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Dreamship

In Dreamship, Martin L. Swara delivers an ambitious work of science fiction horror that combines cosmic mysteries, apocalyptic terror, and questions about consciousness, faith, and human identity. The story begins with Dr. Reno Bentine, an unconventional metaphysicist whose expertise attracts the attention of researchers investigating a disturbing astronomical anomaly. An unidentified object is moving through space in ways that challenge established scientific principles, raising questions about its origins and intentions. As the mystery develops, Swara introduces an increasingly unsettling vision of humanity confronting forces beyond its understanding. What begins as a scientific investigation expands into a sprawling narrative of extraterrestrial intelligence, psychological manipulation, and humanity’s struggle to preserve its independence. The novel’s combination of speculative science and supernatural imagery establishes an atmosphere in which the familiar becomes threatening and the boundaries of reality grow increasingly uncertain.

Swara’s storytelling is particularly effective in its treatment of cosmic horror. The novel presents an extraterrestrial presence whose extraordinary abilities are accompanied by a disturbing fascination with human behavior, religious devotion, and mortality. Its influence reaches into the minds of individuals, transforming ordinary experiences into moments of dread. The recurring command “WORSHIP ME!” captures the threatening relationship between this entity and the people it encounters. Swara also incorporates elements of ancient mythology, Indigenous spiritual traditions, and religious symbolism, creating an intriguing contrast between humanity’s oldest beliefs and its most advanced scientific understanding. His descriptions frequently emphasize the grotesque, particularly when depicting alien biology, technological modifications, and the physical consequences of domination. These details give the novel a distinctive visual character. The settings, ranging from the streets of Los Angeles to remote Central American jungles and desolate extraterrestrial landscapes, contribute to the story’s expansive scale and atmosphere of escalating danger.

Through characters confronting overwhelming power, Swara examines the relationship between survival, submission, and personal identity. Reno’s intellectual curiosity provides an engaging introduction to the novel’s scientific ideas, while other characters bring different perspectives shaped by cultural traditions, personal suffering, and the determination to resist oppression. One character’s declaration, “I will not worship. Ever!” expresses a central concern of the narrative: the importance of maintaining one’s autonomy in the face of seemingly irresistible authority. The novel also develops a compelling vision of advanced technology, including artificial intelligence, cybernetic enhancement, and dimensional travel. Swara uses these concepts to investigate the promises and dangers of technological progress, particularly when the pursuit of immortality becomes intertwined with questions of power and control. The characters’ experiences give these speculative ideas an immediate human significance.

Swara writes with a cinematic sensibility, favoring vivid imagery, dramatic confrontations, and rapidly developing situations. His narrative moves among several locations and perspectives, creating a broad picture of a civilization subjected to extraordinary circumstances. Moments of dark humor occasionally interrupt the violence and horror, adding personality to an otherwise grim fictional universe. The novel’s philosophical concerns give additional substance to its action, especially its examination of what constitutes humanity when memory, physical identity, and freedom can all be manipulated. Its imaginative treatment of consciousness and the nature of reality provides an intellectual dimension alongside the suspense. Dreamship will appeal to readers who enjoy science fiction with horror elements, ambitious worldbuilding, unconventional extraterrestrial life, and morally complex conflicts. With its combination of cosmic speculation, disturbing imagery, and enduring questions about human existence, Swara has created a provocative story that invites readers to consider how much of our humanity depends on the freedom to think, remember, and choose for ourselves.

Hanging by a Thread: A Memoir of What Holds Us Together

In Hanging by a Thread, Marcia Regina Cook offers an intimate and thoughtful account of a life shaped by adversity, perseverance, faith, and human connection. Beginning with her childhood in rural Brazil, Cook traces her experiences through poverty, complicated family relationships, education, immigration, motherhood, and personal transformation. Her story explores how childhood experiences influence our understanding of love, safety, and self-worth, often long after we’ve entered adulthood. Throughout the memoir, Cook examines the people and experiences that helped sustain her during difficult periods. As she writes, “The thread was not always what I held. Sometimes it was what held me.” This simple observation captures the book’s central message: strength often emerges through the relationships, small kindnesses, and moments of grace that connect us to one another.

