Blog Archives
Drinking from the Stream
Drinking from the Stream follows two young men on the run from themselves. Jake, a Nebraska kid turned Louisiana roughneck, flees the guilt of a killing on an oil rig. Karl, a disillusioned American student at Oxford, escapes the wreckage of the sixties and a painful relationship. Their paths cross, and they drift through Ethiopia, Uganda, Rwanda, Burundi and Tanzania in the early seventies, bumping into coups, massacres and love affairs as they go. The book stretches from the Gulf of Mexico to the Great Lakes region of Africa and on to Chile, and it ties private coming-of-age stories to state violence and postcolonial chaos.
I felt like the writing landed with real weight. The prose has muscle and rhythm, and it keeps a steady pace through long stretches of travel and talk. Scenes on the road, in trucks, on ferries, and in cheap guesthouses felt vivid to me. Dialogues carry a lot of the load. Characters argue about politics, race, faith, and guilt, and the conversations feel relaxed on the surface but tense underneath. I could sense the author’s years in Africa in the way a village lane or a border crossing appears in a few sharp strokes. The flip side is density. Historical detail piles up. I stayed invested in Jake and Karl, and in Beatrice, Bridget and the others, because the book lets them be flawed, funny and sometimes selfish, not just mouthpieces for a lesson.
The novel looks at racism and antisemitism inside Jake’s own story, then places him in countries where mass killing happens out in the open and on a terrifying scale. It plays with the dream of revolution and tears it apart. Young Westerners arrive full of ideals, then watch soldiers and militias burn those ideals along with villages. The book keeps asking who gets to walk away and who does not. Jake carries private guilt from the rig into places where guilt comes in rivers. Karl drags his Vietnam-era anger into a world where America is almost irrelevant. I felt anger, shame, and sadness while I read, and also a stubborn hope, because the story keeps circling back to friendship, loyalty, and small acts of courage. The novel does not pretend to solve anything. It simply puts you close to the fire and forces you to look.
I would recommend Drinking from the Stream to readers who enjoy historical fiction with grit, to people curious about East Africa in the early seventies, and to anyone who likes character-driven travel stories with real moral stakes. The book asks for patience and a strong stomach. It pays that back with a rich sense of place, big emotions, and a set of memorable characters.
Pages: 377 | ASIN : B0DXLQTN5M
Protecting Friends
Facing Revenge follows a group of high school friends who are dealing with normal teen life till two boys decide to take revenge on classmates, leading to a kidnapping. What was the inspiration for the setup of your story?
Cali and Sky made Clair Ransom’s acquaintance back in seventh grade when Cali saw some boys harassing Clair but she was not sure why they were doing the bullying. When she confronted Clair, she discovered that Clair had Tourette’s and was being mocked by other students who were clueless about the malady. She involved Sky with helping Clair deal with his Tourette symptoms and with his lack of confidence because of his malady. As they got to know Clair better, Sky and Cali found that he was intelligent, creative, and had a dry sense of humor that made developing a meaningful friendship with Clair worth their time. Sky and his wrestling and football buddies also developed a brotherly relationship with Clair. Sky, Cali, and their friends have been protective of Clair ever since those early days in junior high.
Now when Cali, Sky, and their ninth-grade friends enter senior high school, students who are not familiar with Clair’s Tourette symptoms, his strange tics, again initiate bullying behavior. Sky and his football friends are prepared to be protective of Clair and when an incident occurs during an early-in-the-school-year lunchroom, Clair’s friends quickly come to his aid. The incident of clueless bullying is typical of modern high school drama. In this instance, when Sky and friends intervene on Clair’s behalf, their protective act humiliates the bullies and a sequence of events then occurs where the bullies want revenge but their choice of revenge escalates to a high level.
While Skyler and Cali keep finding themselves in situations involving trouble and crime, that is not all that shapes who they are as teens. What were some of the trials that you felt were important to highlight the character’s development?
Cali and Sky continue to deal with their difficulty, their confusion about their sexual desires. Part of their psyche knows that sexual desires are normal, but part of their decision making in this area continues to be influenced by several factors: of the influence of cultural expectations; and of their knowledge that becoming sexually involved could make their future relationship difficult and taxing. What if they break up? What if they fall in love with someone else? How will they feel when they must go separate ways after high school but have had an intense sexual relationship? These concerns will continue to influence their relationship as they approach their 12th grade-year and their eventual graduation from high school.
What is your background and experience, and how did it help you write this story?
I spent twenty years as a high school counselor in a public high school. Teen sexual dilemmas and bullying far outweighed academic concerns that kids would present to me during personal counseling sessions. Also paramount in teen life was the contrast in how parents would deal with their teen child especially in the areas of self esteem and dating complexities.
