Blog Archives
A 360-Degree View
Dream Me Dead follows a dead woman watching her husband’s trial for her murder, who tries to leave clues for the living as to what happened to her. What was the inspiration for the setup of your story?
As living people, we only know what we are told, or what we assume to be true, but if the story is told through the eyes of a deceased person, they are able to have a 360-degree view of the world, and there is no more room for speculation. Peggy Prescott knows exactly what happened to her and how it happened, but she only reveals bits and pieces of her story so that the reader can begin putting the pieces together until they make sense. If she revealed everything at once, it would not be exciting. When someone has to work for the reward, the goal is that much more exciting and fulfilling. The reader feels challenged to put their mind to work as the clues accumulate. The reward, therefore, is worth the effort. Peggy knows her life on earth was valuable, and wants the readers to appreciate her trials and tribulations, making her life, and death, more meaningful. Hopefully, it gives the reader the idea that everything we do, everything that happens to all of us, will one day make sense.
What intrigues you about the paranormal that led you to explore this direction in your psychological thriller novel?
I have always questioned the paranormal, believing that we can only know what we know, but that is not the entire story. I believe in unseen entities, good and bad, who guide us along the way, preparing us to make better choices, be fearless, love deeply, and know that when someone dies, they are still with us. Those whose death was unexpected need for those left behind to make sense of things, and to dig deeper for clues that finally are revealed. Timing is everything, especially for those who search for answers. When I look up at the sky, I see endless possibilities, other lifetimes, souls who have moved on, souls who have remained for a while to keep their loved ones safe. It is an endless cycle of love and possibilities, that intrigue me the most. We have miracles all around us if only we look for them.
What was the most challenging part about writing a mystery story, where you constantly have to give just enough to keep the mystery alive until the big reveal?
The most challenging part of writing a mystery/psychological thriller is to ask the reader to be part of the story, to immerse themselves in the richness of the characters, and to follow the clues as they appear. This cannot occur if the reader becomes bored with the story, or finds that they cannot relate to the characters, so my job was to create characters who come alive, who the reader wants to root for, or despise, but cares about deeply one way or the other. The clues have to be available, but hidden, and can be found just beneath the surface if the reader looks hard enough. For me, the characters in Dream Me Dead are taking the reader on a journey and asking them to believe that they exist, if only on the pages, but remain in our hearts as real people.
Will there be a third book in the Dream Me Home series? If so, what can readers expect, and when will it be available?
Yes, there will be a third book, entitled Dream Me Gone, which will challenge the reader to take a stand, knowing that just as in life, each person can view the same problem differently, depending on their own personal experiences. I know what the ending is, of course, but that’s because I am a believer that anything is possible. Being an optimist and hopeless romantic, I will determine that the ending comes from a place of love, but others, those who are realists, who employ logic as their first language, are welcome to view an ending that makes sense in a realistic world. In other words, just as the readers will align themselves with specific characters, they will also stand firm on a logical conclusion. Everyone should feel that the time they put in to reading the Dream Me Home series was time well spent.
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The Pressure of Testing
Tokyo Juku follows an eighteen-year-old student in Japan who, while studying all night in her cram school, discovers one of her teachers has been murdered, leading to an investigation into the education system. What was the inspiration for the setup of your story?
The main inspiration comes from talking with my students. Their struggles inspired me to write about them. I teach at a university, so hearing from my seminar students about what they’ve been through really made me rethink the Japanese educational system from their perspective. One of the largest problems is the pressure of testing. Students hate tests. I mean, really hate them! My job entails evaluation, but more as individual feedback than standardized testing as social gatekeeping. Over the years, when I tell people that I teach at a university, they often cast their eyes down and mumble the name of their school, a little embarrassed at their past failings. Or, just the opposite, very proudly. That’s a sad reaction to what should be a life-transforming experience. In the novel, I wanted to take my students’ stories, my observations, and others’ experiences and condense them into the struggles of the main character, Mana. Like most Japanese, she has to learn how to navigate treacherous educational waters. As an educator and a writer, I’m on the side of improvement, but that’s easier said than done.
How has character development for Detective Hiroshi Shimizu changed for you through the series?
