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God’s Saving Grace
Bethesda is a collection of poems that moves through faith, pain, identity, womanhood, and longing with a voice that is raw and unguarded. What inspired you to write this particular collection of poems?
I would have to say that my inspiration came from Christ and the state of the Church. I remember watching someone preach online and the topic of the sermon was John 5: 1-12 in the Bible. As I watched, the name “Bethesda” came to me, and it was in these moments that I knew the title/subject matter of a new collection would be Bethesda. This was back in 2021, and the work was about 4 years in the making. At the time before seeing the sermon, I had been experiencing a dry season and hit a bit of a writer’s block. When the concept for the new work came, the inspiration to write set in, and the drought lifted. Along the way, life happened, and the writing stopped for a little while. There was, however, a time in 2024 when revisiting the work that I had done, and this is when I decided to follow through on compiling the pieces, writing two-thirds of the work to completion. Looking back, I understand that it took me that long to live through the questions I had been carrying. It took time to build the resolve to have the confidence to be honest and forthcoming in the pieces.
I was also inspired by my heroes – those that I know in real life, like my mother, my father, my siblings, my elder cousin, and members of my church community. I was inspired by how they handled pain, discouragement, stagnation, and defeat. Using my own observations about how these folks managed life’s struggles, I was able to paint the picture of a speaker who was a conglomerate of these figures, including myself. This force moved through the pieces on a journey of redemption to liberation. Dr. Maya Angelou’s work, life, and testimonies were also places I frequented during this excavation of soul. I am truly standing on her shoulders as I work to become a better writer and person in this existence. If I can dare to be so unguarded in my work, it is because she paved the way and showed first that there was nothing to fear – that if anything, it was the world that should fear the storm within me.
How did you decide on the themes that run throughout your poetry book?
It was twofold, really. For the most part, in the first drafts of the collection, I just wrote about what was important to me and what I saw being issues in mankind. I turned to sermons that I had attended, in person and online, over the years, as well as to topics/issues that were socially and culturally relevant. I wanted the work to be encompassing, inclusive, and reflective of the journey a person takes when contemplating a walk with Christ in this modern day.
As the narrative builds through the pieces of the work, different themes become apparent in the topics the speaker decides to pursue: themes of wrestling with God, despair, redemption, heartbreak, self-loathing, longing, faith, belief, the dismal state of the world, and God’s saving grace. The middle of the work is dedicated to exposing and fleshing out issues with which the speaker must face a confrontation, like heartbreak and longing. The ending of the work is dedicated to the resolve that comes with the acceptance of God’s saving grace and confrontation.
The messages transferred on a Sunday morning inspired me to be reflective about the current soul condition of mankind, and the urgency communicated, instilled, and awakened within me, inspired the stark honesty in the lines. I wanted the collection to be a gathering place for those who did not quite have it right yet but were still unrelentingly trying. The themes came together on their own, really, as I set out with the intention to have the reader confront themselves in the lines. I knew a transformative collection meant that I had to be vulnerable if I wanted the Lord to shine through my testimonies.
Did you write these poems with a specific audience in mind, or was it a more personal endeavor?
My intention with these poems was to be as inclusive as possible. I wanted to appeal to the heart, soul, and conscience of the reader. The journey was simultaneously a personal endeavor and one that ambitioned the collective, universal heart.
I found that the transformation that I had experienced through confrontation and deconstruction for the
sake of these pieces (and for my own sake, if I’m honest) would be made available to the reader as they
journeyed from the beginning of the work to its end. This made it even more imperative to be honest and
unrelenting because there is a lot at stake: being an example of the power of the Grace of God and
exemplifying the transformative power of faith. I strongly believe that the audience will reveal themselves to be those who are open to letting the Lord into their problem areas and those who are searching for and
genuinely seeking a relationship with the Most High.
Bethesda, this house of Grace built by words, was constructed to be a gathering place for those who find
themselves ill at ease in today’s world order. Under its covering, one may find the opportunity to secure their redemption and begin the process of true liberation. At the crux of Bethesda is a journey to the increased intimacy with God that results from a genuinely contrite heart looking for God. Walking through the shadow of doubt, the reader is a witness to the perils of the world and the bravery of faith that comes as a result of persisting through the questions.
