Blog Archives
Seeking Closure: Someday, You Will Understand
Seeking Closure dives deep into the interconnected lives of its diverse cast of characters, blending personal growth, financial intrigue, and societal upheaval. Spanning decades from the 1990s to the pandemic-stricken 2020s, the book intertwines major historical events like 9/11 and the Great Recession with the intimate struggles of love, ambition, and self-discovery. The story’s heart lies in its exploration of universal questions: What defines love? How do we balance personal desires with societal expectations? It’s as much about financial investments as it is about emotional ones.
One thing that struck me immediately was the writing’s layered texture. The author breathes life into characters with rich, nuanced backstories. For instance, Adam, the protagonist, steps into the financial world with all the polished nerves of a freshly minted MBA, yet his journey is anything but linear. His first encounter with the enigmatic Charlie had me grinning and wincing in equal measure, reflecting on how chance meetings often define our paths. The way Adam’s nervousness on his first day mirrors his internal growth later in the book is rewarding. This character progression feels real and heartfelt.
I enjoyed the story but felt the prose occasionally reaches for more than it needs to, with some scenes feeling a bit overexplored. For instance, the meeting between Adam and Charlie in the early chapters, while engaging, sometimes lingers on details that could have been tightened. Even so, these moments also highlight the author’s enthusiasm for crafting vivid and immersive storytelling.
What I loved most, though, was how the book delves into its philosophical undertones. Each character seeks closure, whether through love, career, or family. The chapter on Jane’s sacrifices for her family versus her career ambitions resonated deeply. Her quiet strength is a sharp contrast to Charlie’s brash assertiveness and Adam’s introverted resilience. I found myself rooting for all of them, even when their flaws were painfully evident.
By the time I reached the closing chapters, I felt like I had lived decades alongside these characters. The final moments are bittersweet, leaving you pondering the very meaning of closure. Is it truly an end or just another beginning?
If you enjoy stories that weave personal dilemmas with historical contexts and explore themes of love, identity, and ambition, Seeking Closure is a must-read. It’s perfect for anyone who loves drama with a philosophical twist or wants to lose themselves in a tale that feels both sprawling and deeply personal.
Pages: 345 | ASIN : B0CW1BSJC5
Sketches from the Periphery
Michael Patrick Summers’s debut novel, Sketches From the Periphery, stands as a remarkable achievement in historical storytelling. It illuminates the human narratives behind world conflicts, offering a gripping and thought-provoking exploration of the Darfur conflict in Sudan. For anyone fascinated by history, this novel provides a poignant and empathetic window into the lives of those impacted by one of the 21st century’s most complex crises.
The story centers on Alexander Barr, a young American contractor working with the African Union’s peacekeeping mission in Darfur in 2006. Through Alex’s eyes, readers navigate the brutal realities of a war-torn region. The narrative delves into existential themes, grappling with the enduring legacies of colonialism and the often violent dynamics of human history.
Alongside Alex’s journey is the parallel tale of Tariq, a battle-hardened operative of the Darfur liberation movement, whose life has been indelibly shaped by conflict. Although their paths do not directly converge, the interwoven stories depict life on the margins of civilization, where idealism and survival clash in a haunting dance. Adding richness to the narrative is Cassandra, a fiercely independent European journalist whose presence brings a fresh dynamic to Alex’s search for meaning. Her depth and resilience make her a standout character. Summers deftly blends historical fiction with profound philosophical reflection, creating a layered and immersive experience.
The novel not only exposes the raw truths of the Darfur conflict but also challenges readers to confront broader questions about humanity’s capacity for both destruction and creation. The richly developed characters, each grappling with moral complexity, bring the story’s themes to life in vivid and unforgettable ways.
Sketches From the Periphery is an evocative and introspective work, appealing to history enthusiasts, fans of philosophical literature, and readers drawn to stories of resilience and moral struggle. Even for those who may not typically choose books about war, this novel offers an unparalleled journey into the depths of human conflict and the search for meaning amidst chaos. It’s a profound, moving, and deeply worthwhile read.
Pages: 197 | ASIN : B0DL6S7VHX
The Deaths at Jonestown
Paradise Undone is a powerful and deeply unsettling exploration of one of the most tragic events in modern history, the Jonestown massacre. Where did the idea for this novel come from?
