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A Tale for the Shadows
A Tale for the Shadows is a paranormal fantasy novel with a strong gothic streak and a surprisingly tender emotional core. It begins with murder, which sounds blunt because the book is blunt about it: Sarah Sommers is killed by her husband, becomes a ghost, and from there the story opens outward into something larger about grief, loneliness, survival, and connection. As her ghostly life unfolds, she becomes Senka and crosses paths with Silas, a hunted vampire, while another thread follows Finn, a sick teenage boy in a hospital, listening night by night to a story that may be doing more than simply entertaining him. It is a book about death and love, just as the subtitle promises, but it is also about what keeps a person, or spirit, moving when they have every reason to stop.
Author Joyce Sherry writes in a way that feels intimate without getting precious, and that is not easy to pull off in fantasy. The book has ghosts, vampires, ancient rules, and real danger, but the language keeps bringing everything back to feeling. A cabin smells wrong. A hospital room feels long after visiting hours. Loneliness sits in the air. That grounded quality made the supernatural parts easier to trust. I also liked the author’s choice to frame the novel through storytelling itself. The repeated sense that stories “want” to be told gives the book a self-aware quality, but it never turns smug. It feels more like someone sitting across from you and saying, let me tell you what happened, and meaning it.
I found myself especially drawn to the way Sherry handles character. Senka could have been written as pure vengeance, Silas as pure brooding, and Finn as the sentimental heart of the book. None of them stay that flat. Senka grows into someone more thoughtful and more brave. Silas has the old-world vampire sadness you expect from the genre, but he is not just a dark silhouette in a doorway. He is wounded, weary, funny in flashes, and very human in the ways that matter. Finn, meanwhile, gives the novel an anchor. His scenes keep the book honest. They stop it from drifting too far into mood for mood’s sake. I also appreciated that the novel takes its big ideas seriously without dressing them up in heavy language. It asks what love looks like after betrayal, whether pain has to define a life, and what it means to keep choosing existence. Big questions. Quietly asked.
I would recommend A Tale for the Shadows most strongly to readers who like paranormal fantasy, gothic romance, and character-driven supernatural fiction that cares as much about emotional healing as it does about eerie atmosphere or mythic stakes. It will appeal to people who enjoy vampire and ghost stories but want something softer around the edges and more reflective at heart. I came away thinking this book understands that darkness is only interesting if there is some light pressing against it. That balance is what gives it its pull. It is thoughtful, strange, and sincere, and for the right reader, that combination will feel like being led into the dark by someone who knows exactly where they are going.
Pages: 292 | ASIN : B0FBYTKMSB
Change Is Inevitable
A Real Collusion follows a mid-level ad guy who looks back on his best friend’s wild rise and fall as a grassroots political candidate that took on America’s two-party system. What was the inspiration for the setup of your story?
I’ve been frustrated and angry about the US government’s dysfunction and the broken two-party system for a long time. Leading into the 2000 election, I consulted with the Committee For A Unified Independent Party on their fundraising and also wrote a song called “Bush And Gore Suck.” My band, Channeling Owen, played at a rally in NY for John Haglin, a third-party Presidential candidate. Somewhere along the way, I guess I started wondering what it might take for a third-party candidate to really get traction, and it occurred to me that it might need to be a mistake or an accident…..
The novel suggests that systemic change is incredibly difficult. How did you balance storytelling with the book’s more exposé-like elements?
That’s kind of my thing. I get excited about fighting injustice, and if there’s any truth to the pen being mightier than the sword, perhaps it can make a difference. In my previous book, The Organ Broker, I painstakingly explained how the organ donation system in the US is broken, what I believe caused it, and what I think the remedies could be. Rather than provide an academic paper on that (although I did write a magazine article for Everyday Health), I explained it through the eyes and experiences of a character named New York Jack. In A Real Collusion, I have tried to explain and dissect the dysfunction in our government through the eyes and experiences of two regular guys who almost take down the system.
How did your background influence the authenticity of the media and political scenes?
