Blog Archives
Love’s Journey Home
Love’s Journey Home by C. A. Simonson tells the story of a young boy named Frankie who grows up in deep poverty, family loss, and emotional neglect. The novel begins with children left sitting on a fence while their father disappears, and it follows Frankie as he is forced to separate from his siblings and survive on his own. The book traces his path through hardship, farm labor, fleeting kindness, cruelty, and moments of grace. At its core, it is a coming-of-age story rooted in abandonment, faith, and the human need to belong.
What stayed with me most was the emotional weight of the writing. The voice feels raw and personal, like someone sitting across from you telling their life story without polish or pretense. I felt anger toward the adults who failed these children, and a deep ache during scenes of separation and loss. Some moments hit hard and fast, especially when innocence collides with cruelty. Other scenes linger quietly, almost painfully so. The author does not rush the pain, and I respected that.
The ideas in the book revolve around resilience, faith, and the search for love when family falls apart. I appreciated how love is not portrayed as neat or easy. It shows up in small gestures, imperfect people, and unexpected places. The spiritual thread is strong, sometimes heavy, but it feels sincere rather than forced. I did feel that some characters leaned toward clear good or bad roles, and I wanted a bit more nuance in places. Still, the honesty of the message carried me through. This story felt authentic.
I would recommend this book to readers who enjoy heartfelt stories about survival, family, and faith. It would resonate most with those who like historical fiction rooted in real hardship and moral struggle. It is not a light read, but it is a meaningful one. If you appreciate stories that sit with pain and still believe in hope, this book is worth your time.
Pages: 260 | ASIN : B0BPF65W63
Even Villains Have a Personality
The Arkencrest Chronicles: Battle for Crossroads follows an eighteen-year-old young man carrying the weight of his parents’ mysterious deaths, who joins a caravan, setting him on a path to discover his destiny. What was the inspiration for the setup of your story?
I grew up in a home without parents and I know many other kids do as well. I was lucky enough to have a grandmother to take me in, so I feel I connect with the main character, Bourdain, on a personal level. He is basically a fantasy version of past me.
I find the world you created in this novel brimming with possibilities, breaking away from some traditional fantasy tropes and giving it a fresh feel. Where did the inspiration for the setting come from, and how did it change as you were writing?
I am a huge ttrpg player and Dungeon and Dragons fan. This original started as a custom setting for my roleplaying group to play our games in. I fell in love with the characters and the world so much that I felt it needed to become more. While writing it, I was running a ttrpg game set in the future and having that live feedback really help me lock in what happened and where I want the story to go, as well as help flesh out the characters.
What were some themes that were important for you to explore in this book?
Hope when there is none.
Everyone can make a difference, even from humble beginnings.
Light vs Dark.
Even villains have a personality.
Where does the story go in the next book, and where do you see it going in the future?
I see this being a full series 3-7 books depending how it flows. I tend to write on the go and don’t plot out all the details, so I guess we all will have to see where the writing takes the story.
Author Links: Amazon | GoodReads
When swordsman Bourdain leaves home, he expects to find his true path, but never the weight of prophecy. Whispers spread of a darkness older than the gods, poised to shatter the foundations of existence. Joined by Devra, the Scoutmaster’s daughter; Braggo, a goblin airship captain; Batso, a wily smuggler; and many others. Together, they must stand against the forces of primal fury that threaten not only the kingdom, but the world at large.
Will light endure?
Or will the Devourer rise to claim the world once more.
Small-Town Scandals
Shadows in the Pleasure Gardens follows an apprentice banker who witnesses a robbery and finds himself in the middle of a small-town scandal and shady racetrack dealings. What was the inspiration for the setup of your story?
I was inspired a few summers ago, when I was working as a law clerk on the weekdays and a horse racing official on the weekends. Law clerking was dreary, dull work, but I enjoyed the racetrack, even though all the old-timers there implied it had a shady background. I find small-town scandals interesting because it’s personal to all the characters, rather than being something you have quickly heard and forgotten.