How has this poetry book changed you as a writer, or what did you learn about yourself through writing it?
I really had to fight with myself to believe that the reader would care about the issues I was bringing to light. I had to push myself to be what I requested of the reader: vulnerable. And then came the question of impact: how would the audience be affected?
These battles forced me to come to terms with the power of testimony. Using the example of testimonies I experienced in the Church, I saw firsthand that people may or may not see themselves in my story. The power comes in that somewhere in existence, my act of daring to be true and sharing would take our collective soul to another level of liberation in the current scheme of universal oppression gripping the heart of mankind. I walked so that someone else can run, even if that is just one person, and even if they have never heard of my book(s). It is a testament, testimony, and witness to the Grace of God on a whole other level, and I realized that these are things that matter most to me.
Though I abstracted and amplified certain things in the pieces, I had to evolve to a place where my own journey and past and present and all the things don’t shame me anymore. In full transparency, it’s a journey that I am still on, but I was obedient to the call to model what I saw to have transformative power in the world/Church. Bravery really does look different in the eyes of the brave.
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Rendered from the Biblical porch where the sick, blind, deaf, and ailing were said to have lived and found reprieve, Bethesda frees the reader to a celebration of life, even in the places where it hurts the most. It explores what it means to be whole and moving as well as broken and stuck. Stuck in helplessness. Stuck in mercy. Stuck in hopelessness. It is a journey of the wondering of how one can give birth to the sometimes elusive tongue of healing. Bethesda is the victory of small steps away from the porch of heartbreak, longing, confusion and suffering.
In this barren womb of world order, we the lost, losing, finding and found, are a nation – an army. Take this journey through a fractured mind on the proverbial porch – that gathering place we now call Bethesda.
Bethesda
Bethesda is a collection of poems that moves through faith, pain, identity, womanhood, and longing with a voice that is raw and unguarded. The book feels like a spiritual and emotional journey, one that circles back to God again and again while navigating the heaviness of lived experience. Each poem stands on its own, but together they read like a layered confession. Grief, hope, Blackness, gender, memory, and divine yearning all braid together. The writing pulls from moments of despair and moments of revelation. The themes feel deeply personal yet still universal.
Reading this book stirred something in me. I kept feeling the author’s honesty press against me. Her words feel unfiltered in a way that made me stop more than once just to sit with the weight of what she had said. Sometimes the writing felt soft and vulnerable, then suddenly sharp, almost like a cry I wasn’t prepared for. There is a rhythm in these pages that made me sway between empathy and awe. The way she writes about faith hit me hardest. It felt like I was watching someone reach for God through fog. I felt the hunger in the lines about doubt. I felt the exhaustion in the moments she confessed her confusion.
I also found myself loving the poems that center on Black identity, womanhood, and generational ache. There’s courage in the writing and also a kind of weariness that comes from living too much too early. Sometimes the poems wander. Sometimes they dig straight down. But the variation gave the book its shape. I enjoyed how the language feels both poetic and conversational. There’s an unpolished beauty here. Some lines left me feeling protective of the speaker, and other lines felt like a rallying cry. I especially appreciated how the writer handles inner conflict. It isn’t neat. It isn’t solved. It just lives on the page.
I walked away feeling like this book is for anyone who has ever fought with themselves and still tried to choose hope. It’s for readers who want poetry that feels lived in and not curated. It’s for people who are navigating faith or identity or heartbreak and need a voice that says I’ve been there too. I would recommend Bethesda to those who enjoy emotional, spiritual, and introspective poetry that doesn’t shy away from the hard parts of life.
Pages: 109 | ASIN : B0F7HZJX6D
A Little Time More
40 Days of Fasting is a collection of 40 poems resulting from a four-week period of fasting and covering forgiveness, service, humility, and enlightenment. Why was this an important collection for you to write?
