The bodies of high school and middle school kids are found dead from an overdose of heroin and fentanyl. The drug trade along the I-94 and I-43 corridors and the Milwaukee Metro area is controlled by MS-13, a violent gang originating from El Salvador. Ricardo Fuentes is sent from Chicago to Waukesha to find out who is cutting in on their business, shut it down and teach them a lesson. But he has an ulterior motive: find and kill a fifteen-year-old boy, George Tokay, who had killed his cousin the previous summer.
Detectives Jamie Graff, Pat O’Connor and Paul Eiselmann race to find the source of the drugs, shut down the ring, and find Fuentes before he kills anyone else, especially George or members of his family. The three detectives discover the ring has its roots in a high school among the students and staff.
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Six months have passed since Dr. Samantha Delaney faced deadly encounters with a man who had sworn to destroy her and take the $60 million she had received as the last remaining heir to the Delaney legacy—a legacy that had been stolen many decades before. Given the demise of her enemy, Samantha thinks the danger is over.
But but she is wrong.
When a distant relative sends her a newspaper clipping reporting the 1914 murder of Samantha’s great-great-grandmother in Costa Rica, Samantha and her husband, Dr. Brett Perry, decide to do some preliminary research, never dreaming that their investigation would imperil Samantha once again.
Beginning their research in Costa Rica, Samantha and Brett hope to learn about the murder of her ancestor and the loss of the family cacao planation. What they find is a picturesque country with clear ocean water, pristine beaches—and more danger than they had ever anticipated. Their investigation quickly catapults them into the middle of a very calculated, lucrative, and illegal gold mining operation where the stakes are high enough to make murder a necessity for anyone who gets in the way. Samantha quickly learns that as a beneficiary to her great-great-grandmother’s company, she will most certainly be in the way.
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Man with the Sand Dollar Face, by Sharon CassanoLochman, is a detective-crime thriller novel. The story is centered on Harriet Crumford, who at times also goes by Hattie or Henrietta. She is a 62-year-old woman working as a secretary for a private detective in Crescent City — New Orleans. Shortly into the book an incident takes place, and the action picks up quickly. The book seems to be a mix of feminist and hardboiled noir, and though it struggles in a few places, it reaches a sound level of quality for both.
Harriet Crumford does not seem like a heroic character, at least not in the classical sense of the hero’s story. She is 62-years-old in the story, but little is given about her other than her being a widow. In classic heroic tales, the central character often pushes away from the table — unwilling to take up the heroic cause — due to more pressing, mundane tasks. Eventually, the hero comes to his (frequently it is a ‘his’) senses and begins the hero’s journey. In some ways, this novel is a subversion of the traditional heroic arc — Harriet was the dutiful, longsuffering, strong, silent wife. This provides a strong contrast against her boss, Wallace Woodard, who is philandering to the point that Harriet cannot keep straight who the girlfriend is and who the wife is. Harriet is so given over to subservience, and to old values, that she does not even have a valid driver’s license. Up to the point of this story, she had forsaken the hero’s call for all her life, and once she takes it up, she looks back on her past with pain and sorrow. She then finds within herself, with some assistance, the necessary energy to pursue a mystery to its conclusion. In this way, the text provides those feminist elements through Harriet’s newfound internal strengths.
CassanoLochman attempts to make the novel feel like an old, hardboiled detective novel so much that it strains credulity. The writing, at expertly evokes hard rain, melancholy, brooding, existential pain and anguish typical of hardboiled noir, but then makes a sharp right turn into the “iced coffee with whipped cream and pink sprinkles.” In terms of other characteristics of hardboiled stories, this one fits many of them, but they do sometimes feel forced. In either case, fans of crime fiction will be hard pressed to put the book down.
Overall, the book is certainly a strong read, and contains plenty of action and is recommended. Harriet is an excellent character, not obviously heroic, but willing to take risks. Man with the Sand Dollar Face seems intended for adult audiences, but it is not beyond the reach of younger adults who have an interest in this sort of literature. The book does contain some sexual content (nothing too graphic), definite alcohol and drug use, and more than a little violence.
