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Questions Remain Unanswered

D.T. Levy Author Interview
  1. Genluminati follows a group of brilliant young scientists who invent a DNA-based religion as a cynical experiment—only to lose control of it when belief spreads, and a charismatic prophet emerges. Did the concept begin as satire for you, or did you always see it turning dark?

It started as an experiment as well. I was fascinated by cult and religious leaders, the power they wield over people, and what may be happening in their own hearts as events unfold, especially if they know that all they proclaim is not true. The weight of responsibility, the mental balance, and the unexpected consequences.

I didn’t know how things would turn out, but the characters started on an innocent enough path; however, power and curiosity are also powerful influences that lead to chaos.

The book asks whether belief can ever be “controlled.” What fascinates you about belief as a force?

Belief is a powerful force; it can inspire people to do amazing things they wouldn’t attempt without faith, but it can also lead people to do horrible things, including hatred, discrimination, and war. In Genluminati, I try to explore what people hungry for faith would accept and do in pursuit of their beliefs. What are the limits the “religious leaders” can cross, and what would they tell themselves?

How much did social media, viral movements, and online communities influence the story?

In Genluminati, social media helps build a community, amplify Genluminati beliefs, and strengthen its economic network. However, social media can amplify marginal social movements, synthetically foster a sense of belonging, and be dangerously exploited to manipulate and abuse people.

What do you hope readers are left thinking about once the book ends?

I would like people to think more independently about their own beliefs, not allow themselves to be manipulated. I would like people to consider the consequences of the pranks we sometimes pull, and, last, I would like us to think more about the responsibility for our own actions. I would like people to have enjoyed the thriller, but to know that, beneath Genluminati, many moral and ethical questions remain unanswered.

Author Interview: GoodReads | X | LinkedIn

What happens when four brilliant scientists at a Boston university decide to invent a religion based on invoking your own DNA? Genluminati follows this group of friends and the charismatic false prophet who fronts their creation.
What begins as a cynical experiment—a mix of curiosity, ambition, and a desire to stay connected—quickly grows beyond anything they intended. Their “innocent” idea spreads, gathering followers who take the message far more seriously than expected. A single misinterpreted “divine” insight sets off a chain of events that spirals toward real harm, forcing the founders to confront what they started and the responsibility they tried to ignore.
A story about science, belief, and the fragile line between fascination and fanaticism.

The book describes the overreaches of religious and governmental institutions that continuously endanger our ability to act as free, autonomous, and thoughtful individuals.

Terrifying and Darkly Funny

Jamie C. Richter Author Interview

Unorganised Crime follows two down-on-their-luck publicans who make a deal with a loan shark to collect a man from the airport, but they run into trouble when he later goes missing, and they get the blame. What was the inspiration for the setup of your story?

Guy Ritchie’s early films were an enormous influence on me, especially Lock, Stock and Two Smoking Barrels and Snatch. I loved those hyperkinetic crime capers where small-time crooks blunder into big-time trouble, and everything spirals from one bad decision into the next until it all clicks into place at the end.

That style really shaped the setup of Unorganised Crime. On paper, it’s simple. Two debt-ridden publicans agree to pick up a Korean man from the airport for a local loan shark, in exchange for some debt relief. The fun is watching it unravel, because once your “everyman” characters are in over their heads, the chaos becomes the engine of the story.

Magdalena Black is unforgettable. Where did she come from, and how did you approach writing a character who’s both terrifying and darkly funny?

Thank you. Magdalena was one of my favourite characters to write. She took on a life of her own and became this intelligent, wolf-like apex predator who looms over the story like a dark, Armani-wearing cloud.

Truth be told, she started life as Leon Black, a sleazy, Hawaiian-shirt-wearing buffoon. But in a very male-centric cast, Leon never quite landed, and I realised I needed a bigger presence for the story’s main villain. It clicked after I saw Australian comedian Morgana Robinson on Taskmaster. Morgana has this perfect mix of beauty, elegance, intelligence, and, most of all, Aussie spunk that suited a character like Magdalena Black. I rewrote the character from scratch, gave her a posh voice and privileged upbringing, and Magdalena was born. The humour comes from how calm and practical she is. She treats intimidation like admin, which makes her both terrifying and darkly funny.