I enjoyed your characters, especially Chester. What was your favorite character to write for and why?
I loved writing about Fisheye. It was fun for me to think of ridiculous ways a reactive horse might respond in different scenes.
What scene in the book did you have the most fun writing?
I most enjoyed writing the scene where the Sheriff and Chester go to Judge Mason’s house after arresting the robbers. Judge Mason and Sheriff Hoogkirk are distinctive characters with strong personalities, and I enjoyed imagining their argument about the law.
What is the next book you are working on, and when will it be available?
My next book is The Little Pilot, and I hope it will be available in 2027. I’m also hopeful that my novel set during the American Revolution will be available this year or next.
Author Links: GoodReads | Facebook | Website | Amazon
Chester is an unambitious — or independent- minded — apprentice to Mr. Tate of Tate’s Banking and Loans when he witnesses a bank robbery and finds himself serving as Sheriff Hoogkirk’s justice-seeking assistant. His newfound role in law enforcement introduces him to gambling, carousing, and horse racing at the town’s pleasure gardens, and he is drawn to its excitement at the expense of his courtship and professional career. When an acquaintance from the racetrack is implicated in the robberies, Chester worries he must choose between truth and justice.
Shadows in the Pleasure Gardens weaves together timeless themes, including the personal search for purpose and fulfillment, pressure to conform to societal expectations, corruption of the powerful, and how horses help us escape it all, if only for a bit.
Etched Into the Magic User’s Flesh
Bathed in Ink and Blood follows two threads: the Butcher of Greenlake’s desire for revenge, and twin siblings, as they undergo the Test that reveals their signamantic abilities. What was the inspiration that drove the development of the world the characters live in?
A large inspiration for me was Brandon Sanderson’s Mistborn and its magic system. I had an idea for a hard magic system built around symbols etched into the magic user’s flesh and took that idea into Dave Wolverton’s Advanced Story Puzzle course, and Bathed in Ink and Blood was born. A caste system grew around the magic system, one that would lend itself well to the darker world I was attempting to craft. Then, I dove into how this magic system would impact the world as whole, and found myself asking a variety of questions. How could the magic users be used for benefit or detriment? How would technological advancement be different with the presence of this magic? This basically a long way of saying, Signamancy was born and the world grew around it.
I felt that your novel delivers the drama so well that it flirts with the grimdark genre. Was it your intention to give the story a darker tone?
I always planned for Bathed in Ink and Blood to be darker. I wanted to explore if a character was pushed too far, what they would do in response. You can call it a spectrum, each of the characters, Brist, Dacre, and Raya, are at different spots at the start of the novel, and move across that spectrum throughout it. For example, with Brist, easily the most morally gray character in the story, he’s on the far side of the spectrum. His objective is all that matters, no action too brutal if it takes him a step closer to his goal. Having a character like that, the darker tone seemed the only choice. Then you are provided the opportunity to push your other characters and explore questions like “What is too far?” or “What will I lose if I do this?”.
What were some themes that were important for you to explore in this book?
The main themes I explored were revenge, coming of age, found family, and belonging/acceptance. Of course, there are other themes, but there were the big four, each one mainly applied to one of the three POV characters. Brist’s main theme was revenge and that is what he becomes, it is his singular focus and he blocks everything else out. With Dacre it is coming of age and found family; we have a teenager with a new found power that destroys his family. He has to navigate a new power and finds himself with Brist and his team. What starts as a need, turns into a family. For Raya it is belonging/acceptance. She wants her father’s approval, but to him, her only use is to form a relationship with a former king through a marriage, a marriage she does not want.
What will your next novel be about, and what will the whole series encompass?
My next novel will be the sequel to Bathed in Ink and Blood and will start directly after the events of the first novel. Readers will find certain characters on a similar path they were previously on, while other characters start new ones. The main theme that will be explored in the sequel will be “war”. The series, Ink, Brand, and Knife, is a planned trilogy and will include at least two novellas, one of which I’m actively working on, before I move to the sequel.
