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A Memory of Song: First Verse of The Last Ballad
Scott Palmer’s A Memory of Song is a sweeping Norse-inspired fantasy that melds visceral action with tender character moments. This first installment in The Last Ballad series plunges the reader into a world unraveling—a place where the elements have stilled, magic stirs, and the dead linger. Following James, a haunted soul pursued by monsters, and Wulfee, a hardened warrior battling her own ghosts, the story weaves an intricate tapestry of loss, vengeance, and faint glimmers of hope amidst chaos. Palmer’s world is vast yet intimate, brimming with dark beauty and a sense of impending doom.
I was captivated by Palmer’s ability to create immersive, gut-punching scenes. The opening chapter, where James runs from the horrifying Hawka, grips you with its vivid urgency. Every slosh through icy mud, every scream in the silent woods felt raw and immediate. Yet, it wasn’t just the thrilling chase that hooked me—it was the aching regret coursing through James’s inner dialogue. “You should have died with her by your side,” lingers, a refrain that sets the tone for the entire novel. Palmer’s prose is sharp and poetic, but never overwrought, making the intensity feel grounded. The characters are unforgettable, though not always likable—and I mean that as praise. Wulfee’s unyielding thirst for vengeance left me in awe and frustration. Her interactions with Gen, a towering yet naive figure, add moments of bittersweet levity, as when she deflects his eagerness for her stories with gruff affection. The relationship dynamics are messy and human, with emotions bubbling just below the surface. I couldn’t stop thinking about Maggie, a character steeped in tragedy, whose sickness mirrors the dying world. Her brief, intimate moments with James were heartbreakingly fragile, offering a respite from the relentless darkness. Palmer’s worldbuilding is as rich as it is grim. The elements—literally lifeless in this setting—infuse the narrative with an eerie stillness. The nytewood trees, with their glowing blossoms, and the cursed Fever Stones evoke a sense of old magic that feels both majestic and terrifying. Yet, the novel doesn’t drown in lore. Every detail, from the humming dead to the strange customs of the Feldarra, feels purposeful and alive, enhancing the emotional stakes.
Fans of grimdark fantasy will revel in the moral complexity and stark beauty of A Memory of Song. If you enjoy John Gwynne’s Bloodsworn Saga or Joe Abercrombie’s First Law series, Palmer’s work will scratch that itch. It’s for readers who aren’t afraid to sit with pain and grapple with hope. I’ll be eagerly awaiting the next installment—despite knowing it’ll likely break my heart all over again.
Pages: 489 | ASIN : B0D5BWH1NS
The Blood Tree
Adam J. Mangum’s The Blood Tree plunges readers into an expansive and vividly constructed fantasy world where power, survival, and the complex interplay of good and evil take center stage. The story unfolds with two enslaved protagonists, Yinashol and Verhue, whose daring escape sets them on a perilous journey across a land brimming with political intrigue, sorcery, and danger. Anchored by Mangum’s intricate world-building and a narrative that blends heart-pounding action with emotional depth, the novel unpacks themes of oppression, resilience, and destiny with raw intensity.
Mangum’s writing immediately struck me with its boldness and energy, especially in the opening chapters. Yinashol’s defiance in the face of brutal overseers jumps off the page and keeps me rooting for her. The prose here feels immediate and gritty, mirroring the characters’ harsh realities. But there were moments when the descriptions became a little heavy-handed. Yinashol’s disdain for her environment, though evocative, occasionally felt overexplained, leaving less room for readers to infer the oppressive atmosphere for themselves. The character development is deeply compelling. Verhue’s blend of scholarly intellect and quiet strength was a refreshing contrast to Yinashol’s fiery disposition. Their dynamic evolves naturally, highlighted in scenes like Verhue’s ascent up the old tree to orient himself in the wilderness. The moment when Yinashol surprises him with her agility and warmth adds a tender humanity to an otherwise grim narrative.
The book shines brightest in its handling of magic. Mangum’s depiction of Yinashol’s powers, especially her use of sorcery to manipulate plants and stones, was thrilling and visceral. The sequence where she weaponizes a bean plant to incapacitate her oppressor left me stunned—it’s rare to see magic depicted with such creativity and weight. Yet, for me, this same fascinating strength occasionally seemed overpowered. I felt it stretched believability even within the story’s fantastical framework.
The Blood Tree is a richly imagined and emotionally charged tale that will appeal to fans of high-stakes fantasy with morally complex characters. Readers who enjoy works like Brandon Sanderson’s Mistborn series or Leigh Bardugo’s Grishaverse novels will likely find much to love here. If you’re ready to be swept away by a tale of rebellion, courage, and the cost of power, this one’s worth your time.