Hiroshi has evolved through the series. In the first novel, he had just returned from America and found the detective job through a connection. He works the job reluctantly but gradually finds he is pretty good at it, despite being resistant to crime scenes and the grittier aspects of the job. He reconnects with his college girlfriend, moves in with her, and they start a family in the latest novel. That idea of fatherhood causes him great anxiety because of what he’s seen behind the curtain. Does he want to bring a child into the world he’s glimpsed while working in homicide? But he has a knack for finding the pattern in the chaos of cases, and he’s needed.
Was it important for you to deliver a moral to readers, or was it circumstantial to deliver an effective novel?
An effective novel comes first. The moral is something that occurs in readers’ minds. I think if you push a moral or make themes too explicit, it takes away from the beautiful ambiguity of reading. As a writer, I can nudge readers in specific directions, but they will draw their own conclusions. So, if you push a moral without a compelling story, it comes across as preachy. Nobody likes that. Readers have their own reactions to the characters’ conflicts, which might yield a moral they take away, but it might also be something more complex—a conclusion or understanding that doesn’t fit into the frame of a moral. The conflicts and confusions of characters are at the heart of an effective story. I focus on that. My job as a writer is to keep them turning pages, thinking, and enjoying the ride.
Can you tell us more about what’s in store for Detective Hiroshi Shimizu and the direction of the next book?
The next book will focus on the tourist industry, which has really taken off in Japan. I have culture shock—or maybe reverse culture shock—in parts of the city swamped with visitors from abroad. That’s changing the city. I’m not against that, but the influx of tourists and tourist money has not been clearly planned for. And much of Japan is highly planned. Japan is internationalizing, in good and bad ways, so that Hiroshi will be needed even more with his English and accounting skills. He’s got plenty more cases to work on.
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Eighteen-year-old Mana pulls an all-nighter at her juku, a private Japanese cram school that specializes in helping students pass the once-a-year exams. She failed the year before but feels sure she’ll get it the second time—if she can stay awake. The Japanese saying, “Four pass, five fail,” presses her to sleep just four hours a day, and study the rest.
When she wakes up in the middle of the night, head pillowed on her notes, she takes a break down the silent hallway. A light comes from an empty classroom, and still sleepy, she pushes open the door to discover something not covered in her textbooks. Her juku teacher, the one who got her going again, lies stabbed to death below the whiteboard, with the knife still in his chest and the AV table soaked in blood.
Detective Hiroshi Shimizu is called in, and though he’s usually the forensic accountant, not the lead detective, he’s put in charge of the case. With the help of colleagues old and new, he’s determined to find the killer before the media convicts the girl in the press, the new head of homicide pins it on her, or big money interests make her the scapegoat.
Hiroshi follows up on uncooperative witnesses, financial deceptions, and the sordid details of some teachers’ private lives. Even as he gets closer, the accumulating evidence feels meager amid the vastness of the education industry, and the pressures and profits of Japan’s incessant exams.
At the outset of the investigation, Hiroshi listens as an education ministry official lectures him on how education holds the nation together, but he soon discovers how it also pulls it apart, and how deadly a little learning can be.
Looking for Trouble
Looking for Trouble follows Maurice Hicks from his childhood in Baltimore through his early years in law enforcement. The book moves fast, almost breathless at times, as it shows a kid growing up in a rough world who somehow stays hopeful. It tracks his path from a paperboy with big dreams to a Marine and then to a police officer who ends up facing danger that feels unreal. The stories unfold with heat and sweat and fear and sometimes humor, and they paint a picture of a city that seems alive and angry and wounded all at once. What struck me most was the constant push and pull between survival and duty. The book never slows down. It grabs you at the start and keeps going.
The writing is blunt. It is raw in spots. It has a rhythm that feels like someone talking to you across a table late at night. The scenes inside the housing projects made my stomach knot. The tension builds so sharply that I kept catching my breath. At the same time, the author also slips in these little pieces of heart, small moments of gratitude or pride or humor that soften the edges. I liked that mix. It made the stories feel relatable. I found myself angry at the chaos around him, frustrated at the failures of systems that should have helped people, and surprised by how quickly small choices could turn dangerous. The book does not try to pretty anything up. It gives you the smoke and the noise and the fear straight up, and I respected that.
