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The Creative Way
Posted by Literary Titan

The Creative Way is a compact, image-driven portrait of Steven B. Wills as a photographer and digital artist, tracing how his work grows out of nature, travel, memory, illness, recovery, grief, and curiosity. The book moves between biographical reflection and visual catalog, showing Wills’s fondness for landscapes, coastal scenes, wildlife, skyscapes, urban structures, abstract color experiments, and images. What emerges is less a conventional art book than a personal archive of creative momentum, where a phone camera, photo-editing apps, and a searching eye become tools for turning ordinary sights into bright, emotionally charged images.
What I appreciated most was the sincerity running through the book. There’s something quietly moving about the way Wills frames creativity as a way of surviving and noticing. The section on Bodie structures stayed with me because the ghost town’s “arrested decay” feels like a natural extension of the book’s deeper ideas about resilience and remembrance. The image made for a friend who passed away in May adds a tender human ache to the collection, while the self-portrait near the end gives the whole project a disarming intimacy. I liked that the book doesn’t try to hide the artist behind polish. It lets us see the maker, the process, the experiments, and the emotional weather behind the images.
The writing is plainspoken, sometimes repetitive, and occasionally reads more like notes for a curated portfolio than a finished narrative. That looseness has its own charm. The language keeps circling back to nature, digital tools, healing, and transformation, and those repetitions begin to feel like the book’s heartbeat. The ideas are strongest when they’re paired with the art itself: the red-and-black image generated from two colors, the vivid lighthouse with its stained-glass intensity, the bear in the canoe beside the deer, the moody coastal and moonlit scenes. I found the mix of photography, filters, and AI both intriguing and a little uneven, but that unevenness also makes the book feel alive. It’s an artist’s workshop with the door left open.
I came away from The Creative Way feeling that I had spent time with someone who genuinely needs to create, not for spectacle, but for steadiness, wonder, and connection. The book is imperfect in structure, but generous in spirit, and its best moments carry a warm sense of gratitude for beauty wherever it appears. I’d recommend it to readers who enjoy personal art collections, digital photography, outsider art, nature-inspired imagery, and creative journeys shaped by resilience and emotional honesty.
Pages: 32 | ASIN : B0GR1ZQL68
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Posted in Book Reviews, Four Stars
Tags: art, artist, artwork, author, book, book recommendations, book review, book reviews, book trailer, bookblogger, books, books to read, bookshelf, booktube, booktuber, Digital Art, ebook, goodreads, grief, indie author, kindle, kobo, literature, nature, nonfiction, nook, novel, photographer, photography, read, reader, reading, Steven B. Wills, story, The Creative Way, trailer, travel, writer, writing
Echoes of Memory: War, Testimony, and Survival on Sanzao Island
Posted by Literary Titan

Echoes of Memory is a deeply personal work of public history by Robert Cupchoy and Lani Cupchoy, rooted in survivor testimony, family archive, poetry, and scholarly reflection. It traces the Japanese occupation of Sanzao Island during World War II, beginning with the shattering recollections of Fook Im Chen as planes descend over rice fields, moving through starvation, forced labor, cultural suppression, and the devastating history of the comfort women system, then widening into questions of inheritance, healing, and remembrance. What makes the book distinctive is its refusal to separate history from kinship. The authors present Sanzao not as an obscure footnote to larger wartime narratives, but as a wounded, living place whose people carried memory in stories, rituals, photographs, silence, and even in the later transformation of the family home into the Cupchoy Café.
Fook Im’s memories of bombs falling, villagers hiding food, and families clinging to one another have an aching immediacy that formal history often struggles to hold. The chapter on the comfort women is especially harrowing, not because it reaches for shock, but because it understands the intimacy of violation. Jin Yuan Lin’s presence in the comfort house, his memory of the women staring out windows, and his fear that forgetting them would mean losing them again, left me with a quiet grief that lingered after the page ended. The writing is sometimes at its strongest in these moments of restraint, when the authors trust a remembered image to carry the weight. The prose can become academically dense, with theoretical frameworks crowding the emotional field, but even then, I sensed the urgency behind it. The book wants to protect these stories from being dismissed as anecdote, and that protective instinct gives the scholarship its moral heat.