Pages: 212 | ASIN: B077Y4T192
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Stella Ryman and the Fairmount Manor Mysteries, by Mel Anastasiou, is a series of dramatic detective mysteries. The novel contains four different detective stories, each of which are interconnected yet independent. In addition to the stories, the opening of the book contains an interesting philosophical and logical argument. It also gives a hint to some of the content of the book. Anastasiou does an excellent job of providing depth to not only the characters and their actions and motivations, but also in the general style of her writing.
The novel practically seems to drip with British style. So much so, that without careful reading and generous knowledge of Canadian and American culture and institutions, most readers will probably assume that it is set somewhere in Britain instead of actually being set in Vancouver, British Columbia.
Having read her, Stella Ryman engenders the same feelings as most Dorothy Sayers detective stories. However, there are some subtle differences between the style of Stella Ryman and the British detective novels of the 19th and early 20th century. Those old stories tended to deal with a static, aristocratic society, police forces that were not corrupt, but were certainly not in any position to solve the case, and a lack of emotion among the affected cast of characters. Stella Ryman is similar and brings in other classic mystery themes: a senior care home provides a rather static environment (even though the residents may invariably change from time to time), the managers of the care home are bumbling but not corrupt, there are no supernatural causes in the story, there is a secret passageway, and Stella has a tendency to honestly declare her thoughts, intuitions, and deductions.
There are also significant tie-ins to American pulp detective novels as well, primarily in the commonality of the characters (there are almost no aristocrats and most people are average and middle-class) and the feeling of inevitability—that truth will out and that justice will be done. Overall, Stella Ryman seems to fit roughly a quarter of the way between British and American writing styles—perfect for Canada.
Stella Ryman, as a character, is quintessentially heroic — in the classic sense. At points throughout the book, it appears that Anastasiou is reading Campbell’s The Hero with a Thousand Faces as she is writing her own book. In the beginning, Stella refuses the call to adventure (being a detective), is completely content with her own mortality, and is merely waiting to die. Eventually, she realizes that there is a third option—something besides life and death. As a side note, herein lies a common theme within the novel, the breaking of logical fallacies—ad hominem, false dichotomies, circular arguments, causal fallacies, and hasty generalizations being the most common. Stella, after making her third choice, is confronted with supernatural assistance (Mad Cassandra, whom is herself rife with mythological allusions). Stella runs across a few other mentors along the way, makes a deep, personal transformation, and returns with a gift for her fellow residents: the ability to make life worth living again.
Overall, this book is an excellent read, full of colorful characters. Stella Ryman and the Fairmount Manor Mysteries, is appropriate for teenage and adult readers. Although younger demographics may have difficulty with some of the allusions and references that are peppered throughout the book. Younger readers may also have difficulty relating to an octogenarian, but Stella’s tenacity is something certainly worth emulating. There is no obvious sexual content (there are hints, however) or illicit drug use, there is some personal violence, and a lot of discussion of heavy, emotional and existential topics.
Pages: 151 | ASIN: B06XTG2GWJ
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Turning Blue: A Life Beneath the Shield is the story of your life, from childhood to retirement, told with an honesty that lays bare some remarkable and sometimes scary moments in your life. What was the inspiration that made you want to write a memoir?
I lived only 25 miles from where I worked and grew up in a middle class neighbor that was so different from where I now went to work. It was definitely cultural shock for me. This was early 80’s and crack was on the scene and people were dying by the thousands. Life, in a sense, was cheap. As a young cop I often wondered why people hated me when I was on patrol. I got to see the anger in their eyes just walking down the street. I later realized they hated the uniform and what it represented. I wanted people to know that there was a person in that uniform. So I used what God gave me and used my life experiences to show that as people we are not that different, we all have struggles and lose, and that there was “A Life Beneath The Shield” and so came part of the title to my memoir.
Each chapter tells a story from your life. What was the hardest thing for you to write about?
