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Strength of Evidence

Author Interview
Greg Cox Author Interview

The Father Wound in Women explores how paternal wounds shape women’s lives and how those patterns can be transformed. Why was this an important book for you to write?

I didn’t start this as a researcher — I started it as a man trying to understand a woman I loved, whose patterns of love and withdrawal made no sense to me until I went looking for the science behind them. I found literature that explained almost everything, but almost no book made it accessible to the people actually living inside it. When I looked for something to read on the subject myself, what existed either spoke only to the woman, leaving the partner out of the room entirely, or stayed at the level of pop-psychology generalizations without the research to back it up. I wanted something that could sit between two people — something a woman could read to understand what she might be subconsciously bringing to a relationship, and something a partner could read to understand what he’s actually looking at, without either feeling talked down to or diagnosed from a distance.

How did you balance psychological research with accessible, practical language?

I read for several years before I wrote a word — clinical literature on trauma and personality, longitudinal studies on childhood adversity, decades of attachment research — but I’m not a clinician, and I never wanted the book to sound like one. Every chapter has a “Recognize” section that translates the research into plain, observable behavior rather than diagnostic checklists, because I wanted readers to see themselves in the patterns, not to self-diagnose from them. I was also careful to say, throughout, where the evidence is strong, where it’s genuinely contested, and where I’m offering my own synthesis rather than settled science — the bibliography is tiered by strength of evidence for exactly that reason. And a clinical reviewer went through the manuscript in draft specifically to catch anywhere the research had been overstated or misread.

How can someone tell whether they are genuinely changing rather than simply understanding their patterns intellectually?

This is the trap I most wanted the book to name, because it’s so easy to fall into: you can spend years fluent in your own diagnosis — able to narrate your attachment style and your wounds in expert detail — and change nothing, because the naming itself starts to feel like the progress. Recognition is the precondition for healing, not the healing. The honest test isn’t how well you can explain yourself; it’s whether the explanation changes what you actually do the next time you’re triggered. I put it plainly in the book: visible movement matters more than stated potential. If the insight isn’t showing up as different behavior under pressure — not just different vocabulary — it hasn’t done its job yet.

What do you want partners to understand about women carrying paternal wounds?

Two things, mainly. First, what can look like irrational or dramatic behavior almost always has a comprehensible origin that predates the relationship by decades — it’s not a verdict on him, even when it’s aimed at him. Understanding that doesn’t mean absorbing everything without boundaries; it means telling the difference between a partner who is struggling and a partner who is harming, which I try to give people a real standard for: hard asks you to be patient; harmful asks you to disappear. Second, the most useful question isn’t “which label fits her” — it’s whether, in her calmer moments, she can genuinely see your perspective and take responsibility for what the pattern costs you. That capacity for mutuality, even amid real struggle, is the thing worth watching for.

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A father’s absence, volatility, or addiction leaves a measurable imprint on a daughter — in how she attaches, who she chooses, how she treats the people who love her, and even in her physical health. This book names that imprint honestly, traces it to the research, and gives both the woman carrying it and the partner standing beside her a way to see clearly and decide what to do.

Why This Book, Why Now

There is no shortage of books on “daddy issues.” Most do one of two things: they reassure women that none of it is their fault, or they vilify women as manipulators. Both are dishonest, and readers can feel it.

This book takes a third path. It treats the reader — woman or man — as an adult who can handle the truth: that a real wound can produce real harm, that being a victim of one’s childhood and a source of damage in one’s relationships are not mutually exclusive, and that healing begins exactly where blame ends and accountability starts.

It is direct and unflinching, but never cruel. It is grounded in evidence, and it says plainly when the evidence is thin.

The Father Wound In Women

Greg Cox’s The Father Wound in Women is an accessible work of relational psychology written for women carrying paternal wounds and for the partners trying to understand them. Cox defines the father wound as the enduring adaptation to paternal absence, volatility, addiction, or emotional unavailability. He then traces its possible influence on attachment, physical health, identity, sexuality, and romantic choice. The book’s central insight is expressed with memorable precision: “A symptom is usually just a solution that outlived the problem it solved.” This compassionate framing presents destructive adult patterns as intelligible survival strategies while preserving the individual’s responsibility to change them.