In 2005, I launched a natural soda brand, which I ran as CEO for six years. I also briefly ran a social-mobile technology company, and learned a bit about marketing and, in particular, digital marketing. I suppose that informed the scenes at the marketing agency but frankly, in my mind I think I imagined the look of it to be akin to the boardrooms I worked in when I first started my career on Wall St. The political scenes—as well as the discussion, policy statements, etc.—were born out of my genuine and passionate interest in political reform and the things I learned when doing some work for an independent political organization twenty-five years ago. Shit, I’m glad you asked. I thought I had just made it all up!
Do you see A Real Collusion as a warning, a mirror, or a conversation starter?
I think it is all of those things. I actually love what your Editor and Reviewer said about the book, making him feel, “Sad, angry, but also weirdly hopeful.” That is exactly how I feel. Like so many Americans, I feel angry about the broken system, the way politicians are self-serving and also choose party over country. I feel sad, and even exhausted, when it seems to never change. Yet, I do think that not only can things change, but that change is inevitable. The problem with change, or long-term evolution, is that it sometimes moves too slowly to be seen easily, or to benefit an individual within his or her own lifetime. I try to think about the timeline being humanity’s, and not my personal one of 80 or 90 years, and I continue to hope that things will get better and we will end up with a system of true and free democracy, with a government whose genuine goal is to serve the interests of the collective citizenry.
Author Links: GoodReads | Website | TikTok | Instagram | Amazon
From the author of the bestselling novel, The Organ Broker, (hailed by Lee Child, New York Times # 1 bestselling author of the Jack Reacher series as, “Exciting and thought-provoking–the perfect package”) comes, A Real Collusion, a stunning political thriller and expose.
A Real Collusion is a David Vs. Goliath(s) story about a man who accidentally becomes the leader of an independent political movement that nearly takes down the two-party system in America, while exposing a conspiracy that affects the results of the 2016 election. It explores universal and deeply human themes of loss, and the tension between justice and power. In the opening sentence the narrator points out that, “Ordinary people often do extraordinary things.” The characters in the book do, and the action is driven by the fantastic events of a unique political satire. It is also the heartfelt story of regular people struggling with lost love, alienation and nearly universal disaffection who find strength in enduring loyalty and friendship
This is the story of John Campbell (a regular guy from the lower east side of Manhattan) as recounted by his friend Skip Winters. Skip becomes John’s campaign manager and later, a congressman in his own right. He narrates the stunning-but-plausible story of how John Campbell and The American Coalition race to popularity, raising over a hundred million dollars from grassroots contributors—and become a threat to the political duopoly of the Democratic and Republican parties. The book sprinkles in references to real events from recent history, and real political leaders including Trump, John McCain, and more. This imbues the novel with a sense of realism, albeit one of an alternate reality. Skip discovers a deep-seated conspiracy within our political system whose leaders orchestrate a murder, destroy his friend and tip the scales of the election. The novel turns out to be Skip’s exposé of the secret collaboration between the two major political parties in our country—a cooperation to protect the duopoly that is, in part, real.
A Real Collusion
A Real Collusion is a political thriller told through the eyes of Skip Winters, a mid-level ad guy who looks back on his friendship with John Campbell and the wild rise and fall of a grassroots movement. It starts small, with a silly local fight over cigar smoke at a community board meeting in the Bowery, where John’s angry “I object” moment and a quick handshake outside the gym turn into a tabloid photo and a cable-news booking. From there, Skip helps John ride a wave of viral attention into the creation of the American Coalition, a scrappy effort to break the two-party lock, curb big money, and push more honest voting in Congress. As donors, TV producers, and dark-money groups close in, the story widens from New York to Washington and Philadelphia, where the movement crashes into a secretive business council and a lurking gunman in the crowd, leaving John’s legacy split between real reform and a sense that the system still has its hands on the wheel.
Skip sounds like that smart, slightly bitter friend who tells a story over a drink and keeps circling back to the parts that really hurt. The early chapters are vivid and weirdly fun: folding chairs tipping over in a hot school gym, cops’ lights splashing off old brick, a stunned ride on the F train with the Post open to a photo of your buddy on the front page. The scenes in the bar, the cramped apartment, the ad agency office feel specific and lived in, and the jokes land with a light touch instead of feeling like “political satire.” The author knows how to tighten the screws; the book shifts from goofy excitement to real tension smoothly, and by the time CNN calls and big donors sniff around, the momentum feels natural, not like the plot is dragging the characters along.