Pages: 424 | ASIN : B0CDCLZGKB
Salvation Bleeding: Forge of the Soul Stone
The Devil’s Blacksmith teeters on the brink of annihilating Tartica, pushing Utopia to the precipice of war. Reyne, the last glimmer of hope, allies with Gina, a skilled and unrelenting assassin, in a desperate bid to halt the chaos. Believing they have reached Evidar, they are horrified to discover they remain trapped in the Void—a sinister, treacherous realm that hungers for Reyne’s soul. To save Utopia, Reyne must brave the Void once more, wrestle with his own inner turmoil, and vanquish the Devil’s Blacksmith. Without the Soul Stone, his prospects appear bleak. Yet, the thought of Mithany, his long-lost love, ignites his determination to fight on and see her again.
What stands out most in Salvation Bleeding is its grounded core, despite the fantastical backdrop. The narrative’s exploration of sacrifice and the battle with personal demons resonates deeply, underscoring the lengths to which people will go to protect those they cherish. The portrayal of the Void as an oppressive, malevolent force adds depth, serving as a poignant metaphor for political control while highlighting how a single individual’s courage can spark monumental change.
Reyne’s unwavering devotion to love and his cause makes him a compelling protagonist, someone to root for against insurmountable odds. His sacrifices prompt reflection on the human capacity to endure for the sake of others, and his sensitivity to the Soul Stone’s potential and his tendency to become ensnared in personal pursuits serve to enrich his character, making him relatable. It is worth noting, however, that Reyne’s sensitivities felt somewhat repetitive. Gina’s presence brings balance and intrigue. Her unconventional methods and razor-sharp skills make her an essential counterpoint to Reyne’s emotional intensity. Despite embodying the archetype of a cold, arrogant, and seemingly emotionless killer, her character adds depth rather than detracting from the narrative. Her dynamic with Reyne highlights growth and partnership, creating a compelling duo whose synergy drives the story forward.
Salvation Bleeding: Forge of the Soul Stone captivates with its blend of high stakes, emotional depth, and rich symbolism. It’s a tale of resilience, love, and the indomitable human spirit, leaving readers to ponder the sacrifices they’d make in their own battles.
Pages: 516 | ASIN : B0DKZB3SNW
Trials of Growth
In Old Paladins, a retired soldier is approached by a woman who needs his help avenging her family’s murder. What was the inspiration for the setup of your story?
In the early-mid 90s, I read Elizabeth Moon’s The Deed of Paksenarrion, and it has stayed with me a long time. It is a classic “hero’s journey” and bildungsroman in which we watch the heroine change greatly. The latter aspect, the growth of the character, interested me more. In Old Paladins, Sasha goes through a dramatic shift in character. And she’s not done. Her trials of growth have not ended- she hasn’t yet made a complete turn of the hero’s wheel.
Were you able to relate to your characters while writing them?
While I feel a strong connection to Gerard; because of age- I think- I can also relate to Sasha feelings of a missed life or happiness. I’ve wanted to write and publish for as long as I can remember, but circumstances prohibited that dream for quite some time.
What were some themes that were important for you to explore in this book?
Without giving too much away, the religious aspects, while minimum, were critical. Gerard is a man of faith, and it plays an intricate role in his world view and his personal quest. In addition to that, there are several scenes during Sasha’s training with Gerard that will play a later role in her future development, some of which are tied to the final novel in the planned series. Gerard seems haunted by his past … in the future, perhaps Sasha is haunted as well.
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Home is where the heart is, and for Sasha Martin that was a burned farm and dead parents. The Great War was over before she was born— there were treaties and agreements, they were supposed to be safe. But what the Imperium wanted it took, and with it, all that Sasha had known. Now, a decade later, having survived on charity and boiling hatred, she sees a chance to strike back at her enemies. There’s an old man that lives outside of town … some call him a war hero.
Gerard Appleby has been a man of war, a man of honor, and now a man alone for twenty years. But when a stubborn girl bent on vengeance shows up at his door demanding that he teach her the sword, he realizes that his days of warm beer and quiet guilt are over … and there is a chance to tie up one loose end, one last battle that he should have fought twenty years ago.
Old Paladins
Old Paladins, by R.L. Dean, is a gripping tale of redemption, vengeance, and forgiveness, centered on two unforgettable characters. Gerard Appleby, a retired soldier burdened by the scars of war, is thrust back into the fray when Sasha Martin arrives at his doorstep. Consumed by rage and intent on avenging her family’s murder, Sasha demands Gerard teach her the art of the sword, setting them both on a journey that intertwines faith, loss, and healing.
