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Bones of Black Saints follows two civil rights attorneys defending a young Black activist accused of shooting a white police officer while confronting racial injustice, police solidarity, and competing versions of truth in Durham, North Carolina. What was the inspiration for the setup of your story?
I represented a young man named Carlos Riley in Durham. Bones of Black Saints is a fictionalized take on his trial.
How did you develop Zenko’s mixture of anxiety, humor, faith, intelligence, and self-doubt?
I wanted a passionate, committed trial attorney who struggled with mental health issues.
Why was it important to portray accomplished attorneys who also struggle with mental health?
I’ve grappled with my own mental health demons. Realistically presenting these issues was a goal of mine in this and in the series of other books, such as The Girl Wore a Hockey Helmet. We trial attorneys bring our personal baggage into the courtroom as much as we try to keep it out. Substance abuse, alcoholism, and depression disproportionately affect lawyers. That’s the reality. One of my clients was sent to Death Row in N.C. because he had a drunk trial attorney. After almost thirty years, the Governor commuted his sentence to life without parole.
What responsibility do you think fiction has when engaging with painful historical events?
Fiction can help us learn and make sense of racial injustice and prosecutorial misconduct. As a writer, I feel a responsibility to confront injustices of the past. That is the first step in combating such inequities in the future.
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Bones of Black Saints
Alex Charns’s Bones of Black Saints is a legal thriller and courtroom drama rooted in the politics, history, and racial tensions of Durham, North Carolina. The case centers on Marcos Salazar, a young Black Lives Matter activist accused of shooting a white police officer during a traffic stop. His defense rests with veteran civil rights attorneys Star Gwiazda and Zenko Luczek, who believe the officer shot himself and that the police department has closed ranks around him. From jury selection through closing arguments, the novel turns legal procedure into a contest over whose version of reality will survive.
Zenko’s first-person narration gives this crime novel its distinct personality. He’s anxious, funny, devoutly Catholic, obsessed with hockey, and deeply shaped by his Polish family’s experiences during World War II. His thoughts move freely among the trial, the Black Madonna of Czestochowa, the Greensboro Massacre, old wounds, and elaborate hockey metaphors. Those digressions make the story feel intimate and politically alert, though I did feel that their frequency can slow the courtroom suspense at times. They also reveal how history lives inside Zenko’s daily choices, especially his determination to recognize fascism and institutional abuse before they’re allowed to hide behind respectable appearances.
The courtroom scenes are the strongest part of this police corruption thriller. Charns, a civil rights attorney, writes with a practitioner’s command of motions, evidence, jury selection, witness preparation, and cross-examination. Star is especially memorable, confronting hostile witnesses and prosecutorial misconduct with theatrical nerve and sharp legal instincts. Her relationship with Zenko brings humor and affection to proceedings charged with danger. Their shared mental health histories add further depth, showing two capable advocates who rely on medication, routines, friendship, faith, and hockey to remain steady under extraordinary pressure.
As social justice fiction, Bones of Black Saints connects one contested traffic stop to racial profiling, white supremacy, economic inequality, police solidarity, and the limits of courtroom justice. Its humor keeps the political argument lively, while its detailed trial strategy makes the eventual verdict feel earned. The final development lands with particular force because it exposes acquittal as one moment in a much longer struggle. This is an impassioned legal thriller about lawyers fighting for a client while wrestling with their own histories, blind spots, fears, and stubborn faith in justice. I recommend Charns’s novel to readers who enjoy thought-provoking legal thrillers that explore racial injustice and the complex pursuit of justice.
Pages: 419 | ASIN : B08F75MNK2
Taking Up Life in Both Hands
Taking Up Life in Both Hands is a sharp, crowded political satire that drops readers into the overlapping worlds of Big Law, Catholic health care, presidential politics, and corporate medicine. Its central pair makes the novel work: Claire Flanagan, an ambitious young health lawyer trying to survive a morally slippery law firm, and Sister Ursula, a cigar-smoking nun determined to protect the charitable mission of the enormous hospital system she helped build. Their relationship develops from an awkward professional assignment into a genuine alliance, giving the story an emotional center beneath all the schemes, kickbacks, campaign maneuvering, and executive backstabbing.