I did feel the “novel and exposé” label in the writing. When Skip and John hammer out the American Coalition platform and talk through campaign finance, independent candidates, and the way corporations game the rules, the book turns into a kind of civics lesson. I did not mind that most of the time, because Skip is honest about his own ego and fear, and that keeps the big ideas grounded in one guy’s midlife crisis and his hunger to matter. Still, a few speeches run long, and some side characters can drift toward types more than people. The scenes that follow the BCL and the man in the crowd with a gun, though, hit hard. They show how a hopeful movement can be bent or broken by a handful of people with money and no shame, and they made me uncomfortable in a way that felt earned rather than melodramatic.
The book made me angry, sad, and weirdly hopeful all at once. The introduction lays out a blunt case that the real threat to American democracy comes from inside, from quiet collusion between parties and donors who let inequality balloon while the middle class slides, and the plot keeps circling that point without ever feeling like a pure lecture. I liked how the story shows the media as both amplifier and filter, how a tossed-off joke about both parties “sucking” becomes a brand, how consultants and billionaires talk about “fixing the system” while protecting their own slice. The ending, with John gone and a handful of independents in Congress, hit me hardest; change happens, but not cleanly, and the people who lit the fire do not always get to see the house rebuilt. That left me thinking less about whether the plot was “realistic” in a narrow sense and more about how much of it already feels true.
I would recommend A Real Collusion to readers who enjoy political stories with heart, anyone who follows American politics and feels worn down but not completely checked out, and folks who like character-driven fiction about friendship, compromise, and the cost of sticking your neck out. If you are okay sitting with some ambiguity, some righteous anger, and a stubborn streak of hope, you’ll enjoy this novel.
Pages: 286 | ASIN : B0G5K3BJ1K
Soldiers in the Sandbox
Soldiers In The Sandbox is a military war novel that follows Sergeant Alex Vance from an Iraq deployment into the long, uneven stretch of coming home. The story opens with Vance arriving under punishing heat and constant tension, then moves through patrols, sudden firefights, and the loss that reshapes how he sees his unit. Back stateside, the fight changes form: therapy appointments, VA paperwork, and that hollow sense of trying to speak a language no one around you understands. Threaded through it all is his hidden notebook, a private place where he tells the truth to the page when he cannot tell it to people.
What I noticed right away is that Metcalf writes with a big, earnest heartbeat. He is not chasing cool detachment. He wants you close to Vance’s head, close to the moment, close to the way one memory can shove itself into the present without asking permission. Sometimes the prose leans into explanation and emphasis. Still, I kept turning pages because the intent feels honest. And because the book is willing to linger in the unglamorous parts, like waiting rooms and forms, and the slow grind of trying to get help that fits.
The notebook choice is the smartest structural move in the book. Early on, it reads like a lifeline Vance keeps tucked away in his rucksack, almost like he is hiding a small candle from the wind. Later, it becomes more methodical, a way for him to spot patterns in himself and to map the mess of reintegration when everything feels off by a few degrees. I also appreciated the author’s decision to include extra material at the end, like a glossary and a list of veteran support organizations. It is unusual for a novel, but here it fits the book’s mission of building understanding, not just telling a story. Metcalf’s own background as a combat veteran and his work with disabled veterans add context to that choice and help explain the book’s steady focus on what happens after the headlines fade.
If you tend to read war fiction for action set pieces, this might feel more reflective than you want. If you read the genre to understand the human cost, especially the after, then this is an exceptional book you’ll want to pick up. In that way, it reminded me more of the post deployment stories in Redeployment than of a plot-driven combat thriller. Soldiers In The Sandbox is war fiction with a steady pulse and a clear-eyed heart, gripping in the fight scenes, but unforgettable in what comes after.