Dean excels at character development, crafting layered protagonists whose past traumas shape their every decision. Gerard’s weariness contrasts sharply with Sasha’s fiery determination, yet their shared pain creates a compelling dynamic that drives the narrative. The meticulous attention to detail in each scene draws readers into a vividly rendered world, making it easy to imagine the landscapes and trials the characters face as they pursue their quests for justice and closure. The pacing is masterful, balancing moments of intense, visceral action with reflective interludes that explore the deeper themes of duty and faith. These quieter moments resonate just as powerfully as the high-stakes battles, offering a nuanced portrayal of what it means to confront the demons of the past.
This story leaves a lasting impression. Rarely does a book inspire the urge to scour an author’s pages in search of a sequel—but Old Paladins did just that. Although no follow-up exists, the depth of the characters makes parting with them feel almost unbearable. The ending, steeped in ambiguity, invites readers to ponder what lies ahead, creating a sense of yearning for more without undermining the story’s closure. As an avid reader, it’s a rare pleasure to finish a novel and feel as though its characters remain vividly alive, refusing to fade from memory. This enduring connection speaks to Dean’s skill in imbuing them with authenticity and life.
A particularly moving touch is found in the acknowledgments, where the author ties Gerard and Sasha to The Cure’s “Pictures of You.” This personal detail adds emotional depth, striking a chord that lingers. Having recently revisited the song myself, the parallel between its themes and the novel’s exploration of anger, despair, and forgiveness felt profoundly serendipitous. R.L. Dean’s Old Paladins offers a thought-provoking narrative, richly developed characters, and beautifully immersive prose. It’s a story that lingers in the heart and mind long after the final page.
Pages: 370 | ASIN : B0DL4HKWBV
Liar Queen
M.T. Solomon’s Liar Queen delivers an epic fantasy brimming with heart-pounding adventure, slow-burning romance, and intricate family dynamics. At its heart lies a brutal tradition—a fight to the death between sisters to determine the Queen of the Sacred Sword. Mara, having defeated her sister, Iris, now rules the Jeweled Realm. Her reign faces turmoil when news arrives of a witch in the wasteland claiming to be Iris, demanding an audience. The encounter threatens to unravel Mara’s hard-won throne. Boden, a prince from another realm and a devout follower of Saint Kalda pledges unwavering loyalty to the rightful queen. His devotion fuels his resolve to follow Mara on her perilous journey. But as the dangers mount, Boden must confront the ultimate question: is his queen’s cause worth the price of his life?
The novel balances action, emotion, and a richly imagined world. Solomon crafts a tale that keeps readers hooked, with a narrative pace that urges, “just one more chapter.” Beneath the thrilling plot lies a deeper exploration of sibling relationships and the painful process of breaking toxic family cycles. These themes are intricately woven into vivid imagery, painting a landscape as dynamic as the story itself. The characters are unforgettable.
Mara’s strength and vulnerability create a compelling protagonist, while Boden’s steadfastness adds depth to their partnership. The inclusion of a map enriches the experience, allowing readers to journey alongside the characters through forests, deserts, and islands. Each realm introduces distinct cultures, religions, and traditions, offering a fascinating exploration of diversity. The story underscores the possibilities of peace, emphasizing the value of embracing differences.
Liar Queen captivated me from start to finish. Its immersive world, multi-dimensional characters, and resonant themes left me longing for more. If you seek an adventurous fantasy with meaningful undertones and a touch of romance, Liar Queen is an essential addition to your reading list.
Pages: 372 | ASIN : B0DKTVVZXL
Building the Mysteries
In Imperatora, a forester, a priestess, and an enchantress fight to find their way home from the uncharted realm into which they have been forced. What was the inspiration for the setup of your story?
Keeping in mind it took me a few years to figure out exactly how to start this story and which point of views to give it, I actually found my inspiration in tabletop roleplaying games. The whole “you’re stolen away to this crazy new place” trope was so effective at creating immediate tension, I was compelled to use it. The funnest part was figuring out the why, and building the mysteries and events that would lead up to that answer.
Did you plan the tone and direction of the novel before writing, or did it come out organically as you were writing?
I needed a plan. I wanted pieces of a puzzle that would come together and lead to some “aha” moments, and I didn’t trust I myself to achieve that effectively without thinking it through ahead of time. That said, you get a lot of ideas as you write, and things can definitely change, which I love. So, I’m an architect who also likes to garden, if we go with GRR Martin’s analogies about the types of writers.