Interestingly, I didn’t intend to write much, maybe journal my thoughts during the fast, but as the prologue explains, these unconscious impulses to chronicle a stream of messages, counsel, and admonitions suddenly came through in rich, poetic form. Strange indeed, for never was I an enthusiast of this genre of art. Now, 40 Days of Fasting is the product of this uncanny and provocative inner experience.
How do you know when a poem is truly finished?
I came out of this interfacing with Carlos – my muse – when no more words were channeled. There was a silence, an emptiness, and a mental weariness after the experience. There was an abrupt end to the flow of words.
Do you have a favorite poem in the book, and if so, why does it hold special meaning for you?
“A Time Appointed,” I would say. It centers on death, the most significant of all initiations we experience in a given incarnation. Scripturally, we are told that there’s a time–irrevocable–for us to be called home; not a second before or after are we summoned. But there are times, few and far between, when we can petition for a moment, a little time more, not for selfish ends, but to complete a service unfinished for the betterment of others. In these rare cases, it is granted by Source. And I have reason to believe this based on my own experience. “A Time Appointed” ventures into this phenomenon.
What is one thing you hope readers take away from 40 Days of Fasting?
I pray that this work is studied, not just read. Therein are timeless, irrefutable teachings that speak to us. These truths liberate us from the world’s illusions and the seemingly ceaseless cycle of suffering.
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This book is not merely about abstaining from food or water. It is a journey through the soul’s deep yearning to reunite with its Source. Each poem is a meditation-on love, death, healing, divine presence, spiritual purity, and the human struggle for truth. These recitations echo ancient teachings while remaining deeply personal, echoing the author’s own trials, revelations, and reconciliations.
40 Days of Fasting invites readers to slow down and reflect. Drawing on spiritual philosophies from various traditions-Christianity, Islam, Eastern mysticism, and metaphysical teachings-the poems act as spiritual signposts, guiding us back to our essence. Themes of divine mercy, inner light, karmic justice, sacred union, and the soul’s eternal nature are explored with poetic grace.
Whether read as a devotional companion, a meditative guide, or a poetic reflection, this book touches something universal. It does not preach. It invites. It does not declare answers. It helps the reader ask the right questions.
Above all, 40 Days of Fasting is a testament to the soul’s quiet knowing and the sacred power of listening during times of intentional silence. It is both a personal diary and a mystical manual-an offering to all those walking the spiritual path with faith, doubt, longing, and hope.
Before the World Moves On
Nathaniel Terrell’s Before the World Moves On is a soul-bearing collection of poems that dig deep into themes of love, regret, faith, struggle, masculinity, and survival. Delivered in conversational free verse, the book reads like a personal diary cracked open for the world to see. Terrell shares moments of heartbreak, brushes with death, spiritual awakenings, and everyday reflections that pulse with honesty. Each poem feels like a snapshot of a lived experience, from backbreaking labor to falling in and out of love, from political disillusionment to spiritual resilience.
What really struck me was Terrell’s unfiltered voice. Some lines had me nodding, others hit me in the gut. There’s a sadness throughout the book, but also a sense of grit—like he’s been knocked down more times than he can count, but keeps getting back up. The poetry isn’t dressed up in metaphor or fancy language—it’s real, immediate, and often sounds like a man talking to himself in the mirror, wrestling with his past and daring to hope for better. The emotions are heavy, but the writing has rhythm and style. A few pieces, like “Dream catcher” and “Sequel,” resonated with me personally.
The collection is lengthy, and while not every piece resonated equally with me, that variety felt intentional. Some poems have the rawness of journal entries, which adds to their emotional depth, though it occasionally slows the momentum. Certain themes—like betrayal or self-doubt—echo throughout and gives the sense of someone working through their pain in real time. Terrell doesn’t shy away from the hard stuff, and that repeated reckoning feels honest.
I’d recommend Before the World Moves On to anyone who appreciates poetry that bleeds truth. Especially men trying to process pain in a world that often doesn’t let them. It’s not a book for those looking for tidy endings or polished sentiment. It’s for folks who’ve been through some stuff and are still standing.