Pages: 403 | ASIN : B0G7MZCHR2
TELL ME THAT YOU LOVE ME
In Tell Me That You Love Me, Connie Roberts narrates a restless, decade-tinged search for tenderness that keeps slipping into sex, friendship, and misread need, moving between New York City, Charleston, Fire Island, and Key West as the story escalates from raw erotic entanglements to genuine catastrophe. What begins as Connie’s attempt to reinvent herself and be chosen becomes a harsher education in how people use each other, how shame masks longing, and how “love” can be mistaken for the simple relief of being wanted.
This book doesn’t flirt with discomfort, it really commits. The eroticism is frequently charged, sometimes tender, and sometimes poisoned by power games and crossed boundaries; there’s an argument over “who did what to whom” that lands with a sour aftertaste because it’s played like banter while still naming rape outright. That tonal whiplash, sensuality set beside psychic bruising, feels deliberate, a reminder that harm often arrives in familiar voices, even in rooms that look safe.
And then the plot turns viciously public. On Fire Island, the story’s social sparkle (tea dances, beaches, the magnetic churn of summer bodies) is split by sudden violence: Connie learns that her friend Darin has been shot and is dead, rumors detonating faster than facts, police looming at the edges of the party. The murder isn’t used as a gimmick; it changes the temperature of everything, exposing how quickly a chosen family can become a crime scene, how fear rearranges loyalties, how the self tries to sprint away from grief. By the time the book reaches its late stretch, it’s no longer asking “Will she be loved?” so much as “What kind of love can survive the world she’s already lived?”
Readers who want erotic romance, dark romance, and emotional romantic suspense, especially stories that braid sex with queer-adjacent nightlife, messy friendship, and genuinely disturbing turns, are the best fit here (with a clear content-warning mindset for sexual violence and murder). If you’ve enjoyed the big-feelings sweep and relationship labyrinths of Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo, this delivers a grittier, less polished cousin: more bruises, fewer soft-focus edges. The last pages in Key West widen into something like grace: a sail into the sunset, a rare “green flash” called a lucky omen, and Connie, finally, naming her love as improbable but real, choosing to believe she and Bill were “destined to be together.” Tell Me That You Love Me is a jagged, sensual novel that earns its ending by refusing to pretend the dark parts didn’t happen.
Pages: 411 | ASIN : B0FBY5KNSH
Soldiers in the Sandbox
I read Soldiers in the Sandbox as a first-person immersion rather than a detached war story, and that feels like the book’s defining move. Author Scott Metcalf frames the novel around Sergeant Alex Vance’s deployment to Iraq, tracing his journey from the anticipatory weight of arrival through firefights, loss, and the quieter but more corrosive aftermath of survival. The plot itself is deliberately unflashy: patrols, sudden violence, the death of a fellow soldier, and the long interior reckoning that follows. What carries the book is not narrative surprise but accumulation, the way dust, fear, camaraderie, and moral unease layer themselves into a lived experience that refuses to simplify war into slogans or spectacle.
I liked how insistently physical the prose is. Metcalf writes with an almost tactile fixation on weight, like rucksacks biting into shoulders, heat pressing down, adrenaline flooding the body, and that physicality grounds the psychological descent that follows. I trusted the voice because it never strains for heroism. Alex Vance is competent, but he’s also uncertain, frightened, and frequently confused by the machinery of command that moves him around like a chess piece. The firefight scenes don’t glorify violence; they disorient. They arrive abruptly, leave behind numbness, and fade into silence that feels heavier than the noise. That restraint gave the book credibility.
The emotional center of the book, though, isn’t combat; it’s grief and moral residue. The death of a young soldier fractures the unit in quiet, believable ways: absences at meals, jokes that no longer land, routines that keep going because stopping would be worse. I was especially drawn to the journal passages, where Alex tries to articulate what the war is doing to him. Those moments resist tidy insight. Instead, they circle questions of purpose, agency, and complicity without resolving them. The effect is unsettling in the best way. The book doesn’t offer catharsis so much as recognition, a sense that confusion itself is the honest outcome.
Soldiers in the Sandbox will resonate most strongly with readers drawn to military fiction, war literature, and psychological realism, especially veterans, military families, and civilians who want a grounded portrayal of modern conflict without cinematic gloss. Stylistically and thematically, it sits closer to Tim O’Brien’s The Things They Carried than to action-forward war novels, sharing that focus on memory, guilt, and the stories soldiers tell themselves to endure. This is not a war story about what happened, but about what remains.