The book balances genuine danger with laugh-out-loud moments. How do you walk that line without undercutting the stakes?

Plotting and editing are my best tools for keeping that balance. With so many intersecting storylines, Unorganised Crime has to be tightly structured, otherwise the tension falls apart. The comedy works best when the stakes are real, and the humour comes from character, not from undercutting the danger.

A lot of it comes down to pacing. Sometimes it’s as simple as swapping the order of scenes, easing off the pressure with a lighter moment before ratcheting things up again. Editing is where I find the line. I have cut plenty of jokes that dragged or slowed the story down. Less is more, and if I can get a genuine laugh every few pages without losing momentum, I know I’m close.

Do you see more stories for Jack and Hung—or others in this world?

Absolutely, assuming my brand of quirky, darkly comedic crime capers finds its audience. I would love to keep exploring this world, and I’m especially drawn to an anthology approach, a bit like the Fargo television series. Different cities, different time periods, different crews of misfits making terrible decisions, with Easter eggs and recurring characters connecting it all together.

I would also love to revisit Jack and Hung down the track, a decade or two after the events of Unorganised Crime, and tie up a few loose ends.

Author Links: GoodReads | Facebook | Website | Amazon

Bad debt. Bad guys. Badder luck.

On Australia’s glittering Gold Coast, two small-time publicans owe money to the wrong woman. Magdalena Black doesn’t offer lifelines … she deals in shackles.

To keep their pub afloat, Jack and Hung agree to do her one simple errand: collect a mysterious Korean man from the airport.

But when their passenger vanishes, the debt-ridden pair are suddenly prime suspects in a kidnapping they didn’t commit. Cue a violent chain reaction of Korean gangsters, bent detectives, and Melbourne hitmen … each more ruthless and ridiculous than the last.

Bodies fall. Tempers flare. Beer spills. And Jack and Hung are running out of luck on the Glitter Strip.

Darkly comic, fast-paced, and brimming with double-crosses, Unorganised Crime is Aussie noir in the vein of Guy Ritchie’s ‘Snatch’ and Elmore Leonard’s sharp-tongued crime capers. Perfect for readers who like their crime fast, funny, and unapologetically Australian!

It Feels Personal

Susan Reed-Flores Author Interview

The Stanton Falls Mysteries: Promotion to Peril follows the newly appointed Police Chief and his team as they navigate the murky waters of corruption and injustice. Why did you choose to tell this book as three interconnected short stories rather than a single continuous mystery?

    I chose three short stories because the trouble in Stanton Falls doesn’t show up all at once. It comes in pieces. Each story lets the new Police Chief face a different problem, and together they show how the corruption connects underneath it all. Breaking it up kept the pace tight and let me focus on one challenge at a time while still building the bigger mystery.

    What drew you to exploring betrayal from inside the system?

      Betrayal inside the police force hits harder than anything coming from outside. When the people who are supposed to protect and serve the town become part of the problem, it changes everything. It forces the Chief to question who he can trust and how deep the damage goes. That kind of betrayal affects the whole community, and that’s why I wanted to explore it.

      What aspects of small-town life make it effective for exploring secrets and corruption?

        Small towns are perfect for stories about secrets because everyone knows everyone, or thinks they do. People have long memories, old grudges, and close ties that make problems harder to spot and harder to fix. When something goes wrong in a place that close‑knit, it feels personal. Secrets spread quietly, loyalties get messy, and corruption can hide in plain sight.

        Can you tell us more about what’s in store for Stanton Falls and the direction of the third book?

          The third book, Undercurrents of Betrayal, came out last year. I held off on releasing Promotion to Peril for a while because the cover wasn’t finished, but once that was taken care of, the book was ready. This story takes Stanton Falls in a new direction with a fresh storyline. I didn’t want to repeat the same conflict fromPromotion to Peril. I wanted to show how the town moves forward and how new problems can rise up even after old ones are settled. There are new characters, new challenges, and a different kind of trouble working its way into the town. It opens the door to the next phase of Stanton Falls and shows that the town still has plenty of secrets left to uncover.