What stayed with me even more were the quieter reflections woven into the story. The author writes about the weight officers carry and the scars they collect along the way. He also writes about the people who shaped him, from family members to neighbors to teachers who saw more in him than he saw in himself. Those parts hit me hardest. They felt honest. They felt like memories he never stopped holding. I found myself thinking about how the environment shapes a person and how strength sometimes comes from the most unexpected places. The ideas here feel grounded. Nothing lofty. Nothing inflated. Just real life and the lessons scraped out of it.
I would recommend Looking for Trouble to readers who want a vivid, unfiltered look at police work, city life, and the long road a person walks to find purpose. It is a strong fit for people who enjoy memoirs that pull no punches and for readers curious about what it feels like to be inside the chaos instead of watching it from far away. The book is sharp, tense, and full of heart.
Pages: 535 | ASIN : B0C15B8JDB
Rose Dhu
Rose Dhu follows the disappearance of Dr. Janie O’Connor, a brilliant surgeon whose sudden vanishing rattles Savannah. Detective Frank Winger takes the case, and his search uncovers secrets that coil through old money, family loyalty, and violence hidden in plain sight. The story widens from a missing person case into something heavier. It becomes a portrait of power and the people crushed or remade by it. The final revelation, in which Janie reemerges alive under a new identity as Alice Tubman, lands like a quiet shock and changes the emotional color of everything that came before.
Scenes move quickly and often hit with surprising force. I felt pulled in by the atmosphere of Savannah. The place feels damp, shadowed, and tangled with history. Some chapters made me slow down because the emotional weight crept up on me. I found the depictions of trauma raw, but never careless. The book wants you to sit with pain, not look away. That kind of blunt honesty made me connect with Frank more than I expected. His flaws feel lived in. His memories of Afghanistan haunted me in ways I did not anticipate.
There were moments when the story’s intensity nearly overwhelmed its subtler pieces. Still, the ideas underneath the plot stayed with me. What people will sacrifice for those they love. What power looks like when twisted by entitlement. How a life can fracture and rebuild itself into something new. The book is bold about those questions. It pokes at uncomfortable truths, and I appreciate that kind of nerve. By the final pages, I caught myself rooting fiercely for Alice and for Frank.
Rose Dhu reads like a blend of Sharp Objects and Where the Crawdads Sing, only with a darker pulse and a tighter grip on the shadowy power games that shape a Southern town. I would recommend Rose Dhu to readers who enjoy mystery that leans into emotional depth, stories about moral gray zones, or Southern gothic settings with teeth.
Pages: 384 | ISBN : 1967510709
The 12th Cleansing: A Cold Case Reignited by a Serial Killer’s Return
The 12th Cleansing follows Detective Walker Michaels as the nightmare he thought had ended, suddenly returns. A serial killer known as the Moralist resumes his ritualistic murders after a four-year silence, forcing Michaels to confront old failures, grieving families, and the unraveling lives of those caught in the killer’s moral crusade. The story moves between investigators, victims’ families, and the killer’s perspective, building a tense, layered thriller that keeps tightening as new secrets surface.
This was an absolutely gripping read. The writing feels clean and fast, and the shifting viewpoints land with weight. I found myself sinking into the Rawlings family scenes. The way the parents break down, the strain between husband and wife, and the quiet shock of their son Connor all hit hard. Those moments felt honest in a way that surprised me. I caught myself getting frustrated with the detectives when they stumbled and then suddenly rooting for them again when a new clue clicked into place.
I also found myself torn about the ideas behind the story. The book pushes into heavy themes, especially around judgment, morality, and grief. At times, it made me uncomfortable, but in a way that felt intentional. The villain’s twisted logic is disturbing, and the author lets that discomfort sit with you. I liked how the characters wrestle with their own blame and doubts. It made the story feel more human, not just a chase after a monster. And I’ll admit I got pretty worked up during a few scenes. Some had me whispering little reactions under my breath. Others made me pause for a second, thinking about how thin the line is between control and collapse.
