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A Little Mystery

Karen Henrich Author Interview

Brave Like Me follows four woodland friends who encounter a mysterious figure in a snowy forest and discover that true courage comes from friendship, compassion, and facing fears together. How did you decide which personality traits would represent different expressions of courage?

Over the past 20 years, through my work with Moment by Moment, I’ve met thousands of children facing extraordinary challenges. One of the most meaningful lessons they’ve taught me is that courage and bravery do not look the same in every child.

Some children are naturally curious and eager to explore, while others are sensitive, cautious, or anxious about the unknown. I’ve learned that none of these qualities makes a child any less brave. In fact, sometimes the quietest child demonstrates the greatest courage.

I wanted each of the four woodland friends to reflect a different personality that children could recognize in themselves. Benny Bear is sensitive and gentle, Remy Raccoon is curious and adventurous, Ruby Rabbit is thoughtful but sometimes anxious, and little Mabel Mouse reminds us that courage has nothing to do with size.

I wanted readers to see that none of these woodland friends has to change who they are to become brave. Instead, they discover courage in their own way, with a little encouragement from their friends.

That was especially important to me because I’ve witnessed firsthand how meaningful it can be when a child begins to recognize their own strength through the help of family and friends.

I believe that we should not just tell children, going through any life circumstance, that they are brave; we should help them see it through their own lens of the world. My hope is that every child who reads Brave Like Me will see a little of themselves in one of these friends and realize that being scared and being brave can exist at the very same time.

The mysterious figure creates both suspense and opportunities for self-discovery. How did you balance the excitement of the unknown with reassurance for young readers?

I believe a little mystery can be a wonderful way to help children explore their emotions in a safe and interactive way. When I first imagined this story as a child, surreal 50 years ago, I was drawn to the excitement of discovering something unexpected. As my story evolved, especially after my 20 years working with children through my nonprofit, Moment by Moment, I wanted that mystery to carry a deeper message and began to write Brave Like Me from where I see the world now.

Children encounter the unknown all the time, whether it’s their first day of school, meeting someone new, trying something difficult, or facing a medical experience. What might seem small to an adult can feel enormous to a child. I wanted young readers to experience that sense of uncertainty alongside the four friends, but never feel overwhelmed by it. The snowy forest creates an atmosphere of mystery, while the friendship and different personalities of the characters and their working together to solve the mystery provide reassurance along the way. I wanted children to discover that sometimes the things that we fear are things we simply don’t yet understand.

Ultimately, the story is about discovering that appearances aren’t always what they seem, and recognizing how much easier it can be to take that first brave step when someone (a friend or a loved one) is beside you.

My hope is that children finish the book feeling not only reassured, but a little more confident about facing their personal fears of the unknown.

Your story emphasizes that bravery doesn’t mean being fearless. How do you hope children will apply this message when facing challenges in their own lives?

One of the most important lessons I’ve learned through 20 years of Moment by Moment is that courage isn’t the absence of fear; it is finding the courage to take the next step, even when you are afraid. In 2018, I was in a teenager’s patient’s room, and she had written this on a poster: “Being brave doesn’t mean you’re not scared. It means you keep going when you are.” Those words stayed with me because they captured something I had witnessed in children for so many years. Courage wasn’t about being fearless. It was about finding the strength to keep going, even when life felt overwhelming.

That moment helped me recognize the deeper message I wanted my childhood story to carry. Nearly 50 years after I first imagined those woodland friends, their adventure became a way to share what thousands of children have taught me about courage.

My hope is that children who read Brave Like Me will recognize that bravery exists in their own everyday experiences, whether it’s trying something new, making a friend, or facing something that frightens them.

It is perfectly okay to feel nervous, uncertain, or scared, and those feelings don’t diminish their courage. I also want them to recognize that asking for help, showing kindness, and leaning on others can be expressions of bravery. I especially hope the book encourages parents, teachers, and caregivers to notice and celebrate those everyday moments when children step outside their comfort zones.

Jordan Foster’s illustrations beautifully capture the characters’ emotions and the changing winter landscape. How did your collaboration influence the story’s atmosphere and emotional impact?

