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Deception, Love, and Revelation

SJ Snel Author Interview

The Seeker centers around a young silk weaver in 1203 Constantinople whose gift for revealing hidden truths places her in grave danger. What was the inspiration for the setup of your story?

In England, there is a television documentary series in which celebrities from different faiths and backgrounds undertake pilgrimages across the world. One episode followed their journey to Istanbul, and during it, they passed a wishing tree where a young girl sat beneath its branches selling strips of brightly coloured cloth. Visitors would buy a ribbon, tie it to the tree, and whisper a wish as they did so. The branches shimmered in the sunlight, heavy with hundreds of vibrant strips fluttering in the breeze.

The image stayed with me long after the programme had ended. Curious, I began researching wishing trees and discovered that similar traditions exist across many cultures and countries, often linked to spirituality, hope, and human longing. What fascinated me even more was the setting itself. Istanbul — once Constantinople — stood for centuries as the great bridge between East and West, a city where cultures, religions, and empires collided. It was also a major crossroads along the Crusading routes, making it impossible for me not to weave the city into my story.

As the idea developed, I transformed the concept of the wishing tree into something darker and more unsettling: a truth-revealing tree. Instead of granting desires, it would expose hidden truths, forcing characters to confront secrets they would rather keep buried. It became the perfect symbol for the tension at the heart of the novel — a meeting point of faith, deception, love, and revelation.

Deanda is often trusting to the point of vulnerability. Was that innocence intentional, and what does it represent in her character arc?

At the beginning of the story, it was very intentional that Deanda appeared innocent, vulnerable, and, at times, almost painfully naïve. I wanted her to embody the uncertainty and trust of someone who has not yet been exposed to the darker realities of power, ambition, and manipulation. Her gullibility is not a weakness without purpose; rather, it lays the foundation for her transformation across the series.

As the books progress, Deanda is gradually shaped by the dangerous world around her. She becomes more self-assured, more independent in her thinking, and far less willing to take people at face value. This evolution becomes especially significant once she is drawn into the volatile world of King John’s court — a place rife with political manoeuvring, shifting loyalties, betrayal, and hidden agendas. It was the perfect historical setting in which to test her character.

I wanted the court itself to feel almost predatory: a place where trust could be weaponised and where a single mistake might prove disastrous. Deanda’s innocence therefore, becomes both her vulnerability and the catalyst for her growth, allowing her to fall into carefully placed traps before learning, often painfully, how to navigate and ultimately escape them.

Did you ever struggle with how much historical fact versus fictional interpretation to include?

One of the greatest challenges I faced while writing the series was finding the balance between historical fact and historical fiction. I wanted readers to feel fully immersed in the medieval world — to be able to picture the castles, markets, courts, clothing, customs, and the people who inhabited them. The atmosphere and detail were incredibly important to me because I wanted the setting to feel authentic rather than simply decorative.

At the same time, I was determined to remain as faithful as possible to the real history of the era. All of my novels are rooted in actual historical events and broadly follow genuine timelines, although there are moments where chronology has been adjusted slightly in order to maintain narrative pace and dramatic momentum. That balance between accuracy and storytelling was something I constantly wrestled with throughout the writing process.

I also felt strongly about incorporating real historical figures — people readers would instantly recognise from history — because their presence gives the story greater weight and realism. However, while the foundations of these characters are historically grounded, I have occasionally adapted aspects of their personalities or interactions to heighten literary tension and improve readability. The only entirely fictional creations are Deanda, her family, and Asim.

Because of this, the research process became immense. I spent years studying the period to ensure that the appearances, reputations, achievements, and general characteristics of the historical figures aligned as closely as possible with how they are understood historically. I knew from the beginning that I would not be satisfied creating a purely fictional medieval backdrop; I wanted the novels to feel anchored in genuine history, with real events and real people shaping the emotional and political landscape of the story.

Where will the next book in The Hidden Truths Saga take readers?

The next instalments in the series will take Deanda’s relationship with her father to more complicated places, testing their loyalty and trust. As the political tensions surrounding the court intensify, Deanda finds herself increasingly drawn into the dangerous orbit of the king himself — at first manipulated by his authority and ambitions, but gradually learning how to manipulate him in return in order to honour the promise she made to Sir Richard.

This shift marks a significant turning point in her character. No longer the sheltered and trusting young woman of the earlier books, Deanda begins to understand that survival within King John’s court depends not only upon courage, but upon deception, strategy, and the careful use of influence.

At the same time, her relationship with Sir John deepens, evolving from fragile affection into a far more powerful and dangerous bond. Their eventual union, however, is anything but secure. What should represent safety and fulfilment instead places Deanda in even greater peril, as she slowly realises that the mysterious gift which once protected her can no longer shield her from the paranoid king.

As alliances fracture and ambitions spiral out of control, Deanda is forced to confront the terrifying possibility that she may simply become another sacrifice to King John’s increasingly delusional sense of power and destiny. The question that lingers over the series is not merely whether she can protect those she loves, but whether she herself will survive the ruthless world she has become entangled within.