What I admired most is the book’s central idea that memory itself can be a form of evidence. That argument feels both intellectually persuasive and emotionally earned. The poems that open chapters don’t always have the precision of the testimonies, but I appreciated their function: they create a ritual threshold before the reader enters material that is painful, fractured, and sacred. I was also moved by the book’s attention to cultural survival, especially its insistence that festivals, language, family meals, and oral storytelling matter as much as destroyed homes and ruined fields. The Cupchoy Café section could easily have felt sentimental, yet it becomes one of the book’s most affecting gestures, a cup of Hawaiian coffee in Sanzao carrying the long route from violence to diaspora to renewal. That image feels humble and profound, proof that remembrance doesn’t only live in monuments. Sometimes it lives in a room where people gather again.
Echoes of Memory is a work of witness rather than a conventional history, and that is its strength. Its emotional truth is unmistakable. I closed it with a fuller sense of how war survives inside families, landscapes, and inherited silences, and with real respect for the labor required to turn private grief into communal memory. This is a thoughtful, affecting book for readers interested in World War II history, Asian and Pacific studies, oral history, trauma studies, family archives, and anyone drawn to histories told from within the circle of those who still carry them. Its lasting gift is its conviction that to remember the dead with care is also to restore dignity to the living.
Pages: 232 | ISBN : 9798279679836
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Posted in Book Reviews, Five Stars
Tags: architecture, art, Asian History, author, book, book recommendations, book review, book reviews, book shelf, bookblogger, books, books to read, current affairs, ebook, Echoes of Memory, goodreads, history, History Art, indie author, kindle, kobo, Lani Cupchoy, literature, military history, nonfiction, nook, novel, photography, politics, read, reader, reading, Robert Cupchoy, social sciences, story, writer, writing
My Bee Soliloquy
Posted by Literary Titan

My Bee Soliloquy is a sprawling meditation on bees, both literal and metaphorical. The book dances between themes of nature, spirituality, philosophy, and even history, all framed within the fascinating world of bees. It’s a poetic and symbolic exploration of life itself, borrowing from science, mythology, and personal reflection. The structure is unconventional, feeling almost like a collection of musings rather than a traditional narrative. With chapter titles ranging from “Geometry” to “Bee Math” and even “Bloods and Crips,” it’s clear from the outset that this book refuses to fit into a neat little box.
What struck me first was the sheer ambition of the writing. It moves fluidly between subjects, often blending the mystical with the scientific. There were moments when I felt completely absorbed in the poetic flow, like in the chapter “The Bee in the Apokatastasis,” which seemed to weave together theological concepts with the natural order of hive life. At other times, there are sections that jumped abruptly between ideas. While this nonlinear style adds to the book’s unique voice, it also made some parts feel like an abstract puzzle. Still, there’s something hypnotic about the way the author treats bees, not just as creatures, but as symbols of deeper truths.
Some chapters, like “Bee Believes” and “Beeology-Theology,” delved into religious and philosophical reflections that were intriguing. On the other hand, sections like “Japanese Honey Bee” and “When There Are No More Bees” were more grounded and informative, bringing a refreshing clarity amidst the more abstract passages. There’s a lot of wisdom buried in the text, but the reader has to be willing to embrace the book’s unpredictable structure to fully appreciate it.
If you love books that blur the line between poetry, philosophy, and science—books that challenge you to think in new ways—this one is worth diving into.
