A coming-of-age tale set in 1975 New York during Tom Wolfe’s “Me Decade”, Stainer follows the misadventures of a naïve Jewish Columbia University student named Benjamin Steiner, who, on the night of his 21st birthday, meets not only the sweet girl of his dreams, a lovely young lady named Rebecca Glaser, but also an unprincipled drug-loving rogue from Princeton called P. T. Deighland. As the days pass, Ben’s immature inability to resist temptation and an overwhelming need to be “cool” gradually cause him to fall under Deighland’s malign influence until, at an impossibly glitzy Princeton party, he encounters and becomes spellbound by a ravishing but predatory high-fashion model named Anthea Montague.
When Rebecca returns from an unexpected overseas trip, Benjamin’s unreasoning jealousy over her friendship with another boy casts a shadow on their budding relationship. A series of rashly imprudent decisions abetted by Deighland and the model leave Ben feeling guilty and angry. At an ill-fated summer barbeque, he wrongly explodes at Rebecca and soon plunges headlong into a reckless self-destructive downward spiral, culminating in a horrific confrontation with Anthea Montague that brings his life crashing down in ruins.
Against the background of a vanished period in American history, Stainer offers a bittersweet nostalgic trip back to a less complex world, during a time of incautious excesses that, while deceptively fun and carefree, in due course forced many unwary youngsters like Benjamin Steiner to learn some necessary – but terribly painful – lessons about growing up.
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STAINER follows Ben Steiner, a Jewish Columbia undergrad who is a decent person but wishes to be “in” with the “in crowd.” What was the initial idea behind this story and how did that transform as you were writing the novel?
Since I wrote the book forty years ago, I must confess that I cannot precisely recollect what the initial idea was. I just sat down and started scribbling (longhand, on legal yellow sheets) and eventually the novel emerged. However, as I explain in my Author’s Preface, the manuscript was an overwritten mess. I was a complete amateur, and made every mistake in the book… (okay, that was a truly cringe-worthy pun.) But now that I think of it, I did have a vague notion that I wanted to somehow skewer an acquaintance of mine, and decided that the cleverest way to accomplish that would be to turn them into a rotten character in a book. Which I did… and no, I won’t tell you which character, but suffice it to say that nowadays my intended skeweree is rich, fulfilled, aging much better than I am, and utterly unaware of my –or my novel’s– existence. Which, all things considered, is exactly as it should be.
Of course, at a distance of four decades, I am now able to perceive things in the novel that weren’t apparent to me at the time I wrote it; by which I mean that there’s more than a trace of autobiographical heartbreak in the story. And I think we’ll leave it at that.
Ben goes through some strikingly personal conflicts throughout the book and his character is meticulously developed. How did you capture the thoughts and emotions of a 70’s Jewish teen?
Easy… I was a 70’s Jewish teen. Well, not technically… even though I was already in my mid-twenties when I wrote STAINER, my mindset remained that of an irresponsible teenage scamp, and I simply wrote prose in the same the way I spoke/ thought/lived; in other words, from the viewpoint of extremely arrested adolescence (ahem.) Luckily for me, it turned out that I had a knack for accurately capturing the mood and lingo of the times in my writing… who knew?
Ben meets P.T. Deighland, a wiseass from Princeton, who is clearly up to no good. What were the driving ideals behind the characters relationship throughout the story?
“Driving ideals”? Hmm… I have no clue, other than to suspect that the relationship between ‘bad-boy’ P.T. and ‘good-boy’ Ben somewhat reflected the two sides of my own slightly schizophrenic persona; which, in those days, remained more-or-less in a constant state of conflict. To all outward appearances I was definitely a good boy, but like many such young fellows, secretly wished that I had the nerve and coolness to behave like one of the bad boys. Because, after all, the bad boys always got the girls… didn’t they? But, like Ben, my efforts to attain bad-boy status were ultimately doomed to failure, and came at a heavy cost.
What is the next book that you are working on and when will it be available?
I have a new novel under way, and it’s as different from STAINER as STAINER is from SHE’S MY DAD. I can only write stand-alone novels; the mere thought of doing sequels or a series is a stupefying bore. For me, once a story is wrapped up, that’s the end of it, and then I’m off to build a new world, with new characters, new problems, new everything. It’s the only way I can stay interested enough to keep going.
As to when the new book will be available, who knows? All I can say is, stay tuned… I do believe it’s a pretty good yarn.
New York City, 1975: Decent-hearted but spoiled Jewish college kid Ben Steiner is naively possessed by an overwhelming desire to be cool. At a springtime party on the night of his twenty-first birthday, he meets two people: Rebecca Glaser, the longed-for sweet girl of his dreams, and P.T. Deighland, a beguilingly knavish wiseacre from Princeton. Seduced by Deighland’s bold irreverence while simultaneously succumbing to his own temptations, Ben makes a cascading series of unfortunate choices which not only threaten his budding relationship with Rebecca, but expose him to ruin at the hands of a ravishing but ruthless fashion model named Anthea Montague.
Against the background of a vanished period in American history, STAINER offers a bittersweet nostalgic trip back to a less complex world, during a time of incautious excesses that, while deceptively fun and carefree, in due course forced many unwary youngsters like Benjamin Steiner to learn some necessary –albeit painful– lessons about growing up.
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A page turner from start to finish, Sins of the Father is a captivating adventure that kept me wonderfully entertained. Almost a decade ago, notorious drug kingpin Francisco Salazar was taken down by a crack unit. His empire fell, and for years remained in ruin. Now his son, Ramon, is grown and ready to take on his father’s mantle. This is where we join David and Samantha, a pair directly involved in the elimination of Salazar Sr., as they undergo a mission spanning several countries, with the task of bringing down Ramon and destroying the Salazar empire for good.
I appreciate a book that can capture my attention. With this book, Ken Cressman is able to do just that. The very first chapter brings you into the fray as you struggle through a home invasion, and from there the action ramps up. The world is filled with vibrant and unique characters, from the main duo: David Larkin and Samantha Colt, to the variety of interesting supports, I never once found myself wanting for more. My personal favourite was a DEA Agent named Scott Bowman, whose dry humour kept me smiling throughout even the darkest of scenes. There was a sense of real, tangible rapport between each of the characters that sucked me in, with realistic, intelligent dialogue. That being said, I would sometimes find that the characters never strayed too far from their stereotype. The cocky DEA agent, the classic Colombian kingpin, it could all feel a little too generic at times. Now, this isn’t necessarily a problem, (I mean, who doesn’t love slick detectives?), but straying away from the herd wouldn’t be such a bad idea. Each character was well developed, but it all seemed to happen behind the scenes instead of right in front of me. I was being told who a character was instead of being shown.
As an avid reader, I need something that can keep me entertained. That’s something that Cressman has complete success with. The story takes Larkin and Colt through a variety of settings, from the thriving city of Miami to the lush jungles of Colombia. Every time I found myself settling down, becoming too comfortable, there will be a sudden shift in dynamics and the scenery will take a drastic shift. Cressman’s attention to detail brings each location to life, and it felt like I was alongside these characters every step of the way, whether it be bundled in the trunk of a car, or sneaking through the halls of a cargo ship. The pacing of the plot is rhythmic, with perfectly timed twists and turns, culminating in a satisfying conclusion that will leave you eager for more.
Ken Cressman has crafted an intense adventure story that is consistently entertaining.
Pages: 151 | ASIN: B01G3UZKLY
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