One of the memoir’s greatest strengths is Cook’s ability to bring her childhood surroundings vividly to life. Her descriptions of the Brazilian countryside immerse readers in a world of rivers, towering trees, wildlife, and demanding agricultural work. Encounters with animals, childhood adventures, and humorous family mishaps bring warmth and personality to the narrative. These experiences also establish the emotional foundation of her story. Her relationship with her mother, Maria, is especially compelling. Cook portrays her with affection and complexity, acknowledging both her extraordinary devotion and the limitations that shaped her decisions. Similarly, Cook’s account of her father’s harsh expectations reveals how deeply a parent’s words can influence a child’s sense of possibility. These portraits are moving because they allow love, disappointment, gratitude, and longing to coexist.

Education and the pursuit of opportunity provide another important dimension to Cook’s journey. From her earliest experiences in school to her determination to learn English and build a future in the United States, she demonstrates how encouragement can influence a person’s ambitions. Teachers, friends, and mentors become significant figures in her development, sometimes through gestures that might appear insignificant to the person offering them. Cook’s recollections of friendship are particularly engaging, illustrating how acceptance and laughter can restore confidence after experiences of rejection. Her pursuit of education and professional growth also highlights the persistence required to pursue long-held dreams while managing responsibilities and uncertainty. These passages give the memoir a strong sense of movement and reveal how personal achievement is often intertwined with the generosity and belief of others.

Cook approaches the memoir’s more painful subjects with sensitivity and considerable emotional awareness. Her reflections on trauma, grief, motherhood, illness, and forgiveness are grounded in personal experience, allowing readers to appreciate the gradual and complicated nature of healing. Her writing moves between childhood memories and adult understanding, revealing how the meaning of an experience can change with time. She also acknowledges the limitations of recollection, observing, “Honesty does not require memory to be perfect; it requires me not to pretend that it is.” This commitment to emotional honesty gives the narrative credibility. Faith remains an important presence throughout, expressed through prayer, relationships, gratitude, and an increasing appreciation for everyday life. Cook’s willingness to examine her own feelings and assumptions creates moments of genuine insight without losing the conversational warmth of her storytelling.

Hanging by a Thread is a personal memoir with themes that extend well beyond the author’s individual circumstances. Cook’s accessible, reflective prose invites readers to consider how family, memory, friendship, and faith contribute to the people they become. The recurring imagery of nature, color, and the thread connecting different stages of her life gives the book a satisfying thematic unity. Particularly memorable is her growing appreciation for ordinary experiences, including music, laughter, gardening, and the beauty of the natural world. These details reinforce her understanding that a meaningful life can contain both enduring sorrow and genuine joy. Readers who appreciate emotionally candid memoirs about resilience, family relationships, self-discovery, and the sustaining power of human connection will find much to value in Cook’s story. Her reflections offer a compassionate invitation to recognize the quiet forms of strength that help us continue.

Pages: 260 | ASIN ‏ : ‎ B0HDSWK67F

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The STEWARD Blueprint: A Compass for a Purposeful Life

Book Review

In The STEWARD Blueprint, author Andy C. Tseng offers a thoughtful, faith-centered approach to living with greater intention, balance, and purpose. Drawing from his experiences as a physical and occupational therapist, his Christian faith, and his personal journey from Taiwan to the United States, Tseng explores what it means to take good care of everything we’ve been given. His central message is that stewardship extends far beyond managing money or possessions. It involves caring for our bodies, nurturing relationships, developing our abilities, and using our resources to make a difference in other people’s lives. The book’s foundation is distinctly Christian, with Scripture guiding its ideas about personal responsibility, generosity, and fulfillment. Tseng writes with sincerity and a genuine desire to help readers recognize the value of their everyday choices.

The book is organized around seven interconnected pillars: Spirituality, Training, Eating, Wealth, Attitude, Relationships, and Development. Each chapter examines an area of life that deserves intentional attention, explaining how improvement in one area can positively influence the others. Tseng’s professional background is particularly evident in his discussions of exercise, nutrition, and physical well-being. He introduces practical concepts for incorporating movement, rest, and healthier eating habits into daily routines. His financial guidance addresses budgeting, saving, investing, and generosity, while his chapters on attitude and relationships explore gratitude, resilience, hospitality, and meaningful connections. Throughout the book, biblical teachings are paired with practical suggestions, personal experiences, and references to health and wellness research. Each chapter also concludes with reflection questions that encourage readers to consider their own habits and identify opportunities for growth.

