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A Personal Challenge

Jacob Emrey Author Interview

The Manglers of Carraig centers around a boy fighting to protect his mother and sister and a jeweler known for her grim designs, both living in a world split by wealth and riddled with monsters. Where did the idea for this novel come from?

Believe it or not, the idea came from Brandon Sanderson’s writing course. I was in a bit of a literary slump, so I decided to check out the free creative writing course Brandon Sanderson posted on YouTube. In one of the classes, he asks students to come up with a setting or plot for a horror story. One of the students suggested “economic,” which stumped Sanderson. However, as an economics teacher, I took it as a personal challenge. Not long after, the idea hit me: what if a nation’s currency was not only a medium of exchange but also something people needed to keep the monsters away at night? I immediately took that concept and layered it over Hemingway’s To Have and Have Not—and voilà, my masterpiece was born.

What intrigues you most about the horror genre?

Definitely the characters. All genres need compelling characters, of course, but there is something about horror that requires very human and flawed people. I think this is why Stephen King is so successful. His plots are powerful, but it’s his characters that keep people invested for hundreds and hundreds of pages. To be honest, I would consider The Manglers of Carraig more dark fantasy than horror, but I knew I needed compelling characters if I was going to get readers invested in the setting.

What was your favorite scene in this story?

The scene with the Finger Baron. The chapters set in the Hen House, in general, are some of my best writing. I remember when I finished those chapters, I felt tremendous pride in how they turned out. Normally, I’m nervous after finishing a chapter because I worry the writing wasn’t as clear as it felt while it poured from my fingertips. But I had so much fun writing those chapters that they required almost no revisions in later drafts. The interaction with the Finger Baron was especially fun, and I actually laughed out loud at the madness I had created—or, more accurately, the madness the characters created for themselves, as sometimes happens when they take over the narrative. Hopefully, readers will find the same horror, humor, and suspense that I felt while writing the scene.

Can we look forward to more work from you soon? What are you currently working on?

I have quite a few books waiting to be discovered on Amazon, but for now, I’m working on a seafaring fantasy with pirate orcs and sea monsters. It’s in the early stages, but I’m happy with where it’s headed and hope to be finished by the end of 2026.

Author Links: GoodReads | Website | Amazon

The monsters don’t hunt North Hill. Not where the lights never go out. Not where the streets glitter with emerald warding gems. But in the alleys of the lower city, children vanish, screams echo, and blood slicks the cobblestones. Conell knows—he’s seen the price of darkness firsthand as a child of the slums. Riona, meanwhile, safe behind a wealth of green gems, turns mangler fangs into ornaments for the wealthy, an openly detestable enterprise but secretly the talk of the town. Unfortunately, her supplies are running low, if only she could find some poor soul to risk life and limb to stock her lucrative endeavor.


Profound Emotional Bonds

Lexi Parker Author Interview

The Third Twin follows an ER nurse who is pulled into a web of corruption and black-market adoptions when she sets out to find her missing twin sister. What was the inspiration for the setup of your story?

The inspiration for The Third Twin came from my lifelong fascination with human connection—how bonds are formed, broken, and sometimes manipulated. As DrHeatAndHeart, my work has always focused on the space where emotional intelligence meets high-pressure situations, and that lens deeply shaped this story.

Identical twins represent one of the most profound emotional bonds we know. Their connection is often intuitive, unspoken, and deeply rooted in identity. I wanted to explore what happens when that bond is violently severed—and how the absence of someone who is literally part of you can become both a wound and a driving force.

Choosing an ER nurse as the protagonist was intentional. Nurses are trained to read people quickly, to stay calm in chaos, and to lead with empathy even when the stakes are life and death. That made her the perfect heroine—not just for a thriller, but for a romance. As she searches for her missing sister, she’s also forced to confront her own emotional walls, learning that vulnerability can be just as powerful as strength.

The black-market adoption thread allowed me to explore a darker side of connection—how love, legacy, and longing can be exploited when systems become corrupt. But at its core, The Third Twin is still a love story. It’s about trust earned under fire, intimacy forged in danger, and the courage it takes to let someone see you when everything is on the line.

Ultimately, the story asks a question I return to again and again in my work: Can love survive the truth? And sometimes, more importantly, can it heal it?

Is there anything from your own life included in your characters’ traits and dialogue?

When we moved into our first neighborhood in Colorado, my next-door neighbor discovered she was pregnant, with triplets. I had the rare privilege of watching that journey unfold from pregnancy through infancy, witnessing not just the logistics of raising three babies at once, but something far more extraordinary: the invisible bond that connected the babies from the very beginning.