The book’s six-part structure moves logically from recognition to action. Early chapters explain attachment styles and adverse childhood experiences, while the middle chapters examine partner selection, relational sabotage, shame, substance use, personality patterns, and the interaction between two wounded people. Particularly effective is Cox’s attention to both participants in a difficult relationship. His discussion of the mother wound in men broadens the analysis beyond a one-sided account of female injury and male response. Throughout, recurring “Recognize” sections translate broad concepts into observable behaviors, giving readers practical points for reflection without presenting them as diagnostic tests.

Cox’s tone is direct, humane, and unusually attentive to the difference between explanation and excuse. He acknowledges where evidence is strong, where findings remain correlational, and where he’s offering philosophical orientation. The discussions of attachment, shame, accountability, and earned security are among the book’s strongest passages because they unite research with clear moral reasoning. The treatment of perimenopause, autoimmune illness, and diagnostic distinctions is more ambitious and would benefit from tighter editorial control, particularly where population-level associations are connected to individual relationships. The annotated bibliography demonstrates serious engagement with the literature, though its instructional notes and uneven citation formatting give the back matter the feel of a manuscript still approaching its final scholarly form.

The Father Wound in Women is a book about recovering choice from patterns that once operated invisibly. Its final sections offer a grounded account of healing through stabilization, trauma-informed therapy, corrective relationships, grief, and repeated practice. Cox also gives partners a useful standard for evaluating a relationship: visible movement matters more than stated potential. His concise distinction, “Hard asks you to be patient. Harmful asks you to disappear,” captures the book’s balance of compassion and self-respect. Thoughtful, searching, and ethically serious, the book offers readers a substantial framework for understanding how early relational wounds can shape adult love and how sustained accountability can begin to reshape it.

Pages: 151 | ASIN ‏ : ‎ B0H4C7VQ47

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THE SILENT BULLY. A Journey from Abusive Brain Chatter to Self-Love: A Personal Transformation Self-Help Book

The Silent Bully is a memoir-infused self-help book about recognizing and changing the cruel inner dialogue that Jacquie Elliott calls “Abusive Brain Chatter.” Elliott draws from her experiences with depression, compulsive eating, unhealthy relationships, childhood expectations, sexuality, parenting, work, body image, and aging. Her central framework is easy to remember: become Aware of the abusive voice, Believe in a kinder inner source, and Challenge the core beliefs feeding the criticism. That structure gives the book a clear direction even as it moves through many areas of personal life.

The book’s most engaging quality is Elliott’s willingness to be open about her own history. She describes moments of shame, addiction, fear, family conflict, sexual trauma, and self-sabotage without presenting herself as someone who has reached a flawless state of healing. Her account of lying in bed, eating compulsively, and listening to an inner voice tell her she’d never change gives the concept immediate emotional weight. Later stories about training for a triathlon, building healthier relationships, setting boundaries, and creating a satisfying life show how her transformation happened gradually. The tone often feels like a candid coaching conversation with someone who’s been through the struggle herself.

This is also very much a working book rather than something meant to be read passively. The “Self-Love Work” sections ask readers to rate the severity of their self-talk, identify triggers, journal about fear and shame, examine inherited beliefs, clarify values, practice meditation, create affirmations, set manageable goals, and work through resentment and forgiveness. Elliott uses memorable terms such as “Tornado Head” for escalating thought spirals, along with practical tools like grounding exercises, breathing methods, visualization, SMART goals, gratitude practices, and progress tracking. Spirituality is woven deeply into the method, but she defines a Higher Power or Loving Source broadly, allowing readers to interpret it through religion, nature, inner wisdom, community, or another compassionate presence.

I’d recommend The Silent Bully most strongly to readers who recognize that their self-talk has become harsh, repetitive, and limiting, especially those who enjoy a blend of personal testimony, spiritual reflection, journaling, and hands-on exercises. It may also resonate with people recovering from emotional abuse, codependency, addiction, difficult family patterns, or long-held feelings of inadequacy. Readers who take their time with the prompts will probably get more from it than those who rush straight through. At its heart, the book is a warm, earnest invitation to stop treating self-criticism as truth and begin building an inner relationship based on patience, responsibility, and genuine care.