Pages: 165 | ASIN : B0F7LWL7ML
Love, Light & Other Beautiful Lies: A Poetic Memoir of Spiritual Materialism
Sean Russell’s Love, Light & Other Beautiful Lies is a poetic memoir that gently unravels a decade-long spiritual journey with raw honesty, lyrical introspection, and a good dose of humility. It’s a collection of reflections, poems, and emotional snapshots that chart the evolution of a seeker from the bright-eyed idealism of early awakening to the weary, tender wisdom of a man who’s stared down his own illusions and kept walking. The book moves in reverse chronology, starting with recent revelations and working its way back through the darkest nights and earliest stirrings of transformation.
What I loved most is how deeply human this book is. It doesn’t put enlightenment on a pedestal or try to sell transcendence as a shiny object. In “new age,” Russell pokes fun at his own spiritual ego, saying, “an all-loving divine form of a human, blessing the world with a radiant and unique light you were so proud to hold.” I’ve definitely been there, thinking I’m above the mess when I’m just knee-deep in a more glittery version of it. The humility with which he revisits his younger self made me feel less alone in my own mess.
The writing is honest, graceful, and gut-punching when it wants to be. It’s not showy. It’s not trying to be clever. It just is. “Everything becomes a crust,” he writes in “where we meet,” talking about how even the most sacred routines can become cages. There’s something really beautiful about how he holds space for contradiction. You can feel his former self trying so hard to be perfect, and current him just… breathing through the cracks. That contrast is where the magic lives. Poems like “growing up” and “written in blood” pulled me in with their clarity and they didn’t try to dress up the pain, but they didn’t wallow in it either. They just told the truth.
And then there are these moments, scattered all over, where he really opens the door and lets you into the most awkward, neurotic, precious parts of the journey. Like in “cheeseburger with a side of epiphany,” where he watches people grilling meat and realizes his judgment is really just loneliness in disguise. This one felt really relatable. These aren’t poems trying to impress you. They’re more like conversations you have at 3 a.m. when no one’s pretending anymore.
Love, Light & Other Beautiful Lies isn’t just about spirituality. It’s about being alive. Messy, contradictory, beautiful life. I’d recommend this to anyone who’s ever gotten lost in their own reflection, anyone who’s tried to meditate their way out of being human, or anyone who’s looking for a reminder that awakening is not a straight line, it’s a spiral, a stumble, a dance.
Pages: 166 | ASIN : B0DWJZJCV5
Poetry Requires Precision
Thunderstroke: A Poetry Memoir Inspired by a True Story is a deeply moving and inspiring collection of poetry and memoir, offering readers a wellspring of meaning and reflection. How do you strike a balance between clarity and ambiguity in your poetry?
Poetry is a unique space where emotions and meaning can exist between the lines. For me, finding the balance between clarity and ambiguity comes naturally through my experience with aphasia. I aim to make my poetry accessible, allowing readers to feel the raw emotions behind my words, but I also leave room for interpretation—so that each person can find their own meaning in my experiences. Sometimes, what is left unsaid carries just as much weight as the words on the page.
What was the most challenging part of writing your poetry collection and memoir, and what was the most rewarding?
The most challenging part was finding the right words to express my emotions while navigating the effects of aphasia. Writing poetry requires precision, yet my struggle with language often made it frustrating. However, this challenge also became my greatest strength—it forced me to dig deeper, to express feelings in ways beyond just words, through rhythm, imagery, and raw emotion.
The most rewarding part was seeing how the poems came together as a reflection of my journey. It was not just about my personal healing but about creating something that could resonate with others. Knowing that my words might inspire someone going through their own struggles makes all the effort worth it.
What do you hope is one thing readers take away from your story?
I hope readers take away the message that even in life’s most difficult moments, there is always strength within us to keep going. Thunderstroke is not just about my journey—it’s about resilience, hope, and the power of finding meaning in adversity. I want readers to know that no matter how tough their battle is, they are not alone, and their story is still being written. There is always light beyond the storm.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Written for those navigating the labyrinth of loss, grief, and profound change, Thunderstroke offers solace and guidance. It reflects on the fragile tapestry of existence, unraveling how we endure the thunderous ruptures that divide life into “before” and “after.”