What is the next book that you are working on and when will it be available?
Forced Apart is now available. A typical situation in the life of a teen occurs. Parents have the opportunity to further their careers but to seize the opportunity means moving to a new city. Cali and Sky are forced to live apart and their separation presents new challenges with which the two teens must cope. How will they handle the separation? And what about that teen’s parents? Will the relocation present challenges for the parents also? Will the teen who must relocate be able to develop new and meaningful friendships? Will the teen left behind find a new romance? And what if a new danger develops to put one of them at risk? Will friends, new and old, be once again instrumental in helping Sky and Cali cope with the challenges of not attending the same high school and not in daily contact with one another? Forced Apart will fit with the preceding novels as these two modern day teens cope with challenges that often do arise in adolescent life in America.
Author Links: Amazon | GoodReads
These situations are typical for current high school students until two boys, ruminating on a public embarrassment, decide to take revenge to a dangerous level. Maybe the remainder of their freshman year at Parkington North won’t be as manageable as Sky and Cali expected.
Aries I – The King of Mars
Aries I – The King of Mars tells the story of a father and son who leave behind a life marked by loss to help build humanity’s first permanent colony on Mars. The book follows young Aries Karalis from the trauma of his mother’s death through his relentless training, his complicated bond with his father, and the discovery of his own purpose as the colony faces danger and, ultimately, its fight for independence. The novel grows from a quiet, personal beginning into a full epic about identity, loyalty, survival, and the creation of a new world.
I felt pulled in by the emotional weight of the story more than the science itself. The writing is straightforward and clear, and it avoids getting bogged down in technical talk. Scenes that deal with loss felt raw. The father–son conflict felt honest in a way that caught me off guard. Even when the plot moved into bigger action, the heart of the book stayed centered on relationships and the messy way people try to do the right thing while carrying their grief. I liked that the story never pretended that bravery comes clean or easy. Instead, it showed how fear and love can sit side by side and still push someone forward.
I also enjoyed how the book handled Mars as a place. It didn’t feel cold or distant for long. As the colony grew, the planet became something alive, something worth fighting for, and I found myself rooting for these characters as if I knew them. Some moments felt almost cinematic, like the chants echoing through the colony halls or the quiet scenes of Aries watching the Martian sunset with Skye and their newborn son. Those were the chapters that I really enjoyed. They were simple scenes but full of meaning. If anything, I sometimes wished the prose loosened up a bit more because the emotional parts were strongest then.
The story ties together themes of family, leadership, sacrifice, and the strange hope that comes from starting over. I’d recommend this book to readers who enjoy character-driven sci-fi, especially anyone who likes stories about growth and resilience more than hard mechanics. It’s a great pick for teens, educators, or adults who want a hopeful and heartfelt look at what it might take to build a new world.
Pages: 224 | ASIN : B0FVHQYS3R
Amongst Embers and Ashes
Amongst Embers and Ashes tells the story of Scarlet, a girl raised on an isolated farm who learns she is a pyro elemental. Her quiet life collapses as secrets spill open. She is taken from the only home she has known and thrown into a kingdom where politics, power, and fear swirl around her. The book follows her as she meets the other elementals, discovers the truth behind her past, and feels the weight of a world that both wants and fears her. The tale blends magic, trauma, and coming-of-age moments into a journey that keeps tilting between warm hope and sharp dread.
I felt swept up right away. The writing has this fast pulse to it, almost like Scarlet’s own nerves buzzing under the surface. Scenes crackle with emotion. Little moments hit hard, such as Scarlet lighting her fingertips so she can see in the dark, or the tight, bitter silence that fills the farmhouse during dinner. The dialogue feels natural and messy. People talk over each other. They misunderstand each other. I found that refreshing. The story leans into the confusion of being young and scared, and the author does not tidy it up. Sometimes Scarlet’s thoughts spiral in a way that feels raw and very emotional.
I liked the theme of being labeled dangerous before you even understand who you are. Scarlet’s guilt sits like a stone in her chest, and I could feel its weight while reading. The contrast between her rough farm life and the polished castle made me think about how power works and who gets to feel safe. I also enjoyed the mix of elemental magic with political tension. It gave the world a lot of texture, even in quiet scenes. The pacing is fast, and the energy of the story pulled me along, and I found myself caring more about the characters than the neatness of the plot. That says a lot about how well the emotional core is written.
This book would be great for readers who love character-driven fantasy, especially those who enjoy stories about teens pushed into roles they never asked for. If you like magic mixed with messy feelings, or if you want a tale that hits close to the heart, then Amongst Embers and Ashes is an easy recommendation.