My collaboration with Jordan Foster is especially meaningful because our relationship goes back long before Brave Like Me was ever imagined as a published book. Jordan’s mother is one of my closest friends, and I’ve had the wonderful privilege of watching Jordan grow up from the day she was born. Over the years, I’ve watched her creativity and artistic talents unfold, eventually leading her to a career on the digital marketing team at Warner Bros.

A few years ago, while I was working at UCLA Children’s Hospital, I invited Jordan to dinner in Los Angeles. I was beginning to explore the possibility of bringing my childhood story to life and thought that, through her creative connections, she might know a freelance illustrator who would be interested in the project. What I didn’t expect was that Jordan would say she’d like to give it a try herself, and that evening marked the beginning of a very special creative partnership.

This was the first children’s book for both of us, so we found ourselves learning the intricacies of layouts, storyboards, and the illustration process together. While much of the process was new to both of us, Jordan brought a natural artistic vision and remarkable sensitivity to the characters from the very beginning. I had carried these four little woodland friends in my imagination for decades, but Jordan was the one who gave them their faces, expressions, and personalities on the page. Young readers can recognize their curiosity, fear, and ultimately their bravery and courage, even before those emotions are expressed in words.

The winter woodland setting plays such an important role in creating the story’s atmosphere. There’s something magical about a snow-covered forest, but also something mysterious about its stillness, the shadows among the trees, and not knowing what might be waiting just beyond them. Jordan captured that delicate balance beautifully, creating a world that feels both inviting and a little mysterious. The snowy landscape draws children into the adventure, building just enough suspense to make them wonder what the four friends will discover. As the story unfolds, her illustrations help shift that feeling of uncertainty toward warmth, understanding, and reassurance.

I think that’s what made our collaboration so special. I brought a story I’d carried with me since childhood, and Jordan brought the artistic vision to give it life. Together, we created a world where children can not only follow the adventure but also feel the emotions behind it.

Author Links: GoodReads | Website | Amazon

One winter morning, something strange appears at the top of a snowy hill.

When a mysterious figure appears, Benny Bear, Remy Raccoon, Ruby Rabbit, and Mabel Mouse are filled with questions—and a little fear. One by one, they venture into the cold to investigate. But the more they look, the more the mystery seems to change . . .

With courage, curiosity, and a lot of heart, these four friends discover that sometimes the unknown isn’t so scary after all—especially when you face it together.

This delightful rhyming tale celebrates friendship, bravery, and the magic of seeing things clearly—with just a little help from the morning sun.

The Area Could Use A Good Murder

Author Interview
Daniel Klein Author Interview

A Child’s Guillotine follows a Tennessee detective in 1982 who is investigating a young girl’s murder that is connected to a Croatian immigrant and horrors from WWII. What was the inspiration for the setup of your story?

I’ve long felt that WWII was a worldwide trauma that has left its mark well into the 21st century. People don’t talk about it, but those who experienced its horror will never forget. Unfortunately, there are very few of those people left and the rest of us need to be reminded that this is what can happen if we let our guard down. Croatia and the Balkan states were a theater of the war that has still not been fully analyzed or understood. The hatred goes back centuries, and no one knows why. I lived in Tennessee for a year and it’s a very beautiful and peaceful place. I thought the area could use a good murder.

What interested you about exploring the ways historical atrocities can influence individuals and communities decades after the original events?

What are we but for our history? We all scurry like rats hiding our secrets and our pasts, but when we admit to the worst of our past, we become more strongly committed to change, where cruelty and violence might just become a thing of the past.

How does Morris’s struggle with alcohol and personal regret contribute to his character development throughout the investigation?

Morris is your typical tough guy with a heart. His character evolved as I wrote. I realized that if I had seen what he saw in Detroit, I’d be drinking up a storm. I tried to make his character less stereotypical and more human. His city lifestyle smashing up against good country folk was my attempt at humor, and I do believe it helped round out his character. I didn’t want to minimize his struggle. Too many stories or movies have a heavy drinker who quits, wins a big victory, and then has a drink to celebrate. That’s not how it works.

What were the greatest challenges of balancing the novel’s murder mystery with its extensive historical and psychological themes?