I found it to be a very cathartic experience writing about my life. There were many difficult areas to write about. Certainly one that was hard was the passing of my mother and coming to terms with our relationship. But the most difficult was the chapter regarding 9/11. This event changed the world and the way we live. A lot of innocent people lost their life that day. But what hurts the most is that first responders are continuing dying every day and a lot more are suffering from the after effects of that day. Many are in treatment for cancer and other health issues related to 9/11. I have written a stage play based on this chapter of my book. A working title for the play is: “9/11…Never Forget…I can’t”.
You retired from the New York Police Department after 20 years. What is one common misconception you find people have about police officers and detectives?
I believe most people base their opinions of cops either on a one-time, first-hand bad experience or form their opinion from a news story, or a second or third-hand story. Cops are human beings. We make mistakes. we hurt, we bleed, we cry… more than you will ever know. There are good and bad in every profession. Priests-teachers-CEOs…you name it. Police officers are faced with life and death situations every day and only have a split second to decide a course of action. We have families and friends who we love, and who love us. It is our duty to make sure we come home safe. Believe me, no cop ever wants to fire his gun in the line of duty. The responsibility and consequences are enormous. We are truly here to serve and protect.
Are you working on another book? If so, what is it about and when will it be available?
I have written an unpublished novel titled: “Core Four”. I have written a screenplay with Erik Wolter which is currently being reviewed by some interested production companies. It is a coming of age story about four 11 year old boys. Danny’s struggles with the loss of his father (cop) to 9/11 related disease and his expectations. Danny and his 3 closest friends go on an adventure that brings them face to face with a gang of thugs and find a hero in the most unlikely person.
As a kid growing up on Long Island, I struggled with an unknown psychological need to wear a uniform and a strong desire to be a part of an organization. My search would take me through Little League, Cub Scouts, and various fraternal organizations. This desire would only be fulfilled after joining the NYPD in February of 1984.
Somewhere during my twenty-year career, I was transformed from that kid into a veteran New York City police detective. This is my evolution from a middle-class suburban kid with simple values who naively thought the “projects” were a homework assignment into a veteran detective working in some of the most unforgiving neighborhoods of New York City. With this transformation comes the ability to separate the daily exposure to the dark side of human nature from your own life-sustaining core beliefs. Many will fail to acquire this ability and fall victim to drugs, alcohol, divorce, crime, and even suicide. This is a process which I have come to call Turning Blue.
This is my story of how I dealt with life-changing experiences at home while my gun belt and uniform hung safely in my locker. In my twenty years of experience as a police officer, I can honestly say that I have been scared and feared for my life. Could you go back to work after crying yourself to sleep, reliving your partner’s screams as he lay bleeding to death in the backseat of your unmarked car, and the only thing keeping your heart in your chest was your department-issued bulletproof vest?
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The Gumdrop House Affair, volume 2 in The Monk Mysteries, takes readers on a journey from the untimely death of Saul Greenberg, the financial officer for the Diocese, through the gruesome discovery of a horribly decomposed body no one can seem to explain, to the recurring appearance of the menacing turquoise eyes. Timony McKeever’s characters, Sergeant Jack Laskey and Father William Butler are both painfully aware of the presence and part played in the string of violent acts by the evil they refer to as “The Ugly.” Somewhere between Aunt Rhoda’s World Famous Apple Cobbler and Mona Monahan’s famed Gumdrop House lies the answer to the Laskey and Butler’s questions.
Mysteries top my preferred reading list, and The Gumdrop House Affair ranks among my favorites of recent years. Not having read volume 1 in the The Monk Mysteries, I don’t feel that I was lost. Readers need not read the first installment to fall nicely in step alongside Laskey and Butler as they struggle against “The Ugly.” McKeever does an excellent job bringing readers up to speed on his main characters’ backgrounds.
By far, the McKeever’s character, Aunt Rhoda, is my favorite among the many players in this work. Her strength and no-nonsense attitude permeates every scene in which she is featured. She is capable of curing most any ill with her frying pan alone–that includes the odd home invasion.