Pages: 362 | ASIN : B0F2ZFDN9W
The Atlas of Elsewhere
The Atlas of Elsewhere follows Elsie Vine, a quiet librarian whose life has grown too small for her spirit, even if she has not admitted that to herself yet. When a mysterious atlas appears in her library, filled with living maps and impossible worlds, it pulls her into a journey that is as much inward as outward. Each realm she enters reflects a part of her identity. Scale, emotion, memory, choice. All of it blends into a story that feels half fantasy and half self-examination. It is a tale about possibility, courage, and the stubborn tenderness of becoming someone new.
I loved how the story plays with imagination in a practical world. The magical pieces feel warm and handmade. Nothing grand in a showy way. More like pockets of wonder stitched into the edges. I kept getting caught on the gentle humor, too. The philosophical beetle made me grin, and the Cartographer made me feel oddly comforted. I kept thinking about all the places in my own life where I have chosen the chair instead of the door.
The emotional honesty kept pulling me back to this book again and again. The fragility in Elsie’s choices felt real. The regret, the soft longing, the almost childlike ache to believe that something impossible might still be waiting. I got swept up in it. I found myself rooting for her, not in a heroic way, but in a human way. I wanted her to remember her own size. I wanted her to walk through every door, even when it scared her. The writing made me feel that, and it has been a while since a book did that so simply and directly.
The Atlas of Elsewhere reminded me a bit of The Night Circus in the way quiet magic slips into ordinary life and stirs something deep and unexpected. I would recommend The Atlas of Elsewhere to anyone who loves quiet fantasy, reflective journeys, or soft magic that grows out of everyday life. It is perfect for readers who enjoy character-driven tales and for anyone who has ever felt stuck in their own routine and wondered what might happen if they finally picked the door instead of the chair.
Pages: 198 | ASIN : B0FRC44BRZ
Students on the Margins
The Elephant in the Ivy follows a theater student at an Ivy League campus whose playful interdepartmental spy game blurs into real danger, exposing how performance, power, and privilege shape identity and loss. What was the inspiration for the setup of your story?
I had a couple of influences here. First, I had some students a long time ago when I was a middle school teacher that really inspired me. I wanted to imagine what they’d be like in college, and the whole set-up is a metaphor for the kinds of challenges that students on the margins face. Second, I currently teach at a community college, working with students that are often coming back to school after a long break. This population benefits from reassurance that they are “real” college students, that this community is here for them. Alison is a scholarship student in the Ivy League. Her feeling out of place and finding her own ground to stand on– that’s something I see a lot from community college students.
How did your background or observations of academic life influence the book’s tone and details?
College can be a setting where marginalized populations don’t feel welcome. A lot of that comes from the standard dialect being enforced in classrooms. I learned to talk like my teachers and my privileged peers when I was a scholarship student, but I never felt that ownership of the space that others seemed to feel. With Alison, I wanted to show the audience what outsiders feel like in this setting. It’s only when she stumbles upon the game that she starts to see the university as her own space. I think college can be a wonderful place to find your footing, to find something you’re passionate about that makes you want to dig your heels in. For me, it was building sets for the theatre department.
The novel balances humor with real grief and danger. How did you know when to let scenes stay light and when to let them turn dark?
My default is probably light. I’m a funny person, and I make light of most everything. I think there’s even some good jokes in the scene where Alison has to mother her mother. I make the case that Hamlet could be a comedy if you played it for laughs. I actually did that. I played Hamlet and hammed up the stuff I thought was funny. The local papers didn’t like it much, but I did get laughs. The world has light moments and sobering ones, too. I guess I just tried to be Rainbow Rowell during the hard ones, and P. G. Wodehouse the rest of the time. Taking a low-stakes thing and giving it higher stakes by making characters want what they want even harder– that’s a Wodehous move, I think.
What conversations do you hope students, educators, or first-time readers have after finishing the book?
Well, I very much hope I covered the bases of the stuff that’s in literature. Something to say, and a long-form story that says it. A nice mix of passages, characters, and literary devices that serve as metaphors for the big ideas. I’m hoping that the book being free is helpful so that classrooms can take advantage and have one less hurdle to take on. I hope they read it in class and then just stop when it reminds them of something– a life experience, another story, a concept from class. And that they chat about that a bit, and then move on. I think that’s what it takes to become a stronger reader: a place and time dedicated to reading, a community to read with, and someone to talk to about the book.
Author Links: GoodReads | Website
Alison Ashe is a junior at Bauer. A scholarship kid, a theatre major, strapped for cash and even more strapped for time; she’s easily annoyed and something about her privileged peers really wigs her out. But unlike most of her peers, Alison has an outlet where starting on third base doesn’t do anyone any favors. Ancient and secret, Bauer is home to a spy game of sorts. A game where all that matters is that your wits are sharp and you’re willing to take big risks. And, of course, who you trust.
