathan is haunted by the mysterious image of a woman, during a Near Death Experience. She was “perfect” and everything a man would seek within a life partner. With the simple utterance “Go back!” she forever conquered his heart.
Leaving a mental hospital after that, Nathan runs into an odd woman named Amanda. She barely knows English, doesn’t recognize the simple things, and finally confesses an all-important truth to him: She…is GOD!
After some subtle convincing of the claim, and confronted by a winged man named “Gabriel,” Nathan accepts this fantastic reality. A reality that will change his world, and the world of Mankind…FOREVER!
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Executive Hoodlum follows the true life story of John Costello where he uses his harsh upbringing to move up the corporate world. What inspired you to put your story into a book?
Ultimately there were three reasons I wrote the book:
1. I wanted to pass on the story to my kids so they have an appreciation of their legacy. Why they enjoy certain privileges, and to make certain they remain humble knowing the sacrifices that sometimes need to be made to succeed in life and for the next generation.
2. As a volunteer boxing trainer for under-privileges kids I was able to give something back to my community. It was personally rewarding to me so I wanted to give something back in a bigger way. That is to reach a larger audience of would be under dogs to demonstrate they have the opportunity to succeed no matter what the circumstances.
3. I wanted to relieve the burden of my own guilt pertaining to the last words I spoke to my mother before she died. Those words haunted me for decades. I never reconciled my differences with my father prior to his death either. We were at terrible odds as usual but he was alive long enough to make an attempt at reconciliation but chose not to, not with me anyway. Consequently I do not carry the same guilt as with my mother. I did write most of the book and long overseas plane trips and found myself crying writing a couple chapters. Now that the truth is out there, I somehow feel better.
A little background will put the situation into better perspective:
Best Selling author Larry Elder is the one who put the book idea in my head as he is a friend for about ten years. In fact, he was originally going to be my ghost writer. However, it was decided the book had to be in my words due to my slang and other vernacular to be authentic. With my busy work schedule, I was going to drop the whole thing. Problem being, I hate to start something and not finish. Technically Larry inspired me to write as he brought up the original deal as described in my acknowledgements. Prior to beginning the effort in earnest, I contemplated the above three reasons.
Note – I never intended on writing a book because I would have to relive things in my life I was successful in suppressing. However, age and maturity helped me become more open with my early family life.
Additionally, there are individuals in Chicago, New York and New Jersey that I did not want to have to deal with when it comes to some of the content. These are friends I have maintained and kept in contact over many years. I personally spoke to each person, mob boss, made guy, associate and the outlaw biker leaders individually to let them know my intention. To my surprise, to a person they noted they respected my street savvy enough to give the thumbs up.
The characters in this book were well developed and interesting. How close did you stay true to real events and what did you take liberties with?
Thankfully, I did not have to manufacture any drama. The one upside to being born a Costello!
I took no liberties because my street and business credibility are important to me. I played down certain events due to statute of limitation consideration. Most of what is in my book can be authenticated via documents I kept (murder investigations, police reports, death certificates, pictures,letters. newsreels and other documents I collected when fact checking. Additionally, there are third parties I contacted that were with me during certain events I consulted to make certain my recollections were as accurate as possible)
I’m not a big fan of fiction. Truth and authenticity are of utmost importance. This stems from certain things I know that have been portrayed in both books and movies about people I personally know or knew, that were embellished.
John finds himself surrounded by constant turmoil with gangs, members of the underworld, murder, suicide, and drug addiction. What was the hardest thing for you to write about?
The ugly truth of my own family, especially the circumstances of deaths of my mother, brother and cousin.
What is the next book that you are writing and when will it be available?
There are many entertaining stories I was reminded of by friends I did not include in this book. Consequently, there may be a part two.