The Gumdrop House and its proprietor, Mona Monahan, are as unique as they are colorful. The Gumdrop House is a place of refuge and operated by Mona with open arms and no judgements. Mona is yet another of the author’s strong female characters. The account she relates of her face-to-face encounter with her grandfather, a mobster in his own right, demonstrates her tenacity.
Dialogue is one of McKeever’s most obvious strengths. The author transports readers to the scene of the crime with the colorful conversations between Laskey, Mona, Paisley Bob, and the rest of his lengthy list of players. Nowhere is this more evident than in the most violent and climactic scenes. I am not a fan of excessive profanity, but McKeever uses it sparingly enough and in the most appropriate circumstances to drive home his characters’ emotions.
Within The Gumdrop House Affair, the author intersperses an added layer of first person observations of Deputy Chief Thomas Dugan between authentic dialects and heated exchanges in order to explain his characters’ choices and actions. I truly appreciated this additional twist in McKeever’s writing. He gives his writing the feel of the classic detective novel with these ventures into the mind of one of his characters. This introspection is a welcome addition to the already engaging tale.
Fans of the mystery genre will not be disappointed with Timony McKeever’s police drama. Each of his characters has a rich personality and is portrayed in vivid detail. The multifaceted plot addresses everything from inherent evil to the corrupt dealings within the Catholic church itself. From beginning to end, McKeever’s mystery installment is laced with humor and brimming with everything that makes for an authentic and enjoyable thriller.
Pages: 266 | ASIN: B06Y4S6P44
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Action Men and Silly Putty follows Jack and Andy as they try to find what is so important about a teddy bear from 1915 that Jack purchases at an estate sale. What was the initial inspiration behind the setup to this fun novel?
This might seem strange, but I don’t know if I can even explain how certain ideas came to me, except that the bear and estate sale set up must have stemmed out of my interest in antiques. I watch both Pawn Stars and American Pickers and refer to them both collectively as “the guys.” I’ll pick up the remote and say, “Let’s switch it to the guys,” and, by that, I mean switch it to the History Channel for one of those two shows. I also have an Antiques Roadshow book at home, and in it, there is a … guess what? 1915 Steiff teddy bear. That is where I drew some of the details for the bear. I suppose that photo of the bear drew me in more than a lot of the other items in the book. How I figured out how to involve this bear in a crazy plot is harder to explain.
It might interest you to know that my Jack Donegal character first appeared in a short story that was not a mystery, featuring Jack and a supporting character, Ellen Danforth, the owner of the Salvador Deli. Andy Westin wasn’t yet even a character which is interesting for me when I reflect on it, because, by now, I’m equally attached to both characters! It was a friend who suggested that I write a mystery. I had already established Jack as a toy inventor before I entertained the thought of him as an amateur sleuth, so the estate sale and the bear was one way to get my characters to stumble into a mystery for them to solve.
Jack and Andy have a unique and often humorous relationship that lends well to the overall lighthearted mystery of the book. What were some themes you were trying to capture when writing their characters?
For a long time, I was interested in the absent-minded professor type character or the eccentric scientist character. I liked characters such as Caractacus Potts in Chitty Chitty Bang Bang and Dr. Emmett Brown in Back to the Future and was interested in some real life stories about scientists or inventors in history who had some quirks. My dad is actually a retired scientist and inventor, although not in the field of toys and, as a child, earned the nickname of “absent-minded professor” from his family. Dad and Jack do not share all of the same quirks … but perhaps a few of them. I’m also kind of fascinated with the individualist, and Jack is that. He doesn’t mind being different or dressing in his own unique style. I thought I’d rather make him a confident individualist than an awkward nerd, although he’s definitely still a nerd too by some definitions.
I really wanted Andy to be, more or less, his complete opposite. He’s the sensible, organized, in-the-moment practical guy who also has a kind of humorous way of looking at things. I wanted the balance of the two different extremes, so they can help one another out, as well as the comedy from being a sort of “odd couple.”