All proceeds for The Elephant in the Ivy are used to purchase books for classrooms. Teachers are invited to reach out to the author to participate in this program.
Praise for The Elephant in the Ivy:
“It’s a real book!” -Danyelle Khmara, Arizona Public Media
“A rollicking heist of a book. Alison Ashe will trick you, and you’ll thank her for it.” -Grace Olsen, WMHC Radio
Written with support from Pima Open Digital Press, an open educational resource initiative at Pima Community College.
The Elephant in the Ivy
The Elephant in the Ivy by Alexander Greengaard is a playful campus spy story that blends secret games, academic life, and personal loss. The book follows Alison Ashe, a theater student at an Ivy League school, who plays a hidden espionage game between departments. What starts as lighthearted intrigue grows into something darker. Stakes rise. Friendships strain. Death becomes real. The story moves through classrooms, quads, dorms, and late-night walks while asking how much performance and pretense shape real life.
I enjoyed the writing style a lot. It felt loose and confident. The voice has humor and warmth. I laughed often. I also felt a pit in my stomach more than once. The dialogue snaps. The inner thoughts feel honest and messy. I liked how the book never tried to sound smart for the sake of it. It trusted the reader. The pacing worked for me. Some scenes flew by. Others lingered in a good way. I felt close to Alison.
I kept thinking about performance and identity when reading this book. Everyone in the story plays a role. Students act like spies. Professors play at authority. Institutions play at fairness. The game mirrors real power structures and privilege. That resonated with me. The book talks about gender and class without lecturing. It just shows you. I felt anger at times. I felt joy too. I liked that the book respected fun and silliness while still taking emotions seriously. That balance is hard, and the author pulled it off.
I would recommend The Elephant in the Ivy to readers who want something smart. It is great for people easing back into reading. It is also good for students and educators who enjoy stories about school life with a twist. If you like humor, secret worlds, and characters who feel real and flawed, this book is worth your time.
Pages: 167 | ASIN: B0FXS7BVPK
Bathed in Ink and Blood
Bathed in Ink and Blood opens as a dark, magic-laced fantasy that follows two threads: Noddum’s brutal clash with Brist, the infamous Butcher of Greenlake, and the quieter, more intimate story of twins Dacre and Esmee as they undergo the Test that reveals their signamantic abilities. Right away, the book establishes itself as epic fantasy with grimdark edges, mixing the political tension of a kingdom cracking at the seams with the personal stakes of people trying to survive systems that see them as tools or threats.
Reading it felt like slipping into a world that’s heavy with history. The magic system built around ink, brands, and carved symbols is vivid and tactile. I found myself leaning in during sections, partly because the author writes pain and power in a way that’s blunt but also strangely tender. The early chapters around Dacre and Esmee hit me hardest. Their innocence, their hope, and then the slow realization that their mother may have just sold them made my stomach drop. Author Robert Laymon doesn’t rush those moments. He lets them sit, lets them ache. It works.
On the other side of the story, Brist’s chapters are sharp and unsettling. He’s haunted, vengeful, messy, and written in a way that made me feel both wary of him and weirdly sympathetic. His scenes drip with tension. Even when he’s still, the writing hums. I appreciated how the author doesn’t treat violence like spectacle. It’s brutal, sure, but it’s also shaped by emotion, regret, and purpose. The dynamic between Brist and the people around him feels lived-in, like a group stitched together by survival rather than trust. It adds weight to the plot and makes his arc more interesting than a simple revenge story.
Raya is an interesting character because she starts out feeling overlooked in a family obsessed with power, but she slowly shows how strong and capable she is. We see flashes of her compassion, like when she notices how her father mistreats the servants, and those moments make it clear she’s nothing like the rest of the Adans. I think Raya is a standout character whose quiet resilience, empathy, and determination make her compelling.
By the time the two storylines start bending toward each other, the world feels wide and dangerous. The writing style helps with that. It’s clear but atmospheric, not bogged down by jargon, and the pacing keeps you moving. Some chapters are quiet and reflective. Others are teeth-clenching. The mix makes the book feel grounded, even when the magic flares bright.
If you like fantasy that leans dark but stays character-driven, with a magic system that feels both fresh and gritty, this will likely hit the spot. Fans of grimdark, epic fantasy, and stories that explore power, loyalty, and the price of survival will probably enjoy Bathed in Ink and Blood the most.
Pages: 439 | ASIN : B0FLRP6TYX
LITERARY TITAN 