Pages: 80 | ASIN : B0DX8KHQLD
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Posted in Book Reviews, Four Stars
Tags: art, author, book, book recommendations, book review, Book Reviews, book shelf, bookblogger, books, books to read, collection, ebook, goodreads, indie author, kindle, kobo, literature, Michael Del Brown, My Bee Soliloquy, nook, novel, photography, poems, poet, poetry, read, reader, reading, story, writer, writing
Focusing on the Photos
Posted by Literary_Titan

Around the World in Eighty Photos is more than just a photography book; it’s a visual adventure that takes readers across the globe to view the often-overlooked corners of the world through the lens of an experienced traveler. What inspired you to create this pictorial travel book?
My previous book, On to Plan C: A Return to Travel, which documented my return to travel after the pandemic, was the first to include my photography. I really enjoyed the experience of putting it together, even though it required editing both the text and photos. For this book, I knew I wanted to include photography again, but this time make the photos the focus.
There are many books out there showing you photos of famous places around the world, but I wanted to steer the reader toward lesser known locations and give them some insight into how each photo was created—what caught my eye, what challenges I faced, how I dealt with less than ideal lighting in some situations, and so on.
I also wanted to include background information on each location for those less interested in the photography. For those interested, I disclose the settings I used for each photo along with a glossary of photographic terms at the end. So, it can be used as a guide to lesser known locations and/or as a guide to creating better travel photos.
What photo in this collection do you feel has the best “story” surrounding it?
The photo created inside Iglesia El Rosario in San Salvador, El Salvador. From the outside, the church looks like a concrete bunker. In fact, I wasn’t sure it was not abandoned and walked past it without much thought while exploring the area. When our local guide started eventually heading toward it, I was a little unsure of why he was taking my wife and I there.
Turns out, its nondescript concrete exterior conceals an arched roof that sheds a rainbow of natural light that spreads across the altar and bounces off the metal and rock inside. Designed by sculptor Ruben Martinez and completed in 1971, Iglesia El Rosario is radically beautiful and one of the finest churches I have ever visited.
As I don’t travel with a tripod, and it being a church with occasional visitors, made this a very challenging photo to create. I chose settings I felt would let in a good amount of light and used a shutter speed that wouldn’t cause blur being handheld. Situations like this I tend to hold my breath for steadiness and hope for the best.
What advice do you have for aspiring travel photographers?
Study the fundamentals and know your camera well so that you don’t have to hesitate when changing a setting. I have my camera setup so that I can change things like aperture or the type of focusing very quickly. Things can happen fast while on the road and you don’t want to miss them while fiddling around trying to change something.
I’m also a big believer in previsualization. This allows me to determine the lens and general settings before I even start to take photos. For instance, if a situation calls for street photography, then I’m going to use a lens in the 35mm to 50mm range with an aperture around f/8 to keep everything in focus and a minimum shutter speed of 1/250 to of a second to stop motion. This was, I can concentrate more on composition and less on adjusting settings.
What is one thing you hope readers take away from Around the World in Eighty Photos?
There are so many more places in the world than the handful that always seem to be promoted. Yes, Venice is a stunning location filled with canals, but so is Bruges in Belgium or Wuzhen in China. The world is full of surprises. For instance, the Salt Cathedral of Zipaquirá is a remarkable underground cathedral built within the tunnels of a salt mine just north of Bogotá. I hope this book inspires readers to seek out such places and take more inspired photos while there.
Author links: GoodReads | Instagram | Website
This captivating visual odyssey takes readers to the farthest corners of the earth, from bustling cities to serene landscapes, offering a window into the world’s most awe-inspiring sights. Each carefully curated photograph is paired with a short reflection or story, capturing the essence of diverse cultures, iconic landmarks, and hidden gems.
Whether you’re an armchair traveler or a seasoned explorer, Around the World in Eighty Photos is your passport to adventure, offering a unique perspective on the beauty and wonder that unite us all. Prepare to be inspired by the world’s splendor, one photo at a time.