Meet John Costello, Vice President of Business Development and Government Relations for Microsemi Corporation, a $6 billion leader in the advanced-semiconductor market. Well known and respected in the industry, John Costello graduated from college in 1983 with a degree in Business Administration. John’s social circle includes high-level corporate executives, politicians, military leaders and movie stars. As a young boy he played Little League baseball and Pop Warner football, and went on to become an outstanding track and cross-country runner in high school, captain of his college rowing team, and an accomplished boxer in the Golden Gloves and other tournaments. With this wholesome All-American resumé, most would think that John Costello emerged from a solid middle-class family with all the usual privileges pertaining – though nothing could be further from the truth. Costello was born into a working-class neighborhood on Chicago’s north side and grew up under quite difficult conditions. His father was a talented Italian tenor with mob connections and a proclivity for violence; his mother, the daughter of an Irish street cop, was a straight-laced Catholic girl till she took to the bottle after falling victim to that violence. Surrounded by constant turmoil and hardship involving gangs, members of the underworld, murder, suicide, drug addiction as well as physical and emotional abuse, John eventually transcended his circumstances to obtain a higher education and pursue a profitable career that entailed all the perks of an executive lifestyle inclusive of the Hollywood party circuit.
Readers who might enjoy this book are those interested in true-crime stories, mob activity, murder and mayhem, as well as anyone seeking a no-holds-barred story that describes the resilience of the human spirit. Spiced with wit and humor and distinguished by the inimitable voice of tough-talking John Costello, his story touches our hearts while keeping us on the edge of our seats.
Other comparable books include The Truthbook: A Memoir by Joy Castro, which describes a similar childhood fraught with abuse and dysfunction. The theme of destructive behavior and personal downward spiral in the fight game and mobster milieu is also taken up in Raging Bull by Jake La Motta. Then there is the true-crime and gangster activity to be found in Family Secrets: The Case That Crippled the Chicago Mob by Jeff Coen, as well as in The Neighborhood Outfit: Organized Crime in Chicago Heights by Matthew Luzi. All these works taken together give some idea of the scope of John Costello’s life as recounted in his own book.
And that is what makes our book “unique” – John Costello’s life is unique. It has been a strange blend of two distinct worlds, but with one foot firmly emplaced in each. The fact that he is comfortable meeting with Senator John McCain in the morning to discuss government business, and can then enjoy the company of old friends from the streets of Chicago in the evening, is indicative of his parallel lives and will certainly be something readers find highly intriguing. We have an extensive collection of family photos, newspaper clippings, death certificates, court papers, and other supporting documentation for all claims made, as well as music recordings and video that would introduce the amazing voice of Johnny’s father to a whole new generation.
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Because It Was Raining, written by Skyler Worley, tells a story of a man who goes by the name of Louis. He is a complex man dealing with death, loss, and mourning whilst trying to find his place in the world. Louis joins two other lost souls, the three dysfunctional amigos, who mask their loneliness with the swirl of a pipe. Together they venture into Kansas City where they find broken homes and people, lost in the filth of their demise. Will Louis break free from the demons that haunt him and finally find himself or will he be forever lost in a world of chaos?
Because It Was Raining is a novel about grief and how we can be trapped within the constraints of our own minds. The story is simple but effective, following a friendship group who are living in a world where they attempt to solve and mask their problems with drugs and dodgy relationships.
Skyler Worley writes with a creative flair, pulling the reader in with emotive words and concepts. The language is beautiful, carefully curated together to produce a complex and vivid picture of the scenery and characters. The story seems to switch between a hazed, drug-fuelled state to a deep and contemplative mindset. Louis wants to understand the meaning of life but is tortured by the losses of his past, finding analogies in his current life situation.
Because It Was Raining deals with the complexity of death and how it can shape your life in ways you least expect. There are so many emotions and raw situations that the reader will be able to relate to, especially if they have lost a loved one.
I enjoyed watching the character progression of the character “Boobe” as she takes on a motherly role whilst still involving herself in tools to mask her depression. She has profound moments of wisdom which provokes the reader to consider life and its meaning. For example, she states that the world lacks equality and some of us are born with a silver spoon, others with a plastic fork. You can then either choose to change your fate but only within your ability to alter it. Her life is complex as well as the characters she invites into her life and home. Boobe’s story is uncovered the further you move throughout the novel, exposing explanations and reasoning to her behavior.
Each character has their own personal backstory which has led them to a place that is lonely and dark. It’s a reminder that drugs are often a coping mechanism for those who are crying out for help. Because It Was Raining triggers a sense of empathy for the characters and the tragedies that they have endured.
I would recommend this to anyone who enjoys a story about finding life after loss and all the complexities that come with grief.