Tone was a different beast. As a new writer, I had some insecurities about whether the tone I intended and what was actually on the page were the same. I worked closely with an experienced editor to reassure me.
What were some challenges you felt were important to defining your characters in this story?
I was writing the answer to this question and had to backtrack because their challenges also unveil their arcs if I want to fully explain their importance. I’ll try again, but more vague, haha.
Hellion, a priestess of battle, losing touch with her god once she’s in Al’idris is a double-whammy of loss for her, but while something is lost, something new is gained. The growth will be found in how she handles it.
Desde’s challenge is that she is not suited to the world she now finds herself trapped in. She’s never used her magic for violence, she’s lived a comfortable life where little else mattered to her but rubbing elbows with high society and indulging herself. Growing deep bonds, being tested over and over again, these things have a profound effect on her.
Ell having drawn the attention of an unsavory creature is unfortunate for her, but provides her with opportunities for change and growth. Oh boy, non-spoiler-y writing is hard.
Can you give us a peek inside Book 2 in this series? Where will it take your characters?
To the southwest of Al’idris is the kingdom of Laith, a place ruled by the tyrannical lich king, Stryge. He is uniquely capable of aiding our protagonists in achieving their ultimate goal of returning home, but what he takes in return is difficult to accept. I bring in a cast of his children— vampires and abominations, each with their individual personalities—to welcome Desde, Hellion, Ell, and Axel into this lovely new land.
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Strangers on the same desolate road, they quickly realize their only hope of survival—and finding their way home—is each other.
Ell, a young forester, is haunted by an injury that won’t heal and whispers she can’t ignore. Hellion, a priestess, has lost her god’s voice, leaving her to face the clash between her faith and the kingdom’s worship of the Lady of Life and Death. And Desde, a refined enchantress, must reckon with a harsh truth: every spell she casts drains her life away.
Bound together by fate, the women strike a dangerous deal with the queen of Al’idris. In return for their help uncovering a secret that threatens the kingdom, they may find the answers they seek. But as they navigate clashing personalities, magical dangers, a growing affection and a frightful transformation, each must confront the limits of their strength—and the terrifying truth behind their forced exile.
In a world where nothing is as it seems, answers are only found if one survives its perils.
For readers who love unique epic fantasy stories with unraveling mysteries, a quick pace and an all female-main cast. Imperatora will appeal to fans of Dungeons and Dragons, The Witcher, and Gideon the Ninth.
Imperatora
Mia Zbikowski’s Imperatora launches an ambitious fantasy epic that stands confidently alongside the works of George R. R. Martin and Patrick Rothfuss. The story centers on three compelling heroines: Ell, a resourceful forester; Hellion, a devout priestess; and Desde, an enigmatic enchantress. They are torn from their respective worlds and thrust, without explanation, into the uncharted realm of Al’idris. Their desperate search for answers—and a way home—drives a journey brimming with danger, wonder, and unexpected truths.
The novel’s most striking innovation lies in its protagonists. Unlike many modern fantasy tales, Zbikowski’s narrative is driven entirely by a cast of formidable women, each written with depth and nuance. The alternating point-of-view structure allows readers to truly inhabit their minds, uncovering not just how they act, but why. Desde, for example, displays a confident exterior that masks deep uncertainty, a clever inversion of her magical prowess. Each heroine brings a unique voice to the narrative, creating a dynamic ensemble that feels real and relatable, even amidst the extraordinary. The world of Al’idris is vast, intricate, and alive with culture and history.
Zbikowski’s attention to detail makes every setting—from desolate landscapes to bustling cities—feel vivid and immersive. As Ell, Hellion, and Desde traverse this strange new world, their quest unfolds with breathtaking scope. The pacing never lags, blending the personal struggles of the protagonists with the epic stakes of their journey. Each discovery adds layers to both the characters and the setting, making it impossible to put the book down.
This is the first installment in what promises to be a monumental series. Zbikowski openly acknowledges her inspiration from Martin and Rothfuss, even referencing the long waits between releases in her dedication. Given the richness of Imperatora, readers should prepare for a similar investment of patience. The sheer craftsmanship of this opening volume, however, makes the potential wait worthwhile. It’s rare to find a debut that feels so polished, so assured.
Imperatora is a triumph for fans of epic fantasy. Zbikowski’s masterful world-building, complex characters, and spellbinding prose mark her as a rising star in the genre. For those who savor richly imagined tales of adventure and self-discovery, this book is essential reading. While the journey ahead may take time, the rewards will undoubtedly be worth it.
Pages: 394 | ASIN : B0DP1Q8K8J
LITERARY TITAN 