After the triplets were born, I helped often, which allowed me to see firsthand how deeply attuned they were to one another—even in the earliest days. Like all newborns, they fussed at times, and each was cared for individually—fed, changed, held, soothed. But when one baby became inconsolable, something remarkable happened. Simply placing one of the other babies beside them in the crib brought instant calm. No rocking. No singing. Just proximity. As if comfort lived in the shared presence of each other.

We watched their tiny hands reach out, searching, until they found one another. The moment they touched—fingers curling, palms resting—peace followed. It was clear they didn’t just recognize each other; they needed each other. This connection existed beyond sound or sight, rooted in something deeper than ordinary awareness.

As they grew, their communication became even more fascinating. Long before words, they spoke in their own language—soft babbles, rhythmic sounds, gestures, and expressions meant only for each other. Even as they learned to communicate with adults using words, they continued speaking in this private way among themselves, as though translating life into a language only they shared.

What struck me most was their awareness of one another, even when they weren’t in the same room. They seemed to sense when another needed comfort, attention, or closeness—crying, settling, or calming in patterns that defied coincidence. When reunited, their communication resumed effortlessly, as if no separation had occurred at all.

Watching these triplets changed the way I understood sibling bonds—especially those formed before birth. Their connection wasn’t learned; it was remembered. A quiet, powerful communication code that many twins and triplets experience, often dismissed as myth—but I saw it with my own eyes. It’s real. And once you witness it, you never forget it.

What is the most challenging aspect of writing a thriller? 

The most challenging aspect of writing a thriller is maintaining relentless tension without sacrificing emotional authenticity. Suspense can’t exist on plot alone—readers may turn the pages for danger, but they stay for the people at the center of it.

For me, the real challenge is ensuring that every twist is earned on an emotional level. As DrHeatAndHeart, my work has always focused on how people think, feel, and communicate under pressure. In a thriller, characters are constantly operating in high-stakes environments, and if their reactions don’t feel psychologically true, the tension collapses. Fear, love, hesitation, and trust must unfold in ways that mirror real human behavior—even when the circumstances are extreme.

There’s also a delicate balance between control and surprise. A thriller requires precise pacing and careful structure, yet it must still feel unpredictable. The hardest moments to write are often the quiet ones—the pauses between danger—because that’s where readers sense what could be lost. Those moments allow space for romance, vulnerability, and connection, which ultimately raise the stakes far more than action alone ever could.

Ultimately, blending thriller and romance means understanding that danger sharpens desire, love intensifies risk, and when both are woven together, the emotional payoff becomes as powerful as the suspense itself.

Can we look forward to more work from you soon? What are you currently working on?

Yes—readers can absolutely look forward to more work very soon. The Third Twin is part of The Casanova Family Legacy Series, an interconnected collection of romance thrillers that blend danger, devotion, and the enduring power of family.

Two new novels are already in development. The first is When Fire Meets the Snow, set against the breathtaking backdrop of Aspen, Colorado. This story traces the emotional evolution of two people who are both afraid to commit, yet slowly discover a bond strong enough to build a family rooted in trust and love. Readers will also be introduced to Luna, an affectionate, purpose-trained rescue puppy—carefully selected and certified for her intelligence, temperament, and ability to serve—whose journey into becoming a skilled mountain rescue dog mirrors the healing and resilience of the people around her.

The second upcoming novel is The Heiress’s Daughter, which introduces a new heroine while weaving in familiar faces from the Casanova world. She is a classically trained chef who studied in Paris, built her career in Seattle, and then lost everything during the collapse of the restaurant industry in the wake of COVID. Seeking a fresh start, she makes her way to the wide-open beauty of Colorado, where building a career within the Casanova family’s restaurant empire brings opportunity—but also exposes her to betrayal, hidden agendas, and unexpected danger. Her journey is one of reinvention, strength, and love tested under fire.

What excites me most about these stories is the balance—introducing new voices while deepening the emotional legacy of characters readers already know. My goal remains the same with every book: to create stories that keep readers on the edge of their seats, emotionally invested, and believing in love even when the stakes are high.

Author Links: GoodReads | Instagram | Facebook | Website | TikTok | Amazon

Luca Stone is a hulking wall of muscle.
My body guard. My mistake. My obsession.
And now I am pregnant with his twins.

Luca Stone Is a badass protector.
His mission: Protect the billionaire’s daughters
—including me.