In some ways, The 12th Cleansing feels like The Girl with the Dragon Tattoo, since both blend dark mysteries with messy family secrets and investigators who carry their own scars, yet Glass’s story hits closer to home with its raw focus on grief and moral tension. I’d recommend The 12th Cleansing to readers who enjoy crime thrillers that mix emotional tension with a slow-burn mystery. If you like stories that dig into family strain, moral conflict, and the ripple effects of violence, this one is absolutely worth the read.
Pages: 404 | ASIN : B0FY6F4YM1
Stupid Gravity
Stupid Gravity follows Alexandra Farone, a sharp but battered software engineer who has slipped all the way down to the street level. She is broke, homeless, newly convicted, and trying to survive probation while living out of an aging Mustang and clinging to the last scraps of her old identity. When she spots a little girl who might be in danger, her life tilts again, pulling her into a messy world of shelters, addicts, low-wage jobs, and small-time criminals. The book blends tension, grit, and surprising humor as Alex reinvents herself as Liliane and stumbles into a mystery that keeps pulling her deeper. The story never sits still, and the tone mixes cynicism with heart in a way that sneaks up on you.
The writing has this blunt, unvarnished rhythm that feels like someone is talking to you while the city hums right outside the window. The scenes in the shelter, with stolen shoes and missing pages from library paperbacks, felt real. The author knows how to sketch misery with a weird sort of warmth, and it got to me. I found myself rooting for Alex even when she made choices that made me cringe. Her sarcasm worked as armor and sometimes as a cry for help, and I kept feeling that mix of frustration and sympathy that only an authentic character can pull out of me. I liked how the story showed small humiliations stacking up until they almost crush her. It made the idea of her chasing after a potentially kidnapped little girl feel brave and foolish at the same time.
I also loved the way the book let humor bubble up in the middle of all this roughness. The people Alex meets feel sharp and odd and alive. Cici, especially, stood out for me with her wild honesty and her ability to read people. Those scenes in her apartment, with candles and cheap beer and joints being passed around, had this messy intimacy that made me slow down and sit with the characters. The conversations were simple but loaded, and it reminded me how strangers can sometimes see us more clearly than the people we once loved. The writing made me feel the confusion and the longing and the strange comfort that comes when someone finally calls you out in a way you cannot dodge. It made the book feel less like a mystery and more like a story about being lost and trying to claw back a sense of purpose.
I think this book is for anyone who likes a gritty story with humor that slips in. It is good for readers who enjoy character-driven mysteries or stories where the setting feels like a character itself. If you like flawed leads who get knocked down hard and still keep stumbling forward, this one will hit the spot.
Pages: 336 | ASIN : B0FDBHB5ZM
Eerie Depths
In Assimilation, a lonely young woman’s life is forever altered after a disturbing lake encounter that forces her to confront the secrets of her parents, her own biology, and the terrifying presence haunting the waters. What inspired the eerie beauty of the Soshone Islands, and how did you balance calm with dread in the landscape?
Spending many summers fishing the sprawling waters of Canada, I have always been spellbound by the ancient allure and unspoiled beauty of that timeless land, history and mystery written into every boulder, bog, and tributary. It was inevitable that eventually a story would emerge from those clear, eerie depths, the way all those countless submerged boulders silently watched from below as my boat passed soundlessly above them. It was exhilarating to merge my memories and awe with the haunting narrative of Kercy’s plight.
The lake scene is both surreal and intensely physical. How did you approach crafting an encounter that feels simultaneously dreamlike and traumatic?
Boating on a vast body of water for me is both physical and surreal, and doubly so at night. I drew upon my personal experiences with this inscrutable medium. How it can hold up a craft weighing hundreds to thousands of pounds, while allowing a tiny pebble to penetrate its surface without hesitation. And while that same surface can appear calm, familiar, just beneath it is a boundless, unseen world teeming with life. How can one not be excited by that!
Kercy’s emotional landscape is so rich and painful. What part of her character came to you first when writing her?