          Author Links: GoodReads | Facebook | Website | Amazon

          Promotion to Peril: A Stanton Falls Mystery
          In the quiet town of Stanton Falls, danger lurks beneath the surface. Chief Dan Ross and his dedicated team are back, determined to bring justice to those who have wronged the innocent.
          When Chief Ross’s home is ravaged by a mysterious fire, the stakes are raised. As the team delves deeper into the investigation, they uncover a web of deceit and corruption that threatens to engulf the entire town. With unwavering support from each other, they must navigate a perilous path to uncover the truth.
          As secrets are revealed and alliances are tested, Chief Ross and his team face their most challenging case yet. Will they be able to bring the culprits to justice, or will the darkness of Stanton Falls consume them?
          “Promotion to Peril” is a gripping tale of suspense, loyalty, and the relentless pursuit of justice. Join Chief Dan Ross and his team as they battle against time and treachery in this thrilling continuation of the Stanton Falls Mysteries.


          Genluminati

          D. T. Levy’s Genluminati is a nervy “what-if” thriller disguised as a confessional novel. What if a handful of clever, disillusioned grad-school types decided, half as satire, half as experiment, to manufacture a faith based on science, and then discovered that belief is a force you don’t get to control once you’ve unleashed it?

          The story is framed by Matt, the narrator, hiding in the Mayan jungle in Chiapas, running a small B&B, and trying to write down everything before the past catches up with him. This structure works well. The jungle calm gives the book a haunted stillness, and Matt’s voice, at once analytical and self-justifying, keeps the reader in that uneasy space between confession and rationalization.

          At the center are five friends whose intimacy becomes both their strength and their blind spot. The early chapters capture the particular chemistry of smart young scientists who feel allergic to inherited dogma, bonded by private jokes and a shared disdain for proselytizers. That anti-religious posture isn’t just characterization, it’s the novel’s ignition source. Their contempt for fanaticism curdles into a challenge: if people will believe anything, why not prove it?

          The spark comes after they encounter protests outside a research institute: anti–stem cell rhetoric mixed with mystical claims about souls, punishment, and “reincarnated scientists.” From there, in a boozy, half-serious brainstorm, Matt blurts the idea that becomes the book’s central sin: “We should create a new religion… A religion based on scientific data.” The author nails the moment when irony crosses into commitment: everyone laughs, but the laughter is the mask that lets them move forward without admitting what they’re doing.

          As a concept, I think Genluminati is deliciously contemporary. A pseudo-spiritual path built on DNA as scripture, with techniques that blend meditation, chanting sequences, and guided fantasy, self-help language with a biotech sheen. The novel’s best satirical bite comes from how plausible the packaging feels. The author understands that modern devotion often arrives wearing the costume of wellness, optimization, and insider knowledge.

          But the book refuses to stay a satire. Once Daniel is in the mix, the project gains the one ingredient that turns a movement into a religion: a charismatic figure. The text makes his function explicit; he becomes “Our Guide,” the “Spiritual Leader,” the centerpiece of gatherings marketed to followers hungry for an embodied authority. This is where the story’s interpersonal dynamics matter. Emma and Daniel appear as a couple for a time, and that relationship becomes a fault line inside the founding group. Meanwhile, Ben’s long-simmering love for Emma and Daniel’s possessive reaction create a pressure-cooker atmosphere that threatens not just friendships but the stability of the religion itself.

          I think the author’s sharpest insight is that power doesn’t only corrupt through greed. Here, the founders insist they aren’t driven by ambition. They claim it began as “a confrontation against fanaticism… a joke, to see how far people would go, how far we would go.” That “how far we would go” is the chilling part. The experiment becomes a mirror, revealing their own appetite for influence.