Then danger tore through my family.
A kidnapping. Dangerous predators. Crimes we never knew.
His life changed. So did mine.
But touching him one stormy night changed everything for both of us.

Now the man I hated is the only one I can trust.
As the walls come tumbling down around us,
Can love rescue us and make life right again?

The Arkencrest Chronicles: Battle for Crossroads

The Arkencrest Chronicles: Battle for Crossroads is an epic fantasy that lays out a vast world shaped from the bones of a fallen god, threaded with nations, factions, magical histories, and a young man’s coming-of-age journey. The book opens with myth, maps, and lore, then shifts into the story of Bourdain, an eighteen-year-old raised in the scholarly city of Ikvia, who carries the weight of his parents’ mysterious deaths and the quiet push toward a larger fate. His decision to leave home and join a caravan heading into the wider world feels like the real spark of the narrative. The story blends high fantasy worldbuilding with a classic hero-sets-out structure, and it’s clear from the very first chapters that the stakes will eventually reach the scale of kingdoms and maybe even gods.

I kept noticing how much care the author put into the setting. Whole sections read almost like ancient chronicles, especially the creation myths and the detailed accounts of elves, dwarves, orcs, and other races. Sometimes those lore chapters felt dense, but in a way that reminded me of leafing through the appendices of a much-loved fantasy series. I found myself slowing down to appreciate the small touches, like the smell of ink and seawater in Ikvia or the way the elven forest seems to breathe around its people. When the story shifts back to Bourdain, the tone changes just enough to feel more grounded. His scenes have a quiet emotional center, especially his conversations with Kael and his uncle, which helped balance the heavier mythic material.

I also appreciated the author’s willingness to give readers a wide view of the world right away. You can feel that this is a story about more than one kingdom or one hero. The factions, the ancient seals, the threat of the Devourer, the politics of Sovar, there are a lot of threads, and the book asks you to trust that they’ll matter later. Sometimes I caught myself wishing the pace would sit a little longer with Bourdain before expanding outward, but I was also genuinely curious about each new layer. It felt like walking into a bustling market: overwhelming for a moment, then strangely energizing once you settle into the rhythm.

By the time I finished the opening arc, I felt invested. Bourdain is easy to root for. The world feels lived in. And the writing has a steady confidence, switching between poetic and straightforward without calling too much attention to itself. It’s the sort of fantasy that invites you in slowly, giving you the sense that you’re only glimpsing the start of something much larger.

If you love epic fantasy with rich lore, detailed cultures, and a world that feels ancient and complicated beneath the surface, this book will land well for you. Readers who prefer fast, plot-driven fantasy might find the early chapters a bit methodical, but anyone who enjoys settling into a world and watching a young hero take his first real steps into danger will find plenty to appreciate here. I’d recommend it especially to fans of expansive, map-filled adventures who like to feel the weight of history behind every choice.

Pages: 383 | ASIN : B0FYHW5ZLY

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The Shattered Ones

The Shattered Ones follows Ace, a worn-down former protector living in a world swallowed by endless darkness. The sun has vanished. Cities crumble. People lose themselves. Ace tries to drink away what he used to be until a terrified man shows up with news that sparks a search for others like Ace. The story turns into a fight against a brutal gang, a ruthless corporation, and a rising evil while Ace pieces together a strange calling and a fragile hope. By the end, the light finally returns, and the survivors stand in a new world trying to understand what comes next .

I kept feeling this push and pull between grit and heart. The writing dives hard into bleak moments, and sometimes it hit me hard. The city felt alive in a sad way, full of broken people stumbling through pitch-black days. But the author slips in these quiet emotional beats that land with surprising force. Ace’s exhaustion felt real. His shaky hope felt real, too. Those shifts kept me leaning in. I found myself rooting for him even when he was trying his best not to care.

Then the book swings into big action scenes and wild turns. At first, I thought the scale jump might drown the human parts, but it actually worked for me. The chaos made the tender moments brighter. One scene near the end, when the group finally sees the first glow of returning sunlight, honestly caught me off guard with how moving it felt. The writing eases up and lets that warmth sit for a moment.

By the time the epilogue rolled in, the hopeful tone felt earned. The world is far from fixed, but the people are trying, and that small spark of rebuilding hit me in the gut. Seeing Ace in a park months later, watching kids laugh while the city comes back to life, made the whole journey feel worth it. It showed how much he lost and how much he still carries.