In 2004, I gave a reading at the U. of N. Dakota Writers Conference to a crowd of 600, where I was a master teacher in residence. In the story, about the intersection of 9/11 and a Jewish family I knew back in New York, the parents go to a deprogrammer in an attempt to rescue their daughters (based on two friends) from a nameless cult in the Southwest. The programmer tells them he lost his daughter in Jonestown four years earlier. That was the sole mention of Jonestown in the story excerpt, which went on to win some prizes and be published in Sequestrum and Glimmer Train .
Afterward, a friend came up to me in tears, telling me of his colleagues who had lost family — siblings and nephew — in Jonestown. A powerful and unexpected response to my story. A month later, preparing for my sabbatical, in which I planned to write Hippie Ruins, a novel about the communes in Southern Colorado where I would spend the year ahead, I perused the shelves at Powell’s City of Books in Portland, OR, passing from COMMUNES to CULTS, where I discovered dozens of books about Jonestown. Thus, my bookstore aisle epiphany: remembering my friend in tears, I decided to write my book about Jonestown instead. The hippies could wait, while the story of an unscrupulous charismatic man leading altruistic souls to their demise felt urgent. Twenty years later, in this election year, my book just published, that urgency pulses with even greater danger.
Did you find anything in your research of this story that surprised you?
When I began researching, the most basic facts concerning the deaths at Jonestown — about which I knew little, like most Americans alive in 1978, when I was 18 — stunned me. The dead were 2/3 female, 80% African American, and 1/3 of those 900+ bodies were children. The media of the day, and even now, present those dead human beings as brainless, drugged-out zombies, led by a crazy man to “drink the Kool-Aid,” a salacious and sensationalized portrait so misleading. The dead of Peoples Temple were families, a third of them elderly, and the group as a whole comprising idiosyncratic individuals. It was not a mass suicide; it was murder, an example of coercive control gone ballistic.
What was one of the hardest parts of Paradise Undone for you to write?
I chose to narrate Nov. 18, 1978, from the first-person perspective of Marceline Baldwin Jones, Jim Jones’s wife of nearly 30 years, a founding member of the altruistic work of Peoples Temple in 1950s Indianapolis, who witnessed its decline in Jonestown’s final years, as her husband became an addict and monomaniac. The only fact we know about her demise that day is that she was one of the 900+ who died from poison. Two people died of gunshot wounds: Jim Jones and his nurse, Annie Moore. I wanted to give her a voice, a will, and a longing to stand up to her husband. However, she is human and weak and does not prevail. Living inside her consciousness for hours while the poison is dished out by others in cups and syringes in varying doses measured for infants, toddlers and adults, resonated with pain. She loves these hundreds of people who call her Mother. But there are armed guards surrounding her, guarding the vat of Flavor-Aid (not, in fact, Kool-Aid), and the crowd rises up against the one woman, Christine Miller, who argues with Jones not to go forward with his plan of so-called “Revolutionary Suicide.” Paralyzed with fear, Marceline does not act.
What is the next book that you are working on, and when will it be available?
My next book will be linking short stories about other members of Peoples Temple, including characters I wanted to write about in my novel but could not include due to narrative constraints. I plan to have it published on the 50th anniversary of the massacre in 2028. However, PARADISE UNDONE was ready for the 30th anniversary in 2008, with a NY agent who tried his best but, despite two close calls, returned it to me. Fifteen years later, despite hundreds and hundreds of rejections, in addition to being a finalist 17 times in various contests, I finally found a UK publisher, by chance, who eagerly snapped it up. Am hoping for a pub date closer to my goal this time around, with fewer years on my biological clock remaining!
Author Links: GoodReads | X (Twitter) | Facebook | Website | Instagram | Threads | Amazon
Imagine a community full of rainbow families where everyone comes together in the spirit of equality and fraternal love.
Shy pastor’s daughter Marceline and her new husband Jim Jones found Peoples Temple in the face of rampant hostility and aggression in 1950s segregated AmeriKKKa.
They give hope to the poor, the miserable, the alienated and disenfranchised of all colors, and build a commune in the jungle of British Guyana.
But this Eden too has its serpent. One who is also jealous of God, and where he goes, everyone must follow, even to the grave.