I appreciated Tseng’s willingness to share his experiences with vulnerability and humility. He discusses professional frustrations, personal challenges, and lessons learned through difficult seasons, giving his advice a relatable, human quality. His stories about working with patients, participating in church communities, and discovering new ways to serve others make the larger principles feel tangible. Particularly engaging is his perspective that caring for ourselves strengthens our ability to care for others. This idea connects the book’s diverse subjects and gives the STEWARD framework a consistent purpose. Tseng’s writing is encouraging and accessible, often addressing readers directly through questions and invitations to reflect. His enthusiasm occasionally leads to repeated reminders about the importance of intentional living, but that repetition reinforces the habits he hopes readers will develop. The combination of personal testimony, biblical interpretation, and actionable guidance makes the book well suited to thoughtful, unhurried reading.

The STEWARD Blueprint will especially appeal to Christian readers who want to connect their faith with practical decisions about health, finances, relationships, and personal growth. It’s also a valuable choice for people navigating life transitions, reconsidering their priorities, or looking for ways to contribute more meaningfully to their communities. Readers involved in healthcare, ministry, mentoring, or volunteer work may particularly appreciate Tseng’s emphasis on service and his understanding of wellness as something that involves the whole person. Although the book’s perspective is firmly rooted in Christianity, its discussions of gratitude, discipline, connection, and lifelong learning offer ideas that readers from other backgrounds can consider. I’d recommend it most to anyone who enjoys reflective personal-development books with clear spiritual guidance and practical exercises. Tseng leaves readers with an inviting challenge: to recognize the gifts already present in their lives, care for them intentionally, and discover how those gifts can benefit the people around them.

Pages: 80

My Heritage, My Pride

My Heritage, My Pride by Manmohan Sadana is a thoughtful and personal collection of spiritual poetry, cultural essays, historical reflections, and short fiction celebrating India’s extraordinary religious and literary heritage. Drawing from Hindu mythology, Sikh history, Sufi mysticism, and centuries of philosophical thought, Sadana explores the beliefs and traditions that have shaped generations. The book moves comfortably between ancient scriptures and contemporary life, examining how timeless teachings can still guide our understanding of leadership, relationships, compassion, and personal responsibility. Its combination of Indian spiritual literature, mythology, and cultural heritage makes for an engaging exploration of faith and identity. Throughout the collection, Sadana’s admiration for his cultural roots is unmistakable, and his enthusiasm encourages readers to consider how inherited wisdom continues to influence everyday decisions. There’s a genuine sense of affection running through these pages, giving the book the warmth of someone sharing stories and ideas that have held special meaning throughout his life.

Essays about Guru Nanak’s companion Bhai Mardana, the mystical poetry of Bulleh Shah, and the spiritual traditions of Kashmir offer fascinating perspectives on devotion, equality, and religious harmony. His discussion of Christian carols, Sikh Shabad Kirtan, and Sufi ghazals is particularly interesting, showing how music creates emotional connections across different faiths. Hindu mythology also occupies a central place, with explorations of Lord Rama, Lord Jagannath, Goddess Siddhidatri, and the philosophical significance of Shiva’s Tandav. Sadana often connects these traditions to modern concerns, including ethical leadership, environmental responsibility, and social justice. His reflections on lessons from the Ramayana and Bhagavad Gita in corporate settings are an especially distinctive touch. These connections give the book a practical dimension, inviting readers to recognize the continuing relevance of ancient Indian philosophy in today’s world.

Sadana’s spiritual poetry frequently uses vivid natural imagery, rhythmic language, and an almost prayerful sense of wonder. Pieces such as “Baba Buddha,” “The 13th Spiral,” and “When the Preserver Walked Through Time” revisit familiar spiritual and mythological figures through questions of courage, duty, mortality, and moral choice. His portrayals of characters from the Mahabharata, including Duryodhan, Yuyutsu, Urvi, and Hidimbi, encourage readers to consider different emotional and ethical perspectives within these enduring narratives. The collection also includes intimate writing about family, love, and belonging. “Welcome Rachel Bani” is especially tender, celebrating a newborn child while reflecting on the inheritance of traditions across generations and continents. Meanwhile, the story “Sargi” brings cultural customs into the intimate world of marriage and companionship. Sadana’s style is expressive and earnest, sometimes richly embellished, with recurring images of light, rivers, flowers, and sacred music creating a recognizable poetic voice.