Pages: 318 | ASIN ‏ : ‎ B0FXHM1XP8

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Why You Felt Crazy

Why You Felt Crazy is a compassionate and steady-handed guide to understanding gaslighting, trauma bonding, leaving an emotionally unsafe relationship, and learning how to live inside your own mind again afterward. Author Quinn Morgan writes from the middle of the experience rather than from some polished, faraway place of total recovery, and that choice gives the book its pulse. The book moves from the first quiet signs of self-erasure, like softening a simple “Where are you?” into something safer, toward the brutal confusion of leaving, going back, wanting to go back, and eventually rebuilding self-trust one small, almost tender decision at a time.

What I appreciated most was how deeply the book delves into the emotional weather of abuse without flattening it into slogans. Morgan doesn’t pretend that leaving is clean or that clarity stays lit once it arrives. The scene at her sister’s house, when a harmless request to make cookies triggers panic about mess, scrutiny, and being watched, stayed with me because it captures something many books only describe clinically. The harm has followed her into safety. It’s in the body, in the reflex to explain, in the way ordinary life suddenly feels booby-trapped. I found that devastating, but also strangely relieving. The book gives language to experiences that are often too slippery to hold, especially the ache of missing someone you know hurt you. Morgan’s insistence that grief isn’t proof you made the wrong choice feels emotionally precise and hard-won.

The writing is intimate and rhythmic. Morgan has a gift for returning to a phrase until it feels less like repetition and more like a hand on your shoulder. At its best, the prose is luminous in a quiet way, especially when she writes about the nervous system seeking closeness from the very person who creates the fear, or about safety feeling unfamiliar before it feels peaceful. The structure can feel soothing in its pattern, with each chapter turning toward reassurance in a similar cadence. This isn’t a book trying to impress the reader with complexity. It’s trying to keep someone company at 2 a.m., when logic has gone thin, and the urge to go back feels enormous. As a result, its repetition often feels intentional.

I came away feeling that the book’s strongest idea is also its most humane one: people don’t stay because they’re foolish. They stay because the good moments were real, because the beginning mattered, and because the cycle trains the body to confuse relief with love. That framing is powerful, and Morgan handles it with care. The practical sections on safety planning, the day of leaving, and the first thirty days are grounded without turning cold, while the later chapters on self-trust and learning what safe feels like give the book a softer landing. Why You Felt Crazy is tender, clear, and painfully recognizable in the best sense. I’d recommend it to readers who are questioning an emotionally manipulative relationship, recovering from one, or trying to understand why someone they love can’t simply walk away.

Pages: 170 | ASIN ‏ : ‎ B0GGYFWCJD

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Psychic-Spiritual Abuse

Adria Chalfin Author Interview

In Silent Talking, you explain how you were drawn into a world of psychological manipulation and abuse and how you were ultimately able to free yourself. What inspired you to share your experiences with others?

Well, I actually feel like a literary titan—having the courage to expose my story and bring my unheard of life out of the darkness and into the light. It has been a monumentally traumatic but healing journey, my soul has seemed to deem necessary! Every sentence was painful to bring onto the page. But the urge to do so prevailed. It was so overwhelming to face that in 2024, I published it in 32 pages and couldn’t iterate further. A year or so later, I began to flow more easily and filled in more details that were paining me inside to come out. I felt more healed and more able to emotionally observe from the outside and tell more, and revised and republished it in the 76-page edition it is today. It’s straight to the point and scopes the heart of 30 years. Unbelievable as I have faced—my trauma took my life—my entire adult life to face and overcome and return from. Exhausted now—I feel driven to make up for lost time, but realize that my life has become my story, and the time for both career and family with children has sadly passed me by. I’m finding more peace with that as my memoir takes flight and begins to validate my life—not what I wished to live—but what I did live instead. To further answer your question, the motivation to share came as an urge from my soul—a deep need to convey after bottling it in for 10 years, once I returned to the world.

I appreciate the candid nature with which you tell your story. Were there parts of your story that were especially difficult to put into words?

Yes, when I expanded the length of the book, much more was brought to the surface. Going into more nuanced detail about the brutality I faced in the presence of a single individual and remembering the experiences as if it were the very day, was soul-shaking. Talking more about their personality was especially traumatizing because I was drilled to keep their privacy. Keeping their privacy, I realized, was burying me alive. My first 32 pages quickly skimmed over these details and focused more on the kundalini channeling aspects versus the abuse that led me into that state.