Pages: 156 | ASIN: B075ZNPVDL
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Heart Breaker is a dramatic story about one woman’s traumatic and tumultuous life. What was your inspiration for this story?
I had met a girl a lot like Amber during my time on an online “dating” telephone service years ago. She always seemed to have bad luck yet she was very smart and capable of doing a lot more with herself than what she was doing. Her story sort of debunks the lifestyle you see in movies with the “hooker with a heart of gold.” It’s so hard to keep the “heart of gold” when nothing in your life ever goes right. I would like to hope this girl has found some kind of peace in her life. She deserves to.
Amber is an interesting character that is sometimes impulsive and rash. What obstacles do you feel were important to highlight the characters development?
The Amber we meet at the beginning and the Amber we see at the end is a character completely transformed. She has learned the error of her ways in an uncomfortable and heart-wrenching way. It’s important to remember that her decision to do what she does to Jeffrey comes from the way she had been treated. I think we become a lot like the people we are around. Unfortunately, Amber’s abduction by Miguel has negative consequences for her as she ultimately becomes almost as heartless and vicious as he was to her. For Amber to just move forward like nothing had happened to her, that was almost impossible to convey. People always take bad experiences with them for a very long time. She just happens to act on her impulses because of what was done to her.
Was there anything from your own life that you were able to put into the story?
Surprisingly, yes. The forest fire story Amber tells Jeffrey that happened to her as a young girl. That was actually an event in my own life from when I was in the Boy Scouts that I was able to put in the novel. I have had almost as much bad luck as Amber. Some people will not relate to Amber at all. However, I feel she’s totally relatable in my opinion because everybody has had a streak of bad luck in their lives. Hers is just more continuous than the average everyday person. Also, some of Miguel’s suicidal thoughts have some element of realism because they are based on some of the more disappointing aspects of my own life. It was important to see Miguel as more than just a monster. I wanted to add some humanity to him. I hope readers, if they can’t sympathize with him, will understand why he is remorseful in the end.
What is the next book that you are writing and when will it be available?
“The Separation,” a new sci-fi book, is coming out in November. I’d like to follow that up with a third book for my truly moving book series (which consists of “One Love,” “To Never Know”). Not sure what the story will be. Several ideas floating through my head right now.
Heartbreaker is the story of a down on her luck young woman named Amber. She comes to New York City and gets into more trouble than she ever imagined when she becomes an independent escort. When a client kidnaps her, she begins to value her life more than she realized she could. This is the story of Amber’s journey to overcome her past and present on her quest for a better tomorrow.
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Sleepeth Not, the Bastard is a fascinating and thought-provoking look at suicide and how it affects the people around the tragedy. Why was this an important book for you to write?
While I myself have had no direct experiences with suicide, I’ve been around many people who have, and have also been stuck in situations surrounded by people who literally teetered on the edge of themselves with staying alive being on one side of that edge, and ending it all being on the other. It’s a sticky subject to talk about because so many people have a fixed concept in their minds that suicide is always, always, ALWAYS a bad thing. I’ve often questioned it myself, the idea of what it would be like to kill myself (albeit not seriously, just what the scenario would be and why and what would happen after the fact). I suppose it may be strange to think that yes, there can be reasons for one to want to end themselves. After all, we aren’t asked to be born, why can’t we have the freedom to decide when enough is enough? Then again, that’s not exactly the motive behind the suicide factor in this book. It’s become a wonder to me why so many people see victims of suicide as being selfish or even cowardly when it feels as though those left behind couldn’t possibly make that call themselves. To end one’s own life, depending on the circumstances of course, may be the most brave thing someone can do. I wanted to explore that with this book, because when Josh does take the leap, he puts into motion a train wreck that can’t, but also SHOULDN’T be stopped.
Your characters are always well thought out and often go through dramatic transformations throughout the story. What is your writing process like in developing your characters?