What makes My Heritage, My Pride memorable is its consistent belief that cultural heritage becomes meaningful through the values people carry into their lives. Across its spiritual essays, historical discussions, mythology-inspired poetry, and contemporary storytelling, Sadana returns to compassion, humility, integrity, and the importance of respecting different religious traditions. His treatment of Sikhism, Hindu philosophy, and Sufi spirituality reveals a sincere interest in the common human desire for understanding and connection. Readers interested in Indian mythology books, South Asian cultural history, spiritual poetry collections, and religious philosophy will find plenty to appreciate here. The book’s wide-ranging structure also makes it suitable for reading a chapter at a time, allowing individual subjects and reflections to settle before moving to the next. Above all, Sadana’s collection feels like an invitation to celebrate where we come from, reflect on what our traditions teach us, and discover how the wisdom of earlier generations can remain a living part of the present.

Pages: 256 | ASIN : B0HJJL9YKT

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Unresolved Conflicts

Author Interview
Abraham Garcia Author Interview

Love Letters & Disillusion / Cartas de Amor y Desilusión explores love after its illusions have faded, revealing what heartbreak can teach about forgiveness, memory, faith, and knowing when to let go. At what point did you recognize that these individual poems were collectively telling a larger story about your life?

The letters were written over many years. Writing has always been one of my love languages. If I love and care about someone, chances are they will eventually receive a poem or letter from me. Over time, I accumulated quite a few of these expressions of affection, but I also recognized that love wasn’t always sweetness and tenderness.

When the idea came to me to gather my love letters into a collection, I realized that I couldn’t tell the whole story without exploring disillusionment. I already had poems about heartbreak and disappointment, but I deliberately revisited certain memories to capture those experiences more fully. I even wrote a response to a poem that had once been written for me.

Only when I had captured both the tenderness and the disillusionment did I feel the collection was complete. Duality has always been central to how I understand love and life.

The collection addresses family members, friends, colleagues, lovers, and your younger self. What interested you about examining love across so many different kinds of relationships?

Love, much like life, is not linear, although we sometimes wish it were. It evolves, diminishes, grows, and transforms alongside us. The way we experience love as children is not necessarily how we understand it as adults, and the love we share with family differs from what we experience through friendship, romance, or even our relationship with ourselves.

I wanted to explore these different expressions of love because each has taught me something about who I am and who I’ve become. To capture that honestly, I had to revisit the people and experiences that shaped my understanding of love throughout my life.

Love is one of life’s greatest teachers. The people we encounter can embody its many forms, but ultimately, we ourselves are also embodiments of love.

What have you learned about yourself through revisiting relationships that once felt very different from the way you understand them now?

I’ve learned that you cannot change another person; ultimately, you can only change yourself. If you cannot accept someone for who they are, perhaps you shouldn’t be with them. That doesn’t mean we shouldn’t challenge one another to grow, but when our fundamental values are incompatible, forcing the relationship will only create more suffering. Anything that’s forced is bound to break.

I’ve also come to see romantic relationships as two people’s traumas trying to coexist, sometimes even trying to dance with one another. Each person brings their own wounds, fears, experiences, and unresolved conflicts into the relationship. The challenge is learning how to navigate those internal struggles while confronting the external challenges of loving another person.

In many ways, romantic love becomes an attempt to find harmony between two people who are still learning how to find peace within themselves.

What do you hope bilingual readers experience as they move between the English and Spanish versions?

Above all, I hope they experience connection. Whether someone reads my work in English or Spanish, my intention remains the same: to reach another person through words. Readers don’t have to agree with everything I write, but if they recognize themselves in even one poem, then I feel I’ve accomplished what I set out to do.

For bilingual readers, I hope there’s an additional layer of appreciation in experiencing how the same poem can evoke different emotions depending on the language. Although the meaning may remain consistent, the rhythm, musicality, and emotional weight of certain words can change considerably between English and Spanish. One version might resonate more deeply with a reader than the other.

Translation has always been an interesting creative challenge for me because some expressions simply don’t carry the same beauty or emotional force when translated literally. A direct translation might preserve the meaning but diminish the poetry.

For me, the process becomes a balancing act between remaining faithful to the original message and preserving the musicality and emotional depth of the work. Ultimately, I want both languages to offer readers an authentic poetic experience.

Author Links: GoodReads | Instagram | Amazon

Abraham Garcia es un poeta bilingüe de raíces nicaragüenses y guatemaltecas cuya obra explora el amor, la desilusión y la formación gradual de la claridad interior. Escribiendo en inglés y español, su poesía transita entre la intimidad y la reflexión, marcada por la experiencia vivida, la memoria y la contención emocional.
Este segundo libro continúa el recorrido iniciado en su obra anterior, nacida desde la apertura y la creencia, y avanza hacia una voz más atenta al discernimiento y al autodominio. Lejos de idealizar el amor o dramatizar la pérdida, Garcia lo aborda como un proceso vivido, uno que enseña, templa y deja huella.

