Posted by Literary Titan
Maverick, by Fernando Rover Jr., presents its purpose upfront in a crisp, cohesive, and certain manner—a moment of pre-contextual deliberation before readers are asked to take the plunge into this elaborate body of work.
Plain, generic titles served alongside poems constructed with intensity and intricacy serve as self-portraits of the complex human crushed beneath the burden of their role in corrupt society—the consequence of what occurs when a person is made to be seen as a laborer first and a human second.
The theoretical backdrop of this book, use of monochrome and modern design, and ability to blatantly state its arrival, presence, and pursuit is among the numerous elements that make Maverick worth reading. The specifics of its contents are powerful and thought-provoking. The stanzas and line breaks are phenomenal tools for allowing the breath of a poem to speak for itself.
Maverick isn’t a text of trickery, nor one of intellectual flexing and self-gratification. It isn’t written or compiled to impress the sea of nameless, faceless coffeeshop hipsters contemporary artists are pressured to indulge. Rather, it’s monochrome. It’s black, and it’s white. It’s text, and it’s art. It’s graphic design. It’s multimedia. Most of all, it is a calling out of capitalism, as well as all the ways in which we, as humans, are not only forced to survive under it but have actually become so accustomed to its vile lore that we have forgotten our own.
Maverick is an extraordinary work of poetry and art that gives the reader a chance to look into themselves and experience the message the author is presenting. In capitalistic fabrication, we lose our own authenticity — and that, in its most genuine essence, is what Maverick exists to call out and rebel against. I highly recommend this stimulating read for those who are looking for a creative outlet.
Pages: 100 | ISBN : 0578378868
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Posted by Literary Titan
Chicken: A Comic Cat Memoir is about a girl named TJ who grew up allergic to cats, but over time, the allergy faded. As an adult she finds a tuxedo cat with bright green eyes. It’s a beautiful story of life, cat’s, and loss. What was your inspiration for this story?
My daughter who, when she was 5-years-old, repeatedly wanted to hear this true story about how we found our cat, Chicken. I told her every night for a year, at which point she suggested I “make pictures” for it. That lead me down an unexpectedly long path to finally officially publishing.
Do you have cats? If so, what are their names? What do you think your cat named you?
Yes, we now have Cha-cha who, like Chicken, also found me in a dream. I’d have to say Cha-cha named me “hu-mom” (made up word for human mom) because she wanted me to find her as much as Chicken did. She’ll be the star of the next story!
Through the story there are little doodles and background decorations that tell a different story. Can you tell us more about that story and why you chose to weave that in?
About halfway into creating the artwork, it hit me that through telling the cat’s story, I was telling my own. I think that every life is multi-layered and wanted to communicate some of those other layers that coincided with the one of finding a cat through a dream that then materialized. While I wanted to offer a “nod” to some of the details of my life as a relatable subtext, I didn’t want it to take over the primary cat story as told to my daughter. I think this may be why much of the positive feedback I’ve been getting is essentially saying it’s “fun for all ages.”
I liked the artwork through the story. I thought it went very well with the story. Were there any panels that you didn’t include in the story? What was the biggest challenge in creating the art for the book?
As the author/illustrator, I did all the writing and artwork. Once I did the rough sketches and managed to capture the accurate mood of most of the panels, I was preparing to ink them in the way that traditional cartoonists work. However, I faced a rather daunting creative block in taking that next step. I didn’t do anything for about two whole years and then my daughter and I made a mini book called The Frizzball from Outer Space. The fun of working on that project and getting it done so quickly, gave me the courage to begin the Chicken illustrations. Once I got ball rolling, I quickly realized that I wanted to include some photography and collage so it made more sense to to all of it digitally. My background is in graphic design—both practicing and teaching it—so I know how to use the tools of the trade. What I hadn’t done before this book, was create artwork on an iPad. While I’m always up for learning something new, it took so long to get up to speed that by the time I reached the end, I had to start back at the beginning and re-do most of those first panels. Also, there are limits to digital tools and, in some instances, such as creating the front cover title art for the word “Chicken,” I was only able to attain the look and result I wanted by doing it by hand with brush and ink then scanning it in. In the end, keeping track of and backing up the thousands of files it took to create this was a real accomplishment in and of itself!
What is the next book that your fans should be on the look out for?
When you get to the end of Chicken, the next character presents itself. It’s very small, but if you look closely you’ll see the star of the next book.
A true tale about the magical meeting of a cat and her person told in 72 full-color illustrations in a rustic, cartoon, doodle, collage style. A cat allergy sets the stage for this colorful romp in which a cat named Chicken finds her way into the arms and affection of TJ, an artist in search of adventure and meaning. Brought together by seeming divine intervention, the storyline ranges from funny to emotional, sweet to silly, thoughtful to mystical, as readers travel with TJ and Chicken between coasts, encountering diverse friendships along the way.
Posted in Interviews
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