Tim Greaney writes with the confidence of someone who knows these institutions from the inside. The legal and healthcare details feel specific without turning the novel into a textbook, and the book is especially good at showing how respectable language can disguise ugly behavior. Executives talk about innovation and restructuring when they mean profit and control. Lawyers talk about loyalty when they mean obedience. Politicians wrap raw ambition in patriotism, religion, or public service. Greaney keeps translating that polished language back into plain English, usually through Claire’s skeptical observations or Sister Ursula’s blunt refusal to tolerate nonsense.
The closest comparison is probably Carl Hiaasen, especially novels such as Sick Puppy or Strip Tease. Like Hiaasen, Greaney builds comedy from institutions that have become so corrupt and self-important that they barely need exaggeration. His cast also includes the sort of schemers, opportunists, damaged idealists, and cheerful eccentrics who’d fit comfortably into a Hiaasen plot. Greaney’s humor is more rooted in legal procedure and healthcare policy, though, and his satire spends more time explaining how the machinery works. That gives the book a heavier factual texture, but it also makes the misconduct feel plausible rather than merely cartoonish.
The novel’s greatest strength is the way its comedy and moral seriousness reinforce each other. Claire’s gradual decision to risk her career, Sister Ursula’s insistence that health care should still involve caring, and the eventual exposure of Brian Shea’s schemes give the sprawling plot a satisfying direction. The final chapters bring consequences, personal renewal, and a touching farewell without losing the book’s irreverent voice. Taking Up Life in Both Hands is an energetic institutional comedy about conscience under pressure, and its best moments come when two very different women recognize that professionalism means more than protecting the people who sign the checks.
Pages: 244 | ASIN : B0GSXMS522
CLASS REUNION: Keep Your FRIENDS Closer
Gail Ward Olmsted’s Class Reunion follows Lennon Gallagher, a sharp, guarded Connecticut attorney whose carefully ordered life is interrupted when Erin Cooper, a former law school friend who once betrayed and saved her, resurfaces after being arrested for domestic violence. What begins as an uneasy favor spirals into a murder case, forcing Lennon to confront old wounds, professional risk, romantic strain, and the unnerving question of whether someone from the past can ever be fully known.
I enjoyed how the novel refuses to let Lennon remain comfortable for long. She is competent, funny, prickly, and deeply human, the kind of narrator whose sarcasm feels less like decoration than armor. Olmsted gives her a life beyond the case, Nick, wedding plans, family complications, friendships, work pressures, and that fullness makes the legal drama feel personal rather than procedural. The story’s best tension comes from Lennon’s divided instincts: she wants to believe in justice, but she also knows how easily charm can masquerade as innocence.
What stayed with me most was the book’s attention to friendship as a dangerous, shifting terrain. Erin is not simply a villainous presence or a wounded innocent; she is a provocation, a reminder that loyalty can be both noble and foolish. The pacing is brisk, with courtroom scenes, emotional reckonings, and sudden turns arriving in quick succession, yet the novel still leaves room for humor, tenderness, and those small domestic details, cake, coffee, dogs, and family dinners that make the danger feel more intimate. I found the result engaging, occasionally sly, and satisfyingly volatile.
Readers who enjoy legal thrillers, suspense, women’s fiction, romantic suspense, and courtroom drama will find plenty to admire here, especially if they like strong female protagonists whose private lives are as compelling as the case file. Fans of Lisa Scottoline may recognize a similar pleasure in the blend of legal peril, emotional candor, and female-centered storytelling, though Olmsted gives Lennon a distinctly tart, self-protective voice of her own. Class Reunion is a brisk, twisty reminder that I easily recommend.
Pages: 264 | ASIN : B0GX5Z7KJY
My Two Passions
The Winter Verdict follows a lawyer and dedicated skier who decides to take an early morning run, and gets brutally attacked on the mountain, finding himself and his family at the center of a conspiracy that stretches across the world. What was the inspiration for the setup of your story?
I began working on the storyline for The Winter Verdict in late fall when my thoughts always turn to skiing. My family and I are avid skiers, and we spend most weekends during the winter in Windham, New York, which has become our second home. Windham is a beautiful small ski town with wonderful people and gorgeous views. It quickly became the inspiration for the fictional town of Castle Ridge. I also thought it would be fun to set a legal thriller in a small ski town instead of a big city metropolis, like I did with my first book, The Manipulator. So, I decided to marry my two passions: skiing and writing legal thrillers, and the result is The Winter Verdict.
How important was it to ground the story in family stakes rather than just plot escalation?