Pages: 403 | ASIN : B0G7MZCHR2
Love and Laughter
NICK and CLANCY – A Tale of Nine Lives follows a gentle and wounded man recovering from severe heart trauma, who has a runaway dog turn up at his door, and gives him a new purpose in life. Where did the idea for this novel come from?
The character of Nick is inspired by the life and death of my younger brother, although I have fictionalized his personality and life course in ways he would never recognize! The character of Clancy was inspired by my good friend’s Sheltie collie, now deceased, who I swear was sentient. I wanted to give Clancy to Nick as a gift that I wish I could have given my brother.
I loved that Clancy is not just a sidekick in this story; she is just as active and engaging as Nick. Her character is funny, loyal, guilty, protective, and oddly wise. How did you decide what emotional range to give her?
Little spoiler warning: In the story, Clancy’s personality reflects her previous lifetime as a zany, devoted person. I’ve known several of those. So she was actually an easy character to imagine. Think of a zany, devoted person you’ve known – that’s Clancy.
Humor shows up amid fear and illness. How did you find the balance between laughter and emotions that overtake a person when facing an illness such as Nicks?
Life isn’t all one color, or even two (black and white). I wanted Nick’s story to be rich and full of love and laughter that often come hand-in-hand with loss and tragedy. We are multidimensional beings; if only we open our minds and hearts.
What do you hope readers feel when they close the book?
I hope they feel the love that permeated Nick and Clancy’s lives, and that it inspires them to reach out and share their own love with others, while we have the time and place. As Nick’s Aunt Nancy would say, “Micro-moments matter. Even the tiny ripples matter. Just ask the fish in the creek.’”
Author Links: GoodReads | Facebook | Website | Amazon
Is the Grass Greener?
Having It All follows a devoted mother and Wall Street trader, who tries to hold together a demanding career and a family when one disaster after another hits, leaving her to make a desperate decision. What was the inspiration for the setup of your story?
I started out with the idea to show three women with very different lifestyles, a single woman, a stay-at-home mom and a working mother, and show that each was a viable option. And you see these three characters in the book. But the working mother ended up being the focus. Perhaps because that was what I was most familiar with myself.
Dalia is a relatable character that many modern women will see parts of themselves in. Was there anything from your own life that you put into the characters in your novel?
There was plenty! This was originally my first attempt at writing a novel. I gave Dalia a security trader position because that was my job and I figured it would save on the research involved with using an alternative. So, I had the long commute, the stressful day and the child and husband to juggle.
I put the manuscript away for years because I couldn’t resolve some issues with the plot, but five published books later, I knew how to fix the problem. I kept the book set in 1997 because that’s when I started writing it, and if the characters had modern technology, the story wouldn’t work, and the trading details wouldn’t be accurate anymore.
What were some themes that were important for you to explore in this book?
Back in the day, they led women to believe they could have a perfect life as a working wife and mother with nothing having to suffer. That it should all be a simple snap of the fingers. But everything in life has its ups and downs. Also, the grass isn’t always greener on the other side, so be sure to take time to be grateful for what you have.
What is the next book that you are working on, and when will it be available?
I’m working on the second book in my Findale Fae Mystery series with hopes to have it available by the end of 2026.
Author Links: GoodReads | Facebook | Website | Instagram
1997––Dalia Roberts had it all––a successful career on Wall Street, a big beautiful house, a loving marriage, and two fantastic kids. But along with those blessings came the work-related stress, the harried days and sleepless nights, the long commutes, and the constant, never-ending juggle of marriage, children, and finances.
Despite being a two-paycheck family, Dalia and Joel Roberts must juggle to make ends meet. Then disaster after disaster hits, leaving their once-perfect home life, along with the professional persona Dalia had worked so hard to perfect, in shambles. Burnt out and unable to think clearly, Dalia makes a desperate decision. Will this ill-thought-out move be the answer or only cause further heartbreak?
Belinda Gordon’s poignant new contemporary fiction unpacks the complex struggles and financial challenges working women with families face when trying to have it all.