En su obra, el bilingüismo no es decorativo sino esencial. El inglés permite distancia y contemplación; el español sostiene la intimidad, el cuerpo y la memoria afectiva. Ambas lenguas conforman una sola voz que negocia la vulnerabilidad sin rendirse y la ternura sin ilusiones.
Love Letters & Disillusion / Cartas de Amor y Desilusión se escribe desde el después, después de que la creencia ha sido puesta a prueba y la claridad se ha asentado. No es un rechazo del amor, sino un reconocimiento de su costo y de aquello que aún vale la pena conservar.

Making It Plain: Deconstructing a Fictitious and Vicious Story About Racism

Ronald S. Bonner’s Making It Plain is a faith-rooted examination of racism that brings together history, theology, social science, personal experience, and practical reflection. Bonner establishes his vocabulary early and uses it consistently: White supremacy is the belief in the innate superiority of White people, racism is the system of power that sustains that belief, and bigotry is the hate-filled prejudice that fuels the system. From there, his central argument is that racial hierarchy is a constructed story that became embedded in American institutions, culture, education, and everyday assumptions. Because it was constructed and learned, he believes it can also be dismantled and unlearned. The Christian framework isn’t simply decorative. Bonner repeatedly returns to love, the renewal of the mind, truth-telling, and the moral obligation to reject ideas of human superiority. His larger purpose is practical: he wants readers to understand how these ideas took hold and then become capable of having more honest conversations about race.

The book’s seventeen chapters cover an unusually wide range of territory, moving from the historical construction of race and the economics of enslavement to White privilege, equality and equity, trust, colorblindness, stigmatized language, reparations, racial trauma, conversations between Black parents and their children, bias in artificial intelligence, friendship, and strategies for changing entrenched beliefs. Bonner has a teacher’s instinct for analogy. Highways illustrate the difference between racism, bigotry, and White supremacy; poker hands become a way of explaining unequal starting conditions; a sunburn illustrates the lingering effects of historical injury; “black light vision” describes the ability to see racial patterns that others may miss; and later, “heretical friendships” describe relationships formed across familiar racial and cultural boundaries. The personal stories are especially useful because they move the discussion out of abstraction. His memories of interracial workplace conversations, encounters with police, church life, and conversations with White friends show what his ideas look like in ordinary relationships. The historical photograph and caption documenting the 1892 lynching of four Black men on page 109 also reveal the book’s documentary impulse. Bonner wants readers to encounter the human reality behind the concepts, not just their definitions.

Bonner’s method is cumulative and deliberately repetitive. He keeps returning to a small group of ideas such as bigotry, power, false narratives, trust, language, and learned behavior, examining them from different angles until they form a connected framework. That gives Making It Plain the feel of an extended seminar or church study led by someone who expects the reader to participate. Nearly every chapter closes with review questions, and the writing regularly shifts from historical material to scholarly citations, personal memories, scriptural reflection, contemporary examples, and direct questions to the reader. The strongest passages come when those elements reinforce one another, particularly in the chapters on building trust, reparations as more than financial compensation, “the talk,” and cross-cultural friendship. By the final chapters, the many strands converge around one of Bonner’s clearest convictions: racist narratives can be unlearned, and relationships that cross racial, religious, or ethnic boundaries can play a meaningful role in that process. His voice throughout is pastoral, insistent, personal, and frequently provocative, with the expectation that learning should lead to changed behavior.

I recommend Making It Plain to people who want to explore racial justice through a combination of Christian ethics, American history, personal testimony, and guided discussion. Church groups, adult education classes, community organizations, workplace discussion groups, antiracism facilitators, and book clubs would probably get the most from its structure because the book is designed to generate conversation, not just private reflection. It would also appeal to readers interested in the intersection of faith and racial reconciliation, especially those willing to examine how inherited stories and everyday language shape what people believe about one another. Bonner makes his intended use especially clear at the end, when he challenges readers to have three conversations about race in the coming year and to form three new friendships or acquaintances outside their usual social circle. That closing challenge captures the character of the whole book. Making It Plain is a teaching book about changing minds through historical understanding, honest speech, self-examination, trust, and relationships that make it harder to keep seeing other people through inherited stereotypes.