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Posted in Interviews
Tags: Around the World in Eighty Photos, author, book, book recommendations, book review, Book Reviews, book shelf, bookblogger, books, books to read, ebook, goodreads, indie author, Jeremiah A. Gilbert, kindle, kobo, literature, nonfiction, nook, novel, Photo Essays, photography, Pictorial Travel, read, reader, reading, referance, story, travel, travel guides, Travel Photography, Travel Writing, writer, writing
Around the World in Eighty Photos
Posted by Literary Titan

Jeremiah A. Gilbert’s Around the World in Eighty Photos is more than just a photography book; it’s a visual adventure that takes you across the globe through the lens of an experienced traveler. Instead of sticking to well-known landmarks, Gilbert hones in on the often-overlooked corners of the world, giving them the spotlight they deserve. Each photograph is accompanied by a story—sometimes historical, sometimes personal, always engaging. He also shares the technical details behind each shot, making it both an inspiring and educational experience for photographers and travel enthusiasts alike.
As a photographer, I appreciate that Gilbert doesn’t just show beautiful places—he invites us into his thought process. His image of Rano Raraku on Easter Island struck me the most. He describes setting up his shot without people, then serendipitously capturing two figures stepping into the frame, perfectly enhancing the composition. That’s what photography is about—being prepared, yet open to unexpected moments. The book is filled with these little surprises, making it feel like you’re traveling right along with him.
Another highlight is the way Gilbert balances storytelling with technical insight. In his photo of Mexico City’s Basilica de Guadalupe, he explains how he had to ride the moving walkway twice to figure out the best composition. The first trip was for analysis, the second for execution. That’s dedication. And in his shot of Iguazu Falls, he makes a conscious decision to use a fast shutter speed to capture the violent, thundering energy of the water, rather than the dreamy, silky look so many photographers go for. His approach reminds me that technical choices should serve the emotion of the image, not just the aesthetics.
This book is a must for photographers who love to travel, travelers who love photography, and anyone who dreams of seeing the world through fresh eyes. If you want a collection of images that tell stories, that teach you something new, and that make you want to grab your camera and book a flight, Around the World in Eighty Photos is an absolute treat.
Pages: 268 | ASIN : B0DY46TYP3
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Posted in Book Reviews, Five Stars
Tags: Around the World in Eighty Photos, author, book, book recommendations, book review, Book Reviews, book shelf, bookblogger, books, books to read, ebook, goodreads, indie author, Jeremiah A. Gilbert, kindle, kobo, literature, nonfiction, nook, novel, Photo Essays, photography, Pictorial Travel, read, reader, reading, referance, story, travel, travel guides, Travel Photography, Travel Writing, writer, writing
The Aim to Endeavor: A Fusion of Reflective Poetry & Scenic Photography
Posted by Literary Titan

Susana Henschel’s The Aim to Endeavor is a blend of reflective poetry and breathtaking photography that takes readers on a journey of self-exploration. The book wrestles with raw emotions, moving from introspection to a hopeful embrace of life’s uncertainties. Henschel doesn’t shy away from discomfort; instead, she pushes into it, uncovering beauty and meaning through poetic musings that feel deeply personal yet universally resonant. Accompanied by stunning images of landscapes and architecture, the book invites contemplation, offering moments of quiet clarity amid life’s chaos.
Henschel’s writing is a mixture of vulnerability and resilience. Poems like “The Origin of a Poet” question the source of creativity, suggesting that pain and joy are both necessary fuel for artistic expression. Her lines aren’t flowery or overly complex; they cut straight to the heart, leaving an emotional impact that lingers. She speaks to the human condition in a way that feels like an honest conversation rather than a lecture, which makes the book both intimate and accessible.
One of the book’s standout aspects is its ability to shift between light and dark, much like the ebb and flow of life itself. In “Chasing Affirmations,” she grapples with the need for external validation, questioning why we seek approval from others when self-worth should come from within. It’s a relatable sentiment, one that many will nod along to in recognition. But Henschel doesn’t just dwell in uncertainty—she also uplifts. Pieces like “The Reward of the Climb” remind us that perseverance, no matter how exhausting, is always worth it. Her words don’t sugarcoat reality, but they do offer a guiding hand through it.