I didn’t really think of this as a murder mystery until about halfway through writing it. When I realized I had created a whodunit, I knew I needed a twist, so I came up with the commandant of the concentration camp, which was exactly what I wanted to write about in the first place. “Who are these people?” “How could they do such a thing?” These are the questions I wanted readers to ask. The challenge is in making ethical self-examination entertaining. If I succeeded in doing that, then I have done a good thing.

The Detective’s Perspective

Scotty Miller Author Interview

Call Us Daddy is a true crime story following a detective and his colleagues as they navigate a complicated trail of digital evidence, online identities, forensic examinations, interviews, and legal procedures in the effort to bring child predators to justice. What made you decide that this particular investigation needed to be shared with readers?

After 22 years in law enforcement, I had seen a lot, but working child exploitation cases left an impression on me that never really went away. For 12 of those years, I investigated crimes against children, including seven years on an Internet Crimes Against Children task force working alongside the FBI. I saw the dedication it took to investigate these cases, but I also saw how much was happening behind the scenes that the public never got to see.

I think one of the things that bothered me most was how easy it could be for someone to hide behind a computer screen and target a child. As a detective, I knew what it took to follow the evidence, identify the people responsible, and build a case. But I also knew that most people had little understanding of how these crimes happened or how much work went into stopping the people responsible.

That was a big part of why I wanted to write Call Us Daddy. I wanted to take readers along on an investigation and let them experience it from the detective’s perspective. I wanted them to see the frustrating dead ends, the small breakthroughs, the hours spent tracking digital evidence, and the determination it takes to keep going when the answers don’t come easily. This wasn’t just about catching a predator. It was about understanding what was at stake every step of the way.

I also wanted to tell the story without losing sight of the children. Their privacy and dignity were extremely important to me, and I knew I had a responsibility to protect them while telling the story honestly. The offenders may be the focus of an investigation, but the children are the reason the work matters.

Now that I’m retired from law enforcement, writing this book has given me a different way to continue doing something I believe in. I can’t go out and investigate these cases anymore, but I can share what I learned and hopefully help parents understand the dangers their children may face online. That’s also why I created companion workbooks for parents and teenagers. I want families to have these conversations before something happens, not after.

If there’s one thing I hope readers take away from Call Us Daddy, it’s that protecting children online can’t be left entirely to law enforcement. Parents, educators, and communities all have a role to play. I spent years investigating these crimes, and I know how important that work is. But if sharing my experience helps even one parent recognize a warning sign or have a conversation that could protect their child, then writing this book was worth it.

What do you believe are the most important misconceptions parents and caregivers have about how online grooming and exploitation can develop?

I think one of the biggest misconceptions is that online predators are strangers who approach children in an obviously threatening way. After years of investigating these cases, I learned that grooming often doesn’t look dangerous in the beginning. It can start with a friendly conversation, a compliment, someone showing interest in a child’s hobbies, or simply making a young person feel understood. The person on the other side of the screen may gradually build trust before using that relationship to manipulate the child. By the time something feels wrong, the child may already feel emotionally attached, confused, or afraid to speak up.

Another misconception is that it only happens to children whose parents aren’t paying attention. That’s simply not true. Good parents can have loving relationships with their children, set rules, and do everything they believe is right, yet their children can still be targeted. Predators look for opportunities, and the internet gives them access to children in ways that previous generations of parents never had to consider. It can happen in a bedroom, on a gaming platform, through social media, or in a private message that a parent never sees.

I also think many adults underestimate how quickly an online interaction can change. A conversation that seems harmless can move to private messaging, requests for secrecy, emotional pressure, or demands for pictures. Children don’t always recognize what’s happening because the person may have spent weeks or months building their trust. And when children do realize something is wrong, shame, embarrassment, fear of getting in trouble, or threats from the offender can keep them silent.

If there’s one thing my experience taught me, it’s that we can’t rely on simply telling children not to talk to strangers online. We have to help them understand that someone can appear friendly and still have harmful intentions. We need to create an environment where children feel safe telling us about uncomfortable conversations, even if they’ve made a mistake or broken a family rule.