Author Links: GoodReads | Facebook | Website | Instagram
Signamancy opens a world of possibilities for a low-born teen. However, a power that gives can also take away. Dacre Caeinn finds himself in the company of the Butcher of Greenlake. Will the most wanted man in Camoria help Dacre save the one he loves most or will he be another victim buried in the Butcher’s trail of revenge?
The life of the standard noblewoman was one Raya Adan never wanted despite her father’s insistence. Now, she finds herself betrothed and the idea of being shipped across the sea as little more than a commodity does not sit well with her. To gain her father’s approval and show her worth as more than a bargaining chip, she dives into the investigation of recent attacks on the family’s ventures. However, not all is as it seems and Raya slowly unravels truths that will upend the world she knows.
Payback
Payback by Molly D. Shepard and Peter J. Dean is a workplace thriller that follows Samantha, a high-performing banker who spends years navigating a toxic, sexist culture and the predatory attention of an executive named Archer Dunne. The story moves between Samantha’s point of view, Archer’s warped inner monologue, and the perspectives of allies and bystanders as the bank’s abuses pile up, push her out, and eventually circle back when Archer, now ill and diabetic, is admitted to the upscale nursing home Samantha runs. There, she seriously considers killing him by quietly increasing his insulin, only for fate to intervene when he dies after a fall, leaving her to grapple with what justice really looks like and how to live with a rage that never fully disappears.
The opening prologue drops you right into Samantha’s mind as she calmly admits she is planning “the perfect murder,” and it is both chilling and deeply believable once you see what she has survived. The early scenes at the bank feel painfully real: the drunken company party, the alleyway assault where she escapes only to realize the attacker is her own Executive Vice President, Archer. The authors lean into clarity more than subtlety, and sometimes the villains are almost grotesquely obvious, but in a workplace thriller like this, that bluntness works. It feels less like a puzzle and more like a long, angry debrief of “this is exactly how they get away with it,” which I found strangely cathartic.
What stayed with me most was how much of the book is about the slow grind rather than just the headline traumas. Samantha’s first boss Margie, who bullies her daily for minor mistakes until she quits, the constant body shaming from her parents, the impostor syndrome that keeps replaying in her head even as she racks up wins at the bank. Her friendships with Inga and Josephine become the emotional center of the story. Inga is a top pharma rep whose numbers are excellent but who keeps getting passed over because she is out of sight, out of mind in the Midwest, and Josephine is a Black consultant who writes speeches for her CEO yet cannot break past a certain rank because of bias in her firm. Their late night strategy sessions at the Barrister Bar feel like war councils and group therapy at the same time, and the book keeps circling back to how women have to quietly train each other to survive systems that were not built for them. That coaching tone does poke through sometimes, and a few passages read like a leadership manual folded into a novel, but I did not mind it. It gave the story a grounded, “here is what actually happens in these rooms” quality.
I also appreciated the choices the authors made around Archer and the men who are not monsters. Seeing scenes from his perspective is uncomfortable in the best way. You watch him stalk Samantha in that alley, brag to his young male “minions” about using women for sex while blocking their promotions, and later seek out the nursing home she runs because he wants one last chance to torment her and even ogle her teenage daughter. When he exposes himself to a vulnerable resident at The Fairfield and Samantha finally has the power to kick him out, her fury practically hums off the page. At the same time, the book gives us Lance, the new CEO who discovers Samantha’s detailed notes about the bank’s abuses and decides to tear out the culture by the roots, and Todd, the thoughtful carpenter who becomes her husband and steady base. That balance keeps the story from sliding into pure despair.