What makes The Aim to Endeavor even more special is the photography interwoven with the poetry. The images, credited to Marvin Henschel, enhance the mood of each poem. The visuals give weight to the words, grounding abstract emotions in tangible places.
This book is perfect for those who find comfort in poetry that is both reflective and empowering. If you’ve ever felt lost, uncertain, or in need of a gentle nudge toward self-discovery, Henschel’s work offers just that.
Pages: 106 | ASIN: B0BS3KVDK1
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Posted in Book Reviews, Five Stars
Tags: author, book, book recommendations, book review, Book Reviews, book shelf, bookblogger, books, books to read, ebook, goodreads, indie author, kindle, kobo, literature, nook, novel, photography, poem, poet, poetry, read, reader, reading, story, Susana Henschel, The Aim to Endeavor: A Fusion of Reflective Poetry & Scenic Photography, writer, writing
An Incredible Gift of Transformation
Posted by Literary-Titan

The Fine Art of Grieving guides readers through the deeply emotional landscape of mourning your son through evocative vignettes, photography, and various art forms to share your emotions and memories. Why was this an important book for you to write?
Before my son’s death, I found art to be an effective tool to express uncomfortable feelings and transform my own childhood trauma into meaning. Creativity gave me a voice, built my self-confidence, and made me stronger and wiser.
Although artmaking had been my salvation, my creative muse vanished when a switch flipped from child alive to child dead. How was I supposed to process grief?
Soon after my son’s death, I attended a grief group and asked the question, “How long does grief last?” The other grievers all turned to the counselor with looks of desperation. The counselor replied, “Grief lasts forever.”
I felt shocked, doomed, and then I shifted into disbelief. How could anyone survive if this relentless, excruciating, brutal thing called grief lasts forever?
Predominantly, grief is confined to culturally acceptable guidelines, often censored. Unexpressed grief is grief unprocessed. I witnessed most grievers quicksand-stuck, mouthless, or hanging unreachable in the cave of loss destined to suffer forever. No one should have to suffer forever.
My quest to prove that grief does not last forever began with defining grief—and healing. I read as many articles and research studies on grief as I could find, and although highly complicated and nuanced, it turns out that grief is a process and healing is part of that process.
I also devoured grief memoirs and self-help grief books only to find that my experience with grief—that raw unfamiliar madness—was not represented. What was missing compelled me to write a memoir about how creativity and healing were connected to the grieving process. I wanted to write a heart-opening, affirming, unabridged, unmasked depiction of what grief looks like and how it is possible to heal from grief.
In early grief, I wasn’t certain that my creative inquiry into devastating loss would facilitate healing, but I was willing to try. I intuitively suspected that I might be able to develop grief-vision—learning to see through darkness. It took me almost a year to find my way.
I discovered an unconventional pathway through grief. I turned to my camera to document myself floating down a river swaddled in my son’s blood-red blanket, surprised to experience the movements of that river as a metaphor for change—that nothing remains the same. Before the lens, I set my son’s clothing aflame to make sure there was nothing left inside those fading artifacts—a quick lesson in impermanence. I buried my face into his ashes and photographed my faceprint grimace pushed deep into the sand of him to discover my new self in place of his absence. Art performance and photography facilitated a viable means to transform harrowing loss and pain into something soulful, meaningful, and gave me purpose. A grief-can-be-healed revelation, so good, I wrote my book to offer relief and hope to all those who have or will experience grief.
“In grief, you can choose how to process your loss.” – Jane Edberg
I appreciated the candid nature with which you told your story. What was the hardest thing for you to write about?
One might assume the parts about “hearing my son is dead” or “viewing the body” would be the hardest to write, but the entire story was challenging because I was discovering what my story was about as I relived each event multiple times to write the book. My first draft of my memoir was written during the grieving process. While trying to make sense of my actions and experiences, I was processing grief while processing art while processing healing and writing to make sense of those complex relationships while following my throughline: one can heal from grief. Incrementally, I had to depict all the intricate bits that led me to accept my son’s death and show how I created a new, well-adjusted self in a new world. I wrote about how creativity allowed me permission to see, think, and behave in unfamiliar ways. There is no definitive grief manual for that. Years later—as the older, wiser, new self—I rewrote my memoir to include what I came to understand about deep loss.