My advice to parents is to stay involved without making every conversation feel like an interrogation. Know which apps and games your children use, understand how those platforms work, and talk openly about online relationships, privacy, and boundaries. Most importantly, make sure your children know that if someone pressures, threatens, or manipulates them, they can come to you without fear of being blamed or getting in trouble. You have to create a safe place for a child to talk to you.

We can’t monitor every message or prevent every risk, but we can make it much harder for predators to use a child’s silence against them. Sometimes, the most important protection we can give a child is the confidence to speak up and the knowledge that the adults in their life will listen.

How does repeatedly investigating crimes against children affect the emotional well-being and personal lives of law enforcement professionals, and what changes or resources do you believe are most important for supporting the long-term mental health and resilience of professionals working these cases?

This is something I think people outside law enforcement don’t always understand. When you’re investigating crimes against children, you’re exposed to things most people will never see, and you’re expected to process that information, remain professional, and keep moving forward. You have victims who need help, evidence that needs to be examined, and cases that need to be built. You don’t always have the luxury of stepping away and dealing with what you’re feeling because there’s another case waiting for your attention.

During my 22 years in law enforcement, including 12 years investigating child sex crimes and seven years on an Internet Crimes Against Children task force, I learned that the work can follow you home, even when you try your best to leave it at the office. Certain cases stay with you. You may find yourself thinking about a child or a family long after you’ve finished the investigation. You can become more protective of your own children, more aware of the dangers around you, or frustrated by how easily someone can exploit a child’s trust. At the same time, you still have to show up for your family, be present in your relationships, and carry on with everyday life.

I think one of the hardest parts is that investigators are trained to focus on the evidence and the facts. You learn to compartmentalize because you have a job to do, and in many ways, that’s necessary. But being able to put your emotions aside while working a case doesn’t mean those emotions disappear. Sometimes you don’t recognize the effect the work is having on you until much later. You may become withdrawn, irritable, emotionally exhausted, or simply feel like you have nothing left to give when you get home. Every person handles it differently, and not everyone experiences the same effects, but I believe we need to be honest about the toll this work can take.

As for what needs to change, I believe agencies must treat mental health support as a normal part of the job, not as a sign of weakness or something an investigator seeks only when things become unbearable. Professionals working these cases should have access to confidential counseling with people who understand trauma and the realities of child exploitation investigations. Regular check-ins, manageable caseloads, time away from particularly difficult assignments, and supervisors who recognize the warning signs are also important. Peer support can be valuable because sometimes the person who understands what you’re experiencing best is another investigator who has been there.

I also believe we need to change the culture around asking for help. Law enforcement professionals are often expected to be the strong ones, the people others turn to when something goes wrong. That mindset can make it difficult to admit when we’re struggling ourselves. We need to make it clear that seeking support doesn’t make someone less capable of doing the job. It helps them continue doing it in a healthy and sustainable way.

Looking back on my career, I have tremendous respect for the men and women who do this work every day. They investigate these crimes because children need someone willing to stand up for them, even when the work is difficult and the subject matter is heartbreaking. But those investigators are human beings, too. They have spouses, children, and lives outside the job. Protecting the people who protect children should be part of the mission. If we want experienced investigators to stay in this field and continue doing this important work, we have to take their well-being just as seriously as we take the cases they’re responsible for.

What do you hope readers understand about the realities of Internet Crimes Against Children investigations that they might not appreciate from television, news coverage, or fictional crime stories?

After 22 years in law enforcement, I can tell you that some of the most important moments in an investigation never happen the way they do on television. There is no dramatic music, no detective suddenly connecting every clue, and rarely a moment when everything falls neatly into place. Instead, there are long hours, frustrating dead ends, unanswered questions, and times when you have to keep pushing forward because you know a child may be depending on you to get it right. When you’re investigating crimes against children, you don’t have the luxury of treating the case like a puzzle. There is a real child behind the evidence, and that never leaves your mind.

I think television and fictional crime stories have created an expectation that investigations move quickly. A detective finds a clue, runs a search, gets an answer, and suddenly the case is solved. In reality, it rarely works that way, especially with Internet Crimes Against Children investigations. These cases can involve weeks or months of painstaking work, and sometimes much longer. You may have a small piece of digital evidence that leads to an account, an account that leads to an internet address, and an internet address that eventually helps you identify a person. Every step requires patience, attention to detail, and the ability to follow the evidence wherever it leads.