Paradise Undone: A Novel of Jonestown
In Paradise Undone, Annie Dawid takes readers on a haunting journey back to the 1950s, where Marceline, the daughter of a pastor, encounters a man who seems to embody all the characteristics she values. Charismatic, godly, and fiercely intelligent, Jim Jones attracts people like a flame in the darkness. However, the world would soon know his name for reasons far darker than Marceline could have ever imagined. The creation of Jonestown and the horrific massacre that ensued became global news, but no documentary could fully capture the human tragedy of what happened there. This novel does, and it does so with unflinching honesty.
Paradise Undone serves almost as a companion piece to the recent TV miniseries Cult Massacre: One Day in Jonestown. While the series provides archival footage and survivor interviews, Dawid’s novel delves deeper into the events that transpired in the Guyanese jungle and the years that led up to it. The Jonestown tragedy can be explored on many levels, each more disturbing than the last. It wasn’t just the loss of life that was so horrifying, but also the manipulation and perversion of the very idea of paradise on Earth that Jones preached. This novel focuses intensely on that perversion. Dawid’s vivid descriptions evoke a visceral reaction as we witness the transformation of Jones from a seemingly benevolent leader to a figure of pure malevolence, like the devil himself given human form. From the outset, Dawid expertly reveals the cracks in Jones’ Eden. As the story unfolds, readers become as captive as the residents of Jonestown, drawn into a web of tension that escalates to a fever pitch. Even for those familiar with the outcome, the inevitability of the violent crescendo does nothing to lessen its devastating impact. This is a harrowing tale, and Dawid leads us through it with the precision and skill of a seasoned storyteller, ensuring that every moment is as gripping as it is heartbreaking.
Paradise Undone is a powerful and deeply unsettling exploration of one of the most tragic events in modern history. Annie Dawid’s masterful storytelling brings the human aspect of the Jonestown massacre into sharp focus, revealing the psychological manipulation and the dark descent of a man who led so many to their doom. This novel not only provides a chilling reminder of the dangers of blind devotion but also serves as a poignant testament to the lives lost.
Pages: 304 | ASIN : B0CKHSZX7X
Inner Strength
In Next Stop, Boston, a young woman finds herself in the care of a temperamental rock-and-roller following her sister’s tragic death. Where did the idea for this novel come from?
The story is very loosely inspired by the old Fellini film classic La Strada. I wrote it for fun during one of the COVID surges. It encapsulates all my guilty pleasures–rock music, scandal-ridden rock star bios/memoirs, Hollywood gossip, fanfiction, and soap operas.
In addition to La Strada, the story is also inspired by other favorites, Janet Fitch’s White Oleander, Thomas Hardy’s Tess of the D’Urbervilles (my favorite novel as a teen), and the film Captain Fantastic.
The inspiration for the novel has its genesis to when I was a struggling theater actress in New York City in the early 1990s. I was called in by an off-off-Broadway theater company to participate in a play reading of a script about a young girl and a musician. I read the part of the young girl. The script was very well received, and I remember everyone commenting on how much it reminded them of La Strada. At the time, I didn’t see the movie, but later I did–several times. So, the germ of the idea began there. However, I put my own feminist spin on it because what was acceptable when the film came out in the early 1950s, doesn’t work in this modern post-MeToo era.
Was there anything from your own life that you put into the characters in your novel?
Other than my love of rock music, there is very little from my own life that I incorporated into Next Stop, Boston. I certainly don’t have any personal traits that are similar to Dez’s–that’s for sure. At least, I hope not. (I did stay one week at the Chelsea Hotel years ago, but that was in between apartments, and it wasn’t to score heroin). But I did enjoy writing him very much. It’s so much fun, even cathartic, to create a character most readers would consider to be the “villain” of the story. The thing about villains or morally ambiguous characters is they never consider themselves in that light. Not at all. They always think they’re in the right and everyone else is wrong! It’s very important to humanize them and invest them with a lot of nuance and dimension because if you don’t, you’re just going to create caricatures or stock villains with no depth or insight into their motivations.
I did base Val, the drummer who tries to help Geri, on a charming, cute drummer I briefly dated way back when. He was a sweetie, very similar to Val’s temperament and physicality. Sadly, I went on a few dates with him right before his band went on the road to promote an album and a video on MTV. Though we talked about picking up where we left off after the tour ended, I never saw him again. HA-HA. Musicians!