I’d recommend The Shattered Ones to readers who like dark worlds but need a thread of light to hold on to. Anyone who enjoys character-driven dystopian stories, rough-edged heroes, or tales about finding purpose in a broken place will get something out of this. It’s heavy at times, sure, but it leaves you with a feeling that you’ll remember.

Pages: 338 | ASIN : B0DBZX1FWS

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Do You Have Any Fairies?

Jacqueline Reinig Author Interview

Faery Academy of QuillSnap follows Tansy WaterSprite, a “Little” in the Human Realm, being held by her evil guardian, when a mysterious visitor shows up at the toadstool house with an invitation to attend the Faery Academy. She will first have to get there, where she will have to find her inner strength and courage and uncover answers to family and faery secrets. 

What was the inspiration for the setup of your story?

One afternoon with my 4-year-old granddaughter on my farm in the Enchanted Land of Iowa, where I live, is in a forest. I took her to see the forest that had just been trimmed of dead branches and brush, which now looks like a true Enchanted Forest.

She said, “I love your Enchanted Forest, Mimi, but do you have any fairies?”

Thinking quickly, I responded, “Of course I do. Over here is where they live, and over here is where they go to school, because they are not born a fairy; they have to go to school to be a fairy.”

She was deep in thought as she considered this information. She was getting ready to go to preschool and didn’t think it was a good idea, since she already knew everything; however, if fairies had to go to school too…

At night, she preferred fairy stories instead of reading a book. Kids are really smart and remember if you repeat part of the story, and I would quickly be told, “Mimi, you already told us that!” I had to start writing it down, and today it is the Faery Academy of QuillSnap: Night of the Purple Moon.

There is a lot of time and care spent on descriptions and building the setting and tone of the story. Was this out of necessity to develop the depth of the story, or was it something that happened naturally as you were writing?

This came naturally as I was telling my granddaughter the story that was inspired by our afternoon in the Enchanted Forest that sparked the story.

What were some themes that were important for you to explore in this book?

Adversity builds character, I think I can becomes I know I can, Girls and women can do anything.

Will this novel be the start of a series, or are you working on a different story?

I am currently working on the sequel, hoping to go to editing by the first of the year.

Author Links: GoodReads | X | Facebook | Facebook- author| Website

This enchanting fantasy adventure has garnered critical acclaim and a host of prestigious awards, including:


US Review of Books RECOMMENDED
International Impact Award Winner
Readers’ Favorite 5-Star Award
Finalist Independent Author Award
Finalist for Global Book Awards

In a world invisible to human eyes, the enchanting Faery Realm exists. Entering a secret portal from the mundane to the magical begins Tansy WaterSprite’s adventure of sparkling danger. Her evil guardian is stalking her with a different, dark agenda. Only “littles” who have been monitored since birth and passed secret tests are invited to attend the Faery Academy of QuillSnap, but not everyone gets to stay. Those who overcome the dangerous obstacles during the Night of the Purple Moon will determine who stays. Hidden family secrets shape Tansy’s destiny as she uncovers her inner strength and resilience, forging a new path guided by newfound courage—a new kind of faery tale for all ages.

Reservations: A Samantha Wright Crime Series

Reservations follows FBI profiler Samantha Wright as she’s pushed back into the hunt for a serial killer after the sudden death of her mentor and closest friend, Dr. Edmond Sampson. The story opens with grief, then moves fast into danger as Sam takes over the RESERVATIONS case, a string of murders involving young boys on reservations across the American West. Her past traumas, messy romantic entanglement with Special Agent Charlie Falken, and deep loyalty to Dr. Sampson color every choice she makes. The book blends crime, trauma, culture, and romance in a way that feels raw and intimate, almost like sitting beside Sam as she thinks her way through every dark corner of the investigation.

I liked how emotional the writing feels. The author doesn’t rush through Sam’s pain. She lets it sit there, real and jagged. Sam grieves her mentor with this quiet, private sorrow that feels heavy and familiar. At the same time, the pacing snaps between slow internal moments and sudden shocks. The memories of the BAKER’S DOZEN case are especially rough. The writing keeps things personal. It doesn’t pretend Sam is made of steel. She’s brilliant, but she’s tired, haunted, and sometimes unsure, and I liked her more because of that.

The mix of genres also surprised me in a good way. The romantic scenes with Charlie are blunt, sweaty, flawed, and full of emotional landmines. They’re not polished or dreamy. They feel like two people clinging to each other because they don’t know what else to do with their hurt. Then the story swings into investigative mode with sharp detail and a steady buildup of dread. The casework feels grounded and tense, especially when Sam revisits crime scenes or pieces together old trauma with new evidence. The writing is vivid.