Expressing took an actual additional year and nine months to be calm and strong enough to sit down again and expand on the narrative of my story. Albeit daunting—it was necessary to face for my personal healing, and I believe for the reader to have a whole understanding—especially as a life learning experience.

The memoir involves experiences you describe as supernatural or involving channeling. How do you interpret those experiences today?

Every individual has inherent psychic and extrasensory abilities, as all beings are one with the universe. Some people’s lie dormant their entire lives, some people know them young, and others seek to develop them later on in life. My memoir is about the experience of being forced to awaken your spiritual abilities through the experience of extreme psychological and physical hardship—where a ‘kundalini’ event manifests itself—opening your third eye. This involuntary ‘opening’ subsequently leads to the loss of one’s natural spiritual protection from ‘the other side’—I believe we are all born with.

There are many accounts of people being called to channeling or serving entities, as mentioned in my memoir. It is always presented in biographical and autobiographical nonfiction, where the channeler gives over their body as a vessel for the entities to take over and give health or spiritual messages to a client or to the world. No one discusses how the individual channeler lost their agency to these entities, and if it was truly their will. Everyone automatically accepts that that was a ‘good’ thing. But was that really the case? Because my experience with third eye openings and entity entrance into your body was not positive, it breaks open and sheds light on that that might not really be the case. This I now feel as my duty to convey.

When entities embody you, you feel obligated to serve them. I am working to strengthen and stand up for the rights of people who channeling has befallen, as Asian Shamans that are born into families for generations, that are forced to serve Deities through them and give readings to clients. Even if they are highly regarded and earn plus sums of money to give readings and perform rites—many shaman’s stories include the threat to parents from ‘the other side’ that their children will die young and must serve and become a shaman to live (the new South Korean reality TV series ‘Battle of Fate’ – can be watched on Hulu with English subtitles). Since my experience had no public virtue and I was literally frozen in my own body, I feel compelled to present my story and the awareness of an individual’s rights to agency inside their own body. I very carefully tread now to stay grounded, and it has caused me to isolate myself as much as possible. I am hyper-awakened and aware and gaining more insight daily.

What do you hope readers take away from your story?

I hope to enlighten readers to a new truth—an underlying theme between personal abuse leading to supernatural abuse. And that my emotional step-by-step account can relay a world of hidden undertow that all can benefit from being made aware of. I know no one has ever heard of psychic-spiritual abuse, and I am firsthand the testimony!

Author Links: GoodReads | Website | Amazon

There I was on that day – a force unimaginable to understand and too powerful to fight, slammed my soul to the right back side of my body. I was powerless and helpless and couldn’t move of my own agency. From that day forth, life was never again my own. What came next I was helpless to ‘have to’ experience with no way to move or yell – I was ‘Silent Talking’. This was the 1980’s when famous actresses were publishing their best-sellers about aliens and channelers bringing the light and messages for the world. But that wasn’t my story. After 30 years and a decade of silence upon my return to the world – I now have the courage to say… Here is my story.

Honesty and Compassion

Kay Blake Author Interview

In The First Call Was Mine, you share the abuse of your childhood, the hardships of your adolescence, including suicidal despair, and the long road to healing. Why was this an important book for you to write?

For a long time, my story lived quietly inside of me. I carried the memories, the fear, and the resilience without ever fully putting words to them. Writing The First Call Was Mine became a way of reclaiming that story, not just as something that happened to me, but as something that shaped who I became.

    Growing up in instability and abuse can make you feel invisible, as if your experiences don’t matter or your voice isn’t worth hearing. Writing this book was my way of pushing back against that silence. It was important for me to tell the truth about what it looks like to survive a chaotic childhood and still build a life defined by purpose.

    I also wrote this book for others who have lived through similar experiences. Trauma can convince people that they are alone or broken beyond repair. If someone reads my story and realizes that survival, healing, and even joy are still possible, then sharing my story was worth it.

    How did you approach writing about childhood experiences that were both formative and painful?

    I approached it with a balance of honesty and compassion for my younger self. When you revisit painful memories, it’s easy to relive them through the lens of pain or anger. Instead, I tried to write those moments with the understanding I have now as an adult.