While losing a loved one is sudden, and happens in a flash, the process of living without them takes years to incorporate, years to make sense of, and years of trying to accept realities that are impossible to understand. Although art assisted me in the journey from grief to healing, that process was fraught with labyrinthine struggle, deep mental anguish, and a lot of focused hard work. Writing that story was a tall order. However, if I had done nothing but give in to being swept away by grief, I believe that my grief would be delayed, and possibly last forever. My memoir is a testament to how one can heal from grief.
“Grief is in the details, so is the healing.” – Jane Edberg
What were some ideas that were important for you to share in this book?
“If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.” – Toni Morrison
So, I did.
The Fine Art of Grieving—not your typical grief memoir—is an introspective and thought-provoking story that explores the profound power of art and its role in navigating through grief to healing and self-discovery. My stories demonstrate how grief offers us an opportunity for self-reflection and personal development, which leads to personal growth. I switched up the conventional grief narrative to invite the idea that grief offers us an incredible gift of transformation.
I included 50 fine art photographs—visual representations of my journey through grief—to go hand in hand with the prose. I do not consider the photographs to be illustrations; I see them as illuminations—bringing light to darkness. My images speak to what my words cannot convey while my words speak to what the art holds as mystery.
Although many people believe that art is only made and enjoyed by those who were born with an innate gift of creativity, The Fine Art of Grieving addresses art as a human endeavor, that art is essential, and makes imagining and creating relatable—something anyone can engage in.
Above all, The Fine Art of Grieving is a book about hope—hope for healing, hope for joy, hope for a stronger, wiser self, and hope for a good life after traumatic loss.
“Grief rises from the ashes; you will rise from grief.” – Jane Edberg
What is one thing you hope readers take away from your story?
Because I am a complex and deep writer, the takeaway is tenfold—there are many valuable morsels in my book pertaining to loss, creativity, resilience, and love. My main takeaway—grief can be healed. One of my greatest wishes is to destigmatize discussing ideas, concerns, and feelings related to death, loss, and grief. I want to instill bravery and inspire others to express their loss with less discomfort.
When I became brave enough to share my grief stories—the private, raw rituals of reimagined loss—I was met with mostly applause and appreciation. In response to my candid sharing, I found other grievers compelled to share their wild steps through the process of grieving. I want readers to know that expressing their grief is how to process that grief.
Many grief experts tout that grief is forever, however, The Fine Art of Grieving offers proof that grief—after showing the complexities of grief—can be processed and healed, does not have to last forever, and that love, and creativity outlast grief.
“How do you heal grief? You grieve.” – Jane Edberg
Author Links: GoodReads | X (Twitter) | Author Facebook | Facebook | Author Instagram | Instagram | Website | thefineartofgrieving | TikTok | Medium | Podcast | Amazon
Jane Edberg’s creative muse vanished when a switch flipped from child alive to child dead. How was she supposed to process her loss? This lyrical, original, beautifully written story is about how, after the tragic death of her adored nineteen-year-old son, she rediscovers the power of art to create an unconventional pathway through grief. This is not your typical grief memoir. It is an introspective and thought-provoking story which explores the profound power of creativity to transform trauma and anguish into resilience and healing. Her journey is illuminated with breathtaking, fine art photographs of reimagined loss.
HEROES IN GRIEF podcast:
https://podcasts.apple.com/us/podcast/e6-jane-edberg-professor-artist-author-of-the-
fine/id1743205801?i=1000657605087
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Posted in Interviews
Tags: art, author, biography, book, book recommendations, book review, book reviews, book shelf, bookblogger, books, books to read, ebook, goodreads, grief and loss, indie author, Jane Edberg, kindle, kobo, literature, memoir, nonfiction, nook, novel, photography, read, reader, reading, self help, story, The Fine Art of Grieving, writer, writing
My Life Raft
Posted by Literary_Titan
It Was Her New York is more than a memoir; it is an exploration of family dynamics and self-discovery in a city that influences all who reside in it. Why was this an important book for you to write?