One of the biggest things I want readers to understand is that digital evidence doesn’t automatically tell you the whole story. An online username isn’t a real identity, an internet address doesn’t necessarily identify the person responsible, and a single piece of evidence may raise more questions than it answers. Investigators have to verify information, work with service providers, obtain legal process, coordinate with other agencies, and make sure the evidence is gathered and documented properly. You can’t simply assume you know who is responsible. You have to prove it, and you have to build a case that will stand up in court.

Another reality is that these investigations often extend far beyond one detective or one jurisdiction. A suspect might be in one state, a victim in another, and the digital evidence held by a company somewhere else. Bringing everything together requires cooperation, persistence, and a lot of communication between people who may never meet in person. It isn’t always glamorous work. Much of it involves reading reports, reviewing evidence, writing search warrants and subpoenas, conducting interviews, and following up on details that might seem insignificant to someone looking in from the outside. But sometimes those details are what move an investigation forward.

I also want readers to understand that identifying an offender is only part of the job. We have to remember why we’re doing the work in the first place. There are real children behind these investigations, and the consequences for them can be devastating. Protecting their privacy, treating them with dignity, and making sure they aren’t defined by what happened to them are responsibilities I took seriously throughout my career.

I have enormous respect for the people who do this work. They don’t have a television script telling them what to do next, and they don’t always get immediate answers or a satisfying resolution. They have to keep going even when progress is slow, and the material they’re dealing with is difficult to process.

Ultimately, I hope readers finish Call Us Daddy with a better understanding of the dedication these investigations require and the people behind them. I want them to appreciate that protecting children online takes more than making an arrest. It takes careful investigative work, collaboration, persistence, and a commitment to getting the facts right. And I hope they recognize that while law enforcement has an important role to play, parents and communities also have a responsibility to understand the dangers children face online and help prevent these crimes before another child becomes a victim.

Author Links: GoodReads | Amazon | Barnes & Noble | Facebook | Website | Amazon

What is worse than a child predator? Twins who will stop at nothing and the clock is ticking.

A single CyberTip.
A digital trail.
Two brothers hiding a secret.

When Detective Trevor Kane is assigned an Internet Crimes Against Children case, he expects another difficult investigation. What he doesn’t expect is where the evidence will lead.

Following usernames, IP addresses, online accounts, search warrants, electronic records, and forensic evidence, Kane begins piecing together a disturbing puzzle. Each new discovery reveals another layer of deception, forcing investigators to confront a horrifying reality: the people responsible may be much closer to their victims than anyone imagined.

But finding the evidence is only the beginning.

Kane must identify victims, uncover the truth, navigate the complexities of a multi-jurisdictional investigation, and build a case capable of putting the perpetrators behind bars. As the investigation unfolds, he sees firsthand how predators manipulate trust, exploit technology, and hide behind seemingly ordinary lives.

Call Us Daddy takes readers inside the investigation from the perspective of the detective who worked the case. It reveals the painstaking process of following a digital trail, uncovering hidden evidence, interviewing victims, and building a criminal case against those who prey on children.

This isn’t television crime drama.
There are no scripted clues, convenient breakthroughs, or fictional endings.

This is a true story.
And behind every file, every piece of evidence, and every investigative decision are real children whose lives were forever changed.

Call Us Daddy is a disturbing journey into the world of online child exploitation and the investigators who work behind the scenes to expose it.

Some cases stay with you long after the investigation ends. This is one of them.
Some cases are solved.
Some cases change you.
This case does both.



*This book is appropriate for adults and teenagers. The book addresses disturbing subject matter involving child exploitation but avoids gratuitously graphic sexual descriptions and contains no profanity. The material is presented with restraint, focusing on the investigation and its impact rather than sensationalizing the crimes.

Call Us Daddy
Based on a true story.

FREE COMPANION WORKBOOKS FOR PARENTS AND TEENS
The story doesn’t have to end with the final chapter.
Free companion workbooks for parents and teenagers are available at ScottyMillerBooks.com. These resources provide practical information, discussion topics, and online-safety guidance designed to help families better understand the dangers children can face online, recognize warning signs, and start important conversations about protecting themselves and their children.