I see Payback as a feminist workplace thriller that also works as social commentary about harassment, bullying, and the cost of keeping quiet. It is not subtle, and it does not try to be. The language is clear, the emotions are right on the surface, and the plot keeps you turning pages to see whether Samantha will cross that final line. If you have lived through a toxic office, care about gender equity at work, or just want a tense, emotionally honest story about a woman who refuses to stay a victim, I think this novel will hit hard in a good way.
Pages: 240 | ASIN : B0FX3FV52H
Drinking from the Stream
Drinking from the Stream follows two young men on the run from themselves. Jake, a Nebraska kid turned Louisiana roughneck, flees the guilt of a killing on an oil rig. Karl, a disillusioned American student at Oxford, escapes the wreckage of the sixties and a painful relationship. Their paths cross, and they drift through Ethiopia, Uganda, Rwanda, Burundi and Tanzania in the early seventies, bumping into coups, massacres and love affairs as they go. The book stretches from the Gulf of Mexico to the Great Lakes region of Africa and on to Chile, and it ties private coming-of-age stories to state violence and postcolonial chaos.
I felt like the writing landed with real weight. The prose has muscle and rhythm, and it keeps a steady pace through long stretches of travel and talk. Scenes on the road, in trucks, on ferries, and in cheap guesthouses felt vivid to me. Dialogues carry a lot of the load. Characters argue about politics, race, faith, and guilt, and the conversations feel relaxed on the surface but tense underneath. I could sense the author’s years in Africa in the way a village lane or a border crossing appears in a few sharp strokes. The flip side is density. Historical detail piles up. I stayed invested in Jake and Karl, and in Beatrice, Bridget and the others, because the book lets them be flawed, funny and sometimes selfish, not just mouthpieces for a lesson.
The novel looks at racism and antisemitism inside Jake’s own story, then places him in countries where mass killing happens out in the open and on a terrifying scale. It plays with the dream of revolution and tears it apart. Young Westerners arrive full of ideals, then watch soldiers and militias burn those ideals along with villages. The book keeps asking who gets to walk away and who does not. Jake carries private guilt from the rig into places where guilt comes in rivers. Karl drags his Vietnam-era anger into a world where America is almost irrelevant. I felt anger, shame, and sadness while I read, and also a stubborn hope, because the story keeps circling back to friendship, loyalty, and small acts of courage. The novel does not pretend to solve anything. It simply puts you close to the fire and forces you to look.
I would recommend Drinking from the Stream to readers who enjoy historical fiction with grit, to people curious about East Africa in the early seventies, and to anyone who likes character-driven travel stories with real moral stakes. The book asks for patience and a strong stomach. It pays that back with a rich sense of place, big emotions, and a set of memorable characters.
Pages: 377 | ASIN : B0DXLQTN5M
Protecting Friends
Facing Revenge follows a group of high school friends who are dealing with normal teen life till two boys decide to take revenge on classmates, leading to a kidnapping. What was the inspiration for the setup of your story?
Cali and Sky made Clair Ransom’s acquaintance back in seventh grade when Cali saw some boys harassing Clair but she was not sure why they were doing the bullying. When she confronted Clair, she discovered that Clair had Tourette’s and was being mocked by other students who were clueless about the malady. She involved Sky with helping Clair deal with his Tourette symptoms and with his lack of confidence because of his malady. As they got to know Clair better, Sky and Cali found that he was intelligent, creative, and had a dry sense of humor that made developing a meaningful friendship with Clair worth their time. Sky and his wrestling and football buddies also developed a brotherly relationship with Clair. Sky, Cali, and their friends have been protective of Clair ever since those early days in junior high.
Now when Cali, Sky, and their ninth-grade friends enter senior high school, students who are not familiar with Clair’s Tourette symptoms, his strange tics, again initiate bullying behavior. Sky and his football friends are prepared to be protective of Clair and when an incident occurs during an early-in-the-school-year lunchroom, Clair’s friends quickly come to his aid. The incident of clueless bullying is typical of modern high school drama. In this instance, when Sky and friends intervene on Clair’s behalf, their protective act humiliates the bullies and a sequence of events then occurs where the bullies want revenge but their choice of revenge escalates to a high level.