Pages: 198 | ISBN : 978-1662962165

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Fundamental Pillars of Life

Author Interview
Kevin Peterson Author Interview

A Poetic Wandering is a reflective collection spanning four decades in which you explore memory, family, Kansas history, travel, nature, faith, humor, and the experiences that shape a life. What role has poetry played in helping you process emotions, develop self-awareness, and make sense of your experiences?

Growing up as an only child, I wasn’t able to compare life experiences or receive guidance from a sibling. There were times I felt lonely, times I felt life was unfair, times when anger reared its ugly head. Writing became a means to document and work through some of life’s instabilities. The process eventually created opportunities for stronger self-confidence and self-esteem.

How has becoming a parent—and later reflecting on family across generations—influenced your poetry?

As one ages, we realize more and more the true importance of faith, family, and friends. I was truly blessed to grow up with parents who believed in these tenets. As parents, my wife and I tried to instill these beliefs in our own children. Sharing these fundamental pillars of life through family generations only makes sense.

Your collection moves comfortably between serious subjects and humorous poems about aging, grilling, toilet paper, and everyday life. Why is humor important to the overall balance of the book?

Poetry should be reflective at times, entertaining at times. I want readers to understand what I am sharing without having to dissect obscure, remote, or hidden meanings. Regarding humor…didn’t Ficino say “Humor Is the Spice of Life.”

What do you hope readers—especially parents, grandparents, travelers, and people reflecting on their own lives—take away from A Poetic Wandering?

I hope that by sharing my thoughts and experiences, it may help others to BE POETIC themselves.

​Author Links: Website

A Poetic Wandering

Kevin R. Peterson’s A Poetic Wandering feels much like its title suggests: a long, personal walk through memory, family, Kansas history, travel, nature, faith, humor, and the ordinary experiences that accumulate into a life. The collection reaches back to poems from Peterson’s 1980s chapbooks and then moves into work written across the following four decades, so the reader gets something close to a poetic autobiography. Peterson explains that poetry became a way for him to work through emotions, develop self-awareness, reflect on experience, and share what he’d learned, and that purpose remains visible throughout the book. The result is a collection that’s interested less in maintaining a single mood than in recording the things a person notices and carries with him over many years.

The most affecting section is the group of poems drawn from Kendra: A Father’s Feelings. Here Peterson writes about his young daughter’s grave illness, survival, deafness, and the family’s adjustment to a frightening new reality. The poems are plainspoken and emotionally immediate. In “Hospital Paradox,” the birth of one child and the medical crisis of another exist almost side by side, while “Can It Be” captures the complicated mixture of gratitude and sorrow after his daughter survives but loses her hearing. “Roller Skates” then turns a Christmas gift into something far larger, because having their daughter home and alive has changed what the family values. These poems are strong because Peterson trusts the events themselves to carry the emotion. That directness gives the family material an intimacy that stays with you.

Elsewhere, the book widens considerably. Kansas appears again and again through prairie landscapes, pioneers, bison, Dust Bowl memories, sunflowers, local history, and Peterson’s sense of generational connection to the land. Travel adds another dimension, with poems about Yellowstone, Florida, wilderness hiking, canoe country, sunsets, campsites, and the decades-long project of visiting all fifty states with his wife. Nature often becomes a doorway into something spiritual. Peterson says explicitly that it’s where he feels most comfortable and where he most strongly connects with God. There’s also a welcome streak of playfulness, including poems about toilet paper, aging, grilling, and other subjects that keep the collection from becoming uniformly meditative. Near the end, Peterson brings poetry and photography together in what he calls a “poetograph,” combining his own images with brief poetic responses. That makes the closing pages feel like a natural culmination of two lifelong interests.

I’d recommend A Poetic Wandering to readers who enjoy accessible, personal poetry rooted in recognizable experiences rather than poetry that needs to be decoded before it can be felt. It should have particular appeal for Midwestern readers, nature lovers, travelers, parents and grandparents, people interested in family or regional history, and readers who’ve reached an age when looking backward and looking forward begin to happen at the same time. Peterson writes with the perspective of someone interested in preserving memories while he still has the chance to name them, whether those memories involve a hospital room, a Kansas field, a campsite, a marriage, a family tragedy, or a ridiculous question about which way the toilet-paper roll should face. That range is the book’s real character. It reads like one man opening several decades of notebooks and photographs and inviting you to wander through them with him.