      That meant allowing the experiences to be truthful without letting them become the entire definition of the story. The book isn’t just about trauma; it’s about resilience, growth, and the complicated ways we survive difficult circumstances.

      At times, writing those chapters was emotionally heavy, but it was also surprisingly healing. Putting the experiences into words allowed me to process them differently and see the strength that existed in moments where I once only saw survival.

      You draw a powerful connection between childhood survival and your work in EMS—when did you first recognize that link?

      For a long time, I didn’t consciously recognize the connection. I just knew I was drawn to emergency services, the chaos of it all, and helping people in their most vulnerable moments. It felt natural to step into chaos and try to make things better.

        Over time, I began to realize that my childhood had quietly prepared me for that kind of work. Growing up in an unpredictable environment teaches you how to read situations quickly, stay calm under pressure, and protect others even when you’re still trying to protect yourself.

        EMS gave me a way to transform those survival instincts into something meaningful. Instead of chaos defining me, I was able to use the skills I learned from surviving it to help people in their most critical moments. In many ways, the career that grew from that path became part of my healing.

        What is one thing you hope readers take away from your experiences?

        I hope readers understand that the circumstances we come from do not have to determine the limits of our lives. They don’t have to define us.

          Many people grow up believing that their past defines them, that trauma, hardship, or instability will always control their future. My story is proof that those experiences can become something different. They can shape strength, compassion, and purpose.

          Healing doesn’t happen overnight, and it doesn’t erase what happened. But it does allow you to build a life that isn’t ruled by those experiences. If readers walk away believing that change, growth, and healing are possible, even after the hardest beginnings, then the book has done what I hoped it would.

          Author Links: GoodReads | Website | Amazon

          At eight years old, Kayla entered the foster care system. What followed was a childhood marked by instability, survival, and learning how to endure when the world offers no safety net. Moving through foster homes, homelessness, and constant uncertainty, she learned early how to protect herself and the people she loved long before anyone taught her how to be a child.

          The First Call Was Mine is a raw and unflinching memoir about growing up in chaos and choosing a different future. With honesty and dark humor, Kayla traces her path from a traumatic upbringing to a career in emergency services, where she found purpose in running toward the very crises she once lived inside.

          Becoming a firefighter and paramedic did not erase the past but it gave her the tools to face it. Through demanding calls, hard-earned resilience, and moments of unexpected grace, she begins to understand how survival can transform into strength. The book explores themes of foster care, trauma, identity, and healing, while examining how service, discipline, and community can help rebuild a life once shaped by loss.

          This memoir does not offer easy answers or tidy resolutions. Instead, it tells the truth about what it means to carry trauma forward and still choose to show up, again and again. It is a story for anyone who has lived through adversity, questioned where they belong, or wondered whether it’s possible to break cycles that feel inescapable.

          The First Call Was Mine is a testament to resilience, chosen family, and the quiet courage it takes to keep going, even when the past is loud.

          The First Call Was Mine

          The First Call Was Mine is a memoir about growing up inside relentless instability and then, somehow, building a life devoted to helping other people survive their own worst moments. Author Kay Blake traces a childhood marked by abuse, neglect, foster care, abandonment, and the aching responsibility of trying to protect her little brother, then follows that thread into adolescence, EMS work, paramedic school, chronic illness, sexual violence, suicidal despair, and the long, uneven work of healing. What stayed with me most was the book’s central idea that her instinct to respond to emergencies did not begin in uniform but in childhood, barefoot in the snow, wrapping her mother’s bleeding hand, or in the smaller, piercing moments that never quite leave, like a boy handing her his coat at school, or the locket her foster parents gave her when she was sent back into chaos.

          I admired that Blake never writes like she’s polishing pain into something noble. She writes like someone who has stared at it for a very long time and decided, finally, not to lie about its texture. There’s a rough honesty to the prose that I found deeply affecting. At its best, it has a plainspoken force that lands harder than ornament would. She has a sharp instinct for the image that says everything. Christmas gifts arriving in black trash bags, Kid Rock becoming the soundtrack of dread, sleeping in a car that is both freedom and shelter, signing a dead friend’s guitar while half-thinking he’d be furious about the marker on the finish, these moments give the memoir its pulse. I also appreciated the dark humor braided through the book. It proves she survived it with her wit intact. That tonal balance is hard to manage, but here it often feels earned.