While Skyler and Cali keep finding themselves in situations involving trouble and crime, that is not all that shapes who they are as teens. What were some of the trials that you felt were important to highlight the character’s development?
Cali and Sky continue to deal with their difficulty, their confusion about their sexual desires. Part of their psyche knows that sexual desires are normal, but part of their decision making in this area continues to be influenced by several factors: of the influence of cultural expectations; and of their knowledge that becoming sexually involved could make their future relationship difficult and taxing. What if they break up? What if they fall in love with someone else? How will they feel when they must go separate ways after high school but have had an intense sexual relationship? These concerns will continue to influence their relationship as they approach their 12th grade-year and their eventual graduation from high school.
What is your background and experience, and how did it help you write this story?
I spent twenty years as a high school counselor in a public high school. Teen sexual dilemmas and bullying far outweighed academic concerns that kids would present to me during personal counseling sessions. Also paramount in teen life was the contrast in how parents would deal with their teen child especially in the areas of self esteem and dating complexities.
What is the next book that you are working on and when will it be available?
Forced Apart is now available. A typical situation in the life of a teen occurs. Parents have the opportunity to further their careers but to seize the opportunity means moving to a new city. Cali and Sky are forced to live apart and their separation presents new challenges with which the two teens must cope. How will they handle the separation? And what about that teen’s parents? Will the relocation present challenges for the parents also? Will the teen who must relocate be able to develop new and meaningful friendships? Will the teen left behind find a new romance? And what if a new danger develops to put one of them at risk? Will friends, new and old, be once again instrumental in helping Sky and Cali cope with the challenges of not attending the same high school and not in daily contact with one another? Forced Apart will fit with the preceding novels as these two modern day teens cope with challenges that often do arise in adolescent life in America.
Author Links: Amazon | GoodReads
These situations are typical for current high school students until two boys, ruminating on a public embarrassment, decide to take revenge to a dangerous level. Maybe the remainder of their freshman year at Parkington North won’t be as manageable as Sky and Cali expected.
Aries I – The King of Mars
Aries I – The King of Mars tells the story of a father and son who leave behind a life marked by loss to help build humanity’s first permanent colony on Mars. The book follows young Aries Karalis from the trauma of his mother’s death through his relentless training, his complicated bond with his father, and the discovery of his own purpose as the colony faces danger and, ultimately, its fight for independence. The novel grows from a quiet, personal beginning into a full epic about identity, loyalty, survival, and the creation of a new world.
I felt pulled in by the emotional weight of the story more than the science itself. The writing is straightforward and clear, and it avoids getting bogged down in technical talk. Scenes that deal with loss felt raw. The father–son conflict felt honest in a way that caught me off guard. Even when the plot moved into bigger action, the heart of the book stayed centered on relationships and the messy way people try to do the right thing while carrying their grief. I liked that the story never pretended that bravery comes clean or easy. Instead, it showed how fear and love can sit side by side and still push someone forward.
I also enjoyed how the book handled Mars as a place. It didn’t feel cold or distant for long. As the colony grew, the planet became something alive, something worth fighting for, and I found myself rooting for these characters as if I knew them. Some moments felt almost cinematic, like the chants echoing through the colony halls or the quiet scenes of Aries watching the Martian sunset with Skye and their newborn son. Those were the chapters that I really enjoyed. They were simple scenes but full of meaning. If anything, I sometimes wished the prose loosened up a bit more because the emotional parts were strongest then.
The story ties together themes of family, leadership, sacrifice, and the strange hope that comes from starting over. I’d recommend this book to readers who enjoy character-driven sci-fi, especially anyone who likes stories about growth and resilience more than hard mechanics. It’s a great pick for teens, educators, or adults who want a hopeful and heartfelt look at what it might take to build a new world.
Pages: 224 | ASIN : B0FVHQYS3R
LITERARY TITAN 