It was the main focus of my story. First and foremost, Tom Berte is a husband and a father, and family means everything to him. His day job happens to be working as a top-flight litigator, which gets him into all sorts of legal entanglements, corporate espionage, and international conspiracies with potentially deadly consequences. At the heart of The Winter Verdict lies not only the quest for justice, but Tom also battles to protect his family and the lives of millions of innocent victims.
How did you approach blending courtroom instincts with high-stakes action?
Being a successful trial lawyer involves good storytelling. And the stories I like to write about involve family relationships, lots of dramatic scenes, and literally life and death stakes. I can create all of that by using legal maneuverings for dramatic effect and to add a layer of complexity and heighten the tension. I don’t intend for the legal wranglings to take center stage or dominate the storyline; instead, I use the law as a backdrop for the high-stakes pursuit of justice and the battles Tom faces in combating terrorists intent on committing unspeakable atrocities.
What will the next book in that series be about, and when will it be published?
The third book in the Tom Berte Legal Thriller Series is System of Justice. A shocking murder strikes the Supreme Court, killing Tom’s former mentor. A young law clerk is accused of committing the murder, and when she reaches out to Tom, he can’t ignore her desperate pleas for help. Reluctantly stepping into criminal defense for the first time, Tom swiftly finds himself maneuvering through Washington’s hidden corridors of power. But he soon uncovers a dark secret that could mean the difference between the law clerk’s guilt and innocence. The only problem is that Tom can’t reveal the secret. The case becomes a game of life and death, where proving the law clerk’s innocence might cost Tom his life.
System of Justice will be released later in 2026.
Author Links: GoodReads | BlueSky | Facebook | Website | Amazon
Tom Berte, a former Department of Justice lawyer, thought he’d left his past behind when he moved to Castle Ridge with his family. But when a brutal attack leaves him fighting for his life, Tom and his family find themselves at the epicenter of an unfolding conspiracy that stretches from the local ski resort to a desert compound on the other side of the world.
At the heart of the mystery is Phoenix Holdings Group, a shadowy international conglomerate with its sights set on Castle Ridge Ski Resort. When a catastrophic “accident” at the resort claims dozens of lives, Tom uncovers a chilling connection to his own assault and a ruthless plot that could endanger millions.
With his wife and daughter’s lives hanging in the balance, Tom must navigate a treacherous path of legal intrigue, corporate espionage, and looming revenge.
For fans of John Grisham and Michael Connelly, strap in for a heart-pounding legal thriller with The Winter Verdict—where the pursuit of justice is as precarious as a black diamond run.
Small-Town Scandals
Shadows in the Pleasure Gardens follows an apprentice banker who witnesses a robbery and finds himself in the middle of a small-town scandal and shady racetrack dealings. What was the inspiration for the setup of your story?
I was inspired a few summers ago, when I was working as a law clerk on the weekdays and a horse racing official on the weekends. Law clerking was dreary, dull work, but I enjoyed the racetrack, even though all the old-timers there implied it had a shady background. I find small-town scandals interesting because it’s personal to all the characters, rather than being something you have quickly heard and forgotten.
I enjoyed your characters, especially Chester. What was your favorite character to write for and why?
I loved writing about Fisheye. It was fun for me to think of ridiculous ways a reactive horse might respond in different scenes.
What scene in the book did you have the most fun writing?
I most enjoyed writing the scene where the Sheriff and Chester go to Judge Mason’s house after arresting the robbers. Judge Mason and Sheriff Hoogkirk are distinctive characters with strong personalities, and I enjoyed imagining their argument about the law.
What is the next book you are working on, and when will it be available?
My next book is The Little Pilot, and I hope it will be available in 2027. I’m also hopeful that my novel set during the American Revolution will be available this year or next.
Author Links: GoodReads | Facebook | Website | Amazon
Chester is an unambitious — or independent- minded — apprentice to Mr. Tate of Tate’s Banking and Loans when he witnesses a bank robbery and finds himself serving as Sheriff Hoogkirk’s justice-seeking assistant. His newfound role in law enforcement introduces him to gambling, carousing, and horse racing at the town’s pleasure gardens, and he is drawn to its excitement at the expense of his courtship and professional career. When an acquaintance from the racetrack is implicated in the robberies, Chester worries he must choose between truth and justice.
Shadows in the Pleasure Gardens weaves together timeless themes, including the personal search for purpose and fulfillment, pressure to conform to societal expectations, corruption of the powerful, and how horses help us escape it all, if only for a bit.
