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Magi’s Curse
Magi’s Curse is a sprawling epic fantasy set in a war-torn world on the brink of collapse, where the divine pantheon meddles with mortals and fate itself unravels. The novel centers around Captain Bronwyn Amyna, a resilient and battle-worn soldier tasked with leading a ragtag group into the icy wilderness in search of a mythical artifact said to turn the tide of war. Alongside her is Clara, a broken yet defiant prisoner with a secret past and vital knowledge. As gods debate the role of death and freedom, mortals struggle with politics, survival, and destiny. The book intertwines divine conflict with gritty human drama, laying the foundation for a larger saga of legendary proportions.
I found the writing to be immersive and bold. Christopher Harris doesn’t shy away from violence, pain, or emotion, and his prose reflects that. Some parts feel cinematic, especially the opening clash between gods and the snowy military camps where tension simmers. His world-building is dense and thoughtful without being overbearing. The pacing, though deliberate, allows the emotional weight to settle in. What hit me hardest was Clara’s trauma. Her pain felt real, and her voice carried history. At times, I wished the secondary characters had more dimension to counterbalance the intensity of the leads.
What stayed with me, more than the plot, were the ideas. The gods’ detachment from human suffering felt both timely and deeply symbolic. The exploration of power, divine, political, or personal, felt honest and raw. Harris doesn’t paint in black and white. Clara isn’t a hero. Captain Amyna isn’t perfect. They’re both flawed, battered by systems larger than themselves, and trying to do the right thing in a world that punishes it. There’s something painful and beautiful in that. I didn’t agree with every choice made in the story, but I respected its guts. It’s a rare kind of fantasy that dares to be this emotionally intimate while still being packed with magic, snowstorms, and sword fights.
Magi’s Curse is a rough ride through frost and fire, grief and grit. It’s for readers who like their stories morally murky and their characters relatable. If you enjoy books like The Broken Empire series or The Poppy War, and you don’t mind a slow burn, this one’s for you. I’m still chewing on some scenes. And that’s a good sign. This book haunted me a little. I’ll definitely be picking up the next in the series.
Pages: 319 | ASIN : B0DWTXGYVF
Orphan’s Quest
Orphan’s Quest is the first volume in The Great Forget Fantasy Series by Terry Ironwood. It tells the story of Chip, a red-eyed orphan cast aside by a callous king and taken in by those more compassionate. Born with a mysterious past and even stranger powers, Chip’s journey begins as a downtrodden kitchen help and rises through intense training, unlikely friendships, and internal transformation. Along the way, he grapples with pain, prejudice, and the desire to belong, all under the watchful eyes of a wise wizard and a relentless weapons master. The novel is both a classic coming-of-age tale and a deep dive into themes of identity, purpose, and the price of inner strength.
Ironwood writes with clear affection for the genre, but more than that, there’s a beating heart underneath the swords and magic. Chip’s suffering is brutal. It’s unflinchingly described in scenes of abuse and neglect, but the story never gives in to despair. Instead, there’s a subtle power in Chip’s perseverance that made me root for him harder than I have for most heroes. The prose is straightforward, sometimes even plain, but that simplicity works here. It never distracts from the raw emotions or the clarity of the story’s moral compass. There are moments, especially the training montages and Chip’s early friendships, where I was completely swept up, like I was twelve again, reading fantasy under the covers at night.
What stood out to me is how comfortably the book leans into classic fantasy elements like the orphaned hero, the wise old wizard, and the cruel noble prince. These familiar pieces are handled with care and affection, creating a story that feels timeless and grounded in tradition. The dialogue, especially from the weapons master, is packed with memorable maxims and life lessons. At times, it feels almost like reading a guidebook for inner strength, and that gives the story a unique voice. The author clearly writes from experience, and that sincerity shines through.
I was surprised by how much this book moved me. It’s old-school in its bones, built from the stuff of classic fantasy, but it has an earnestness that’s rare in today’s darker, grittier fare. Orphan’s Quest would be perfect for readers who loved the early Harry Potter books, Eragon, or The Belgariad. It’s especially good for teens or adults who are still nursing childhood wounds or who just want to be reminded that strength often comes from the most overlooked places.
Pages: 110 | ASIN: B0D74QYJ78
A Magical and Vast Universe
Beast of Phe’lak follows a woman trapped on an alien planet, under the control of a powerful beast who spots a delegation on the beach that triggers century-old memories, and a chance to regain her freedom. What was the inspiration for the setup of your story?
The inspiration began in Queen of Highwings, the first book in my Chronicles of Phe’lak Trilogy—of which Beast is the third book. Phe’laki General George muses about the beast with regard to the palace’s understructure, which once served as another dragon’s lair. He thinks that the underpass was sealed to prevent attracting the Beast of Phe’lak to such a luxurious dwelling because, unlike the original resident, the Dragon of Yand, the beast is not benevolent. I received many questions, including: ‘What happened to the beast?’ and ‘Is it related to the beloved Yandar dragon?’ The character Hele’ne lived in my head for a long time. I always knew who she was and how she ended up on the alien planet. I naturally wove her in.