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Constantinople, 1203.

In a world teetering on the edge of faith and power, one woman’s gift could change the course of kingdoms.
Deanda, born with the power to see hidden truths, becomes a pawn in Emperor Alexius III’s ruthless quest for control. Her visions, coveted and feared, could topple empires—or destroy her. Across the sea, King John of England faces political ruin and prays for a sign from God. Fate answers in ways neither ruler could have foreseen, as prophecy binds their destinies together in a perilous dance of deception, ambition, and divine will.

From the glittering chaos of Constantinople to the intrigue of England’s royal court, The Seeker, Book One of the Hidden Truths Sagaweaves a breathtaking tale of love, betrayal, and revelation.

One woman holds the key to salvation—or ruin—for a kingdom.
Perfect for fans of Philippa Gregory and Emma Donoghue, this epic historical drama plunges you into a world of prophecy, passion, and power where every truth comes at a price.

The Seeker

The Seeker, by SJ Snel, is a medieval historical fantasy and the first book in The Hidden Truths Saga. It follows Deanda, a young silk weaver in 1203 Constantinople whose gift for revealing hidden truths places her in danger when politics, prophecy, faith, and war collide. After a vision tied to the Fourth Crusade, she is pulled from the fragile safety of her life and sent on a journey toward England, where her gift becomes entangled with King John, Sir Richard, and the brutal power games of the age.

I liked how the book treats truth as both sacred and dangerous. Deanda’s gift sounds simple at first, almost fairy-tale-like, but Snel makes it feel heavy. Every answer she gives has a cost. I liked that tension. The story is not just about seeing the truth, but about deciding when truth helps, when it harms, and who gets to use it. Deanda can be trusting to the point of frustration, yet that innocence also makes sense. She has been raised to believe in duty, faith, and obedience, and watching those beliefs get tested gives the novel much of its emotional weight.

Snel’s writing is rich and visual, especially in the Constantinople scenes. You can feel the heat, smell the incense, see the silk strips moving in the branches of the Judas tree. The prose leans into description, and some moments might feel slower for readers who prefer a leaner pace. Still, I found the detail useful because this is a historical fantasy that wants the past to feel lived in. The author also makes a bold choice by mixing real medieval figures and political events with Deanda’s supernatural ability. That blend gives the book its spark. It’s grounded in history, but there is always this shimmer of the uncanny just beneath the surface.

I recommend The Seeker to readers who enjoy historical fiction with a mystical edge, especially stories set in the medieval world where faith, power, and personal conscience are all fighting for space. It will appeal to fans who like a patient, character-driven journey. If you enjoy books about women with unusual gifts trying to survive in dangerous times, this one has a clear pull. It’s thoughtful, dramatic, and sincere, with enough unanswered tension to make the next book feel worth seeking out.

Pages: 449 | ASIN ‏ : ‎ B0DY61GYZ3

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The Seeker

The Seeker follows a restless wanderer who tries to make sense of a life caught between spiritual hunger and everyday chaos. The book moves through a mix of travel notes, philosophical riffs, memories, and sharp self-mockery, all glued together by the author’s ongoing attempt to wake up from the illusions that shape his world. I found the voice quick, funny, and sometimes raw, and the whole thing works like a long letter from someone who keeps tripping over his own enlightenment. The book shifts between stories of drunken nights, failed spiritual practices, and run-ins with Buddhist and Advaita teachings. It also digs into ego, pain, detachment, and the strange ways we cling to our identities, even when we swear we want to let them go.

The narrator puts his flaws on full display, and he does it with this mix of humor and despair that made me laugh one minute and sigh the next. I liked how he pokes at spiritual culture, too. He rolls his eyes at yogis racing to class, at overzealous seekers chanting their way to nirvana, and at the whole self-help industry. The sarcasm comes fast, but it never feels cruel. It feels like he is trying to keep himself grounded. The drinking, the travel, the loneliness, the pleasures, the screwups. They all paint a picture of someone who wants freedom but also kind of enjoys his distractions. That tension made the book feel real.

The book circles around the same big questions. What is the self? What is enlightenment? Is anyone actually steering their own life? He keeps returning to ideas from Ramana Maharshi, Nisargadatta, Anthony de Mello, and the Buddha, and he spins them in a way that is part confession and part debate with himself. Sometimes the reflections hit hard. Especially when he talks about pain versus suffering or when he admits how much he hides behind ego, charm, or booze.

I feel like the book is meant for people who enjoy spiritual writing but get turned off by anything too polished or too serene. If you like flawed narrators who think too much and drink too much and still keep reaching for something truer, you’ll like this book. It is also a good pick for readers who appreciate humor mixed with pain and who like a story that refuses to pretend the journey is clean or noble. I would recommend it to seekers, cynics, and anyone who finds themselves caught between wanting to let go and wanting one more round.

Pages: 199 | ASIN : B0FWRQT951

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