I’d recommend Reservations to readers who enjoy crime fiction with strong emotional depth and a protagonist who feels human in all the best and hardest ways. It’s especially fitting for people who like stories that dive into trauma, culture, identity, and the complicated ties we form with the people who shape us. If you want a thriller with heart and heat, something that grips you and makes you feel a little raw by the end, this book will get you there.

Pages: 332 | ASIN : B0FHYLFVBZ

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Drinking from the Stream

Drinking from the Stream follows two young men on the run from themselves. Jake, a Nebraska kid turned Louisiana roughneck, flees the guilt of a killing on an oil rig. Karl, a disillusioned American student at Oxford, escapes the wreckage of the sixties and a painful relationship. Their paths cross, and they drift through Ethiopia, Uganda, Rwanda, Burundi and Tanzania in the early seventies, bumping into coups, massacres and love affairs as they go. The book stretches from the Gulf of Mexico to the Great Lakes region of Africa and on to Chile, and it ties private coming-of-age stories to state violence and postcolonial chaos.

I felt like the writing landed with real weight. The prose has muscle and rhythm, and it keeps a steady pace through long stretches of travel and talk. Scenes on the road, in trucks, on ferries, and in cheap guesthouses felt vivid to me. Dialogues carry a lot of the load. Characters argue about politics, race, faith, and guilt, and the conversations feel relaxed on the surface but tense underneath. I could sense the author’s years in Africa in the way a village lane or a border crossing appears in a few sharp strokes. The flip side is density. Historical detail piles up. I stayed invested in Jake and Karl, and in Beatrice, Bridget and the others, because the book lets them be flawed, funny and sometimes selfish, not just mouthpieces for a lesson.

The novel looks at racism and antisemitism inside Jake’s own story, then places him in countries where mass killing happens out in the open and on a terrifying scale. It plays with the dream of revolution and tears it apart. Young Westerners arrive full of ideals, then watch soldiers and militias burn those ideals along with villages. The book keeps asking who gets to walk away and who does not. Jake carries private guilt from the rig into places where guilt comes in rivers. Karl drags his Vietnam-era anger into a world where America is almost irrelevant. I felt anger, shame, and sadness while I read, and also a stubborn hope, because the story keeps circling back to friendship, loyalty, and small acts of courage. The novel does not pretend to solve anything. It simply puts you close to the fire and forces you to look.

I would recommend Drinking from the Stream to readers who enjoy historical fiction with grit, to people curious about East Africa in the early seventies, and to anyone who likes character-driven travel stories with real moral stakes. The book asks for patience and a strong stomach. It pays that back with a rich sense of place, big emotions, and a set of memorable characters.

Pages: 377 | ASIN : B0DXLQTN5M

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The Winds of War

The Winds of War opens with a sweeping fantasy world marked by old grudges, broken continents, and horrors that crawl out of black oceans. It follows several threads at once. A historian condemned to a gruesome fate. A chieftainess defends her people as a hostile empire closes in. A dragonrider racing against time. A soldier wrestling with his worth. Their stories twist through war, myth, and rising dread, and the early passages make clear that the world is on the edge of something catastrophic. The tone is harsh, grim, sometimes tender, and always huge in scope.

As I read, I kept stopping just to feel the weight of the writing. The author paints with bold strokes. The violence is raw, and the quiet moments hit even harder because of it. I found myself getting swept up in the grit of the battles and the soft warmth of family scenes. I loved how the prose moved, sometimes sharp, sometimes lyrical, always sure of itself. The intensity kept ramping up, which actually left me excited for the next wild twist.

I loved the ideas this story explores. The way faith is twisted into cruelty. The way people cling to hope even when the ocean itself seems hungry for them. The book digs into power, sacrifice, and the awful choices leaders face. I kept thinking about how everyone tries to do right in their own way. Even when those ways collide. The ambition of the story and the world thrilled me. It felt like standing in the wind of something huge.

I would recommend The Winds of War to readers who enjoy dark fantasy with heart. Folks who like big worlds, messy heroes, and stories that don’t hold your hand. It reminded me of the sweeping grit of A Song of Ice and Fire and the wild, creature-soaked tension of The Witcher books, only this story hits with its own sharper bite and a faster heartbeat.

Pages: 526 | ASIN : B0F9SCV4CJ

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