Hele’ne is a fascinating character. What scene was the most interesting to write for that character?
I must say, I love all her scenes. My top favorites include her introduction scene, her interaction with the beast and then with Wolfpack at the beginning of the story. I also love her exchanges with Rel and Drace, as well as her final scene in the last chapter. This last scene is very powerful.
For readers who have not yet read the rest of the Worldmaker® series, what do you want them to know about the world you have created?
It is a magical and vast universe, spanning galaxies and constellations. Each new world—whether a star system, planet, or moon—comes to life in vivid detail. The people who populate these worlds, whether they are queens and kings, scientists, military archers, or regular people, are just as authentic and lifelike. There are four humanoid species introduced so far: the empathic, winged Yandar; their slightly smaller telepathic cousins, the non-winged Yendai; the benevolent, non-meta giants known as the Phe’laki; and the malevolent K’tul. The main characters are complex and richly developed, and their extensive dialogues throughout the stories enhances the immersive quality. The illustrations are glorious. If you purchase the PDF, please read in full-screen, two-page format to get the full benefit of the artwork.
The primary genre is Sci-Fi/Fantasy, but with elements of the paranormal, a touch of horror, and unconventional romance, always with a hint of humor. LGBTQ+ and polyamorous marriages are part of the norm alongside exclusive and binary ones.
The storylines follow the saga of Worldmaker Yanara’s family, whose children have evocative names: Snowfox, Hawklord, Asimia, Dragonlord, Wolfpack, Sunstorm. Can you guess the kings among them? The Worldmaker and Dragoon? The Pathfinder?
Where does the story go in the next book, and where do you see it going in the future?
I received requests to write more about the Dragon of Yand and his wife, Yira, and also of Drace and his husband, Rel. I can’t stop writing about these two. I could serialize their adventures. However, I meant to write the third trilogy in my series, the one that brings the war to the K’tul homeworld. We’ll see. For the next couple of months, I’ll be taking a breather and focusing on earning a few accolades for Beast to adorn its cover, just like my other books. It has already received a few awards, the most prominent among them being the No. 1 Book/Manuscript on Coverfly’s Red List this month (out of 57,000 scripts).
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Wolfhound: The King’s Hounds Book I
Wolfhound is a gritty and heart-wrenching fantasy tale that follows Cassian, the leader of a King’s Hound team—elite enforcers of royal justice in the kingdom of Fentia. When a mission to arrest a treacherous baron goes terribly wrong, Cassian is forced into a desperate escape that leaves him with nothing but the duty to report the betrayal and the weight of lost comrades. Along the way, he crosses paths with a scrappy, abused orphan boy named Theo, and what begins as a simple act of mercy turns into a test of Cassian’s soul. The story weaves together themes of loyalty, honor, justice, and grief with an emotionally raw and action-packed narrative.
Austin Davis knows how to keep your heart pounding with intense action scenes that don’t let up, but what surprised me most was how emotionally resonant it was. Cassian isn’t some one-note hero; he’s wrecked and angry, grieving and fiercely loyal. I felt every moment of his pain and frustration. The writing strikes a balance between immersive world-building and intimate character focus. Davis doesn’t get lost in fantasy tropes. Instead, he pulls you into the dirt and grit of being a King’s Hound. I especially loved the way he handled Theo—what could’ve been a tired “rescued orphan” trope felt alive, vulnerable, and earned.
Some scenes, especially action-heavy ones, occasionally ran long. But those dips are minor compared to how invested I was. I laughed at Cassian’s sarcasm, teared up more than once (no shame), and fist-pumped when justice was served. The dialogue felt natural and snappy, with a good amount of humor even in the darkest moments. Most of all, I appreciated that this wasn’t just a fantasy adventure—it was a meditation on loss, found family, and the cost of doing the right thing when it’s hard. And the horses? Don’t even get me started. I’d follow Strider into battle, no question.
If you’re into emotionally charged fantasy with grounded characters and a dash of political intrigue, Wolfhound will be right up your alley. I’d recommend it to fans of Joe Abercrombie, Brandon Sanderson’s grittier moments, or anyone who loves loyalty tested in the fire. It’s perfect for readers who want more heart than high magic, more scars than spells. Just don’t expect to walk away without feeling something deep in your chest.
Pages: 297 | ASIN : B0F8FS1HYD
A Unique Spin
Stolen Histories follows two best friends working to sabotage corrupt institutions who find themselves in a high-stakes heist involving dragons, haunted landscapes, and the looming power of the imperialist Empire. What was the inspiration for the setup of your story?