The only points of similarity I have with any of the characters in Next Stop, Boston would be with Geri in terms of her vulnerability, keen curiosity about the world, her sincere desire to improve herself, and her frustration at being misunderstood and dismissed by the adults around her considering her youth and neurodivergence. I’m not neurodivergent, but I was badly bullied when I was a young teen and still carry those wounds around with me as an older adult. That type of trauma can either strengthen, harden, or weaken you. I did incorporate some of that inner turmoil into Geri when I was working on her POV chapters.
What were some themes that were important for you to explore in this book?
If there is any message I wanted to convey with this story is how important self-reliance is in the end. Never depend on anyone for the validation of your self-worth. Depend on yourself and draw upon your inner strength to grow and move on.
What is the next book you are working on, and when will it be available?
For my next novel, I am toying with an idea of a story that will take place in 1986. The story will draw a little on my crazy youth in New York City and those nutty survival jobs I took to pay the rent and buy food.
Author Links: GoodReads | Twitter | Facebook | Website | Amazon
Finding Your Way
Disrupted follows a group of high school drama students who, after an earthquake shut down their school, set out to perform their production anyway and raise money for the repairs. What was the inspiration for the setup of your story?
Many years ago, in a previous century, I was a high school drama teacher. I’ve never forgotten many of my students. I was a high school teacher during the Loma Prieta earthquake in 1989, and I like to imagine all kinds of scenarios and “what-ifs” in my mind. I already had imagined Sandee Mason who appeared in a series of articles for Dramatics Magazine as well as an earlier novel of mine, Talent, and I imagined what would happen if she finally got the recognition she wanted and she worried that it would disappear after something catastrophic happened to the school.
What are some things that you find interesting about the human condition that you think make for great fiction?
You never know what you might do when faced with circumstances beyond your control like the loss of a brother, a best buddy moving away, a new boy in town who makes your heart throb, or the strange way parents sometimes act. People’s motives aren’t always what they seem to be and as Atticus Finch said in To Kill a Mockingbird, “You never really know a person until you consider things from his point of view . . . until you climb into his skin and walk around in it.”
What were some themes that were important for you to explore in this book?
Loss of life, of home, of family
Courage to rise above things beyond your control
Overcoming obstacles like alcohol addiction, homelessness, and situations beyond your control
Finding your way when you feel different
Figuring out who you are
What is the next book that you are working on, and when can your fans expect it to be out?
I’ve thought about another book about Sandee Mason’s Senior Year, but right now I have an inspirational memoir on the back burner and am working on some flash pieces, plus author interviews, book reviews, and more for Writer Advice. I’m also doing a lot of thinking about a brand new story I’m not ready to share at all—but it’s a doozy, and will either be women’s fiction or memoir. Sometimes there’s a fine line between the two. Obviously, I am not on a linear track, and I can’t tell you when my next piece will be out.
Author Links: GoodReads | Twitter | Facebook | Website | Amazon
Next Stop, Boston
Next Stop, Boston is a riveting tale that delves into the depths of love, tragedy, and personal transformation within the backdrop of the rock music scene and familial relationships. Iris Dorbian masterfully crafts a narrative that revolves around Geri, a young woman grappling with the aftermath of her sister Michelle’s tragic death, and Dez, a troubled rock star who unexpectedly becomes her guardian. Set against the electric atmosphere of backstage concerts, their complex relationship unfolds, driven by a shared history of loss and a bond forged in the fires of dysfunction.
From the outset, Dorbian captivates readers with Geri’s journey, from her humble beginnings to her immersion in the tumultuous world of rock and roll alongside Dez. The authenticity of their dynamic, fraught with tension yet laced with moments of unexpected connection, propels the narrative forward, ensnaring readers in its grip. The rich tapestry of characters, each intricately drawn with flaws and vulnerabilities that render them achingly human makes them relatable. Geri’s quest for self-discovery amidst the chaos of fame and personal tragedy, mirrored by Dez’s own inner turmoil, unfolds with a rawness that resonates deeply. Dorbian deftly navigates their emotional landscapes, presenting a nuanced exploration of grief, resilience, and the complexities of human relationships.