          And then come the consequences. The book’s darker, more urgent second life. Daniel begins to believe his role on a deeper level. Matt and the others start talking about him as someone who thinks he’s a prophet, and the group’s fear shifts from embarrassment or exposure to real-world harm. Matt voices the dread plainly: it’s not only about Daniel’s mental health, but what he might do “with his followers.”

          That fear culminates in an extreme act: they remove Daniel from the movement, effectively holding him in captivity, with the stated aim of protecting him and protecting the public from him. The ethical knot here is the novel’s most provocative tangle. The founders started by playing at gods of meaning; by the time they’re isolating their own “prophet,” they’ve drifted into the logic of authoritarian control, deciding who gets freedom, who gets silenced, and what risks justify coercion. Even their strategic calculus has an eerie realism: will Daniel’s disappearance weaken the faith, or make him a martyr and strengthen it?

          The book also widens its lens to show collateral damage. Followers spinning theories, offices overwhelmed by calls, people unsure how to proceed without someone “dictating the agenda.” In other words, belief doesn’t evaporate when the founders panic. It mutates, decentralizes, and keeps moving.

          Genluminati succeeds most when it leans into that escalation from witty premise to grim inevitability. The friendships feel textured and messy, the Boston-to-jungle framing gives the narrative urgency, and Daniel’s transformation into a focal point of devotion is handled with believable menace. The novel sometimes explains its themes as directly as it dramatizes them. Matt can be self-aware in ways that smooth over ambiguity. Still, that’s also consistent with a narrator trying to justify himself while confessing.

          Genluminati is a cautionary tale for an era addicted to viral ideas. You can invent a religion as a prank, but you can’t prank people into believing. Belief is already waiting for a container. Levy’s five friends build that container, and the novel’s sting comes from watching them realize, too late, that they’ve built something that can build back. If you like the morally fraught, idea-driven suspense of Dan Brown’s The Da Vinci Code, the philosophical sci-fi edge of Blake Crouch, or the cultish social unease of Dave Eggers’ The Circle, you’ll find Genluminati a smart, darkly propulsive read, and an easy recommendation for anyone drawn to stories about belief, influence, and the dangerous consequences of playing with power.

          Pages: 480 | ASIN : B0FZ998JBT

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          On the Brink—Chaos and Mayhem at the Office

          On the Brink is a coming-of-age business novel that follows Dave Powers from a sharp, restless childhood into the pressure cooker of adult ambition. The book traces how early trauma, raw intelligence, and a hunger to succeed push Dave toward entrepreneurship, first in scrappy childhood schemes and later into the unforgiving world of advertising and office politics. It is a story about momentum. How one choice leads to another. How talent can open doors, but character decides what happens once you step through them.

          What struck me first was how readable this novel is. Sisti’s writing moves fast and clean, especially in the early chapters. Scenes from Dave’s youth feel grounded and vivid without trying too hard to impress. The fireworks episode, in particular, does a lot of heavy lifting. It is funny, tense, and quietly revealing. You see Dave’s instincts for business forming alongside his blind spots. Sisti has a knack for showing lessons instead of announcing them. When authority figures step in, especially Dave’s father, the moments feel earned rather than preachy. That balance is not easy to pull off.

          As the book shifts into adulthood, the tone darkens in a natural way. The office becomes its own kind of wilderness. Less predictable than the woods and far more punishing. I appreciated how author Michael Sisti portrays work culture as something that can shape you or slowly grind you down, depending on how aware you are. There is humor here, but it is the kind that comes from recognition rather than jokes. If you have ever watched a smart person underestimate the emotional cost of ambition, this will feel familiar.

          On the Brink feels like a blend of business fiction and a classic coming-of-age story, with a strong autobiographical pulse running underneath. I closed the book feeling like I had spent time with someone who wanted to tell the truth about success, not just celebrate it. I would recommend this novel to readers who enjoy character-driven stories about work, ambition, and personal growth. I think it is especially well-suited for aspiring entrepreneurs, young professionals, or anyone curious about how early life shapes the way we move through the adult world.