The first thing I ask when I’m writing something is, ‘Would I enjoy reading this?’ All the situations my characters end up in—from the heists, dragons, and hauntings—are things I love reading about. My biggest inspirations are other stories, like Six of Crows or The Adventures of Amina al-Sirafi, along with looking at my characters and asking, ‘What kind of trouble can I get them into?’
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from, and how did it change as you were writing?
My inspiration for the world of Avalon came a long time ago—I thought it would be interesting to have a world where magic is the norm, and not having magic is considered the old wives’ tale. A lot has come from that single idea. I wanted to create my own magic system and world setting while also not being so confusing that no one can follow what’s going on. This is how I ended up with Singers, Scribes, and the like. Initially, I thought of doing a D&D-inspired world, or bringing in gods/creatures that already exist in stories, but ended up discarding that for a unique spin of my own. Now, I have Nightbloods, Sun Eaters, and whatnot. There’s so much worldbuilding I’ve done that the first book doesn’t even touch, so I’m excited to continue the series!
What were some themes that were important for you to explore in this book?
Bigger themes like imperialism, colonialism, and rebellion were important to me since they will be explored throughout the whole series. But on a character level, themes like identity, grief, belonging, ambition, and family really bring the whole book forward. Each character has their own journey to go on, and I try to do that justice.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
This is the first book! Stolen Histories is the start of a six-book series, The Infinite Night Saga, and while I’m not sure when the second book will be finished, it is well on the way. I’m sure it will be done sometime next year, which is exciting for me to think about. What fans can expect is more heists, found family, and struggles against a power-hungry empire!
Author Links: GoodReads | Bluesky | Website | Amazon
A girl in over her head is after a stolen artifact, two master thieves are leading a crew to reclaim lost treasures, and their team is anything but ordinary-some of them shouldn’t even exist. With shaky loyalties, dangerous magic, and an empire tightening its grip, their plan is held together by luck and desperation. They might just pull it off… if the world-or they-don’t tear them apart first.
In this story about secrets, family, and good old-fashioned heists, a ruthless empire hoards stolen history, and a daring crew is reckless enough to take it back. But in a game where power is everything and disaster is inevitable, the difference between a successful job and a fatal mistake might come down to who’s willing to risk it all.
Beast of Phe’lak
This book throws you headfirst into a world of magic, pain, and tangled emotions. Hele’ne has spent centuries trapped on an alien planet, isolated and broken, under the control of a powerful beast who both saved her life and stole her freedom. When a group of new arrivals shows up on the beach near her prison, something stirs—faint memories, a flicker of purpose, a chance at freedom. What follows is a story that twists through identity, power, and survival, where every choice carries a cost, and every shadow hides something sharp.
What I loved most was how deeply personal it all felt. Beneath the dragons and battles and cosmic stakes, this is a story about trauma, real, raw, and relentless. Hele’ne’s connection to the beast is terrifying in how familiar it feels. It’s a portrait of control disguised as care, and it chilled me. And yet, there are soft moments too, brief flickers of tenderness, humor, even love, that make the heavy parts hit even harder. Elia dives into the darker emotions, showing what it means to fight for your own mind, your own body, your own name.
The writing is lush and dreamlike. The lore runs deep, the world is massive, and if you haven’t read the other books, you’ll probably spend a few pages catching up. But there’s something wild and beautiful about that, too. It feels alive. The characters are vivid, passionate, and impossible to ignore. Some are haunted, some are healing, all are trying to hold onto something in the chaos.
In the end, Beast of Phe’lak is for readers who want their fantasy to cut deep. It’s messy and magical, yes, but it’s also full of heart. It’s for anyone who’s ever felt lost, controlled, or broken and dared to imagine something more. If you want to be shaken, moved, and maybe even changed a little, give this one a shot.
Pages: 309 | ASIN : B0F7FD49NL
Strength in Slow Growth
Gathering Storm is a lyrical and emotionally charged fantasy epic where a haunted hero and a fractured world face the rising storm of magic-infused corporate tyranny and buried personal truths. What were some new ideas you wanted to explore in this book that were different from books one and two?
I wanted to highlight something deeply personal—that there are times in life when we feel like we don’t quite belong like we’re out of place. Those moments, those seasons of disconnection, shouldn’t break us. Instead, they can shape us—if we’re willing to look closely enough or be patient enough to find the meaning behind them. In Gathering Storm, I tried to capture that quiet truth: that even pain, confusion, and displacement can serve a greater purpose if we let them.
Chris is a haunted yet determined protagonist. How did his trauma and resilience evolve through the writing process?
