Posted by Literary Titan
With a collection of singular point of view narratives the author, Mayne Leitzer, offers his first complete book of poetry; 103 Simple Poems From One Simple Person. The book is sectioned into chapters outlining the types of poems that follow, what those writings mean to the author, and how they came to be. The title is indicative of the style of writing, not the writer, as the poetry is fairly simple; using straight forward thoughts and uncomplicated prose to reflect on life’s complications. The story arc is more of a summation of personal perspective and reflection than a journey forward or illustration of action.
In penning “103 Simple Poems” Mayne Leitzer offers up self reflection, self deprecation, a heavy dollop of fundamentalist religious dogma, and more than a little bit of sadness and remorse, with a glimmer of joy and hope.
Many of his poems are jargon one could find on a motivational poster or greeting card, but that is not at all bad. Life can get messy and sometimes people need soft, plushy words to find comfort and solace. The reader will find many situations that they can relate to; lost love, death, pursuing success, loneliness, finding your destiny, conflict of conviction, etc.
However, there are many poems that can be divisive. Sex before marriage, gun control, abortion, prayer in school, Heaven and Hell, those types of things. The thoughts Leitzer lays out are organic in nature and not derived of a need to be quoted for inspirational prose or to start a deep conversation, but rather, just as he states; a need to express his soul at different stages in life.
Some poems showcase the more complex layers of his humanity that struggle to shine under the dominance of a narrow vision. The Promised Land poem is thoughtful and embraceable. Not a Bad Day and One Moonlit Night lets out his optimistic side which he admits is not in his nature. Leitzer is honest about his mistakes and his struggle with alcoholism. His love poems are truly good; especially Seasons, A Smile and Rock A-bye.
There are a few grammatical, punctuation and spelling errors, which are distracting as is his zealous religious fervor, but his writings let the reader feel his authenticity and the last few poems wrap up nicely to summarize his goal and wishes for success.
This book uses simple and fluid style to expand peoples emotional depths but seemed content to keep its voice generalized. The individual writings have value no matter your religious leanings. At the end the reader will come away with some reflections of their own and maybe, quote a few lines for their own stages of life.
Pages: 124 | ISBN: 1425979149
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Posted by Literary Titan
Icarus details the captivating account of P.I. Brinkman’s investigation into the disappearance of young Jane Emmett. What was your inspiration behind this story?
I’ve suffered from night terrors since I was a child, and sometimes the dreams can get pretty intense. Over time, I’ve learned how to use this to my advantage, and I keep a notepad and pen on my nightstand to scribble down as much as I can remember. The first seeds of Icarus began there, and then I started to fill in the rest over the next couple of months. I’d say the concept is a hybrid of influences: the TV series Lost, the video game series BioShock, and the movie Battle Royale. It’s a strange combination of things that really shouldn’t fit together, but I still somehow felt they could.
This story is set in West Virginia in 1947. Why did you choose this time and place as the backdrop?
I wanted the story to take place in a fictitious location, but still feel believable. I love it when people tell me they’ve googled Ashley Falls trying to find it on a map. 😊 I guess I’ve always been drawn to small towns. I love the sense of community, and the whole “everyone knows everybody” atmosphere. Ashley Falls is a sleepy little town nestled away in the woods, but close enough to big cities so that it’s not completely cut off from the rest of the world. I ultimately chose West Virginia because of its proximity to key places I thought would make for a great setting.
As for the decade, it was the perfect fit for what I was trying to accomplish. I’m fascinated with urban legends and conspiracy theories, and some of my favorites are from the ‘50s and ‘60s. I thought it would be fun to pull some of that mid-century paranoia into a post-WWII world and see what it might’ve looked like. I mean, if people reported seeing men in black in the ‘60s, how much earlier were they in existence before they were actually noticed?
One thing I found exceptional in this novel was the characters, especially Miller Brinkman. What were some themes you wanted to capture while creating his character?
Thank you! I really appreciate that. What I ultimately wanted for Miller was to be relatable. When you look at some of the most famous detectives in literature, you start to see a lot of the same characteristics. I wanted to create a character who was different. He’s not a big city P.I., and he doesn’t have much experience dealing with things like kidnapping and murder. Although he’s a logical and capable sleuth, Miller’s still sort of getting his feet wet and learning on the job. I wanted readers to come along on his journey and hopefully be invested in his growth.
It was also important to me to find the right balance in his character. He’s not Superman, but he’s not bumbling either. No answer comes to him easily. I wanted him to work hard for every inch he advances in the case.
Icarus is the first book in the Noble Trilogy. What can readers expect from book 2 in the series, The Invisible War?
The Invisible War is a bit of a departure from Icarus. It had to be. Miller couldn’t have gone through the events of the first book and come out the same man, so I really wanted to explore his mental state, and what that meant for his future. He made some powerful allies in Icarus, and those relationships open the door for him to explore a new opportunity working with the F.B.I.
In Icarus, we see Miller working somewhat in a silo. In The Invisible War, he’s handed a rather sinister case that’s going to require more help, and he’s put in charge of a special task force. Miller’s never had to lead before, so this is an opportunity for him to evolve even further.
However, something else is changing inside Miller at the same time. He’s becoming stronger. Faster. Bloodthirsty. Something dormant inside of him is beginning to bloom.
It’s the winter of 1947 in Ashley Falls, West Virginia, and a teenage girl has gone missing. Local private detective Miller Brinkman takes the case, quickly uncovering a string of bizarre clues. A hidden diary, cryptic riddles, and buried secrets all pique Miller’s interest, but one key detail gives him pause: the girl’s parents haven’t reported her disappearance to the authorities. As the case deepens, Miller’s investigation begins to poke holes in the idyllic picture of his beloved hometown. No longer certain whether anyone in his community can be trusted, Miller dives headfirst into a desperate search for the truth that extends far beyond the borders of Ashley Falls. He soon discovers that his missing persons case is not an isolated incident, but part of an otherworldly mystery—one that, if confronted, may threaten the very future of humanity.
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