Kercy’s horrid beginnings, her trials, her struggle to survive. She was born damaged, vulnerable, an outcast in a world she knew early on she was not designed for. It was her strength and determination that pushed the story forward, along with the resolve of her mother, who felt both responsible for Kercy’s ordeal and eternally grateful for her birth.
What guided your decisions about how far to lean into each element and genre, and were there versions of the story that were more (or less) “alien”?
The storyline and characters always guide my decisions. The characters, if I’m being totally faithful to them, define where the story will take me. The circumstances around Kercy’s birth, which has taken place before the story begins, have already set the course for what she must learn about her life. Then the only question becomes how; how does she unveil her past, how will her current situation be revealed? From that point, I open myself to discovering the story, allowing it to unfold naturally, with my fidelity to Kercy and the other characters always at the forefront.
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Kercy Powell loves spending summers at their secluded island cottage in Ontario; a place where her birth defects and wheelchair are never on display. Just before her eighteenth birthday, Kercy is shocked to learn her mother sold their island paradise, offering only this grave warning, “Don’t ever go back there!”
The ensuing years bring Kercy a miraculous metamorphous, making her wheelchair unnecessary. Upon her mother’s death, she inherits the family fortune and buys back her most treasured getaway. Kercy is soon plagued by old nightmares; strange beings who visit in her sleep. One night, two men boat out to her cottage and try to assault her. She manages to escape, only to witness the unholy cries of her attackers being savagely killed.
The inexplicable murders trigger a visit from Special Agent Mallory, a cagey FBI officer who is only interested in how the two men died. But Kercy has no idea, until she comes face to face with her “protectors,” creatures who live beneath the deep, icy waters of Georgian Bay. And while they’ve rescued her before, Kercy can’t shake the notion that their intentions are nefarious.
[CONTENT ADVISORY: Intended for adult readership and contains scenes of violence, sexuality, aliens, and language that may be uncomfortable for some readers.]
[TRIGGER WARNING: Rape]
Dream Me Dead: A Story of Betrayal, Infidelity, and Love
Dream Me Dead is a psychological thriller with a strong emotional core, and its premise grabs you from page one. The story follows Peggy Prescott, who opens the book by telling us she is dead and determined to reveal the truth about her husband Rob, a respected surgeon now on trial for her murder. What unfolds is a layered mix of courtroom drama, trauma, suspicion, and blurred realities, all threaded through Peggy’s unsettling perspective as she watches events play out from beyond the living world. As the story progresses, her memories fracture and re-form, her sense of the living and the dead becomes porous, and the real history of her marriage to Rob surfaces piece by piece.
Peggy’s voice is striking because it’s calm even when what she describes is horrific, and that contrast creates a tension that stays with you. Author Laurie Elizabeth Murphy makes deliberate choices here, especially in letting Peggy narrate from a place suspended between worlds. It lets her speak plainly about betrayal, longing, and fear, but with an eerie restraint. I found myself reacting not only to the events but to how Peggy processed them, especially when her certainty about what happened collides with the medical team’s insistence that her memories are confused.
Murphy also isn’t shy about leaning into the messy parts of human behavior. The trial sequences give the book a legal-thriller pulse, but underneath the questioning and objections you feel the emotional wreckage of this family. Rob’s arrogance, Peggy’s desperation to be believed, the daughters’ anger, even the way secondary characters like Dr. Steinbrenner or Mrs. Stoner color the narrative with their own biases and wounds. It becomes clear that this story isn’t just about a crime. It’s about the stories people tell about themselves to survive. And because the book blends psychological fiction with elements of suspense and the supernatural, it has room to explore those ideas without having to explain every mystery. Sometimes it’s the uncertainty that keeps you reading.
By the time I reached the final chapters, I felt the book had shown me both the exterior plot and the interior landscapes of these characters, which is where it’s strongest. It’s a thriller, yes, but one with emotional weight and a haunting, almost dreamlike undertow. I’d recommend Dream Me Dead to readers who enjoy psychological suspense that leans into character and memory as much as plot. If you like courtroom tension, unreliable narration, and stories that sit somewhere between mystery and emotional reckoning, you’ll enjoy this book.
Pages: 355 | ASIN : B0F1WG5JHK
LITERARY TITAN 