          I also found the book compelling because of the ideas beneath the story, especially its refusal to romanticize resilience. Blake understands that being “strong” is often just what adults call a child who had no safe alternative. That insight runs quietly through the memoir and gives it moral weight. I was especially moved by the later sections, where the book shifts from survival into a harsher, more adult recognition that trauma doesn’t politely stay in the past. It follows her into love, into work, into her own body, into the institutional failures that greet her even after she does everything right. The chapter in which she reports being assaulted and is met with skepticism and procedural coldness is infuriating in exactly the way it should be. And the scene in the garage, when she nearly ends her life and then reaches, however shakily, for one stubborn reason to remain, has the kind of emotional nakedness that made me put the book down for a minute and think. Even when I wanted a little more compression or shaping in places, I never doubted the heart behind the pages.

          The First Call Was Mine is painful, brave, and very human. Blake makes room for grief, rage, tenderness, absurdity, loyalty, and the slow dignity of choosing to keep going. I’d recommend it to readers of memoir who can handle heavy material and want something emotionally direct, especially people interested in foster care narratives, trauma and recovery, or the hidden personal histories carried by first responders. It’s a hard book in many places, but it has real warmth in it, and by the last page, I felt I had been spoken to by a person, not a performance.

          Pages: 272 | ASIN ‏ : ‎ B0G5B3Z7J1

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          Scars and All

          Scars and All is a hybrid of memoir, self-help, and conversational reflection, built around one deceptively simple idea: the wounds we carry can either keep us trapped in old pain or become a way of recognizing and easing pain in others. Lara Portelli opens with a stranger dropping milk in a Sydney supermarket, then follows that moment into a chain of encounters, most memorably with Helen at the Hydro Majestic, where a spilled carton becomes the trigger for a buried schoolyard humiliation, and later with Mia, whose mirror-bound self-loathing exposes how easily beauty standards colonize a woman’s inner life. From there, the book widens into chapters on self-harm, invisibility, dress size, cutting remarks, and visible scarring, always circling back to the same invitation: look at your scars honestly, then decide whether they’ll remain reminders or become a map forward.

          Portelli writes like someone leaning across the table, saying, listen, this matters. At its best, that makes the book feel intimate in a way many books in this lane never do. Helen’s story, especially the awful convergence of guilt, self-harm, and the old humiliation of chocolate milk in her hair, has genuine force. So does the quieter ache of Mia asking whether she can “compete” with the women she sees in magazines, only to be told, beautifully and bluntly, “You don’t.” I also found the chapter on clothing size unexpectedly effective. The changing-room scene with the ruby-red dress is funny, a little chaotic, and painfully recognizable, which is exactly why it lands. The book is strongest when Portelli lets scenes breathe like that, when the ideas rise out of lived moments instead of arriving as instruction.

          The writing has warmth, rhythm, and an unguarded sincerity I appreciated, even when it wanders into reflective detours. There are moments when the narrative shifts from personal storytelling into broader reflections, motivational language, and ideas around NLP, past life regression, and inherited trauma. Those sections didn’t resonate with me quite as strongly as the more intimate, lived scenes, though they still felt consistent with the book’s searching and deeply personal spirit. I trusted Portelli most when she was describing a room, a look, a humiliation, a sudden kindness, the soft light of Holly Difford’s photo shoot, or the raw fact of Turia Pitt refusing to let “5 seconds of pain and agony” define the rest of her life. I never doubted the sincerity underneath everything. The book’s moral imagination is generous. It wants people to be gentler with themselves and more alert to the hurt in others, and that conviction gives it a pulse.

          Scars and All is heartfelt and genuinely affecting. I think it succeeds because Portelli is willing to be raw, personal, and earnest in service of a deeply human belief: that pain can enlarge us instead of reducing us. By the time she returns to the image of walking someone “to the safety of that dry space,” the book had earned its tenderness. I’d recommend it most to readers who like personal-development books with memoir blood in them, especially women navigating reinvention, self-worth, body image, or the long afterlife of emotional injury.

          Pages: 96 | ASIN ‏ : ‎ B0FYNQG85V

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