          Pages: 307 | ASIN : B0DM2V1WBD

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          The Stanton Falls Mysteries – Promotion to Peril

          Susan Reed-Flores’s The Stanton Falls Mysteries: Promotion to Peril explores the destructive forces of greed and envy, which drive the chilling crimes in the small town of Stanton Falls. As newly appointed Police Chief Dan Ross, along with Detective Scalari and rookie Detective Reed, navigate the murky waters of corruption and injustice, they find themselves embroiled in a deeply personal and dangerous investigation. The team embarks on a thrilling journey as they piece together clues, unravel crimes, and bring wrongdoers to justice. The discovery of corruption within their own ranks adds a compelling twist to their mission, emphasizing the importance of integrity in their pursuit to protect Stanton Falls. Despite the dangers, their unwavering commitment to justice shines through, making for an engaging and suspenseful read.

          The writing is engaging and accessible, with Reed-Flores’s clear narrative style allowing the story to flow smoothly. The pacing is well-handled, especially as each short story builds upon the last, creating a cohesive and satisfying reading experience. However, I found that while the plot twists were compelling, some of the dialogue could have used a bit more polish to make the characters’ interactions feel more natural. For instance, certain conversations between Ross and his fellow detectives felt a bit stiff, which slightly detracted from the immersion. One of the strengths of this book is its ability to balance the tension of the crime-solving aspects with the personal lives of the characters. Reed-Flores does an excellent job of weaving in moments of vulnerability, particularly in the scenes involving Ross and his family, which add emotional depth to the narrative. The interplay between the professional and personal stakes keeps the reader invested in both the outcomes of the cases and the well-being of the characters. The structure of the book, with its three interconnected short stories, allows for a variety of cases and character developments, which keeps the reader engaged. The mysteries themselves are well-crafted, with clues that are thoughtfully placed and pay off in satisfying resolutions. The final story, which ties together elements from the previous ones, is particularly strong and serves as a fitting conclusion to the trilogy’s middle entry. That said, some of the secondary characters could have been developed further, as they sometimes felt like they were there more to serve the plot than to add richness to the story’s world.

          The Stanton Falls Mysteries: Promotion to Peril is an enjoyable read, particularly for fans of cozy mysteries who appreciate a blend of suspense and character-driven storytelling. Reed-Flores’s ability to create a sense of place and community within Stanton Falls makes the town feel like a character in its own right, adding to the overall charm of the book. I would recommend this book to readers who are looking for a light yet engaging mystery that delves into both the personal and professional lives of its characters, with just the right amount of intrigue to keep you turning the pages.

          Pages: 209 | ASIN : B0DH2QKQBC

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          The Great Dick: And the Dysfunctional Demon

          Barry Maher’s The Great Dick and the Dysfunctional Demon starts with a Harvard professor in the late sixties riffing on Moby-Dick and The Great Gatsby and tossing off the idea of a modern version called “The Great Dick.” The story then jumps to 1982 and to Steve Witowski, a thirty-something screwup on the run from a botched drug deal who stumbles into a brutal assault near an old church on the California coast. He tries to help, kills the attacker in chaotic self-defense, and meets Victoria Fairchild, a luminous stranger with secrets of her own. From there, the book slides into a mix of road novel, noir, and supernatural thriller as Steve gets dragged deeper into a tangle of murder, occult relics, demons that may or may not be real, and his own talent for bad decisions.

          Steve opens by flat-out calling himself an asshole, and the narration never lets him off the hook. His inner monologue is sharp, petty, funny, horny, scared, sometimes all in the same beat. The writing leans hard into sensory detail and low-level absurdity, like the reek of the Checker cab or the way cheap weed and an old song drift through the scene right before the attack. The fight on the embankment is brutal and weirdly intimate. Keys in his fist, Latin muttered at the worst possible moment, a truck roaring closer. I could feel the panic in my throat. When the book slows down afterward and lets Steve and Victoria talk, that same energy hums under the dialogue. The tone stays casual and foul-mouthed, yet there is a careful rhythm in the sentences. It feels tossed off in the way really worked-over prose often does. I found myself rereading lines just to enjoy how a joke landed or how an image curved at the end.