Generally, especially as of late, I can’t plan out from the start where my characters will end up by the end of the story. Most of the time I just start writing, and sometimes something in the background or from my memories will inspire me to expand upon said idea. The characters, as with all if not most writers out there, all have a little part of me in them. Sometimes characters turn into what I wish I could be. Sometimes they exist in a world in which I wish I existed, and so on. With “Sleepeth Not, the Bastard”, the characters just sort of came out of me; the dialogue, the exposition, the plot surrounding their actions and influencing their motives. I can’t describe it as well as I’d like. Maybe, if anything, I take the worst of me and put it into the story hoping the characters can figure out for themselves what would be the best course of action.
I understand that you work in the service industry and often travel from state to state. How has your work helped you write your books?
Travel has had a huge influence on my writing. Constantly being in a state of motion is more or less the cheapest drug I’ve ever been able to get my hands on, but with it also comes a slew of emotions. Being away from the people I love, not being able to feel the comfort of my own bed, things like that have a heavy effect on what goes on the page. Meeting people everywhere I go aids significantly in fueling the personalities and behaviors of my characters. As nasty as my job can get, even with the worst days I’ve had while on the clock, being on the road is more than enough to make up for it.
Your stories often cover a wide range of themes in many different genres. What is one genre or theme that you haven’t yet touched but want to write about?
I’ve dabbled in science fiction and fantasy in the way WAY past but don’t think I’ll ever go back, but that could change. I’ve considered tackling psychological horror, sort of in the vein of Edgar Allen Poe and Eli Roth, but there’s very little in the works in that department. Sometimes I’ll watch a horror movie and think, wow… I could definitely write something like that, and it’d be fun and terrifying. But then I get stuck on my other writing, my contemporary fiction kick that I’ve been on for a while. Who knows? After the book I’m currently working on, I might make a go at something completely different.
“The gravity of fate is nothing in comparison to the fleeting warmth of a loved one’s last kiss…”
….thus reads the final words of High School Senior Joshua Feranna.
Several years later, Lew, his father, currently working for a faceless loan shark, has dipped into a drug and lust-filled method of cope. Separated but not divorced, his wife Autumn finally tracks Lew down, begging him to come home to help take care of their identity-in-crisis daughter Zoey.
But when Lew’s friend from high school, Sarah Fox, having lived the life of a drummer in the all-but extinct rock band “The Bastards” returns to town stalked by a rumored “Resurrection Tour”, Lew’s world truly becomes a thing of legend….and doubt.
What transpires from then on is a continuing snowball effect that will inevitably lead to the cataclysmic destruction of one family and others as the world continues to busy itself around them in seamless melancholy.
“Sleepeth Not, the Bastard” is a story about people, each one steadily climbing towards a foreseeable yet undeniable end. Each person influencing the other in one massive string of events escalating and culminating at the end of their respective worlds whether those worlds be of mental, emotional, psychological, or delusional origin.
Part drama, part dark comedy, part rock ‘n roll epic, with a copious and perhaps endless helping of sex, drugs, and infamy… “Sleepeth Not, the Bastard” is a romp for this generation, an homage to those that came before, and a warning for those that follow.
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Despite the years of bullying in school, Jewel Hart has remained sweet and kind. She has it all—a great life, a great family, and beauty—but she has never been able to obtain the one thing she wants—to belong.
When Jewel meets Kaiden Carter, a good-looking, charming new student at York Mills High, things start to look up. On the surface, he is perfect, but Jewel can’t shake the feeling that everything is not as it seems.
When the devastation of the rising suicides in her school hits too close to home and drives Jewel into a deep despair, she clings to Kaiden’s strength to find her way back. Through the pain and fear surrounding her, she finds hope and the will to go on. But just as she picks herself up, tragedy strikes again, threatening to steal her last glimmer of hope. How will she go on? Can she ever find her place in the world?
RELEASE DATE: December 18, 2017
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Dave Matthes’s irreverent, profanity-laced, often hilarious novel, Sleepeth Not, the Bastard, is a fascinating work of writing. It’s half sex, drugs, and rock n’ roll, and half a thoughtful and thought-provoking look at suicide and how it affects family and friends around the incident. Sleepeth Not, the Bastard follows two separate but surprisingly intertwined characters: Lew Ferranna, a deadbeat dad, drunkard, and generally unsavory character, and Sarah Fox, a famous drummer and rockstar from the all-female rock band, The Bastards. Matthes reveals in the opening pages of the story that Lew’s son committed suicide at the age of seventeen, and spends the rest of the novel’s tumultuous pages examining how that incident affected not only Lew and his family, but also how Sarah’s hardcore band, The Bastards, and their wild, rough-living producer, Wolfgang Stephanopolis fits into the mysterious puzzle of life.