Visit ScottyMillerBooks.com to access the free companion workbooks.

About the Author

Scotty Miller’s life has been defined by service.

Scotty Miller is a U.S. Army veteran, where he served for eight years and saw combat in the Middle East. Following his military service, Scotty became a police detective, serving for 22 years before retiring in 2021. Scotty investigated child sex crimes on an FBI Child Exploitation Task Force, focusing on cases involving child exploitation, child sexual abuse, and child pornography.

These experiences leave an indelible mark on him and ultimately inspire him to tell the stories that most people would rather not see or hear.

Through his writing, Scotty hopes to bring greater awareness to the realities of crimes against children, honor those whose lives have been forever changed by them, and remind readers that behind every case file is a human story that deserves to be heard.

Tossed Into A Powder Keg

Author Interview
Eric Goebelbecker Author Interview

“Shadows of the Past” follows a disillusioned soldier and a radio engineer as they uncover dangerous secrets in an alternate WWI shaped by humanity’s survival of a Martian invasion and its dependence on alien technology. What inspired you to explore the aftermath of H.G. Wells’s Martian invasion?

Back in 2019, I was researching my grandfather’s story. The short version is that he was a reluctant hero on the German side of World War I, clashed with proto-Nazis during the turbulent Weimar period after the war, and eventually fled to the U.S. after an attempt on his life. He even had a couple of violent encounters with the Bund in New York City. His story turned out to be way too important and just plain much for a first book.

But I spent a lot of time thinking about World War I while I was doing my research.  We generally think of the assassination of Archduke Franz Ferdinand as “starting” the war, but that event was a more like a match carelessly tossed into a powder keg than an inciting event. If Gavrilo Princip hadn’t killed the Archduke, something else would have set it off.

At some point while I was reading about the Somme, I came across a worn copy of the War of the Worlds. What would you get if you crossed the Martian Walkers with the trenches of World War I? 

Suddenly I had to answer that question.

I reread the original story and doing that raised another question. The story ends with the Martians dying on the battlefield because of Earth’s microbes. What happened to all that alien hardware? How did the invasion, combined with a windfall of new technology, change history?

How did you approach blending authentic World War I military history with salvaged Martian technology while keeping the altered world believable?​

I have a background in technology, and that came in handy. I enlisted in the Army after high school and served as a radar repairman for two enlistments in the 1980s. When I started training in 1982, the radars still used technology from the 1950s, like vacuum tubes, analog spectrum analyzers, ferrite core memory. Then, after I was deployed to Germany the Army deployed newer versions that introduced microprocessors, solid state power supplies, and a host of other improvements. I was lucky enough to learn about technology from two very different eras. 

The trick was to show how access to martian technology would have changed the past without info dumping or boring the average reader. My initial draft had a lot more detail on the tech, especially in the chapters with James. I ended up cutting a bit after receiving feedback from people less interested in tech than I am.

Emil becomes increasingly frustrated by humanity’s use of alien weapons; how does his experience with the original invasion shape his understanding of war and loyalty?​

As much as I am a tech and science fiction fan, it was always apparent to me that the emotional impact of the invasion was the most important part of the story. Emil lost a lot during the first invasion, and it colors how he sees the world. But, he was also a draft age man when the war broke out, so he had to either go to war or face prison or execution. This led to an inevitable conflict between his beliefs and his duties.

The German Army’s war crimes in Belgium during World War I are very well-documented. So, having them use the Black Smoke on the battlefield with no regard for who it kills was hardly a stretch. Emil experiences this firsthand and his response gets him in big trouble with his military leadership, and he comes very close to being executed anyway.

James’s work with Thomas Edison places him at the intersection of scientific discovery and political intrigue; what did you want his storyline to reveal about technological progress and responsibility?​

Scientist and engineers want to view their work as this isolated, morally neutral thing. But it never is, not when political and economic forces inevitably end up in charge. James is shocked and resentful when he sees what the Marines did with “his” radio station. But it never was his. It was Edison’s, until the government decided it was theirs. Neither of them had any input into how the government decided to use it. 

And of course, the government didn’t have much control over it either.