          The book plays with failure and faith in a way that was thought-provoking. Steve keeps trying to patch his life with lies, quick exits, and a little dope, then suddenly he is neck deep in something that smells like capital E Evil. The dagger with the names of Jehovah, Ahura Mazda, Huitzilopochtli, and Asmodeus etched into the handle is such a great symbol for the book’s spiritual chaos. It pulls Jewish, Christian, Zoroastrian, and Aztec gods into the same creepy object and then hands it to a loser who just wanted to dodge a prison sentence. I liked how the story keeps asking what counts as sin, what counts as choice, and where simple cowardice shades into something darker. At the same time, it never reads like a lecture. It feels like a wild story that happens to drag big questions in behind it.

          The book is full of sex, violence, and black humor, yet there are small, quiet moves that give it an unexpected emotional weight, little flashes of shame or tenderness or sheer exhausted relief. The setting, work around coastal California, and the abandoned church give the more supernatural turns a solid, grimy base to grow out of, which I really liked, and the whole thing runs on a kind of nervous, late-night momentum.

          I would recommend The Great Dick and the Dysfunctional Demon to readers who enjoy flawed, talkative narrators, morally messy thrillers, and horror that leans into both jokes and genuine unease. If you like work in the vein of Carl Hiaasen or early Stephen King but wish it had more occult weirdness and a bit more sex, this will probably hit the spot. For anyone up for a fast, foul-mouthed, slightly unhinged ride that still has something on its mind, I think this book is absolutely worth the trip.

          Pages: 464 | ASIN : B0FKWK2K7C

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          The Red In The Wrong Profession

          When I first opened The Red in the Wrong Profession, I thought I was in for a fairly straightforward piece of Cold War spy fiction. What I got instead was a lively blend of small-town drama, suspicion, and the slow unspooling of secrets hiding in plain sight. The story follows widowed history teacher Spencer and his sharp, curious twelve-year-old daughter, Cecily, as they stumble into a possible espionage plot involving Spencer’s glamorous colleague, Zinnia Tepper. One hidden coded note in a used bookstore sets off a string of unsettling discoveries, drawing Spencer’s FBI-agent brother Preston into a mystery that settles uneasily over the quiet suburb of Halliwell, Virginia.

          I liked how the author leans into the ordinary. The setting feels familiar. A bookstore. A cul-de-sac. After-school gossip. The tension grows not because of high-tech spy tricks but because these characters live close together and know each other a little too well. I found myself unexpectedly drawn in by the rhythms of their daily lives. Quinn writes in a way that lets you feel Spencer’s discomfort and Cecily’s excitement without making either of them larger than life. Even Zinnia, who seems over-the-top at first with her dramatic entrances and designer shopping bags, becomes more intriguing each time the facade slips. I liked the way the book let suspicion creep in through small, almost mundane moments.

          I also appreciated the choices the author made in shaping the Cold War atmosphere. Instead of drowning the reader in jargon or long political explanations, the book lets the fear and confusion of the era filter through conversations and tiny observations. Characters talk about the Soviets the way people really talk: half-informed, emotional, and sometimes a little dramatic. The coded note Cecily finds becomes a symbol of how fragile normal life can feel when you start wondering who you can trust. I enjoyed that the story didn’t lean too hard into action or spectacle. It stayed grounded, almost domestic, which somehow made the spy elements feel more believable. At times, I wished for a deeper exploration of Zinnia’s inner world, but maybe her opacity is part of the point. Spies, suspected or real, rarely let you all the way in.

          By the time I finished the book, I realized it works best for readers who enjoy character-driven suspense with a nostalgic touch. It’s spy fiction, but filtered through the lens of family, community, and the messy edges of intuition. If you’re someone who likes mysteries that build slowly, or stories where a simple moment at a bookstore can set off a chain reaction, you’ll enjoy this novel.

          Pages: 200 | ASIN : B0GF76DCW3

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