I have had the privilege of reading several of Matthes’s works, and he has a skill that I have only seen before in Kurt Vonnegut. He is able to create completely unlikable, frustrating, and obnoxious characters, and turn them into protagonists that, for some unknown reason, you find yourself pulling for. The two stars of Sleepeth Not, the Bastard are superficially very unlikable: Lew has abandoned his daughter and wife after their son’s suicide; Sarah is standoffish, erratic, and crude. But perhaps what’s appealing about Matthes’s characters is the fact that they are so relatable. Though hopefully few of us know people who would commit some of the frankly horrible acts that Matthes’s characters perform, it’s a fact of life that everyone has flaws. It is refreshing to see characters dealing with problems that we, as readers, have likely seen or experienced ourselves: the demise of relationships, parental-child fights, addiction, depression, and death.
Fortunately, though, Sleepeth Not, the Bastard is not all doom and gloom. In his solid novel, Matthes manages to create humor (albeit dark) in the absurd situations he places his characters in. Whether it’s a tiger outside of Vegas, a minivan driving through the garage door, or the insanely gaudy (and proud of it) producer Wolfgang Stephanopolis, Sleepeth Not, the Bastard manages to bring a smile to readers’ faces in the most surprising moments. The story lacks only in a few small facets that irritated me personally, specifically the lack of double L’s in all of Lew’s parts of the story (meaning “walls” would be written as “wal s”).
Though it covers potentially disheartening topics, Sleepeth Not, the Bastard will not dishearten readers. Similar to Matthes’s other works, it manages to address the most unpleasant topics of life while also instilling a positive and motivating force in readers. It often feels as if Matthes’s charactesr are saying to readers what we all know but sometimes want to forget: Life can be ugly, hard, and miserable; but life can also be beautiful, surprising, and wonderful. As a reader whose family has experienced the pain and loss of unexpected death by suicide, I found this novel to be painful, at times, but overall uplifting and a reminder to appreciate the beautiful moments in life.
Pages: 453 | ASIN: B00N53IMWW
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The Last Train revolves around Michiko Suzuki and the team of detectives that are investigating the train murders. What was the inspiration to the setup to this thrilling novel?
For quite a few years I was writing about jazz every week, so I was always going to Roppongi and Shinjuku and Shibuya, nightlife parts of the city. I’d see the hostesses who work in all the clubs there, and they would often be in the jazz clubs. They were almost always strikingly attractive, but underneath that seemed some sadness. Whatever one thinks of their work, the women seemed smart. What impressed me most, though, was the great personal dignity with which they carried themselves. So, I started wondering what kind of life those women lived, and what if they turned the tables. What if one of those people-savvy women took things into her own hands to do things men usually do? And what was this odd dynamic between men and women that seemed so unfair to women, but then again, was something else, too. Many Japanese women might not even say Japanese society is unfair exactly, perhaps because Tokyo is home to a vibrant urban culture where women are incredibly free to do what they want and live how they like. But, what would that freedom turn into if taken to an extreme? Michiko is that extreme. The men struggle to catch up.
Michiko is the daughter of a factory owner whose mother died when she was young. Her character continues to get deeper as the story progresses. What did you use as a starting point for the character and what was your guidance as you built the character?
I think the way Michiko grew as a character was based on my observation of women, and men, in Tokyo, but all kinds of women, not just hostesses. There’s a lot of people TO observe in Tokyo, for one thing, but I like to talk and interact with people as much as I can. Michiko is a “typical” character in that her experience parallels the shift in Japan from a manufacturing society, which is where Michiko grew up, to an information and service society, which is how she makes money. I wondered how that shift affected women? Is it easier for women to adapt to economic changes than men, or harder? Michiko is working class in origin, growing up above a factory, but she turns herself into something else altogether through her own efforts. She’s tough and resilient, which is how I see most Japanese women, and yet still very feminine in traditional ways. She has no hesitation to compete in a man’s world, and to do it on her own terms. Like many characters, once she was created, everything followed from that.