I enjoyed the twists and turns throughout the book. Did you plan the novel before writing or did it come organically while writing?
It was more like the second option. The story developed more spontaneously as I wrote, but I might have planned several scenes or chapters ahead when the creative juices were really flowing.
What is the next book that you are writing and when will it be available?
I am actually working on several things. The next book to come out fairly soon is unrelated to this series but is an illustrated children’s book called The Journey of Digory Mole about a little mole who turns a mountain into a mole hill. I have one other “Action Men” book already available and that is Action Men and the Great Zarelda which is a little shorter, a Kindle book novella. The two guys have a mystery adventure with a suspicious female illusionist. I also have a mystery short story for Kindle, starring a female sleuth, English professor, Grace Darby. That one is titled The Lit Club Mystery. I have several stories in the planning for both mystery series and even hope to do a spin-off series for kids starring Jack Donegal’s niece and nephew. Right now, I have a related mystery serial, Action Men with Duct Tape as a blog on my website, https://susan-joy-clark.com. I will likely publish that as a book when it is complete.
Jack Donegal is an engineer, toy inventor and the head of his own toy company but not a detective until he stumbles into a strange situation. While on a business trip, he stops to purchase a 1914 teddy bear at an estate auction. While still on the auction grounds, armed thugs, who mistake him for a Dalton Starks, seem to think he’s in possession of something they want. Although police rescue him from his first encounter with criminals, Jack and Andy Westin, his marketing manager, roommate and friend, begin to think there’s something special about this teddy bear to make it interesting to criminals. They engage in a cat and mouse hunt with various members of the criminal world, but who are the cats and who are the mice? With the help of their combined wits and various technical gadgetry including toy parts and prototypes, Jack and Andy help bring several criminals to justice. With two personalities like those of Jack and Andy, there is bound to be some silliness along the way in this comedy mystery.
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Dead Air follows Glenn, a security guard investigating the murder of his friend who was shot while on the air at a radio station. What was the inspiration for the setup to this thrilling novel?
Like Beck, my high school best friend owned a radio station. He sold out before being shot, however. The only constant we have is change. Commercial radio exemplifies that change.
Radio was born to play the music that record companies were trying to sell. It soon become the primary form of entertainment for Americans broadcasting the early soap operas. Then came rock and roll. Talk radio attracts a wide range of demographics. Interestingly, I graduated from the same school as Alan Freed, who coined the iconic term Rock and Roll.
Beck struggles to put the past behind him and move forward. The murder at the station was a perfect analogy of transformation as Beck seeks the killer.
Beck is investigating the murder of his friend Zito, who we slowly learn is not who Beck thought. Did you plan this slow reveal of Zito’s backstory or did it happen organically while writing?
Beck and Zito’s friendship started as teenagers. In the decades since school, they have drifted apart. Life leads people down many paths. We become more guarded, reluctant to share the many secrets with those we depended on in youth.
The victim is an important character in a story. Murderers rarely plan to kill without a motive. There must be a reason to want that person dead. All mystery plots boil down to one of three motives, love, greed, or to cover up a crime.
The investigation of any murder, real or fiction, is a slow process. Investigators don’t know the full story immediately. People conceal secrets, they lie. The search is a painstaking pursuit to reveal the skeletons in the closet.
I think of this novel as a whodunit story that puts fascinating characters in interesting situations. Are there any scenes in your story that you had fun writing?
Beck and Irene, his romantic interest/partner, track his missing client to a hunting cabin where she is being held. Nothing in his white-collar career has prepared him for this confrontation. They are fighting through thick woods and underbrush to reach the cabin while carrying guns.
In order to survive, he must physically subdue a hired enforcer and be prepared to kill if necessary. Beck has become a hard ass with a chip on his shoulder. He comes to the epiphany that Irene is the love of his life and he must protect her at all costs.
This is the scene where he recognizes the past is behind him. What the future holds he doesn’t know.
What is the next story that you are working on and when will it be available?