Shadows in the Pleasure Gardens: Regarding Robberies and Racehorses
Shadows in the Pleasure Gardens, by Elaine Mary Griffin, follows Chester Carter, a young apprentice banker whose quiet life is split open the moment two faux “Indians” rob Tate’s Bank and Loans. What begins as a simple theft spirals into a sprawling tangle of runaway horses, whispered scandals, shady racetrack dealings, and the slow unraveling of a small town’s pride. Chester records his part in the affair with a naive honesty that grows into something bigger than the robbery itself. The story shifts from a chase through fields and woods to a look at the fragile systems of trust and money that bind Fairmount together. Bit by bit, Chester becomes a witness not only to crime but to the way people hide their fears behind bluster, gossip, or a stiff cravat.
The writing has a playful rhythm, almost like the narrator is trying to impress me while telling me the truth. Sometimes the sentences wander, and I found myself smiling at how Chester must know he is rambling but keeps going anyway. I liked that. It made the town feel lived in and hot and dusty, and it made Chester feel real. The humor landed for me, too, especially in the early scenes at the bank where Mr. Tate blusters around while Chester tries not to sweat through his collar. I did feel the pacing slow in a few places, but the charm of the voice always pulled me back.
The ideas tucked inside the story surprised me most. On the surface, it is a tale about stolen notes and a clumsy hunt for culprits. Underneath, it pokes at bigger things. Pride. Fear. The way a community reacts when it feels threatened. I felt a quiet sadness in Chester as he tries to navigate expectations from Mr. Tate, from the Sheriff, from Alida, and even from the people he barely knows who talk big at the racetrack. The writing never lectures. Instead, it nudges, which made the moments of insight hit harder. I caught myself rooting for Chester as he stumbles toward adulthood without quite realizing that is what he is doing.
I recommend Shadows in the Pleasure Gardens to readers who enjoy character-driven historical fiction, coming-of-age stories wrapped in small mysteries, and tales told with voice and warmth. It is a gentle story with a sharp eye, and it will suit anyone who likes stories that take their time and offer humor, grit, and a little heart all at once.
Pages: 261 | ISBN : 978-1685136123
Where The Pecan Trees Grow
Where The Pecan Trees Grow, by Thomas Gates, follows Miguel, a Mexican father who leaves his drought-stricken home in Michoacán to cross the border and search for work in the United States. His journey is dangerous and exhausting, filled with tense nights in the desert, smugglers who mix threat with necessity, and close calls with patrols. Eventually, he finds work on a pecan farm in California, where the quiet rhythm of trees and soil gives him a fragile sense of hope. The story moves between struggle and calm, fear and stubborn faith. It is about survival, family, and the long, slow work of building a life from almost nothing. It is also about promise, the kind that sits heavily on the heart.
I found myself swept up in the raw honesty of the story. The writing feels simple in the best way. It opens a clear window into Miguel’s thoughts and fears. I kept pausing when the story talked about soil or trees. Something in those passages felt grounding. I could feel the heat from the fields, smell the dust, and hear the quiet talk between workers. The tense scenes, like the border chase and the near discovery in the truck, hit hard. They left me holding my breath and maybe gripping the page a little too tight. The gentle moments hit just as hard. The letters Miguel writes but cannot send, his quiet walks through the rows at night, and the way he treats the orchard like something alive and listening. These parts warmed me more than I expected.
There were moments when the book made me ache a little. The prejudice he meets in town feels eerily familiar. Still, the story never falls into hopelessness. It keeps lifting itself up, often because of the farm, the trees, and the quiet steadiness of Big Jim. I liked how the book painted Jim as tough but fair. No speeches. No miracles. Just a man who sees effort and decides it is worth backing. The pacing surprised me at times. Some chapters rush with danger while others slow into a gentle hum. I liked that. Life isn’t even. It jumps and stumbles, and the story captures that feeling well.
By the end, I felt proud of Miguel in this strange way, like I had watched him build himself again layer by layer. I would recommend Where The Pecan Trees Grow to readers who enjoy character-driven stories, especially ones rooted in real emotional stakes. Anyone who likes tales about migration, perseverance, and the quiet strength of ordinary people will find something meaningful here. It is a great choice for book clubs, too. There is a lot to talk about, and even more to feel.
Pages: 163 | ASIN : B0G5M3CDRX