Author Links: GoodReads | Facebook | Website

The Martians failed in 1894. In 1915, humanity won’t be so lucky.
It’s 1915, and the trenches of the Somme are already hell for German soldier Emil Zimmerman. But when the familiar, terrifying howl of a Martian Wanderer sounds across the battlefield, he knows the true war has just begun. The invaders have returned, adapted to Earth’s environment, and this time they have help.
Across the German lines, Emil discovers a treasonous conspiracy: a rogue General is hoarding alien weaponry, and negotiating a dark alliance with the enemy. Now, Emil must lead a mutiny and turn the enemy’s own heat rays against them before Europe burns.
Meanwhile, in America, James Brogan, a brilliant engineer at Edison Laboratories, uncovers a silent invasion on his own soil. When transatlantic radios go dark and a massive explosion rocks Coney Island, James realizes German spies and Martian sympathizers are blinding the United States to the coming slaughter. Forced to step out from behind his workbench, James must expose a high-ranking traitor and restore the Planetary Warning System before the invasion reaches New York.
Twenty years ago, humanity only survived the first Martian invasion because Earth’s microbes decimated the invaders. Now, the Great War rages on, fueled by scavenged alien technology—fearsome heat rays and deadly canisters of Black Smoke—which the Martians now wield with ruthless efficiency.
From the burning ruins of Reims to the bustling streets of Manhattan, the Great War of the Worlds has begun.

Character-Driven Writer

HL Bernabe Author Interview

Cooking Up Magick follows a halfling chef’s culinary explorations through Erdea, a world shaped by ancient magick, layered history, and the practical challenges of travel. Where did the idea behind this story come from?

The first germ of an idea for this story came while I was playing D&D with friends. I wanted to explore a game where people learned to use magick from scratch. In D&D, you start at level one already knowing how your abilities work, but I wanted to know what it would feel like to suddenly develop magick with no warning, no idea it was even possible. I imagined colorful sparks like static electricity, hair floating as power charged through the body. I thought it would be fun to play a halfling who suddenly develops this ability. Unfortunately, COVID interrupted my plans, and we all scattered. The idea wouldn’t stop cooking in my brain, so I started writing.

Shortly before the pandemic, my husband passed away. He loved to cook and had once wanted to be a chef himself, but unfortunately never got that opportunity. So my halfling, Paisley Dell, became a chef because of him. So much of him lives in these characters, in little quirks and interests. He was my cinnamon-roll softie, and Gunur Yurg carries that part of him. The whole book is my ode to him. Writing him into these characters was my catharsis.

How much thought went into designing the roads, terrain, transportation systems, and settlements?

A lot. So much thought. Many times throughout my rewrites, I discovered myself doing the equivalent of algebra. I owe an apology to my teacher for thinking word problems were a waste of time. Trying to figure out how fast the various parties were going, how many miles they had to go, how many days it would take each to get where they were going. And then, of course, how that changed whether they were all walking, being carried, or had horses, and what days they actually started their journeys in relation to each other.

The settlements didn’t require the mental gymnastics that traveling did! I did a lot of research on castles, villages, farming, warfare, and so on from about the 1200-1500’s so that I could convey the proper fantasy flavor. Because it’s fantasy, and my book is populated with different races, I tried to keep the technology developed somewhat consistently, yet with cultural variations.

Do you enjoy the problem-solving side of adventure stories as much as the action itself?

Absolutely. Action helps keep the pace fast and fun. But delving into the problems and “what do we do now” questions gives us glimpses into our characters’ minds, how they think, why they think that way, how they solve problems. I am a very character-driven writer, so I enjoy that part immensely.

Can you give us a glimpse inside Book 2 of the Dell Chronicles? Where will it take readers?

Paisley and her friends travel to Zeldara and meet with Lera Telanir, the king of the Dark Elves. Paisley learns more about her magick, and we get a spotlight more on Leel and Idari. Those two characters didn’t get a lot of page time in book one, and will get more in book two. The group also gets to meet a dragon or two.

Author Links: GoodReads | Threads | Facebook | Instagram | Website | Linktree | Amazon

She only wanted to travel the world—now she has to save it.