From the beginning, I knew that Chris’s journey would take time. Writing books one and two, I was always aware that his development needed to stretch across the entire five-book arc. His resilience had to be earned slowly, not rushed. I made a conscious choice to let his growth unfold at a more deliberate pace than some of the other characters. What I really wanted to reflect was something very human: we don’t all heal or evolve at the same speed—and that’s okay. There’s strength in slow growth. There’s truth in letting characters—and people—take their time.
The kindred tongue and its cadence added a rhythm to the dialogue. What inspired its creation, and how did you approach its development?
Tolkien has always been one of my greatest inspirations. Reading his works was probably the biggest spark behind creating the Kindred Tongue. I’m also multilingual, so I naturally gravitate toward how language shapes thought, culture, and identity. In developing the Kindred Tongue, I immersed myself in the sounds and rhythms of various languages—real and fictional—and imagined how my characters might speak if they came from that world. It became an act of fusion: drawing from linguistic influences and crafting something that felt unique to the Kindred, something that could carry weight, history, and emotion in its very cadence.
Were there any characters whose arcs surprised you as the story unfolded, diverging from your original outline or expectations?
My answer might come as a surprise, but honestly—no. Not at all. Before I even began writing the first book, I had already outlined all the major events, scenes, and character arcs from books 1 to 5. Every decision, every turning point, every emotional beat was planned and documented. There’s a very thick binder on my desk with the full roadmap, and I’m a serious planner when it comes to writing.
That said, what did surprise me wasn’t the plot—it was the emotional impact. Some scenes hit me far harder than I expected. I didn’t anticipate how deeply I’d feel the weight of certain moments until I was actually writing them. Getting teary-eyed while crafting those scenes reminded me I was truly on the right path. It made the journey feel even more meaningful.
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YET WAR DOES NOT CARE FOR SYMBOLS, NOR DOES IT OFFER THE LUXURY OF GRIEVING LOST FUTURES. A NEW CHRONICLER OF WAR RISES, AND UNLIKELY ALLIANCES WITH OLD ENEMIES MAKE THE CAPITALS BELIEVE THEY FINALLY HOLD THE ADVANTAGE. BUT THE TRUTH UNRAVELS—HAVET’S PLANS WERE NEVER TRULY THWARTED, ONLY DELAYED. EVERY BATTLE, EVERY REVELATION, EVERY MOMENT OF PERCEIVED VICTORY HAS ONLY DRAWN THEM DEEPER INTO HIS DESIGN. AND AS THE TIDES SHIFT, ALLIANCES CRUMBLE INTO BETRAYALS, PROVING THAT ALTHOUGH LOYALTY MAY BE THE CURRENCY OF WAR, IT IS BOTH THE CHAIN THAT BINDS—AND THE BLADE THAT CUTS DEEPEST.
Stolen Histories
Stolen Histories is a fierce and immersive fantasy novel that follows the exploits of Amari, a magical seer and outlaw, and her best friend Taliya, a world-class thief and wardbreaker. Together, they live in a gritty, magical city named Castor, a place alive with haunted craters, floating trains, and social inequality. The story kicks off with the duo sabotaging corrupt institutions and snowballs into a high-stakes heist involving dragons, haunted landscapes, and the looming power of the imperialist Apolon Empire. At its heart, the novel blends thrilling action with deep emotional undercurrents and a strong thread of rebellion against colonial power structures.
I loved the writing. Michaels has a gift for character voice and atmosphere. The world-building is rich without being bogged down by info-dumps. The city of Castor felt lived-in and layered, like something out of Blade Runner with a magical twist. The dialogue was snappy and genuine. And the pacing—God, the pacing! It rolls like a freight train. One minute I’m chuckling at Amari’s sarcasm, and the next I’m holding my breath as she charges a dragon with nothing but grit and a well-timed incendiary. It’s chaotic in the best way. The narrative structure switches perspectives smoothly, adding depth without confusion. There’s always the sense that these characters lived whole lives before page one, and I respect that.
That said, the book isn’t just action for the sake of it. What hit me hardest was the emotional texture—Amari’s quiet grief, Taliya’s loyalty wrapped in bravado, the way their world erases voices like theirs, and how they steal those voices back with every job. The politics aren’t subtle, and that’s the point. Colonization, cultural theft, surveillance, and resistance—Michaels doesn’t pull punches. And yet, the story never loses its warmth. The queer joy, the found family, the relentless resilience—it all feels like a fist raised high. If I had a critique, it’d be that the lore occasionally verges on dense, especially the magical classification systems. But the energy of the story carries you through.
This book is fire. If you’re into heists, sharp-tongued women with secrets, or rebellion served with banter and blood magic, you need to read this. Stolen Histories is perfect for fans of Leigh Bardugo, N.K. Jemisin, or anyone who ever rooted for the morally gray underdog. It’s fun, it’s furious, and it’s got heart for days.
Pages: 590 | ASIN : B0F3NQGSCH
LITERARY TITAN 