The novel takes place in Tokyo. Why did you choose a train station in Japan as the setting to your novel?
Trains are one of the things I love most about Tokyo, but they are also these huge masses of steel shooting through a very densely populated city. Just as America is built around the car, Tokyo is built around trains. Suicides on the train lines, sadly, happen all too often.
I came upon the clean-up after a suicide one time years ago, and the image stayed with me.
Like every other commuter, I have been stuck waiting on a train or a platform when a suicide shuts down the entire train system. It’s so shocking because usually everything runs on time. So, I guess, if you transplant the American car chase to Tokyo, it becomes a train chase, or a chase on a train. I also like that as a setting because trains and train stations are great levelers. Everyone takes the train, together, equally. I also love trains and train stations because I can completely indulge in people-watching. It’s startling how many people you see in a day. Still, it’s never so lonely as in a crowd, and there’s always a crowd in Tokyo.
What is the next story that you are working on and when will it be available?
The next novel is called Japan Hand and Detective Hiroshi is again in the lead, together with Sakaguchi. They investigate the death of a long-time Japan specialist who helped negotiate the complicated relations between Japan and America, including the US military bases in Japan. That novel should be out by December of this year or early 2018. The next one after that is called Thai Girl in Tokyo and will be out in spring of 2018. I’ve finished writing those both, so they’re now being edited and polished.
Pages: 348 | ASIN: B071DPXP7M
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Special Task Force: GREEN MAJIK, Pretty Hate Machine, written by Don Templeton, is a high paced action novel that begins with a suicide mission of a nine year old girl, Sadie Hawkins.
Soon after, during a homicide investigation, a phone call regarding a hard drive captures the attention of Detective Jack Carnahan; a man who teeters on the edge of breaking the law in order to capture the crooks. Through a twist of fate, the detective finds himself teaming up with an unlikely duo to expose an unimaginable terror that will shock the world.
Homeland Security, the FBI, alligator farmers and hypnotherapists intertwine in a race against time to find the truth before a terrible secret is unleashed.
Be prepared to cancel all prior engagements as this action packed, edge of your seat novel is a story you will not be prepared to put down. From the suburban streets of Colorado to the headquarters of police in Denver comes a tale of power-puff dressed, mini sized suicide attackers, Charlie’s Angels themed police officers, prostitutes and detectives who will withdraw a glock the moment strife arises.
Not for the faint hearted, the tone of the story is set with the opening chapter exploring a nine year old girl’s suicide mission within her school yard. Enthralled instantly, the reader is left to question what could possess such a terrifying act of horror. On the other side of town, Detective Jack Carnahan stumbles across a home invasion of a UFO crazed family man and soon finds himself working with unlikely allies- an acid addicted journalist and a perky prima donna porn star. The action will keep you on your toes as Carnahan races against time to discover what the connections could be between the brutal homicide and the suicide school yard mission. Not everything is as it seems and Carnahan dives deep into a storm of lies, deceit and ultimate evil.
Don Templeton has a remarkable talent in which he is able to paint a picture with his words and I easily envisioned his characters from the innocent Sadie to the curious hypnotherapist, Buffy Rayburn. The characters are introduced intermittently and together they form the pieces of an intriguing conspiracy puzzle.
Each character delves from unique circumstances. From thugs to hypnotherapists and journalists to prostitutes, every reader will find themselves a character who they adore.
My favourite character, Mallory Hammond, takes you on a journey into the swamps of Louisiana where she is investigating a gang of alligator farmers. Here she discovers a secret that will take you to the depths of your nightmares. Her co-workers perceive her as crazy and a somewhat introverted FBI agent however circumstances transform her from caterpillar to butterfly- a butterfly that is a sexy, capable, tomb raider style fighting machine who demands respect and admiration.
Don Templeton’s vivid imagery often evoked strong emotion through themes of violence, action and comradery and Jack Carnahan’s bravery and thirst for the truth will leave the readers hungry for more. From rescuing scantily dressed teenagers to stumbling across botched cover-ups, Templeton takes you on a whirlwind adventure which leaves you wondering, who can you really trust?
Pages: 379 | ASIN: B017FWYIVC
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