I am writing the second in the Glenn Beckert series, Dead Secrets. In this tale, Beck mistakenly dismisses a missing person case until the body is found on the river bank. Beck endeavors to track the missing time of the deceased’s final hours and find the killer. He is quickly immersed onto the dark web where the secrets of artificial intelligent are a commodity. As a further distraction, Beck’s perplexed by a startling revelation by Irene, creating further conflict for him. He’s searching for a killer in a world where secrets stay secret or you die. Dead Secrets will be available in late 2018.
I have just completed a short story, Who Swiped Bobby Bucco Bear, a Christmas mystery featuring Glenn Beckert. I plan to have this available next year.
Dead Air signals trouble at the radio station. Glenn Beckert discovers his high school best friend is shot in the head while on the air. Beck, the owner of Blue Water Security, is employed to provide security for the station.
He becomes willingly embroiled in the investigation by the not-so-innocent widow. The list of potential suspects is long, gleaned from the numerous extramarital affairs of the victim and widow. The pending sale of the radio station has created friction between his now dead friend, Richie Zito and the major stockholders. Motives for murder becomes increasingly murky after the search reveals an encrypted file on Zito’s laptop.
Beck enlists the help of an old flame, Irene Schade, to break the code, revealing a money laundering network leading to the financial and political powers of his beloved city of Pittsburgh. Their collaboration ignites the flames of passion each had considered extinguished.
A former college teammate, police Lieutenant Paglironi delivers a message to back off. Arrogantly, he ignores his friend’s advice. The threats from less friendly sources are more ominous, forcing Beck to move in an unfamiliar world. A startling revelation from his client forces Beck to deal with his inner conviction of right and wrong, challenging the gray areas of his ethical principles. Betraying his client’s confidence could expose the killer. The alternative is to confront the suspect and take matters into his own hands. Either way his life is in jeopardy.
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Icarus details the captivating account of P.I. Brinkman’s investigation into the disappearance of young Jane Emmett. What was your inspiration behind this story?
I’ve suffered from night terrors since I was a child, and sometimes the dreams can get pretty intense. Over time, I’ve learned how to use this to my advantage, and I keep a notepad and pen on my nightstand to scribble down as much as I can remember. The first seeds of Icarus began there, and then I started to fill in the rest over the next couple of months. I’d say the concept is a hybrid of influences: the TV series Lost, the video game series BioShock, and the movie Battle Royale. It’s a strange combination of things that really shouldn’t fit together, but I still somehow felt they could.
This story is set in West Virginia in 1947. Why did you choose this time and place as the backdrop?
I wanted the story to take place in a fictitious location, but still feel believable. I love it when people tell me they’ve googled Ashley Falls trying to find it on a map. 😊 I guess I’ve always been drawn to small towns. I love the sense of community, and the whole “everyone knows everybody” atmosphere. Ashley Falls is a sleepy little town nestled away in the woods, but close enough to big cities so that it’s not completely cut off from the rest of the world. I ultimately chose West Virginia because of its proximity to key places I thought would make for a great setting.
As for the decade, it was the perfect fit for what I was trying to accomplish. I’m fascinated with urban legends and conspiracy theories, and some of my favorites are from the ‘50s and ‘60s. I thought it would be fun to pull some of that mid-century paranoia into a post-WWII world and see what it might’ve looked like. I mean, if people reported seeing men in black in the ‘60s, how much earlier were they in existence before they were actually noticed?
One thing I found exceptional in this novel was the characters, especially Miller Brinkman. What were some themes you wanted to capture while creating his character?
Thank you! I really appreciate that. What I ultimately wanted for Miller was to be relatable. When you look at some of the most famous detectives in literature, you start to see a lot of the same characteristics. I wanted to create a character who was different. He’s not a big city P.I., and he doesn’t have much experience dealing with things like kidnapping and murder. Although he’s a logical and capable sleuth, Miller’s still sort of getting his feet wet and learning on the job. I wanted readers to come along on his journey and hopefully be invested in his growth.