This memoir is not just about survival but transformation—how we heal, rebuild, and emerge stronger in the face of overwhelming challenges. It is a testament to the resilience of the human spirit, embracing vulnerability as a source of strength and finding hope amidst despair.
Thunderstroke is more than a collection of poetry; it is a map for navigating the uncharted waters of upheaval. It invites readers to journey through the storm and discover the quiet miracle of renewal—a reminder that while life may fracture, it also holds the power to mend.
God Got Me Too
God Got Me Too is a collection of poems narrating the poignant journey of a man named Jason, grappling with depression, suicidal thoughts, and anxiety. As the narrative unfolds, Jason finds a respite and burgeoning hope through his faith. The opening stanzas vividly depict his mental turmoil and desperate pleas for divine intervention. He seeks solace in prayer and scripture, oscillating between profound despair and a strengthening faith.
The poems artfully transition between Jason’s internal struggles and his experiences of divine presence, which imbue him with the strength to persevere. A particularly striking moment occurs when Jason witnesses a Bible that miraculously burns without being consumed, symbolizing God’s enduring presence and guidance. As Jason’s spiritual journey progresses, his poems reflect a transformation from overwhelming darkness to a trusting reliance on divine mercy. His narrative is a testament to the power of faith to offer not just solace but also a renewed sense of purpose.
Through intimate dialogues with God, revealed in verse, Jason shares his battles, aspirations, and the profound impact of his faith. For readers of faith, this collection serves as a reminder of the steadfast love and support of the divine, even through the darkest times. Jason’s story, rendered through his deeply personal and evocative poetry, offers hope and encouragement to anyone facing their own moments of darkness, emphasizing the redemptive power of faith and the possibility of finding peace amidst turmoil.
Jason’s poetic narrative is a heartfelt reminder that hope and renewal can emerge even from the depths of despair. His journey encourages us to seek out our own paths to healing and reminds us that we are never alone in our struggles. God Got Me Too is not just a set of poems, but a beacon of hope for anyone searching for light in the shadows of life.
Pages: 117 | ASIN : B0CD8N17F2
ManuScrita: Poems on Life, Love, & the Nature of Reality
ManuScrita, an exquisite anthology of poems by Michael Teichberg, delves into a panoply of themes that span spirituality, love, the human condition, existential questions, and the essence of life itself. The verses wrestle with the complexities of faith and human identity, scrutinizing the profound implications of traditions, rituals, and the transformative power of love. They push boundaries and challenge perceptions, instigating introspection about the fabric of reality, the function of consciousness, and the pursuit of enlightenment.
Simultaneously, Teichberg deftly navigates societal issues, spotlighting the influence of societal norms on individual identity. The resulting array of poems invites the reader to a contemplative journey, highlighting the merits of self-reflection, compassion, and an understanding of life and love’s profound interconnectedness.
The anthology is an intellectually stimulating oeuvre that provokes introspection and invites deeper understanding. Its rich diversity and thematic depth compel resonance with Teichberg’s poetic voice. The collection structure, with each poem’s unique title and the anthology segmented into various parts, demonstrates meticulous planning and organization. The carefully chosen titles of the poems echo the profound thought invested in the creation of this work.
Teichberg harnesses the power of language to communicate his themes effectively. The deliberate flow of every poem, paired with a thoughtful choice of words, crafts a mesmerizing narrative that conjures vivid imagery, leaving a lasting impression long after the words have been read. While the beauty of these poems is undeniable, some readers may find the abstract nature of certain verses or the abundant use of metaphors challenging. Nonetheless, this largely depends on individual reader preferences.
The collection concludes with a unique offering – poems rendered as photographs. This innovative technique allows readers to partake in the emotional landscape Teichberg traversed during the writing process. The line, “The weary road back home, aged and worn, A story’s end, where familiarity is born,” offers an enticing denouement, fostering a sense of belonging in the reader. Among the many compelling pieces, “Thoughts Upon Waking” stands out as a captivating exploration of life’s experiences, balancing simplicity with profundity in a seamless blend.
Pages: 61 | ASIN : B0C7T7ZNMB
LITERARY TITAN 