Paisley Dell is a halfling chef with a simple dream: learn to cook foreign cuisines and bring warmth to the world one meal at a time. But her peaceful culinary quest derails the moment she stumbles upon a talking cat, meets a dragon in disguise, and unleashes magick no one has wielded in five centuries. Now an ancient sorcerer wants her dead.

Paisley and her new friends—a pair of loyal dwarves, a wandering high elf, and an honorable half orc who believes their fates are intertwined—race against the shadow of a rising war.

As the sorcerer’s assassin draws closer, Paisley must navigate sieges, secrets, and her bewildering new powers… all while trying to protect the people she loves.

She never asked to be a hero. She just wanted to cook—but Cooking Up Magick is exactly what destiny’s recipe calls for.


Legends and Lattes meets The Lord of the Rings. Cozy fantasy warmth meets epic fantasy stakes in a story where kindness, love, and community aren’t weaknesses to overcome, but the very strengths that win wars.Found Family
Strong Female Protagonist
Characters You Want to Hang Out With
Culinary Fantasy
Secretive Cat Companion
Slow Burn Romance
Sorcerer Villain
Dragons, Wyverns, & Murdercats, Oh My!

Mostly, it changed how I see my past.

Author Interview
Joanna Potepa Author Interview

It Happened. Make of It What You Will is a witty, heartfelt memoir about travel, independence, and the wonderfully unpredictable moments that make life memorable. How did writing the book change the way you think about the seemingly ordinary incidents that become lasting memories?

Mostly, it changed how I see my past. I was surprised which moments I remembered as if they happened yesterday, and which were simply gone. Memory works like a scattered jigsaw puzzle. You look for the edges first, and then the rest starts to fit.

My trip around the Iberian Peninsula was the edge. It could just as well have been something else. That’s why I don’t see the book as a memoir or a travel journal. The journey is only the frame. The picture is made of everything that fell into place around it.

How has traveling independently influenced your understanding of yourself and your ability to adapt to unfamiliar situations?

I had travelled alone before, and I’d be lying if I said it’s easy. It isn’t. You put a few things on the scales. On one side, dealing with everything by yourself, with no support. On the other, time for attention, and seeing everything around you with your own eyes. Every journey makes me feel more capable, and more sensitive to the world.

Your stories often find humor in frustrating or unpredictable situations. How has humor influenced the way you respond to life’s challenges?

Humour is a shield and a life support at the same time. The alternative is negative feelings, and those destroy. I prefer to build.

What do you hope readers discover about the value of curiosity and paying attention to the details of everyday life?

Not what they discover, but whether they discover it at all. At the pace we live now, we don’t stop anymore. Attention is fading, and it is the essence of life.

Author Links: GoodReads | Website

It begins with a woman, a silver Mazda and a journey around the Iberian Peninsula. But it quickly stops being a simple road story.
In these pages, a white peacock crosses a country road, passengers refuse to cooperate at a toll gate, a flamenco dancer seems to set the floor on fire, a dinner arrives under a glass cloud of smoke, a raft built from logs claims the Pacific, a castle wakes the desire to draw again, a night in the Basque hills turns every breath into a negotiation, and a man stops breathing exactly at four in the morning.
Joanna Potepa, a Polish visual artist, writes in still frames: short, precise, open scenes where ordinary life changes angle without asking permission. Her gaze does not chase morals or neat explanations. It observes roads, rooms, animals, objects, losses, accidents and absurdities with the attention of someone who knows a life can transform in silence.
Moving between Spain, the United Kingdom and Poland, this book draws an intimate map of motion, memory and attention.
It is what happened. Geometry of almost.

Literary Titan Gold Book Award: Children’s Books

The Literary Titan Book Award recognizes children’s books that mesmerize audiences with incredible narratives, vibrant illustrations, charming characters, and fresh ideas. Offering well-earned accolades, we salute the imagination and exceptional skill of authors who create tales that spark curiosity and delight in young minds.

Award Recipients

Visit the Literary Titan Book Awards page to see award information.

Literary Titan Gold Book Award: Fiction

The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.

Award Recipients

60 Seconds To Earth’s Wrath by Joy B. Wren

Visit the Literary Titan Book Awards page to see award information.