I and my sister were suddenly caring for a suddenly frail parent. My life changed on a dime. My plans to live abroad with my then-partner and the writing and documentary work that I was doing were all derailed. The city I had always felt “normal” in became more and more unrecognizable. At the same time, my parent, Florence was basically disappearing into dementia. Yet in that chaos, Florence kept surprising me with expressions that were so her and my city kept reminding me that I was still home. Those moments became a life-line to my well-being. The documenting of a pretty tough process kept me connected and sane and working my storytelling muscles. It also comforted me and offered me daily opportunities of giving gratitude-something that cannot be underestimated when going through challenges. Simply put, it was my life raft.
What were some ideas that were important for you to share in this book?
HOME and LOVE and FAMILY are present in each and every person who is in HER NEW YORK: all the LGBTQ grandparents and parents who could never tell their families who they really loved; all our co-workers; all the people who keep our cities running; all the immigrants or refugees who come to NY and other cities seeking safety and a chance at a good life; all the caregivers – both relatives and home attendants – who go through their daily tasks in silence and invisibility. We are surrounded by their stories and, in the case of Florence’s Ex-Lover, secrets. I wonder often what the family of the Ex-Lover – the woman who loved Florence all her life – would think if they found out about their mother/grandmother/great-grandmother and her life-long heartbreak. I wonder if she truly had to hide her heart. I think if people who decry immigration would meet Mr. Godslove, they would be struck as I was by his kindness and goodness. I wonder if people ever stop and give thanks for all the bus drivers, subway workers and delivery people in their city. Yes, this book is specifically about New York City and a queer woman. But it is about a lot more; our cities and homes and relatives and neighbors and all their stories.
I appreciated the candid nature with which you told your story. What was the hardest thing for you to write about?
I wondered if it was the piece I wrote on the evening of the morning Florence died. But it wasn’t – that was an offering of gratitude (except for that one awful EMS person). The hardest thing to write was THE AUTHOR’S NOTE: WHAT A DIFFERENCE THE YEARS MAKE. It was there I had to splay out the regret I felt that last day with Florence and finally say goodbye to my past and the imperfect journey I took her to her final days.
What is one thing you hope readers take away from your story?
There was a parade chant from the Pride March many years ago – “2, 4, 6, 8, how do you know your grandma/grandpa/any relative is straight”. You don’t. We slap words onto people that become their definition, rather than getting to know who they really are. So what I hope this book does is welcome readers’ hearts to grow bigger, their curiosity to expand and their respect to deepen for the people they think they know, for the people they judge as “immoral” or “wrong” and for the people they have never met but fear.
Author Links: GoodReads | Twitter | Facebook | Website
In this engaging new collection of personal essays and full-color photographs, Moed tells true stories of caring for her mother Florence, a broke, Julliard-trained pianist who stumbles into dementia on the Lower East Side. This funny, poignant memoir asks questions both familiar and touching: “What happened to the neighborhood?” and “What happened to my mom?”
It Was Her New York is for anyone who has ever experienced the aging of a parent, the gentrification of a neighborhood, or the unexpected discovery of stifled love and hidden sexuality.
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Posted in Interviews
Tags: alzheimers, author, biographies, book, book recommendations, book review, book reviews, book shelf, bookblogger, books, books to read, C.O. Moed, dementia, ebook, Essays, goodreads, indie author, It Was Her New York, kindle, kobo, LGBTQ Biography, literature, memoirs, nonfiction, nook, novel, Parent & Adult Child Relationships, Parenting and Relationships, photography, read, reader, reading, story, True Stories, writer, writing