It was also important to me to find the right balance in his character. He’s not Superman, but he’s not bumbling either. No answer comes to him easily. I wanted him to work hard for every inch he advances in the case.
Icarus is the first book in the Noble Trilogy. What can readers expect from book 2 in the series, The Invisible War?
The Invisible War is a bit of a departure from Icarus. It had to be. Miller couldn’t have gone through the events of the first book and come out the same man, so I really wanted to explore his mental state, and what that meant for his future. He made some powerful allies in Icarus, and those relationships open the door for him to explore a new opportunity working with the F.B.I.
In Icarus, we see Miller working somewhat in a silo. In The Invisible War, he’s handed a rather sinister case that’s going to require more help, and he’s put in charge of a special task force. Miller’s never had to lead before, so this is an opportunity for him to evolve even further.
However, something else is changing inside Miller at the same time. He’s becoming stronger. Faster. Bloodthirsty. Something dormant inside of him is beginning to bloom.
It’s the winter of 1947 in Ashley Falls, West Virginia, and a teenage girl has gone missing. Local private detective Miller Brinkman takes the case, quickly uncovering a string of bizarre clues. A hidden diary, cryptic riddles, and buried secrets all pique Miller’s interest, but one key detail gives him pause: the girl’s parents haven’t reported her disappearance to the authorities. As the case deepens, Miller’s investigation begins to poke holes in the idyllic picture of his beloved hometown. No longer certain whether anyone in his community can be trusted, Miller dives headfirst into a desperate search for the truth that extends far beyond the borders of Ashley Falls. He soon discovers that his missing persons case is not an isolated incident, but part of an otherworldly mystery—one that, if confronted, may threaten the very future of humanity.
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If you were waiting to find out what happened to Craig Breedlove, then look no further. Brian Gallagher returns to the mind of Breedlove and his unnatural obsessions in Serial K Returns. Once again, we find ourselves in the mind of a serial killer: we witness the world from his point of view and become intimately aware of what exactly drives him. It’s unclear how much time has passed since the first book and the second, but Breedlove appears to be a bit older than he was the first time he tangoed with the FBI. Ryan O’Callahan and Lea Pucci also make their return in this continuation of Serial K. Their relationship has progressed but how far these two will get in their renewed chase with Breedlove awaits us in this book.
Gallagher is good at making his characters seem like real human beings. Perhaps that is why there is so much profanity when they speak. While there is a certain level of profanity expected from a crime-thriller for adults, and we know from experience that Breedlove doesn’t have the largest vocabulary, it does detract from the tale when reading about FBI agents discussing a case and they are prone to swear every five seconds.
If that’s not something that makes you put down a book, then you won’t be disappointed with what’s left within the pages of this novel. While not perfect, the core of this story is very entertaining. This is not Gallagher’s first novel and his experience shows. The story flows better than the first one. He also cleverly intersects two different characters from two different books into the same world. This is exciting for those who enjoy reading stories that take place in the same universe. It shows a careful sense of world-building to have these two different stories connect on such a base level without feeling forced or contrived.
I felt that there was some unreal character development on behalf of Breedlove in the last few chapters. Breakthroughs in his own perception of the world and how he comes to view the people who are chasing him happen quickly. There is no concrete resolution on what will happen to Breedlove by the end of the novel, this may be Gallagher setting the stage for a third installment of the series, however. So, there might be something to look forward to in the end.
If you like reading edgy stories that push the boundaries than you will enjoy this second piece to the story of Craig Breedlove in Serial K Returns by Brian Gallagher. It’s a gritty diamond in the rough that would have benefited from another edit, but is otherwise very entertaining. The thought process behind Serial K Returns is just as forward-thinking as it was the first time in Serial K. Getting into the mind-space of a serial killer; identifying what drives them and what moves them to kill is not an easy task. This where I believe Brian Gallagher shines, and where Serial K Returns stands out from the rest. This will have you wondering how much of Breedlove do you see in yourself.
Pages: 299 | ASIN: B06Y3JNCSZ
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