The rock music scene serves not merely as a backdrop but as a pulsating, vibrant force that infuses the narrative with energy and authenticity. Dorbian’s vivid descriptions of concerts and musical performances leap off the page, immersing readers in Geri and Dez’s world with palpable intensity. Through this lens, she explores themes of identity, belonging, and the pursuit of artistic expression, inviting readers to experience the transformative power of music alongside her characters.
Next Stop, Boston is a testament to Dorbian’s skill as a storyteller and her insightful exploration of the human condition. As the final pages are turned, readers are left with a lingering sense of both satisfaction and longing—a testament to the enduring impact of Geri and Dez’s journey. Dorbian’s novel is a poignant reminder of the resilience of the human spirit and the redemptive power of love, making it a must-read for fans of literary fiction and music enthusiasts alike.
Pages: 206 | ASIN : B0CLL32H97
True Community and Connection
Godspeed, Cedar Key follows a group of people stranded on an island after a mainland is destroyed who now have to learn to rely on one another without any technology to survive. What was the inspiration for the setup of your story?
Godspeed, Cedar Key is my debut novel. I have primarily been known as a playwright for the past decade. My last two plays premiered off-Broadway in New York City, and those two plays and several others continue to be produced regionally. There is a running joke among people that follow my writing, and I’m happy to be in on it. I only ever really write about one thing–the power and deep relevance of the extended families we create for ourselves. For this novel, I wanted to create a premise that would give me a vehicle to write about the incredible community I have witnessed living in Cedar Key. I am fairly obsessed with the island’s wild history and the common theme that runs throughout it–community. True community and connection that is so often promised in the modern age but seldom delivered. Wars, natural disasters, and calamities of all kinds have laid siege to Cedar Key over the past 180 years or so; no matter the challenge or the age, the little island persevered because folks looked out for one another. I like to call Godspeed, Cedar Key an anti-dystopian novel because, as your sharp review pointed out so compellingly, this story is about love and friendship pushing back against the darkness.
What were some of the emotional and moral guidelines you followed when developing your characters?
Because I began my writing career in the theater, I learned quickly that any artifice in the characters I create and in the things they say or do would be exposed. Audience members and readers are too smart to accept anything that doesn’t ring true to them. Of course, I hope to create elevated characters that face meaningful trials a reader can see reflected in their own lives, but if the characters ever move outside of their fundamental motivations, even for a small bit of dialogue or a passing moment, the whole world I have created will tumble around them. I respect the reader’s time and interest in my story too much to give them anything but the truth–good, bad, ugly, or indifferent.
What were some themes that were important for you to explore in this book?
The essential need for human beings to live in true community with others.
Love and friendship as the only reasonable response to a world gone crazy.
The beauty of people living in close harmony with the natural world.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
There is a one-paragraph Epilogue at the end of the book that portends a continuation of the story. I have another novel in the works now called Trailer Park Elegy. I wrote a play of the same title and was so drawn in by the world and characters of that story that I wanted to flesh it out in novel form. Just after the release of Trailer Park Elegy, I intend to complete the second of a hopefully three-part series set on Cedar Key in the wake of societal collapse.
Author Links: GoodReads | Twitter | Facebook | Website | Kirkus Review | Amazon
Cedar Key is an island dangling off the western coast of Florida in the Gulf of Mexico. On a chilly February morning, the horizon across the bay is enveloped in a microsecond of piercing light, and in an instant the old world is gone forever. Fires burn on horizons around the planet but the heat eventually gives way to the creeping monotone of the skies. The gray sets in overhead and all around, determined to keep the sun away from the land and waters.
In the new world, 300 islanders must learn to survive in the footprints of their forebears, battling invaders from the mainland, disease and natural disasters, and the compounding dread of hearing almost nothing from the wider world. This anti-dystopian novel is a quiet ode to the essential need for humans to live in true community with one another. Despite the loss of most technologies and modern comforts, the islanders persevere in the face of hardship and death– burying their loved ones in the morning and planting spring vegetables in the afternoon.
The deep friendship between the island’s mayor and an eccentric clam farmer underpin a story spanning three centuries of Cedar Key history. The triumphs and failures of past generations echo into the new world, as the islanders learn to lean on each other and their shared history.
The Gulf’s rich bounty and destructive power are a thrilling setting for a life-affirming story where love and friendship push back against the darkness.
LITERARY TITAN 